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Robin Thicke holds onto his girlfriend April Love Geary as they leave Nobu on Friday night (April 29) in Malibu, Calif.
Earlier in the week, the 39-year-old entertainer spent some quality time with his six-year-old son Julian. The pair headed to one of Julian‘s baseball games, where Robin gave his son some pointers. Robin Thicke and his girlfriend April Love Geary hold hands while making their way out of Nobu restaurant after having dinner on Saturday (April 9) in Malibu, Calif. Over the weekend, Robin shared that he just got Chrissy Teigen‘s new cookbook and asked his fans what he should make. Sofia Vergara shows off her moves while dancing on stage with Pitbull during the final performance of the night at the 2016 Grammy Awards held at the Staples Center on Monday (February 15) in Los Angeles. The 43-year-old Modern Family actress showed up on stage in a taxi costume before stripping it off to dance around. Robin Thicke is all smiles while seated at the 2016 Grammy Awards held at the Staples Center on Monday (February 15) in Los Angeles.
The 38-year-old singer had two very special dates to the award show – his mom Gloria Loring and his girlfriend April Love Geary! Robin Thicke waves to cameras while riding around on a four-wheeler and enjoying the final day of the year on Thursday (December 31) in St.
Robin recently shared a funny candid Instagram photo of his dad Alan chatting up rapper Drake! Robin Thicke chats on his cell phone while walking along the beach on Tuesday (December 29) in St.
The 38-year-old singer and his girlfriend April Love Geary have been enjoying their time together on the beaches over the past couple of days.
April appeared to be having a great time as she posed alongside an inflatable golden swan in the ocean and laughed with fellow visitors. She managed to snap a sexy photo of the two of them expressing how grateful she was to be with Robin. Robin Thicke and his girlfriend April Love Geary are all smiles as they drive an ATV around their hotel on Monday afternoon (December 28) in St.
The 38-year-old singer and April were later spotted riding their ATV as they headed out to dinner. That same day, April took to her Instagram to share some photos from the trip, including gorgeous a bikini mirror selfie. Double-clicking on any word or phrase in this story will open a reference window with definitions and links to other reference material.--> Up On “On The Town”The cast of high-schoolers that performed in this year’s Santa Barbara High School musical “On The Town” was nothing short of remarkable.
R&B star Robin Thicke debuted his new song “Get Her Back” about his estranged wife on Sunday evening.
Baggage Claim actress Paula Patton might have moved on from her husband, but Robin Thicke has no plans to let her go.
Thicke took the stage at the 2014 Billboard Music Awards held at the MGM Grand Garden Arena in Las Vegas, Nevada and poured out his heart to the actress.
G+ #Read of the Day: The Daguerreotype - The daguerreotype, an early form of photograph, was invented by Louis Daguerre in the early 19th c. The first photograph (1826) - Joseph Niepce, a French inventor and pioneer in photography, is generally credited with producing the first photograph. Easy Peasy Fact:Following Niepcea€™s experiments, in 1829 Louis Daguerre stepped up to make some improvements on a novel idea. Adafruit: The oldest street scene photos of New York City - Check out these incredible (and incredibly old) photos of NYC, via Ephemeral New York. The oldest street scene photos of New York CityCheck out these incredible (and incredibly old) photos of NYC, via Ephemeral New York. I still remember reading about Louis Daguerre's invention, the daguerreotype, in high school.
The Making of the American Museum of Natural Historya€™s Wildlife DioramasFossil shark-jaw restoration, 1909. Very old portrait of three men identified as (from left to right) Henry, George, and Stephen Childs, November 25, 1842. In 1840, Hippolyte Bayard, a pioneer of early photography, created an image called Self-Portrait as a Drowned Man. 10 Times History Was Captured in Living ColorColor photographs go back to before you might think.
For the bargain price of $10, you can treat yourself to two hours of Vegas-wattage, Broadway-bound rising stars hitting it out of the park.
It is difficult to point out one outstanding performance when everybody was so darned good.
Talbot was active from the mid-1830s, and sits alongside Louis Daguerre as one of the fathers of the medium. Niepcea€™s photograph shows a view from the Window at Le Gras, and it only took eight hours of exposure time!The history of photography has roots in remote antiquity with the discovery of the principle of the camera obscura and the observation that some substances are visibly altered by exposure to light. Again employing the use of solvents and metal plates as a canvas, Daguerre utilized a combination of silver and iodine to make a surface more sensitive to light, thereby taking less time to develop.
Half of the Limburg province of Belgium is added to the Netherlands, giving rise to a Belgian Limburg and Dutch Limburg (the latter being from September 5 joined to the German Confederation).June 3 a€“ Destruction of opium at Humen begins, casus belli for Britain to open the 3-year First Opium War against Qing dynasty China. Bayard had just perfected the process of printing on to paper, which would come to define photography in the following century, but the French government had decided to invest instead in the daguerrotype, a process invented by his rival, Louis Daguerre. The Santa Barbara High School Theater is staging Spamalot, lovingly ripped off (as they put it) from Monty Python’s Holy Grail, totally amped up, dressed up and repackaged into a raucous show with something on offer for everyone.As with all things Python, no sacred cows are left unmolested.
The comic timing, the duo dancing and singing, the snappy dialogue, the sets, the jazz ensemble headed up by the talented Richard Weiss, all were funny, polished, and professional. The Santa Barbara High School Theater is staging Spamalot, lovingly ripped off (as they put it) from Monty Pythona€™s Holy Grail, totally amped up, dressed up and repackaged into a raucous show with something on offer for everyone.As with all things Python, no sacred cows are left unmolested. Though he is most famous for his contributions to photography, he was also an accomplished painter and a developer of the diorama theatre.
As far as is known, nobody thought of bringing these two phenomena together to capture camera images in permanent form until around 1800, when Thomas Wedgwood made the first reliably documented although unsuccessful attempt. It didna€™t take long for others to seize the new technology and create daguerreotypes of New York City street scenes. Daguerreotypes are sharply defined, highly reflective, one-of-a-kind photographs on silver-coated copper plates, usually packaged behind glass and kept in protective cases.
A daguerreotype, produced on a silver-plated copper sheet, produces a mirror image photograph of the exposed scene. The Government, which has been only too generous to Monsieur Daguerre, has said it can do nothing for Monsieur Bayard, and the poor wretch has drowned himself.
Chemistry student Robert Cornelius was so fascinated by the chemical process involved in Daguerrea€™s work that he sought to make some improvements himself.
It was commercially introduced in 1839, a date generally accepted as the birth year of practical photography.The metal-based daguerreotype process soon had some competition from the paper-based calotype negative and salt print processes invented by Henry Fox Talbot. And in 1839 Cornelius shot a self-portrait daguerrotype that some historians believe was the first modern photograph of a man ever produced. For over two weeks in the summer of 2002, scientists and conservators at this prestigious facility subjected the artifact, its frame, and support materials to extensive and rigorous non-destructive testing. Who better than the Monty Python crew to turn the lens of irreverence and spoof on theatrical elements from within an actual play performance? They’ve crafted a special part for a brilliant Diva, played by Mary Cusimano, who starts off as the Lady of the Lake, and then morphs into other leading lady roles. Who better than the Monty Python crew to turn the lens of irreverence and spoof on theatrical elements from within an actual play performance?A Theya€™ve crafted a special part for a brilliant Diva, played by Mary Cusimano, who starts off as the Lady of the Lake, and then morphs into other leading lady roles.


The result was a very complete scientific and technical analysis of the object, which in turn provided better criteria for its secure and permanent case design and presentation in the lobby of the newly-renovated Harry Ransom Center.The plate also received extensive attention from the photographic technicians at the Institute, who spent a day and a half with the original heliograph in their photographic studios in order to record photographically and digitally all aspects of the plate. We just start to notice she’s been missing a bit in the second half when she strides out on stage in a flouncy robe and laments a hilarious number ‘What Happened To My Part?!?’Talking with Andrew Gutierrez, one of the main leads in the second half, the students didn’t change the script as written, especially since the script is difficult to obtain, and Santa Barbara is one of the first high schools to perform it. We just start to notice shea€™s been missing a bit in the second half when she strides out on stage in a flouncy robe and laments a hilarious number a€?What Happened To My Part?!?a€™Talking with Andrew Gutierrez, one of the main leads in the second half, the students didna€™t change the script as written, especially since the script is difficult to obtain, and Santa Barbara is one of the first high schools to perform it.
The object was documented under all manner of scientific lights, including infrared and ultraviolet spectra.
But they did add twists to make it more exciting, and the choreographer, Christina McCarthy took the dance numbers and ran with them.
The campus has been swept with a sort of awestruck pride that the show is actually incredible, really.The costumes, the accents (yes, they nailed them), the songs, and wit are all brilliantly done. Long before the first photographs were made, Chinese philosopher Mo Ti and Greek mathematicians Aristotle and Euclid described a pinhole camera in the 5th and 4th centuries BCE.
In the second half, an underlying theme begins to emerge, a bit of truth in jest, if you will, where the kids fully embody the script, saunter up to one of the most polarizing social issues at present, and poke it squarely in the eye.
In the 6th century CE, Byzantine mathematician Anthemius of Tralles used a type of camera obscura in his experimentsIbn al-Haytham (Alhazen) (965 in Basra a€“ c. It’s quite brave, and they pull it off with top marks.Spamalot will make you want to dance in the aisles, clap too loudly, guffaw in laughter, and sing at the top of your lungs. Ita€™s quite brave, and they pull it off with top marks.Spamalot will make you want to dance in the aisles, clap too loudly, guffaw in laughter, and sing at the top of your lungs. Perhaps best of all, with all the youth vibrancy rocking that stage, you’ll be totally amped up to go quest for your own grail, and indeed they urge you to do so.
Perhaps best of all, with all the youth vibrancy rocking that stage, youa€™ll be totally amped up to go quest for your own grail, and indeed they urge you to do so.
At the end of the night, it was one hell of an exercise in showmanship, great theater, and creative expression.
Wilhelm Homberg described how light darkened some chemicals (photochemical effect) in 1694.
The novel Giphantie (by the French Tiphaigne de la Roche, 1729a€“74) described what could be interpreted as photography.Around the year 1800, Thomas Wedgwood made the first known attempt to capture the image in a camera obscura by means of a light-sensitive substance. I tried to think of an excuse, but if I'm going to fight for more funding of the arts in our local schools, I had better be prepared to support them in person as well. In a time where a large amount of local news coverage of our youth focuses on the negative, this high school program is clearly gathering the talented teenagers who are too busy and too talented to be getting into trouble.
I tried to think of an excuse, but if I'm going to fight for more funding of the arts in our local schools, I had better be prepared to support them in person as well.A In a time where a large amount of local news coverage of our youth focuses on the negative, this high school program is clearly gathering the talented teenagers who are too busy and too talented to be getting into trouble.
The man tells the story of his favorite 1920s musical, while listening to a scratchy vinyl album on his vintage record player. As with the bitumen process, the result appeared as a positive when it was suitably lit and viewed. As he reflects on the play and its players, the musical bursts to life in his living room, much to his enjoyment - and ours.The characters are over-the-top, as was typical in many shows of the pre-Depression era, providing a delightful retrospective of the non-PC stereotypes of yesteryear. Gangsters, flappers, spit-takes, sexual innuendo and martini glasses all make an appearance, but the talent - the youthful talent - is what shines through in this show. Jordan Lemmond, who plays "Robert Martin," a handsome coed, is a triple-threat in acting, singing and tap dancing.
Gangsters, flappers, spit-takes, sexual innuendo and martini glasses all make an appearance, but the talent - the youthful talent - is what shines through in this show.A Jordan Lemmond, who plays "Robert Martin," a handsome coed, is a triple-threat in acting, singing and tap dancing.
He is a pleasure every time he is on stage, which, fortunately for the audience, is frequently. A strong hot solution of common salt served to stabilize or fix the image by removing the remaining silver iodide. The "Drowsy Chaperone" is portrayed by Elli Harb, whose comedic face and gestures are well worth the trip to the theater. On 7 January 1839, this first complete practical photographic process was announced at a meeting of the French Academy of Sciences, and the news quickly spread. She transforms herself into the hysterically funny lead character with ease (and a little help from her highball glass!). At first, all details of the process were withheld and specimens were shown only at Daguerre's studio, under his close supervision, to Academy members and other distinguished guests.
Perhaps the most memorable number is performed by Emilio Madrid-Kuser as "Aldolpho," the latin-lover who is charged with the task of breaking up the impending nuptials of the lead couple.
Aldolpho is described as "the man of a thousand accents - all of them insulting." "The Drowsy Chaperone" is a campy play that makes fun of, and pays homage to, the campy plays it parodies. Aldolpho is described as "the man of a thousand accents - all of them insulting."A "The Drowsy Chaperone" is a campy play that makes fun of, and pays homage to, the campy plays it parodies.
The messages "Chaperone" imparts are lessons all of us can appreciate as we shuffle through our own lives.
How lovely it is to be reminded of the importance of love, laughter and living by a group of our most talented, local youth.
Paper with a coating of silver iodide was exposed in the camera and developed into a translucent negative image. Support high school performing arts and go see "The Drowsy Chaperone." Santa Barbara High School Theatre700 E.
Support high school performing arts and go see "The Drowsy Chaperone."A Santa Barbara High School Theatre700 E. Unlike a daguerreotype, which could only be copied by rephotographing it with a camera, a calotype negative could be used to make a large number of positive prints by simple contact printing. The calotype had yet another distinction compared to other early photographic processes, in that the finished product lacked fine clarity due to its translucent paper negative. This was seen as a positive attribute for portraits because it softened the appearance of the human face.
Talbot patented this process,[20] which greatly limited its adoption, and spent many years pressing lawsuits against alleged infringers. He attempted to enforce a very broad interpretation of his patent, earning himself the ill will of photographers who were using the related glass-based processes later introduced by other inventors, but he was eventually defeated. Nonetheless, Talbot's developed-out silver halide negative process is the basic technology used by chemical film cameras today. Hippolyte Bayard had also developed a method of photography but delayed announcing it, and so was not recognized as its inventor.In 1839, John Herschel made the first glass negative, but his process was difficult to reproduce.
The new formula was sold by the Platinotype Company in London as Sulpho-Pyrogallol Developer.Nineteenth-century experimentation with photographic processes frequently became proprietary. This adaptation influenced the design of cameras for decades and is still found in use today in some professional cameras. Petersburg, Russia studio Levitsky would first propose the idea to artificially light subjects in a studio setting using electric lighting along with daylight. In 1884 George Eastman, of Rochester, New York, developed dry gel on paper, or film, to replace the photographic plate so that a photographer no longer needed to carry boxes of plates and toxic chemicals around. Now anyone could take a photograph and leave the complex parts of the process to others, and photography became available for the mass-market in 1901 with the introduction of the Kodak Brownie.A practical means of color photography was sought from the very beginning. Results were demonstrated by Edmond Becquerel as early as 1848, but exposures lasting for hours or days were required and the captured colors were so light-sensitive they would only bear very brief inspection in dim light.The first durable color photograph was a set of three black-and-white photographs taken through red, green and blue color filters and shown superimposed by using three projectors with similar filters. It was taken by Thomas Sutton in 1861 for use in a lecture by the Scottish physicist James Clerk Maxwell, who had proposed the method in 1855.[27] The photographic emulsions then in use were insensitive to most of the spectrum, so the result was very imperfect and the demonstration was soon forgotten.
Maxwell's method is now most widely known through the early 20th century work of Sergei Prokudin-Gorskii.
Included were methods for viewing a set of three color-filtered black-and-white photographs in color without having to project them, and for using them to make full-color prints on paper.[28]The first widely used method of color photography was the Autochrome plate, commercially introduced in 1907.
If the individual filter elements were small enough, the three primary colors would blend together in the eye and produce the same additive color synthesis as the filtered projection of three separate photographs.


Autochrome plates had an integral mosaic filter layer composed of millions of dyed potato starch grains. There has been exactly one such extravaganza, and it was a smash sensation, a runaway Broadway success in 1982. Reversal processing was used to develop each plate into a transparent positive that could be viewed directly or projected with an ordinary projector.
Santa Barbara High School Theatre’s production of Little Shop of Horrors hits all the high points of the original and adds some real magic of its own.Directed by longtime (and long celebrated) Santa Barbara High theater director Otto Layman, with mood-establishing sets and lighting by Mike Madden, perfect period costumes by Lise Lange and doo-wop choreography by Christina McCarthy, the show simply steamrolls the audience with a wave of nonstop happy energy, and an expertly administered pinch of authentic melancholy. Santa Barbara High School Theatrea€™s production of Little Shop of Horrors hits all the high points of the original and adds some real magic of its own.Directed by longtime (and long celebrated) Santa Barbara High theater director Otto Layman, with mood-establishing sets and lighting by Mike Madden, perfect period costumes by Lise Lange and doo-wop choreography by Christina McCarthy, the show simply steamrolls the audience with a wave of nonstop happy energy, and an expertly administered pinch of authentic melancholy. The mosaic filter layer absorbed about 90 percent of the light passing through, so a long exposure was required and a bright projection or viewing light was desirable. Competing screen plate products soon appeared and film-based versions were eventually made. Seymour only has eyes for co-worker Audrey, a perky, ever-hopeful dreamer who wants nothing more than the love of a decent guy and escape from the tenements to greener pastures.
The short-tempered handcuff enthusiast she is dating, a giddily sadistic dentist by trade, is not fulfilling her, despite her best efforts to soldier on.In short order, Seymour discovers and begins to nurture a potted plant with peculiar qualities, soon realizing that the leafy little fiend needs regular infusions of blood to flourish. A complex processing operation produced complementary cyan, magenta and yellow dye images in those layers, resulting in a subtractive color image. Seymour names the burgeoning plant Audrey II, in honor of his heart’s desire.Audrey II soon enough grows to be a demanding, toothy tulip the size of a Volkswagen, requiring ever increasing amounts of type-O nourishment even as her monstrous novelty causes the florist shop’s celebrity, and that of Seymour himself, to blossom. Seymour names the burgeoning plant Audrey II, in honor of his hearta€™s desire.Audrey II soon enough grows to be a demanding, toothy tulip the size of a Volkswagen, requiring ever increasing amounts of type-O nourishment even as her monstrous novelty causes the florist shopa€™s celebrity, and that of Seymour himself, to blossom. Soon an emboldened Seymour is openly courting the lovely Audrey I, following the mysterious, happy and botanically inspired disappearance of her dyspeptic former beau.
Kirsch at the National Institute of Standards and Technology developed a binary digital version of an existing technology, the wirephoto drum scanner, so that alphanumeric characters, diagrams, photographs and other graphics could be transferred into digital computer memory. The more Seymour gets what he wants, the more the ever-growing Audrey II is seen to be orchestrating his good fortune, to our hero’s growing chagrin.And all of this colorful chaos is set to a live soundtrack that could have been written for The Shirelles. The more Seymour gets what he wants, the more the ever-growing Audrey II is seen to be orchestrating his good fortune, to our heroa€™s growing chagrin.And all of this colorful chaos is set to a live soundtrack that could have been written for The Shirelles. Dylan Fitzgibbons as Seymour invests the role with the wit and energy and effervescent comic timing of a young Bobby Morse. Mushnik is an unbridled hurricane of uncontrolled emotion, and provides a welcome borscht-belt feel to his portrayal of the variously harried and exultant florist.
The lab was working on the Picturephone and on the development of semiconductor bubble memory. Geoff Hahn as Orin the angry dentist is truly impulsively scary, and also possessed of a terrific singing voice, evident even when he is performing from within the muffled confines of a gizmo-festooned helmet. The urchins and denizens of Skid Row sing and dance unforgettably, harmonizing beautifully while strutting and shimmying.Emma Robbins is also in fine voice as the conniving Mrs.
The essence of the design was the ability to transfer charge along the surface of a semiconductor.
Luce, one of a litany of entrepreneurs who emerge from the woodwork to exploit the suddenly bankable Seymour, who very nearly loses himself and the love of his gal in the ruinous glow of his and Audrey II’s sudden celebrity.Through it all, musical director John Douglas leads his tightly swinging band through an energetic set of hummable, finger-snapping songs and the occasional breath-stopping ballad. Luce, one of a litany of entrepreneurs who emerge from the woodwork to exploit the suddenly bankable Seymour, who very nearly loses himself and the love of his gal in the ruinous glow of his and Audrey IIa€™s sudden celebrity.Through it all, musical director John Douglas leads his tightly swinging band through an energetic set of hummable, finger-snapping songs and the occasional breath-stopping ballad.
As befits a Skid Row ensemble of musicians, they are safely ensconced behind period chain link just below the stage apron. Michael Tompsett from Bell Labs however, who discovered that the CCD could be used as an imaging sensor.
The puppeteers who bring Audrey II to life are also to be commended, and indeed drew some of the wildest applause at the curtain call.Little Shop of Horrors delivers the goods, and the night I saw the show the audience received the delivery with enthusiastic open arms.
Otto Layman, Chris Walas, and the extraordinary cast did a wonderful job deepening and darkening the familiar fairy tale, contributing to an evening of nonstop musical fun and laughter. As Belle, Santa Barbara High’s Jana McIntyre brought a beautiful voice with a warm rich tone along with excellent acting skills to this demanding lead role. As Belle, Santa Barbara Higha€™s Jana McIntyre brought a beautiful voice with a warm rich tone along with excellent acting skills to this demanding lead role. Christopher “Critter” Canfield handled the challenge of the Beast and his considerable costume equally well, and even added a genuinely threatening note to some of his speeches that helped lift the whole production out of the cartoon world of its original incarnation and into the universe of such Broadway standouts as Les Mis.Much of the charm of any production of Beauty and the Beast comes from the excitement of seeing a large cast having fun with great costumes. Christopher a€?Crittera€? Canfield handled the challenge of the Beast and his considerable costume equally well, and even added a genuinely threatening note to some of his speeches that helped lift the whole production out of the cartoon world of its original incarnation and into the universe of such Broadway standouts as Les Mis.Much of the charm of any production of Beauty and the Beast comes from the excitement of seeing a large cast having fun with great costumes. In this capacity, guest artist Chris Walas created some incredible things that really had to be seen to be believed, and choreographer Christina McCarthy set them all into glorious, full-throttle motion.
There were some scenes, like the rousing “Be Our Guest” that concluded the first act, and the madcap “Mob Song” near the end, that seemed about to lift the house off its foundations with accumulated energy and mass coordination.Norma Latuchie held the orchestra in the palms of her hands from the overture to the end of the last number, and the presence of such a well-rehearsed ensemble made it much easier to concentrate on and enjoy all the many fine performances. There were some scenes, like the rousing a€?Be Our Guesta€? that concluded the first act, and the madcap a€?Mob Songa€? near the end, that seemed about to lift the house off its foundations with accumulated energy and mass coordination.Norma Latuchie held the orchestra in the palms of her hands from the overture to the end of the last number, and the presence of such a well-rehearsed ensemble made it much easier to concentrate on and enjoy all the many fine performances. In many ways the best things about this show are the numerous juicy supporting roles, and the SBHS team came through with some great renditions of them. Carlin Traxler was amazing as Babette the Featherduster, performing all kinds of acrobatics on the spectacular multilevel set. While the youth of the ‘60s doused its spirits with love, many of their elders urged them to fight and kill in Vietnam. While the youth of the a€?60s doused its spirits with love, many of their elders urged them to fight and kill in Vietnam.
HAIR shows an era of revolution where values were redefined as children were sent by their parents to protect them (as in the song “I Got Life”), love for the community overwhelmed love for another individual (as in “Easy to Be Hard”), and duty challenged integrity. HAIR shows an era of revolution where values were redefined as children were sent by their parents to protect them (as in the song a€?I Got Lifea€?), love for the community overwhelmed love for another individual (as in a€?Easy to Be Harda€?), and duty challenged integrity.
Now, with the decade of HAIR 40 years past, Santa Barbara High School has brought this beautiful representation of love, war, and hope back to life. Directed by Otto Layman and choreographed by Christina McCarthy, HAIR moves its audience to reconsider the ‘60s most threatening question: “What do you want to do with your life?”HAIR opens with the hit song “Aquarius,” which is sung incredibly well Carlin Traxler, who plays Sheila, the protestor from NYU. This is because he has just been drafted for the war, although his internal struggle is exposed more to the audience than to his friends Berger and Sheila. In a tangle of bodies and voices, the fight to “make love not war” unfolds in sonic booms and projected images of burning draft cards, balanced by numerous images of American flags.
In a tangle of bodies and voices, the fight to a€?make love not wara€? unfolds in sonic booms and projected images of burning draft cards, balanced by numerous images of American flags.
Although they believe that the draft is “white people sending black people to fight yellow people to protect the country they stole from the red people,” no matter how many draft cards they burn, reality inevitably hits our hairy tribe.From the strong beginning of “Aquarius” to Claude’s tragic death, the cast moves with complete control, reminding an audience of elders that time has moved on from their free-flowing, hippie childhood days to those of today’s more grounded and somewhat more mature youth. Although they believe that the draft is a€?white people sending black people to fight yellow people to protect the country they stole from the red people,a€? no matter how many draft cards they burn, reality inevitably hits our hairy tribe.From the strong beginning of a€?Aquariusa€? to Claudea€™s tragic death, the cast moves with complete control, reminding an audience of elders that time has moved on from their free-flowing, hippie childhood days to those of todaya€™s more grounded and somewhat more mature youth. Nonetheless, as Jana McIntyre exemplifies through her excellent rendition of “Good Morning Starshine,” it wasn’t just “the movement” but also the voices of the era that gave hope to the youth of the ‘60s. Nonetheless, as Jana McIntyre exemplifies through her excellent rendition of a€?Good Morning Starshine,a€? it wasna€™t just a€?the movementa€? but also the voices of the era that gave hope to the youth of the a€?60s.



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