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Speaking of the teams I follow, I'm trying to remember when it was that I became emotionally attached.
Digressing a little here, there are two great memories I have of Nolan Ryan that made me even more of a fan of him as a player as well as to the Rangers. When it comes to basketball, I was a fan of the Dallas Mavericks long before it was even remotely popular to do so.
Although many books have been written about the psychology of violence (as I learned during my days directing a program for court-referred perpetrators), Dr. The same dynamic of denial applies to entire nationsa€”and goes far toward explaining why the a€?nicesta€? and most restrained people sometimes pick up a gun. Listening to the Rhino deals not just with outwardly expressed violence, however, but with confronting and transforming archetypal violence (as imaged by the dream figure of the Rhino) manifesting from within the psyche. Following up on Jung's advice to translate emotions into images, Dallett writes about how a symptom or an illness, whether somatic or psychogenic (or both), represents an attempt at incarnation imparted by a spiritual force badly in need of translation from a literal source of suffering into an actively lived symbolic work. Active imagination furnishes a primary Jungian tool for this kind of deep work, but as Dallett reminds the reader, Marie-Louise von Franz always insisted on the importance of completing at least these four steps: setting the ego aside, tending the images, reacting to the images, and putting the results to work in life (italics added). This belief may well be a candidate for what Dallett identifies in another context as a pathological identification with spirit: what Jung identified as inflation.
In the chapter a€?Sedating the Savage,a€? Dallett presents many examples of how psychotropic medication represses unpleasant emotions while supporting artificial idealized states of happiness and surface contentment.
While the matter of healing is a major theme of this book, the other is violence, and Dalletta€™s point here is that when violence is repressed it puts the individual and collective into grave peril.
Dallett returns our attention to the potency of active imagination as a tool to activate the psychea€™s potential for literal physical healing as well as psychological wholeness.
On the cover is a picture of a rhinoceros with two birds perched on its back, a classic example of a mutually beneficial biological symbiosis.
Jungians are often the last bulwark in todaya€™s field of mental health practitioners, who remember the unavoidable reality and necessity of darkness and violence. We must develop an ego that is strong enough to contain the violent side of human nature, Dallett suggests, in order to live up to a€?what Jung saw as the millennial task (of) carrying the divine opposites of good and evil within the individuala€? (p.87). To contain the worst kinds of violence, Dallett suggests that we find a way to give expression to our destructive impulses without causing too much harm. The gist of Dalletta€™s argument, however, points towards incorporating more of the almost lost Jungian technique of Active Imagination.
The Rhino did not simply show up to heal the dreamer, but to inform her that she was to serve him. In Pat Britta€™s own words a€?During my early association with The Rhino, I could tell he wanted something of me, but I did not know what. In the alchemical laboratory of human life we are also mirrors for transformations on a larger scale, the transformation of the spirit in nature.
Dallett reminds us that one-sidedness is one of our greatest dangers, be it the lopsided, misunderstood spirituality that denies the spiritual reality of violence or the overly rational slant of todaya€™s scientific community. We read in some detail here about the work of Jungian analysis, with special emphasis on active imagination, a method for bringing unknown parts of oneself into awareness and into connection with onea€™s everyday personality. Seamlessly, the book then turns to two major topics of special concern in todaya€™s world: the nature of violence and the use of psychotropic drugs. While this discussion of violence focuses on the psychic sources of explosive violence, another section, on the use of psychotropic drugs, looks at contemporary uses of prescription drugs to damp down or cover up difficult, painful, unwelcome emotions (and violence). What we have in this small book is the fruit of a penetrating mind nourished by long experience of the psyche, and now offering us the essence of that experience, fueled by passionate concern over issues of todaya€™s world.
Why is there so much violence around us - shootings in colleges, bullying in schoolyards, violent movies in theatres, graffiti in public spaces, news on television? Janet Dallett is a Jungian analyst in her seventies, now living in Port Townsend, Washington. Britt had hundreds of Rhino dreams in the course of her nine-year analysis with Dallettt, which always focused on the meaning of his latest appearance. Britt truly grasped the Rhino, writing poetry about him, painting his picture, and even casting him in bronze so he could stand in her front hall, and her damaged heart healed. Dallett attributes Britta€™s healing to her commitment to the Rhino, a voice for what Jung calls the Self, the God within.
We are doing to the wild part of our psyche what we have done to the wild parts of the earth. Although I got a degree in English in January of 1965 from LSU, I seldom think about my alma mater. Now that wea€™re talking about college football, Ia€™ve got to mention the delusional behavior of fans nationally. As a lightning bolt of illumination splits the sky, a thunderclap of enlightenment follows. Somewhere around 1999 or the early 2000s I went with a group of co-workers to an early show at the now-defunct, sorely-missed Manhattan nightclub, The Bottom Line. In an effort to pin down the exact date of the show, I checked the "Timelinea€? on the Bottom Line website that lists the performers for each show.
Although he couldna€™t answer my question (a€?There were so many appearances!a€?), he was eager to weigh in with his own recollections and praise.
Later, her father graduated from Rutgers University and began teaching in the New Jersey public school system. At nine years old, Janis heard Odetta for the first time on a Harry Belafonte television show.
In junior high, shea€™d go to Greenwich Village, meeting with others from camp, to stand around the fountain in Washington Square Park and sing. Her father subscribed to Broadside Magazine which published songs by people like Bob Dylan and Buffy Sainte-Marie. Her recording career got its rocket-propelled start after she wrote a€?Societya€™s Child (Baby, Ia€™ve Been Thinking)a€? based on her observation of an interracial couple. The psychological battering from pressure to constantly write, tour and record, and the disintegration of her family took its toll. While we cannot be sure that poem was written exactly during that time, it seems to capture her frame of mind. She played a tough weeklong gig in California, but realized that the weather and atmosphere was what she needed.
The album Stars (1974) was followed by her biggest success, Between the Lines (1975) which contained the song a€?At Seventeen,a€? another revealing tract that cut so deep, she was initially afraid to play it to audiences. In 1982, feeling depleted, Janis walked away from a multi-million-dollar record deal with Columbia which had three more albums contracted. In 1986, her new publisher MCA suggested that Janis work with Nashville writers to improve the marketability of her songs.
The years of being a workaholic caught up with her and she became ill with Chronic Fatigue Syndrome (CFS). As she finally regained the upper ground in her battle with CFS, Patricia Snyder came into her life, bringing her physical and emotional comfort. The initial album coming out of this period, Breaking Silence, would be her first in ten years. The book describes in detail the relationships Janis has had, over the years, with both men and women. Janis had been approached by the gay-oriented magazine, The Advocate to write a monthly column for them. After her moma€™s death, to honor her, Janis established Pearla€™s Foundation, a scholarship fund to help people in their efforts to seek higher education, Her mother had forged ahead and graduated from Goddard College, in spite of her illness, fulfilling a lifelong dream.
Janisa€™s most recent albums, God and the FBI (2000), Billiea€™s Bones (2004) and Folk is the New Black (2006) show that her writing is still razor-sharp. Those of us who have been fortunate to stand face to face with Janis will never forget the steady gaze behind which sits one of the formidable minds of our generation. I was shocked to discover how little I actually knew about Janis Ian.A  It wasna€™t until I picked up a copy of her autobiography, Societya€™s Child, that I understood the full depth of Janisa€™s connection to folk music. The FBI would shape her early life.A  Her family was already being scrutinized before she was born. The book describes in detail the relationships Janis has had, over the years, with both men and women.A  What was horrific about most of Janisa€™s earlier relationships was the amount of betrayal her partners displayed.
The story of Seth Glier is the story of someone who has always had a strong sense of himself, even when hea€™s not sure of where hea€™s going. It went almost the same way with the guitar, except it involved a bit more outreach.There was a mom-and-pop type music store in Shelburne Falls, and Seth started hanging out there somewhere around 15 years old.
One harbinger of his destiny occurred when Noel a€?Paula€? Stookey, of Peter, Paul and Mary fame stopped in the store (his wife taught nearby). Through the years of public school music participation, Seth did some typical activities like musical plays and playing drums in the marching band. Pioneer Valley Performing Arts (PVPA)is located in South Hadley, MA, just south of Northampton and the prestigious performance venue, the Iron Horse.
Feeling his calling, Seth approached the principal at PVPA and asked to be allowed to create his own curriculum, geared toward life as a touring musician.
Seth was admitted to Berklee School of Music in Boston midway through his senior year of high school.
At Berklee, as a Songwriting major, Seth enlarged upon his already considerable skills, gaining more knowledge of musical structure, learning how to write musical scores. He watched other songwriters at the open mic every Tuesday night at Passim, the venerated Cambridge coffeehouse, and played a couple of times.
Seth signed a contract with MPRess Records and his first big tour after leaving Berklee was in support of his label debut, The Trouble with People. Seth released two independent CDs, Space (2005) and Sojourn (2007), and wrote the material for The Trouble with People (2009) while he was at Berklee.
On The Next Right Thing, Seth incorporates more strings, using the sonorous sounds of bowed cello or viola, in one intro section and in one outro section to accentuate a melancholy sense of human folly. A big part of Setha€™s worldview can be traced to his relationship with Jamie, his older brother. Whatever Seth decides to say about himself or anyone else, wea€™d advise our readers to be there to hear it whenever possible. One of the more fortunate career moves for Seth was to include guitarist Ryan Hommel as his touring partner. Ita€™s late summer in Sarajveo and the blackberries alongside the mountain road are deep, glistening purple and ready to pick.
The war has effectively been over for five years, ever since the Dayton Peace Agreement was signed in 1995, and, predictably, world attention has wandered on to other crisesa€”Kosovo, East Timor, the Middle East.
Now that the festivala€™s raison da€™etre is no longer pure psychic survival, Purivatra is trying to turn it into a regional meeting ground for filmmakers and industry players from the former Yugoslavia.
Another program of quite a different order also brings Serbs, Bosnians, and Croatians together for the sake of film,, and thata€™s the massively popular Childrena€™s Program.
Later in the week, we chat outside a childrena€™s workshop being conducted by his wife, choreographer and filmmaker Jo Andres.
Buscemi says, a€?Ita€™s extra meaningful for us to be here because theya€™re such good friends of ours and wea€™re really trying to support what theya€™re trying to do. In addition to his regular festival duties (film introductions, a televised discussion with Panorama curator Howard Feinstein, a party in his honor at the U.S.
By now, the festival has figured out that international guests who make their way to Bosnia and Herzegovina want to see more than just films and Absolute concoctions. As we gawk at the splendor and devastation of BiH, Sarajevans in turn get to stare at the celebrities in towna€”Buscemi, Defoe, Mike Leigh, and Bono, among others.
Admittedly, a number of these productions lose something in the translation, like Selimir Sokolovica€™s The Secret of the Mobile Phone.
Many others, BiH works needed no translation, however, like the three shorts on opening night, all of which dealt with the recent war. When I ask him what he imagines his own future to be, Bakrac states, a€?Ia€™m here, even though ita€™s hard to freelance and there are no foundations to help.a€? Unlike many of his peers, he intends to stay in Sarajevo and develop projects and international coproductions through INK, a five-person film and video production group he cofounded. I later pose the question to Purivatra, who must have constant conversations with local artists about staying versus going. Others are glad he stayed, too, given the role that the Sarajevo Film Festival has played in the citya€™s recovery. Dallett's clearly and concisely written book offers thoughtful and sometimes surprising reflections, case anecdotes, and scholarly musings on violence as a spiritual problem. It is easy for introverts in particular to skip the final step, but doing so severs inner from outer, contemplation from action.
James Hillman has presented a similar critique, which can be summed up by the dictum: Silence the symptom and lose the soul. It is tiresome to be reminded that Jung believed active imagination to be the sine qua non of coming to terms with the unconscious. Oxpeckers or a€?tick birdsa€? sit on top of the rhino eating insects and noisily warn of approaching danger. It contains big ideas that deserve to be pondered and digested many times and reading this book is an excellent way to re-engage this material. Dallett reminds us that the etymology of the word a€?violencea€? suggests a close relationship between violence and God. Dallett makes a convincing case that our culturea€™s addiction to love, peace and happiness in effect creates senseless violence and that we must learn and find a way to teach our children, that the terrible side of life is not going anywhere. Dallett reminds us that, once a respectful and responsible attitude towards the unconscious psyche has been developed, the meditative dialogue of Active Imagination is the technique for the on-going and life- long task of engaging emerging images. Dallett grounds her reflections by allowing us a glimpse into the lives of two former patients, Pat and Teresa and she shows us the difference in attitude of these two women towards powerful inner animal dream figures. Britt had this dream, but because she took the image seriously and engaged it for decades to come. It is a potentially dangerous, primitive animal that has visited the dreams and fantasies of Ms.
Dallett makes the analogy to the alchemical work, which Jung had translated into psychological terminology. At first I thought his message was personal a€“ urging me to view life as whole, not with the limited eye of my rational ego.
Our collective ego is still trying to maintain its autonomy in relation to the larger mysteries while the power of the feminine in her own totality is pressing into consciousness.
This discussion is unusually clear and thorough, giving a readable and rounded picture of this form of psychological worka€”both its potentiality for healing and its dangers. And why are we so fascinated by violence that crime, killing, and war are often at the top of the news? I hear him pronounce: a€?If a thing is worth doing it is worth doing easily!a€? By this he means, according to Britt, that if a thing is worth doing it is worth taking the time to get to know it, so the thing can show you how it wants to be done. When connected to your inner program something beyond the ego comes to your aid, but when you try to go against your destiny you hit a wall.
Later she realized he wanted to reach a wider audience; he wanted to speak for life, all life, animals, plants and the earth itself. We North Americans have naively idealized the Christian virtues of kindness and self-sacrifice, dangerously repressing our so-called negative emotions.
We are sedating the suffering of body and soul with psychoactive drugs, unaware that pain is a reaction against something that needs to change.
Wildman, my advisor, allowed me to take too many English courses and not enough electives; thus, an added semester. Lured by a bill that included Tom Paxton and Janis Ian, we knew we were in for an evening of top-notch folk music. She took center stage and began playing fingerstyle guitar with an almost impossibly pristine sound.
I know that earlier in my life -- through my 20s possibly into my 50s, I viewed her as a pop artist with a social conscience. A precocious toddler, Janis writes that her father used to say, a€?Janis started talking at seven months and never stopped.a€? At two-and-a-half years old, she persuaded her father, also a master music teacher, to give her piano lessons. The FBI would contact each school administration every two years when hea€™d be up for tenure. With her fathera€™s guitar perched on her lap in the back of the family station wagon, she played it for them. Janis made a lead sheet like those in the magazine, added the melody, chords and lyrics, put her name and phone number on the page and submitted a€?Hair of Spun Gold.a€? Two months later, her father got a call from the editors.
Janis took guitar lessons with the Reverend Gary Davis, and after the lessons morphed into social occasions, began hanging out with him. She played regularly after that, which got her noticed and led to a meeting with legendary producer a€?Shadowa€? Morton. Chapters dealing with their separation and divorce and Janisa€™s emotional upheaval are particularly sad. All the Seasons of Your Mind (1967) sold enough to make the national charts, but followup albums, The Secret Life of J. Harrowing passages describe how a diligent psychotherapist there, Gerry Weiss, pulled her back from near death and personally nursed her back to health. It was provoked partly by a critic referring to her, still a teenager, as a a€?washed-up has-been.a€? It was also partly inspired when she heard Don McLeana€™s a€?Vincenta€? for the first time.
She needed to get off the merry-go-round to explore other areas of life, to regenerate her resources. She had talent and wrote deep songs but Nashville writers had the craft to make them more commercial. After she declared her homosexuality, he stood by her and issued an authoritative warning to anyone who might give her trouble: a€?Dona€™t mess with hera€¦a€? He would bolster her confidence in her guitar playing, stressing her individuality. Tragically, her mother, Pearl, had become ill with Multiple Sclerosis and would decline over a 20-year span. She refused, saying a€?I dona€™t write prose,a€? but Pat and an editor provided the idea that Janis would poke holes in the stuffiness of its image and that concept sealed the deal. Janisa€™s father owned every copy of The Magazine of Fantasy & Science Fiction ever printed. Janisa€™s stint as a columnist for Performing Songwriter plumbed her depth of knowledge of the music business.


An initial auction of Janisa€™s own personal effects, held on the internet, brought in a total of $66,000. I also became aware of the route by which she developed her sense of social justice, and the emotional, physical and financial hurdles she has overcome. Her father, then a chicken farmer, was inexplicably picked up by FBI agents after attending a meeting about the price of eggs. Her marriage to her husband descended into physical abuse, psychotic behavior and Janisa€™s near-murder at his hands.
The gospel show at the workshop stage was in full swing, and I was not finished setting up my booth. The a€?workshopa€? format was round-robin, and after hearing each act, by process of elimination it became apparent who it wasa€¦ The very talented Mister Seth Glier.
We agreed at first to plan for a September story, but later decided on January to coincide with his new CD release.
There have been many chapters in this still-unfolding saga, where elements were adverse to what Seth felt was true or right.
There was no place in Shelburne Falls to take lessons in guitar or piano.When he was in seventh grade, during study hall, he would sneak out and experiment on the piano, playing melodies by ear that he found agreeable.
Hea€™d do off-the-books a€?odd-and-endsa€? jobs for the owner, Bob, and plunk out melodies on a digital keyboard and on any guitar he could grab. Noel came into the room where Seth was already playing and began playing on another guitar. During his Sophomore year, he had stopped participating in organized musical programs and focused on his songwriting.
At age 16, Seth would get on the phone as soon as he got home from school and pester the booking person to allow him to play a headline show there.
Most performers were troupers who, day-in-and-day-out, would bring their a€?Aa€? game, no matter what their frame of mind. The principal agreed and let Seth create his own course, satisfying Language Arts and History requirements. However, he reached a point where he felt that the courses in songwriting and vocalizing exercises were too rote a€” not at all practical, and he left after one year. This gave him greater insight into performance skills and holding the attention of an audience. In addition to providing solid lead and rhythm guitar support, Ryan also sings very competent harmony. They toured in a Prius, were sponsored by Clif Bars and called it a€?The Zero Carbon Footprint Tour.a€? They also intended to create all of their merchandise out of organic cotton and print everything using soy and vegetable-based ink. Part of the business of being a performer, he says, is in a€?showing up.a€? He and Ryan take time out to play hospitals and old-age facilities. In November of 2008, I picked up an advance copy of The Trouble with People at the NERFA Conference, and wrote in the December issue CD reviews: a€?With a light, feather-like vocal delivery, sharp observational lyricism and hooks that would grab Moby Dick, hea€™s a formidable talent. In a very intelligent move, a pre-release download of a€?Lauraleea€? was made available on Setha€™s website, presumably to both fans and DJs. But no one dares go near them, not with the small red signs every few hundred yards warning of land mines. But while Bosnia and Herzegovina (BiH) has been bumped from the front pages, it is still a wounded nation, struggling to overcome lingering effects of war. With the Sarajevo Film Festival acting as a conduit, the Goteborg Film Festival contributed a precious 16mm camera and editing table, and this year announced a much-needed production fund for BiH filmmakers, which will award $10,000 to the winner.
Ita€™s a tall order, for this kind of regional cooperation runs counter to a competing impulse towards fractionalization thata€™s splintering the regiona€™s people and resources. Seven Disney films, from Toy Store to Lady and the Tramp to Air Bud, were seen free of charge of 3,000 ecstatically screaming children and their parents. Steve Buscemi plays a kidnapper who is going completely ballistic when the wrong man shows up with the ransom money, then he gets shot in the jaw.
The couple have a long relationship with the festival organizers, whom Andres first met at a theater festival in Spain in 1989, then stayed in touch with throughout the war.
Ambassadora€™s home), Buscemi agreed to do a PSA about land mines, along with Willen Defoe, star of Buscemia€™s latest directional outing, the prison drama Animal Factory. Begun when Ademir Kenovica€™s The Perfect Circle was the first feature to emerge from the wreckage, this sidebar has since showcased mainly shorts and student work, reflecting the tough reality of production in BiH.
A simple scenario that was edited using two VHS decks, this video shows a young slacker with his cell phone on a street corner trying with all his might to persuade a female friend to come outside.
The Abyss, for instance, was virtually a silent movie, showing the meticulous unearthing of massacred bodies in a mass grave and their identification by wailing relatives, who often have nothing more to go on then the pattern of a plaid jacket. As Buscemi observes, a€?One of the tragedies of the conflict is that a lot of good people lefta€”smart young people, who havena€™t come back. Also criticized is the widespread habit of using meditation to get rid of (repress) the emotionally charged images flowing from the unconscious.
I would like to see this insightfully expressed logic extended more often to the state of the oppressed struggling on every side and in all corners of the world. The Indoa€“European root of the word a€?violenta€? is wei, which means vital force and one definition of the word God is a€?an immanent vital forcea€? (p.86).
The reader is encouraged to reflect on seemingly counter-intuitive statements, such as a€?violence is the human spirita€™s protest against the enforcement of more goodness than it can stomacha€? (p.92). This suggestion, although fundamentally right, may need more elaboration than this book provides, because the danger of infection by archetypal forces is high and not to be taken lightly. With reference to Barbara Hannah, Dallett devotes a segment of the book to a much needed review of what Active Imagination is and discriminates what it is not.
We are informed on the front page that this book was written with contributions by The Rhino and by Dalletta€™s former patient Pat Britt. Dallett writes, a€?The Rhino has been the central figure in hundreds of Pata€™s dreams continuing still today.
The alchemists believed that their work was to redeem God or the son of God, whom the alchemists imagined as a a€?fabulous being conforming to the nature of the primordial mothera€? (p.
We are encouraged to look at the place within ourselves where we remain a€?fundamentalista€?, where spirit is trapped in a literal, concrete enactment, physical illness or cherished convictions of the nature of reality. The cover photo of a rhinoceros with two small birds casually perched on its back leads us into a text full of insight into both interior and outer worlds. Only a profound understanding can put forth such subtle and complex ideas in such apparently plain talk. Britt had been so ill with bacterial endocarditis and kidney failure that she was expected to die in her early forties.
However, if something is hard to do you should change your relationship with it, or let it go. We are suppressing the healthy masculinity of normally active children with Ritalin, either because the way we are living is driving our children crazy or because they do not conform to our expectations. He sounded amused as he recounted the reactions of colleagues when they discovered how well Janis played guitar.
My longest-standing memory was (and still is) the way I would get choked up listening to a€?At Seventeen,a€? especially during the ache-filled refrain, a€?a€¦who call to say, come dance with mea€¦a€? Ahh, yesa€¦ Ia€™d had my share of a€?wallflowera€? years and there were more than a few missed dances.
It ended a year later because, at three, she was already getting into arguments with him over interpretations and fingering. In kindergarten she objected to learning her a€?ABCa€™sa€? because she already knew how to read. Theya€™d see interracial and gay couples while being totally ignored by adults -- a completely opposite atmosphere from conservative New Jersey.
She did one more album, Uncle Wonderful (1983) with an Australian publisher, then walked away from the music business.
She discovered that her a€?accountanta€? (a bookkeeper without a proper CPA) had embezzled her money and falsely represented her income tax payments. She teamed with accomplished songwriter Kye Fleming both creatively and romantically and found some success and some brief happiness.
At the time of the printing of her autobiography, $300,000 had been raised.This preceded, but could have functioned as a road map for eBay.
Hunger (1997), completed after a difficult studio experience and filled with glittering gems from start to finish, has become a personal favorite of mine. Janis has finally found happiness in a stable 20-year relationship, a testament to her resilience and intelligence. Punctually, The Next Right Thing has arrived, its cover art suggestive of the tragedy of the film Revolutionary Road, with Seth striking a very Leonardo DiCaprio look-alike pose. It was a small town, and the high school graduating class of his hometown had only 23 students. Later, he withdrew books on music theory from the library, to learn the principles behind the melodies he liked playing. Bob saw that music was in Setha€™s blood and gave him a $60 Johnson guitar as partial payment for his services. Noel and Seth jammed for a bit, and Seth, not realizing who he was, said, as Noel left, a€?Hey!
As he recalls: a€?I had been listening to Eminem, Linkin Park and Limp Bizkit on the back of the school bus.
When he insistently brought his guitar to school and wrote songs during study hall he was a€?asked to leavea€? (expelled).
After a month-and-a-half, the booker acquiesced and Seth played a sold-out show filled with family and friends. However, Seth also got to see performers on occasion, who did not seem to have their heart in performing, who had emotionally a€?checked out.a€? It was a wake-up call. Livingston perceived Setha€™s innate ability and supported his decision to leave Berklee early and just start performing. While wea€™d witnessed the on-stage rapport and competence, we didna€™t know how great he is as a traveling companion until we saw the very amusing videos (1) (2) of their trips on Youtube. When he insistently brought his guitar to school and wrote songs during study hall he was a€?asked to leavea€? (expelled).A  He finished high school at Pioneer Valley Performing Arts, a charter school for students wishing to apply artistic talents not catered to in public school. Four UN peacekeepers were killed earlier in the week defusing some of these deadly calling dards left behind after the four-year siege of Sarajevoa€”the longest in modern history. A Swiss arthouse provided projectors for the festival, and more recently the Rotterdam Film Festival with the Hivos Foundation gave mobile projection equipment to take films into schools around the country. That has affected such things as the television industry; after the Dayton Accord gave Serbs control of 49% of BiHa€™s territory and a Muslim-Croat Federation 51%, the national television has split into two stations. All seemed unfazed by the subtitles, with the younger ones content to watch Disney-style mischief and mayhem erupt on the screen. Several years ago, Andres created an emotionally powerful short film about domestic life under the siege, Black Kites, based on the diaries of one of these theater friends. As with many foreign guests, the countrya€™s nightmare period has registered deeply with Buscemi. Therea€™s a visit to the former front lines on the mountains overlooking the city, lead by a no-nonsense retired General, Jovan Divjak, who served as Deputy of the High Commander of the BiH Army during the siege. Once boasting 142 theaters, BiH now has just 17 and virtually no international distributors doing business there. So, too, does the Insert Program, a new section this year that shows short works from BiH shot on video.
She blows him offa€”a€?her hair is wet,a€? but he persists, trying the same lines again and againa€”or so the subtitles would make it seem.
The 26-year-old filmmaker, Adis Bakrac, got his start at age 16 as a cameraman during the war for a local TV station.
In my men's groups we always knew which men were at greatest risk for another violent incident: those who maintained that their anger was an aberration they had now overcome with penance and good intentions. An overemphasis on decency and virtue not only darkens the personal and collective shadow, it unconsciously identifies with divine goodness and thereby falls into inflation and self-righteousness.
These and other New Age maneuvers are enlisted in the service of propping up the happy persona that conceals the darker dimensions of conflictual psychic life.
Yet Dallett goes farther: Psychiatric medication should only be used to contain severe symptoms, she argues, preferably in small doses and even then only temporarily. Most of the examples of violence in this book break forth from the uptight middle class, where swings are removed from parks to prevent lawsuits. In Jungian thought, the Self, which is the psychological equivalent to the image of God, often breaks into consciousness violently. Active Imagination is not guided fantasy nor is it art, but, following Hannah, Dallett sees Active Imagination as a creative function. 28), an earthy, fabulous, night creature, like the Rhino, equally life threatening and life giving. We meet the rhino of the title as he first appears in the dreams of a gifted woman whom the author has known for more than 30 years, initially as her Jungian analyst. Rage, she says, is a natural instinctive response to a threat to the Self; violence is the human spirita€™s protest against the enforcement of more goodness than it can stand. Then, Gary insisted that Janis open for him at a Gaslight Cafe gig and the owner reluctantly agreed after Gary threatened to walk out.
Shadow disagreed with her a€?Baby, Ia€™ve Been Thinkinga€? title, so when her first record came out, it became a€?Societya€™s Child,a€? with the prior title in parentheses. Although it brought a halt to her relationship with Peter, they remain friends to this day. The albums Aftertones (1975), Miracle Row (1978), Night Rains (1979), and Restless Eyes (1981) followed. Janis found it liberating to study in areas, such as ballet, where she had no innate ability. She attended her first Worldcon, the largest gathering of science fiction writers and fans, at the prodding of two of her heroes in the genre, Mike Resnick and Anne McCaffrey.
Her article on a€?The ABCs of being the Boss,a€? geared toward musicians, contains a wealth of helpful information for anyone in a supervisory capacity.
The agents would hang around, always recognizable in their black suits and ties, even in the heat of August. The albums Aftertones (1975),A  Miracle Row (1978), Night Rains (1979), and Restless Eyes (1981) followed. I heard the spine-tingling sound of what seemed to be a black woman in full-throated gospel cry and checked the festival program.
While the a€?Right Thinga€? in the title track is not defined as the a€?safea€? cop-out that the film portrays, the mood of the cover art effectively captures the drama of life-affecting decisions explored in the albuma€™s music. This, in addition to his prodigious talent, has this author thoroughly entranced with him as both a person and as an artist.
Youa€™re not bad, guy!a€? Recently, at a festival in Texas, he ran into Noel and recounted the story, but Noel had no recollection of it. It helped instill in Seth the aspiration to always value the chance to perform for an audience and to hold their choice to come and see him as a sacred contract between them. He got himself a Toyota Camry with 250,000 miles on it and began performing around New England. He and Livingston have become good friends and Seth opens numerous shows for him throughout the year.
Seth felt like hea€™d found himself among kindred spirits a€” others who did not fit into the public school system. Doing too much at too fast of a pace has worn them down, causing them to lose their focus and affecting their ability to see things the way they really are.A I know exactly what ita€™s like to move at such a fast pace a€” to get the adrenaline flowing and then keep it flowing like a river for days at a time. And ita€™s in cultural events like the Sarajevo International Film Festival, which is trying to rebuild the countrya€™s filmmaking infrastructure at the same time as ita€™s offering local residents a pleasant night out on the town.
It was sold out all the time.a€? The videos were a mix of arthouse and commercial films, and produced a number of local hits, such as Basic Instinct, which packed the theater for 20 days straight. Now the British Council is in discussions with Purivatra about holding one of the their a€?Know Howa€? training seminars in Sarajevo, which brings in film professionals to educate local filmmakers on ways to produce and pitch work for the international market.
Network journalists now barely make a living wage, and BiHa€™s TV production has dwindled to a trickle. In addition to tapes of dramatic series and programs, the two-day event brought in reps from TV stations in Bosnia, Croatia, Serbia, Montenegro, Romania, and Bulgaria. But more significantly, this was the first year that the festival bused in kids from all over the BiH, including the Serbian territory Srpska, and no disturbance was created by the fact that all were squeezed together on the bleacher seats.
She was surprised to learn that the arts center wea€™re now in was in fact the very building whose basement her friend hid in during those dark, dangerous years. Therea€™s lunch at a trout farm that was once a favorite haunt of Communist capos before the breakup of Yugoslavia. So this is probably residentsa€™ one-and-only chance to see recent releases like American Beauty, Jesusa€™ Son, Topsy Turvy, and La Ciudad, as well as films now on the festival circuit, like Wong Kar Waia€™s In the Mood for Love, Lars von Triera€™s Dancer in the Dark, and Darren Aronofskya€™s Requiem for a Dream.
However, the Bosnia audience was in stitches listening to his ineffectual monologue, and local jury awarded it the Kodak Prize, so it seems this charactera€™s rap just didna€™t translate. I know that in America ita€™s not easy for Americans to get a chance to shoot a film, so imagine the difficulties of a Bosnian. However, the Bosnia audience was in stitches listening to his ineffectual monologue, andA  local jury awarded it the Kodak Prize, so it seems this charactera€™s rap just didna€™t translate. In the light of this observation, the missionary and the terrorist stand revealed as brothers-in-arms. Making a work of art, breaking a therapeutic impasse, or modifying a relationship are three of many possibilities for new forms of expression that liberate the archetypal power from remaining trapped a€?in mattera€? (in symptom or illness). One can almost hear in popular a€?thinking positivea€? propaganda the voice of the family cheerleader castigating brothers and sisters for being so a€?depressinga€? as to discuss Dad's alcoholic violencea€”or on a national level, the violence inflicted by the precarious rule of empirea€”out in the open. Although the alarm should be raised about overmedicationa€”psychotropics are even being found in public water suppliesa€”I have known people with major psychiatric disorders for whom the advice to go off meds to do a€?psychological worka€? has been disastrous. Dallett pleads us to acknowledge that the terrible in human life is real and that only by confronting it, by taking it by its horns, do we have a chance of not being controlled by it. The Rhino represents an instinctual mercurial principle in psyche that holds the power to heal or to wound. The Rhino becomes an imaginal companion for Pat Britt and Dallett speculates that his a€?dependable presence may compensate the uncertainty of a life in which death is always at handa€? (p.33).
We follow the patienta€™s devoted inner work with the dream rhino, as he emerges into a living imaginative reality: mentor, opposite and guide, and we learn of the healing of her life-threatening physical illness.


In Britta€™s initial dream, the dream that is thought to foretell the course of therapy, a small rhinoceros charges her, but she catches him by the horn and holds on. If you can let it speak to you, and give it what it needs you will have an inner partner for the life that remains to you, however long or short that may be.a€? (p.
Royalties, in part, go to the International Rhino Foundation, which helps to preserve the rhinoceros from extinction. After her mom had a talk with the principal, Janis was allowed to read while the rest of the class did their drills.
She practiced, listening to all the records in her parentsa€™ collection, plus some borrowed from family members. A huge success in Japan, she became an iconic star and was (and still is) treated like royalty there. She also studied acting under Stella Adler, who became a close friend and mentor until Stellaa€™s death in 1992.
An avaricious IRS agent appropriately named Granite seemed to take sadistic pleasure in erecting barriers to Janisa€™s attaining any kind of solvency, despite her complete cooperation.
After the relationship ended, although Kye, a Nashville native felt awkward, Janis felt that Nashville had become a€?home,a€? and decided to move there permanently. They pushed her to involve a number of other authors to contribute to Stars, a compilation book of short stories based on her songs. Also available is the article Janis wrote for Performing Songwriter, on the free downloading phenomenon, a€?The Internet Debacle.a€? When she reported that downloading actually increased sales, not the opposite, as the record industry had charged, she was called a traitor. She practiced,A  listening to all the records in her parentsa€™ collection, plus some borrowed from family members. Peter became her love, her rock, an oasis inside of the whirlwind.A  On the music trail, she became friends with stars such as Janis Joplin and Jimi Hendrix, who tried to protect her from drugs, but the proximity led to some experimentation. Shortly after, he took a job as a chef at the Iron Horse and got to serve and observe artists coming through. Later, he realized that he was far more serious about his music than most of the other students, many of whom saw the performing arts as a hobby. When youa€™re moving that fast, ita€™s difficult to stop when you finally try to sit down and rest because your adrenaline is still racing. Ethnic divisions have hardeneda€”a mindshift thata€™s evident in countless details, like the fact that no one there refers to the a€?Serbo-Croatiana€? language anymore. Side by side, former rivals sat during a morning roundtable discussion, sharing laments of plummeting production. And therea€™s a daylong excursion to Mostar, once a€?the pearl of Bosniaa€? and now a divided and scarred city, and the nearby Blagaj, where a meditation temple for dervishes is nestled under a towering cliff from which springs an icy-col crystalline stream.
No less important, the festival offers a Regional Program with features from Poland, Finland, the Czech Republic, Hungary, Russia, and Croatia. I am thinking of people legitimately diagnosed with bipolar disorder who took similar advice from their gurus and ended up psychotic; one, a former student, is still homeless and ranting in the streets. As fantastic amounts of money continued to be funneled upward, the number of Americans living below the poverty line soars higher than ever before. There is a story about the late Edward Edinger in which someone asked him, a€?What is new in Jungian psychology?a€? He replied, a€?New? Then I am reminded of the story of Edinger and his comments about what is old and what is new in Jungian psychology.
Instead she asks us to recognize violence as an intrinsic aspect of the collective psyche, one that must find expression and that does have a purpose as when a€?the Self often breaks into consciousness in ways that are violent, primitive, even monstrous.
The unconscious is a minefield of devastating, destructive potentials, but without venturing, and at times suffering this minefield, there is no way of getting to the treasures.
In Pat Britta€™s case, it was the spirit released from a life threatening illness that took the image of this large, gravelly voiced Rhino.
Finally we see that this work gives the former patient her independence of analysis and analyst. A local librarian helped Janis a€?retain her sanitya€? by allowing her to take out more books than the usual allotment and picked out more advanced works for her to read.
At the Village Gate, she played alongside some of her heroes (sitting between Tom Paxton and Len Chandler) and, after each song, she got a standing ovation. Although she still wrote, and had songs covered by others, she issued no recordings for around 10 years.
After sixteen years, the magazine has just ended its publication, but for eight years, Janis imparted her wisdom to the songwriter community. She started making some of her songs available as free downloads and watched her sales shoot up. Later, Seth noticed that nobody was singing the national anthem before the sporting events he was playing in.
I started writing down words and learning the art of telling a story.a€? Suddenly he found himself dipping back in time to learn the nuts and bolts of some of the favorite music of his childhood, like Rosenchontz, a duo that sang childrena€™s songs that hea€™d liked and found he still appreciated.
Hea€™d confront them in the dressing room before the show as he served them the food hea€™d prepared, and introduce himself as a fellow performer, hoping to promote himself as an opener at their future gigs.
Hea€™d cold-call people like Cheryl Wheeler, Shemekia Copeland, Cliff Eberhardt and Steve Forbert and ask for an opening slot. Seth knew he was going to be a performing songwriter a€” and nothing else (that changed later to include a more rounded view of life and purpose).
You may be sitting down physically, but youa€™re still running emotionally!A Therea€™s a big problem with moving so fast. One BiH editor made a plea for regional cooperation to help protect local culture from being pushed off the airwaves by inexpensive American series. I have also known people with schizophrenia who could never hold down jobs or attend school without some kind of long-term antipsychotic medication. People still dona€™t understand the old.a€? Author Dallett might heartily agree with this sentiment.
He speaks to our desperate post-modern world, saying we must turn away from our arrogance and learn again to live with the rhinos, the crocodiles, and all the natural, instinctive forms of life a€“ now, before they are gone, leaving us alone, alienated, and doomed to extinctiona€? (p.37). In school, her fellow students at the High School for Performing Music and Art were respectful. My eyes getting misty, hea€™s got me and I thank him for it.a€? I didna€™t perceive until much later, the brilliant job he did in dissecting George W. Seth would ask his coaches if he could sing it.A  a€?I liked to sing really, really loudly,a€? he told me.
My eyes getting misty, hea€™s got me and I thank him for it.a€? I didna€™t perceive until much later, theA  brilliant job he did in dissecting George W. The demands of our schedule a€” job, family, church, friendships, and so forth a€” start piling up, each overlaying the other as we race from place to place. What's important in such cases is to prescribe a correct and accurate dosage not only to contain extreme symptoms but to make psychological work possiblea€”work that includes dealing with the psyche's responses to the need for medication.
If the Self in such sufferers is enraged, social constraints and injustices give it excellent reason to be, for as Martin Luther King pointed out long ago, a riot [like a symptom] is the language of the unheard.
In her latest offering she reanimates many penetrating insights from Jung and reminds us that they are as cogent and urgent now as when Jung first presented them.
In response to her dream, the woman took up the task of relating to the unconscious through art, dialogue with the rhinoceros and study of dreams.
We sat there slack-jawed as Janis unleashed a barrage of guitar histrionics that crossed a line -- to borrow a phrase from Star Trek -- where no folkie has ever gone before.
Once a week, past her bedtime, shea€™d secretly listen to a folk show out of Newark at 10pm, a towel stuffed under the door to avoid being heard.
In the first tale, a€?Come Dance With Me,a€? Janis herself makes a thinly veiled appearance.
The new album is an important next step for Seth, on his way to building an impressive body of poetic work.
No one knows yet what might come out of this sidebar event, but Purivatra is hoping it might grow into something along the lines of Rotterdama€™s CineMarta€”where commissioning editors and development people meet with regional filmmakers in order to initiate cofinancing and coproduction deals. If this year there are one hundred to two hundred children bused in from Banjaluka, I think next year theya€™ll come by themselves. The remarkable dreams and healing experience of this dreamer make up one part of this rich book and serve to illustrate and put flesh on the abstract bones of some of C.G.
Jealous of her success, they penalized her for absences resulting from performing, even though she got good grades on tests.
Janisa€™s own story, a€?Second Person Unmasked,a€? not unsurprisingly deals with a shifting sexuality and the issue of powerlessness. The day after his shows there, Peter and Seth would schedule a songwriting session together. He manages to emulate Randy Newman in a sympathetic presentation of someone most of us would consider to be odious.
Seth began listening to artists like Sarah Mclachlan, Sinead Oa€™Connor and Taj Mahal, from his fathera€™s eclectic record collection. Just getting these folks together in one room was the first incremental step in that direction. But inviting other people to come in, hopefully it gives them a sense of pride that people are interested.a€? With its attendance climbing every year, ita€™s clear that people are interested. In an online interview, he states: a€?a€¦once I learned how to communicate with him, or with anyone, without words, it drastically changed my songwriting approach. And with Purivatraa€™s plans for a regional meeting ground, ita€™s possible the Sarajevo Film Festival just might turn into the pearl of southern Europe.
Asked in a later interview if she had any regrets, she replied, a€?Not for an eighth of a second.a€? She always knew there was no place for a person like her in the American school system.
It became more about what words to leave out, than what words I made sure I got in.a€? Seth sees the work of Randy Newman as an ideal.
Randya€™s ability to leave his ego behind, to see the world from the inside of another person, without judgement, regardless of that charactera€™s imperfections is a paradigm. But the growing data about the impact of a deep alignment of psyche and body reveals that we have merely scratched the surface of that mysterious intersection. The work suffers because wea€™re too tired to perform at 100 percent and therefore cana€™t do our job to our full potential.
A connection and engagement to the depths of the psyche that stimulates powerful healthy growth and that transforms body as well as psyche is unhappily still on the fringe of accepted consensus today, this in spite of what depth psychologists, in addition to Jung, have intimated or stated for over one hundred years. After writing a song from anothera€™s point of view, Seth finds that it winds up saying something important about himself. This then results in our having to battle feelings of condemnation for not doing a better job!A Leta€™s face it a€” ita€™s extremely difficult to do everything simultaneously. You may be able to swing it for a while, but in time, youa€™ll start missing important details, forgetting what you said, missing appointments, messing up in your finances, and even getting emotional over unemotional issues because youa€™ve pushed yourself beyond your limit. If this is you, slow down and set aside some time to spend with the Lord.A I have to admit that sometimes I also fall into the trap of doing too many things too fast. Ita€™s not that I want to move so fast, butA to get it all done correctly, I have to keep moving and stay on schedule.
If I delay in one area, itA throws everything else off schedule and creates a schedule crisis for many others in the ministry. To say they were enemies is not even sufficientA to express the deep animosity they felt for each other. This is obviously a person who has a lot of responsibility and is doing his best toA do it all in a professional and excellent fashion.
In order to do everything that is on his plate, thisA person is required to work hard all the time. They have deep issues with each other, holding resentments, grievances, complaints, and grudges that go way back in timeA and have very deep roots.
Instead of letting go of the offense, they became divided, hostile, and fiercely opposed toA  each other.
But in order to truly enter His Presence so we can hear the voice of the Holy Spirit, we mustA first quiet ourselves by getting away from the commotion of life and finding a quiet place to worship,A pray, and read the Word. I realize your flesh wants your offender to feel bad, to emotionally suffer, to be paid back for his actions.
Thata€™s the only way we can quiet our soul enough to be able to hearA Goda€™s voice speaking to our inner man. Even if your flesh does finally rally around to offer a very weak version of forgiveness, it will probably still try to inflict a little punishment on your offender.
Once youa€™ve stopped long enough to really rest inA His Presence, youa€™re finally in a position where you can start receiving from Him. Once they congregate, discuss the issues, and concur about their political views, they then proceed to build a platform from which they can promote their own political agenda.
Once the agenda is decided upon and the competition has begun, the fighting can be fierce.A As you are well aware, political races can become very ugly. Tarry there awhile, and let the Holy Spirit give you peace, joy, strength, andA direction.A Learn to rest in Goda€™s Presence. You see, there is a quiet place in Him, a place of refreshing,A where you will find comfort, peace, and protection a€” every time.
False representations are sometimes publicized by opponents who wish to discredit their contenders. As unfortunate as this behavior is for people who are runningfor public office, it has been this way since ancient Greek and Roman times, and it will continue to be this way because this is the nature of the flesh!A When Paul writes to us, he uses this word eris to depict how flesh erupts to divide families, destroy relationships, ruin churches, and pull apart people who once stood side by side. Those whoA have been offended are drawn like a magnet to others who have been offended or who feel hurt. OnceA they discuss their feelings and realize they have similar stories or opinions, it isna€™t too long before theyA start thinking they are right and everyone else is wrong! As you do, the Holy Spirit will release His resurrection powerA and you will be quickened in your physical body. But the flesh simply hates to surrender or compromiseA a€” to admit it is wrong or to let someone else be right. Today I am making the choice to put everything else aside and to make my time with You the top priority in my day. This word a€?emulationsa€? is not used much in our contemporary world, so what does it mean?
Spirit of God, my schedule is very full, and I need special strength to make it through this busy time. The word a€?emulationsa€? comes from the Greek word zelos, which often denotes enthusiasm, fervor, passion, devotion, or an eagerness to achieve something.
I will therefore quiet myself from the commotion of life and get into the Presence of Jesus. It is my key to remaining steadfast and strong enough to keep on schedule and to stay on track with everything I need to do.
The Holy Spirit will release His resurrection power in me, and I will be strengthened, refreshed, recharged, and empowered by God. After seeing him richly rewarded over and over again by his father, they couldna€™t bear it any longer. Rather than rejoice that their younger brotherA was so loved, they cringed every time Joseph received a blessing. Is your time with Him more important to you than all the other things that youa€™re scheduled to accomplish?
Unfortunately, it will usually move you to do things that are hurtful or that you will later regret. If your time with Him really is that important, is there a reason you havena€™t planned it into your schedule?A 2.
Rather than take the offense to the Cross and deal with it there, they choose instead to meditateA on the perceived offense. But in order to truly enter HisPresence so we can hear the voice of the Holy Spirit, we must first quiet ourselves by getting away from the commotion of life andfinding a quiet place to worship, pray, and read the Word. Thata€™s the only way we can quiet our soul enough to be able to hearGoda€™s voice speaking to our inner man. They know if they dona€™t do something quick to restrain themselves, theyA are going to say or do something really ugly a€” so they shove it back down deep inside in an attemptA to keep it under control. But if those angry emotions were never properly dealt with in the first place,A one day something will happen that triggers their release.A Perhaps this has happened to you. If so, you may think those vile emotions are gone, but ifA you never let the Lord really deal with them or the situation that created them, they are still lying dormant inside you, just waiting for the right moment to be released. Finally, when that person who made you angry in the first place does something to make you angry again, it will be like someone opens a door on the inside of you, releasing a flood of vile and rank emotions that immediately rise to the surface!
Thata€™s when youa€™ll come unglued, saying things you later regret and speaking in tones you should never use!A The word thumos perfectly illustrates the way the flesh tries to deal with problems. You may think that the matter is over, but the truth is, those issues are simmeringA and waiting for the moment of eruption. Even though the flesh is attempting to avoid confrontation,A in the end its eruption creates a confrontation more scorching and hurtful than ever. Go to the Lord andA confess that you have allowed these fleshly works to operate in your life.
Hatred, variance, emulations, andA wrath are so hurtful to my heart and destructive to my relationships. Goda€™s SpiritA dwells in me and helps me keep these fleshly attitudes out of my heart so I can stay free.
If you did nothing to let them know you were sorry, what do you think you should have done? If someone did that to you, what would you expect thatperson to do or say to make it right with you?A 3.



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