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It was a blues number, a€?Save Me for Latera€? on her album, Me a€™n Mabel, that first worked its magic for me.
Suzie has become recognized as an accomplished blues singer and guitarist, but she has many ways to seduce a listener.
Suzie would gravitate toward music as a kid a€” singing along to an ever-present flow of mainstream radio tunes would make her feel good a€” but becoming a musician was not a conscious thing. Her parents had what looked like a cool record collection, but the stereo was broken throughout her childhood. The sole parental musical influence occurred when her father listened to country music in the car. By age 11, she also was playing saxophone in her grade-school concert band and singing in the chorus. While Suzie continued to explore other instruments, the guitar, in combination with her voice, got her noticed. When she was in fourth grade, her teacher called the principal into her class and had Suzie sing a€?Country Roadsa€? for him and the class. She remembers at age 11 or 12, taking her allowance a€” she might have done a tiny bit of baby-sitting to add to her spending money a€” and going down to the Sears in downtown Saskatoon and plunking down $14 to buy her first album, Supertrampa€™s Breakfast in America. When she got a little older, she got her own small record player and would sing and play along with records alone down in the basement, her voice bouncing off of the faux paneling. I conjectured that playing the bass gave her a better sense of lower notes or the a€?bottoma€? in her guitar playing.
In addition, she had discovered the Saturday jams at a blues bar, Buda€™s on Broadway, in Saskatoon.
Over the years, Suzie has studied with a number of people and works today with a vocal coach when she can because therea€™s always something to learn. Fresh out of high school, Suzie attended the University of Saskatchewan in Saskatoon for a year. At one of Tonya€™s shows, her brothera€™s friend introduced her to the man she would marry about five years later. She made some musical connections, did some gigs, and then got a full-time job working for Marty Simon, a film composer. Suzie also worked in other musical side projects to pay the bills, providing bass and lead and backing vocals. Betty & the Bobs is a 7-piece variety-show type band which plays quirky music that its members wouldna€™t play in other projects.
Suzie did solo gigs with guitar all through the years with Rick and the other groups, and is now predominately a solo artist. 33 Stars, released in 2002, has a pop feel.while Happy Here, released in 2008, is rootsier.
Her most recent album, Live at Bluesville (2012), came about when a radio interview turned into a recording session. Although her parentsa€™ record player didna€™t contribute to to her development, her brother had a stereo that could crank out the decibels and he allowed her to listen to records on that.
Fresh out of high school, Suzie attended the University of Saskatchewan in Saskatoon for a year.A  She was in a general arts study program, which included drama and music theory. In between gigs, she worked the counter in a gas station, baby-sat and did other part-time work, such as helping an accountant with income tax preparation and cleaning houses.
In 1993, a serendipitous crossing of paths in Toronto proved very rewarding.A  Influential Canadian roots music DJ Chopper McKinnon met accomplished blues player Rick Fines for a beer.
It says something about me that two of my favorite Gorka songs, occurring back-to-back on the 1994 album Out of the Valley, explore the dark side of Johna€™s psyche. The first is a€?Bigtime Lonesome.a€? It describes the pulling apart of a couple in which the woman, unsatisfied with her wandering partner (John, himself?), sends him packing when he proposes. The emotional terrain was all too familiar when I first heard it and, though life has been good -- Ia€™ve been gifted with a loving, solid marriage -- the darkness still calls to me. Johna€™s dark, comedic sense shines on two other songs on the album, a€?Mystery to Mea€? and a€?Up Until Then.a€? Here we encounter his trademark sarcasm and laser-sharp perception of human foibles.
John soldiered through his Fast Folk Cafe performance and the cafe survived for another four years until the lease ran out (giving the landlord the opportunity to charge higher rent to a carpet store -- also now defunct).
In it, Gluck quotes Jennie Esposito, who ran the folk group: a€?Jennie Esposito remembers her first encounter with John Gorka. At some point, after graduating from college, he lived in the basement of Godfrey Daniels for a few months. When his first recording came out, his voice had a deeper sound, similar to that of Stan Rogers.
I mentioned to John that he shows a great amount of empathy in his songs and asked how it developed and if the Fast Folk experience enlarged upon that. When I asked about some memorable experiences during this time, John recalled: a€?I remember singing on a tabletop with Shawn Colvin at the first Falcon Ridge Folk Festival in 1988. Novelist and short story writer Richard Ford, a Pulitzer Prize winner, was a new name to this author.
The album Jacka€™s Crows was released in 1991, and the title track caused some speculation among some of us who thought it might be about attendees of Jack Hardya€™s song swap and their sharp critiques. His 2006 CD Writing in the Margins included themes that strike deep into the heart on both a national and personal level.
The album also contains a cover of one of his favorite Stan Rogers songs, a€?The Lock Keeper,a€? an eloquent musing on the sacredness of home life.
In 1965, while working as a waiter that summer in the Catskills, a folkie came through and stopped at our little hotel to visit a friend on the staff. Upon my return to Connecticut, I promptly sought out Will Tressler, my folk-singing Industrial Design professor. We were also getting off on rock staples like the Beatles and Stones and our homebred establishment bashers, The Jefferson Airplane. His father had seen Jorma pick up and fail to continue with other instruments, so he agreed that if Jorma could learn two songs on his friend's guitar, he could get a brand-new one. In high school he became friends with Jack Casady, also a guitarist, and together they went to concerts and clubs. A subsequent work-study program through Antioch allowed him to live in New York City and strengthen his chops further.
He played at open mics at Folk City, and got to watch the Reverend play live there, as well as people like Sonny Terry and Brownie McGee and John Lee Hooker. In 1962, Jorma moved to the San Francisco Bay area and enrolled at Santa Clara University where he finished getting his degree in Sociology. He was teaching guitar in a small music store in San Jose during this time, playing as a solo act in coffee houses and backing up a young, promising blues singer on the acoustic scene by the name of Janis Joplin.
Old friend Barry Mitterhoff (left), mandolinist extraordinaire (a member of Silk City when Acoustic Live featured them in our December 2000 issue) has joined Jorma (center) and Jack Casady in the present version of Hot Tuna.
When the band went on tour, at first, shows weren't as long as they would later become, and Jorma and Jack still had plenty of energy afterward.
In 1972, the Airplane disbanded and Jorma performed and recorded both solo and with Hot Tuna. In 1988, while playing a gig with Hot Tuna in Key West, Jorma took notice of a woman from the stage. In addition to guitar, there is also instruction on bass guitar, lap steel guitar, mandolin, percussion, vocals and songwriting.
There is also a concert hall at the ranch where national touring artists look forward to playing. Life is full for Jorma these days between touring and teaching and being a husband and father (he has a 10-year old son and 18-month-old daughter). A subsequent work-study programA  through Antioch allowed him to live in New York City and strengthen his chops further. Barak (which means lightening strikes) is found in the Book of Judges, (out of which judgment comes)where he was lead into battle by a woman Deborah (Lady Liberty) who called herself a mother in Israel and became a judge over them. She became the great whore, and the Mother of Harlots or Mother of Exiles that rides upon the back of the democrat (Ass) Beast.
Judges 5:4 Lord, when You went out of Seir, when You march out of the field of Edom, the Earth trembled, and the Heavens dropped, the clouds also dropped water. 5:6 In the days of Shamgar the son of Anath, in the days of Jael, the highways were unoccupied, and the travelers walked through byways.
5:9 My heart is toward the governors of Israel that offered themselves willingly among the people. Revelation 6:1 And I saw when the Lamb opened one of the seals, and I heard, as it were the noise of thunder, one of the four beasts saying, come and see. John 4:5 Then came he to a City of Samaria, which is called Sychar, near to the parcel of ground that Jacob gave to his son Joseph. It is Habakkuk the Prophet that called down woe upon those that say to the Wood, it should awake, and to the dumb Stone that it should arise and teach. Habakkuk 2:19 Woe unto him that says to the Wood, Awake; to the dumb Stone, Arise, it shall Teach!
Revelation 9:11 speaks of one rider on white (Ass) horse, with many crowns upon his head, which rule the Nation with a rod of Iron, with his garment dipped in blood, having an army following him upon white horses, but the rider is not a him, rather a her (Mystery Babylon the Great). The white (Ass) horse, (Horse with a U, becomes House ) is symbolic of the democratic (Ass) donkey which is the White House. 19:19 And I saw the beast, and the kings of the Earth, and their armies, gathered together to make war against him that sat on the horse, and against his army. Judges 4:4 And Deborah, (a prophetess), the wife of Lapidoth, she judged Israel at that time. The Bible follows the messianic line to Abraham's son, Isaac, and then to Isaac's son, Jacob who lived around 1900 BC.
Then he dreamed, and behold, a ladder was set up on the Earth, and its top reached to Heaven; and there the Angels of the Creator were ascending and descending on it. Jacob had 12 Sons and great possessions not because he was shrewder than Laban but because the Creator was with him. Nothing can exist outside of Life regardless of whom or what they claim to be Good or Bad or just Indifferent.
If Mother Earth is not set at Liberty (Free) from the Nations, who are against their own existence, and is using words such as Acceptance and Love, when their desired lifestyle is against Life. It is the Spirit and not the Flesh that is the influence of what I am sent to bear witness to, and if you were not given wings to soar as the eagle, what I say will be incomprehensible, unless you are humble enough to approach what is being said with an open mind and not an educated one. I am not sent to enlighten the people that already know, or who is here to prove how much their Education makes them know; it is only those with the desire to know that I am sent to.
Pride in education keeps people in ignorance, so that they would rather condemn the things above their comprehension rather than admit that they are in the dark to Spiritual Truth. Prophesy would come to fulfillment on this Sunday Night in 2014, where the Grabby Awards opened up between the legs of Beyonce, and exited through the rear, with (queen) Latifah presiding over mass Gay and Lesbian wedding. My question to the descendants of Slaves is this; for a people that profess to know (God) their Creator, as Jay Z said on stage that he wanted to thank him for his woman, do they really believe that the Creator can be mocked?
Instead of asking for a love offering, why is it that the ministers doesna€™t explain to Israel in Captivity, that their past History is written in the Holy Bible, and it is this behavior that caused their Ancestors to be brought into Bondage, as Ezekiel Prophesied? Have you now lost your fear because slavery seems to be far behind you?A Isna€™t slavery enough punishment for you to bear, when you are still a despised people? I would like the descendants of slaves, to explain, who give them the confidence to commit these ungodly acts? Since Slavery was the punishment for adopting this lifestyle and behavior, who will protect you from the second punishment? Why would you put your confidence and trust in the very people that brought you into Bondage in the first place, when these same people treat you with hatred and scorn to this very day? Since you are confident that they will protect you from being punished, (because they are the ones with the power to punish others), you should ask them who will protect them from the destruction they have brought upon themselves. It is written of them that they are like a Pig that was washed from the mud only to go back to it again, where their second judgment will be worst than the first. My Sisters has taken on the identity of Mystery Babylon the Mother of Harlots, and my brothers are even more guilty than they, for they became the follower in partaking of the forbidden fruit.
How can I a man, allow the woman of my girl child, to get on the stage of the Sodomites, so that the world of lustful men and women can have sexual fantasies with her all at the same time.
Because they were totally stripped of their (physical) material wealth, It is almost impossible to teach such a people that the way to Spiritual Knowledge and Strength is to let go of the Physical things of Corruption and Sin.
How can you get a people whose life has been driven into poverty and hardship (because of loosing everything), to seek the path to Life, (Spiritual over-standing), when that path teaches them to give up the material things they were denied, that they desire to have? If they had possess Spiritual Truth, then Jay Z would know that having the lock and key to his wife physical body, doesna€™t mean that he alone is sleeping with her.
Those that live within this Spiritual (eagle) will always ruler over those that allow their physical to rule them, unless they are able to break the spell which is to rise above education and enter into the house of Wisdom. Spiritual whoredom is practiced amongst she that owns the Grabby Awards, the one that makes the unseen decisions, she uses her education to control those that worship her, so they are compelled to do whatever she desire of them. It is Crya€™ist that said for a man to look at a woman lustfully, he has already committed fornication with her, and she was dressed as the temptress, X-rated fornication. It has been made legal for you to get Drunk (and in love), when the law put an end to prohibition, and you were liberated from yourself, and thought that you found love. It is not even an expression of self-love; it is Imitation love for the Great Whore, who is into herself, (woman power)A that leads only to shame and disgrace.


Real woman power is tied into Life, (not money), this is why she is called Mother (Nature) Earth, and not Mother of Harlots.
The influence of the great whore is so powerful that she first went to the Island and took the Sister that was teaching Cultural Awareness and because of poverty transformed her to become the foundation of this whoredom a€?Dance Halla€?. She is the one that is the heart of Jahrusalem, and it is from this house thatA spiritual warfare was first made against the Sodomites and their practices.
Those condemning this practice were silenced, and their fire put out by those claiming to be the law, that took the side of big money, and have themselves bowed down to the sin. That it will be fulfilled, when Abram asked that Sodom be spared if there was but Ten Righteous and there was none found, not one, yet Lot by his presence kept the City alive, until he too, was, and is now fed up with Sin. When I speak against those who are the descendants of slavery, I do not speak in terms of condemnation, for how much more can this people be condemned? It is they who first gave up their Freedom and brought condemnation upon themselves (that caused their Bondage), by disobeying the Commands of their Creator, and until now they have refused to give up their sinful behavior. If they desire to be the blue print of those that rule over them, and who refuse to be corrected, then they will end up in their Condemnation, which is inevitable. Since they are the people that refuse the mercy shown them, then this mercy will now be withdrawn.
For I say Lo I come in the volume of the Book, it is written of I to do Thy Will, in the New Name a€?Jah Rastafaria€? that you have redeemed and have taken unto yourself so as to Liberate outcast Israel.
5:16 Let your light shine for the Glory of Mother Earth, so she will rejoice in you and Glorify in the Father that dwell within the War Dance of Lord Shiva. I will minister from the Arts, (for it represents my mothers house Stew-art, out of which I am born), and because of the Miseducation of my Sister Lauren Hill, who was brought into the House of Wisdom to sing a€?Lost Onea€? for I am sent to uphold the Commandments and establish New Jahrusalem as a City built upon a Hill. My Sister has proven to be spiritually stronger than all those who claim to be soldiers and those who believe they have the authority to sit in Judgment against her claiming that she owe them! These Vampires instead of repaying the descendants of those whose labor they robbed and have put into slavery, they sit in the Seat of their Creator as Judge and punisher against those who they have violated and claim they are indebted to them.
I am the root of the Arrogant, sent to say the Law of the Land is the Commandments, and that the Native Inhabitants and those taken as Slave can never be indebted to IRS, or America. Those who call themselves IRS who have made themselves God over the people, should show their faces for the people to see who is it they owe, for their own rules demands that everyone must have a physical Identity outside of a name. If the IRS (Imperial Rootless Sinners) cannot be identified by face, then the people are indebted to just words, spiritual forces of darkness, the Demons of Forgetfulness.
The dance is a pictorial allegory of the five principle manifestations of Eternal energy, Creation, Destruction, Preservation, Salvation, and Illusion. A brief Internet perusal reveals that Aphrodite had no musical skills and actually was a bit of a tramp. Situated midway between the east and west coasts, I thought that would make her the Canadian equivalent of a a€?Midwesterner.a€? She characterized it as more of a prairie environment, so a€?Ia€™m a a€?prairie girl,a€™a€? she said.
It was a large console that became more of a nice piece of furniture that they stored things in. She said that, a€?My voice was the first instrument that I got to play around with,a€? she said, a€?but I got bolder when I picked up the guitar.a€? It enabled her to accompany herself and she found a lot of cheerleaders among her teachers. She perceived that the other guitar player in the concert band had a better understanding of jazz chords needed to play in the large band repertoire. While she didna€™t disagree, she felt, more importantly that it allowed her to a€?meter-map out how songs move chordally.a€? It was good for her ear, she added. Her husband got a job in Toronto and they moved there in 1998, but the marriage ended shortly afterward. From her Wikipedia page, we learn Happy Here was a nominee for Roots & Traditional Album of the Year a€“ Solo at the 2009 Juno Awards. He told Rick he shouldna€™t be sitting with him when he could go see the bass player at a different bar up the street. Hea€™s the one who gets it better than everybody else, and delivers it in a voice so rich, it makes Pavarotti weep. The voices and names poured out of the speakers: Greg Brown, Shawn Colvin, Cliff Eberhardt, Lucy Kaplansky and a€¦ John Gorka. An online description states that a€?he got his first guitar as a Christmas gift, but it was taken by his older brother soon afterward.a€? It makes his brother sound selfish, but the full story is different.
As he describes it: a€?My first banjo books were Earl Scruggs and the 5-String Banjo which also had a companion record album, and was very helpful. He says that Stan made an impact on him and that he inadvertently absorbed Stana€™s vocal style. He learned about Jacka€™s New York song swap group and the principle that you could improve as a songwriter by writing one song per week and playing it for the group, whose attendees would give feedback.
He replied: a€?I know people started taking notice of my songs when I started to write about the neighborhood around Godfrey Daniels and some of the local characters. It had started to pour rain and everyone moved into the ski lodge (the festival was held at the Catamount Ski Area).
In the beginning there was a€?I saw a Stranger with Your Hair.a€? Ita€™s on his first album, I Know and is listed as one of the tracks on the first Fast Folk Musical Magazine recording. A ship is passing through the lock and the sailor exhorts the lock keeper to free himself and follow him. However, there are elements that prevent his work from getting old: mastery of language and the ingenious way he combines phrases. The first six or seven years, I spent bouncing around academia, pitching fitfully toward a B.A. He rocked his head back and forth, flinging long hair side to side while his foot plied a wah-wah pedal. Sufficiently toked, we decided to take in some music at a local venue that presented two or three nationally touring acts per evening (Paul's Mall? He remembers learning Louvin Brothers songs and he was able to make that trip to the music store. There he met Ian Buchanan, who turned him on to fingerstyle guitar, specifically the music of the Reverend Gary Davis.
Perhaps it stemmed from the time that Ian Buchanan helped him learn how to play finger style, or simply to pass along the torch of the old craft, down from the Reverend, to new generations of players. Besides Jorma, the pantheon of great teachers includes, at various times, Jack Casady, Chris Smither, Little Toby Walker, Happy Traum, Bob Margolin, John McEuen, Barry Mitterhoff, Woody Mann, David Lindley, David Jacobs-Strain, Beppe Gambetta, Tommy Emmanuel, Guy Davis, Rory Block and a host of others. 4:6 And she sent and called Barak the son of Abinoam out of Kedeshnaphtali, and said unto him, have not the Lord God of Israel commanded, saying, go and draw toward Mount Tabor, and take with thee ten thousand men of the children of Naphtali and of the children of Zebulun?
5:5 The Mountains melted from before the Lord, even Sinai from before the Lord God of (Babylon the Great) Israel. 5:7 The inhabitants of the villages ceased, they ceased in Israel, until that I Deborah arose, that I arose a Mother in Israel. The place of drawing waters is where she claim to deliver the people from the Archer, for it is is the place where the Lamb confronted her (Jacobs Well), about her Whoredom.
For she claim to have liberated the people by delivering them from the noise of the (Archer) Lamb. Behold, it is laid over with gold and silver, and there is no breath at all in the midst of it. 19:14 And the armies that were in heaven followed her upon white horses, and were clothed in fine linen, white and clean. 19:16 And she hath on her vesture and on her thigh a name written, (Mystery Babylon the Great, the Mother of Harlots).
The Palm was placed in the path of Crya€™ist when he rode into Jahrusalem on a (Ass) donkey. Both his parents were illiterate, but being a devout Christian, his mother sent him to a local Methodist School when he was about seven. The Creator protected Jacob all the way and also prepared his brother Esau's heart so that he was no longer angry. They were first warned by the Creator not to follow the lifestyle and behavior of the Sodomites, and Instead of them being punished for leading you intoA Immorality, it is you that was punished for following them. It is written that the daughters of Jahrusalem, have made her sister Sodom (who taught her to commit whoredom) look innocent, for she have taken it to a higher level.
You are educated and have enough money now to do as you please, because those that rule over you are doing as they please, is that it? We are born balanced between the Spiritual and the Physical, and the Spiritual is our Strength. Physical whoredom is manifested amongst she who lives within the lower order of life, she that became the street woman, the outcast. It is Babylon the Great (Revelation 17) who had her singing a€?Drunk In Lovea€?, which is exactly what it was. How will it benefit I in condemning them, seeing that it is only through them that the World will find Freedom. When I speak against their behavior as the Truth declares, I speak in terms of Correction, not condemnation. The time for overlooking her sins are at an End, so thatA those under her spell (because of her authority over them), will be removed from Spiritual Darkness. 1:32 Who knowing the Judgment of the Creator, that they, which commit such things, are worthy of Death, not only do they do it, but have pleasure in those that that they made into followers.
2:11 He that hath an ear, let him hear what the Spirit says unto the Churches, He that overcome shall not be hurt of the second Death.
5:18 For verily I say unto you, until heaven and earth pass, none of the Commandments shall pass from the Law of Life, until all be Fulfilled.
The rhythm of dance is a metaphor for the Balance in the Universe, which Shiva hold so masterfully. As Lord of the Dance, I am he who is sent to purify the Dance Hall, and return my Sisters back to their Virginity. But if she could sing, with her seductive skills, it might produce the same effect that Suzie Vinnick does. Me a€™n Mabel (2011) shows Suziea€™s skills with just her and her Larrivee parlor guitar (christened Mabel as a result of a slip using the word a€?maplea€?).
Since there was no bass in the orchestra, she asked her teacher if she could learn it and take that slot. She joined two female trios with different styles, Vinnick Sheppard Harte and The Marigolds.
Kinga€™s Bluesville station, basically said a€?Herea€™s our studio, go in and have some fun!a€? The result was a typical Suzie tour de force of vocal and guitar. Chopper knew that Suzie was playing bass for Back Alley Johna€™s band, which was in Toronto for a gig. Much of what was played was generously sprinkled with a€?graduatesa€? of the Fast Folk Musical Magazine stable of discoveries. He states: a€?I knew I wanted to be a writer before I knew that music was going to be the route Ia€™d take.
Ita€™s fun to contemplate what kind of impact the big baritone of this newcomer musta€™ve made on audiences back then. At Jacka€™s urging, he moved to New York and became one of the Fast Folk Musical Magazinea€™s greatest co-operating musicians, and one of its more well-known a€?graduates.a€? Emusic lists John as being a contributor on 14 of the Fast Folk Musical Magazine recordings. Wea€™re witness to a perfect marriage of melody to words and, of course, that astonishing instrument, his voice. In the songs Ia€™m talking about, there is a melancholy so pure, so true to the human experience, it brings tears to your eyes with the expression of its stinging light.
Much of what was played was generously sprinkled with a€?graduatesa€? of the Fast Folk Musical Magazine stable of discoveries.A  A lot of them had played at the Speakeasy, a Greenwich Village venue on MacDougal Street.
It seemed that my songs sounded better to me than the versions of other peoplea€™s songs that I was trying to learn.
At Jacka€™s urging, he moved to New York and became one of the Fast Folk Musical Magazinea€™s greatest co-operating musicians, and one of its more well-known a€?graduates.a€?A  Emusic lists John as being a contributor on 14 of the Fast Folk Musical Magazine recordings.
The sound of the metal picks against the bronze strings blew everything else out of the water. Around that time, I learned that the Reverend Gary Davis, an inspiration to many 50's and 60's folk-era fingerstyle guitarists, was playing one evening at a church coffeehouse in the area.
Not sure -- the 60's had finally kicked in.) Among the people appearing over two nights running were Pentangle, Livingston Taylor anda€¦ Hot Tuna. When Jorma was 17 years old, he and Jack (then 15 years of age) formed a band called the Triumphs. When Paul Kantner asked Jorma to be in a new band, he demurred at first, having reservations about going electric. Soon, they were doing acoustic sets in the middle of Airplane concerts to enormous audience enthusiasm. On a whim, Vanessa Lillian, a civil engineer, had accepted an invitation to attend the concert. There are lessons in guitar, from Jorma, Woody Mann, David Wolf (includes beginner level), bass from Jack Casady and Oteil Burbidge and mandolin from Barry Mitterhoff.
Papa John Creach, violinist for theA  Airplane, also joined the band for a couple of years.
Jaha€™sus therefore, being wearied with his journey, sat thus on the well: and it was about the sixth hour.
This cosmic dance of Shiva is called the Dance of Bliss, and symbolizes the Cosmic cycles of Creation and Destruction, as well as the daily rhythm of Birth and Death.


Her previous album, Happy Here (2008), is lushly orchestrated and shows Suziea€™s ability with a torch song. I just liked the idea of singing songs off the radio.a€? She continued guitar lessons for two years, but there there were other instruments on her radar. Her voice teacher, Naomi Freisen, was a classical singer but still appreciated the a€?Broadway beltera€? style and was able to help her with blues and rock a€™n roll. Tony played in a style similar to guitar greats Albert King, Freddie King and Stevie Ray Vaughn.
He kept in touch and asked her to come out for a summer, saying that he had a bunch of gigs lined up. He told Suzie stories about the music business (some of them hair-raising, no doubt) and she learned a lot from him.
He told Suzie stories about the music business (some of them hair-raising, no doubt)A  and she learned a lot from him. At around 1996, when I realized that I didna€™t have the tools to be a performing songwriter, I figured I might be happy singing Gorka covers for the rest of my life as a music feature at poetry readings.
I had already started playing banjo and loved Scruggs style and the melodic style, as well as clawhammer and Seeger styles.
Ita€™s there in his song a€?Thata€™s How Legends are Made,a€? written about the great Canadian folk singer, the late Stan Rogers and his brother, Garnet. Among the many John learned from he cites, a€?to name a few,a€? Claudia Schmidt, Roselie Sorrels and Dave Van Ronk. There are two instrumentals on the album, a€?Fret Onea€? and a€?Fret Not.a€? Recording in his home studio allowed John to explore the sheer joy of letting an instrument do the singing. When that closed in 1992, Fast Folka€™s founder, Jack Hardy, looked for two years and found a space in TriBeCa to provide a listener-friendly place to play.
Ita€™s there in his song a€?Thata€™s How Legends are Made,a€?A  written about the great Canadian folk singer, the late Stan Rogers and his brother, Garnet.
For anyone who harbored a fondness for fingerstyle guitar, this was an inclusive jewel of life-changing proportions. Hot Tuna took a hiatus in 1977, leaving Jorma to do solo work, both solo acoustic and electric, with bass and drum backup. As if following a Hollywood script, they talked all night, and then got together the next day, then again the following night. That dream has come to fruition in Fur Peace Ranch, a guitar camp in Pomeroy, in the hilly farmland of southeast Ohio, about two hours drive from Columbus. The site allows the student to contact the instructor and receive specific help to smooth out any rough spots with the lessons.
And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. She tried the upright bass for a bit, but didna€™t care for it and settled with the electric. Suzie had no commitments in Saskatoon and enjoyed her time in Ottawa over the summer, so she decided to move there. When I started to try songwriting I realized that through music I could express more than I could through words alone.
We listened to the radio growing up and I loved the Beatles and Elvis but didna€™t really think that I would ever do music for a living. When he headed out on tour, taking his songs and big voice out on the road, some of those hea€™d opened for, opened doors for him.
The song, a€?Ignorance and Privilege,a€? was sparked by Molly Ivinsa€™ remark about George W.
I wrote a€?Ia€™m From New Jerseya€? after reading his book The Sportswriter.A  I admire the poets for their ability to sing with words alone. Vanessa's engineering background and her organizational skills enabled the dream to achieve reality. In the two samples which show Jorma, a song is broken down into sections and demonstrated throughly.
Of the tracks I sampled, I was really impressed with the covers of a€?Big Yellow Taxi and a€?Love Hurts,a€? from My Favorite Shirt. When I sing them, in my head to myself, they roll in, one after another in an almost endless chain, then loop around and start repeating. I got a guitar for Christmas, but my hands were too small and the strings were too far from the fretboard so my brother took it and carved his name in it. Their acoustic blues set reinforced the cross-pollination between the folk and rock worlds. Jorma developed a fondness for blues and bluegrass.His early influences included The Carter Family and Flatt and Scruggs.
The Marigolds was a more delicate, folkier group with a€?killer songwriters and singers who could pour out jazzy vocals,a€? Suzie said. I learned quite a few chords from my brother and he was very generous in lending me songbooks and knows a lot about music. A year later, Jack headed back out on the road to get back to his career and left the cafe in the hands of volunteers. I didn't know then that Jorma had already paid homage at the shrine of the Reverend Gary Davis, genuflecting numerous times. When he was 15, he decided he wanted to learn guitar and play bluegrass and old-timey music. John states in an interview I found online: a€?People were sitting around the front room passing around a guitar. Suziea€™s robust vocals did a strut all over Tonya€™s snarling guitar licks while her bass provided a relentless throb below. Maxwell will be deciding upon and after this illness passed we will take a look at producing these scripts into feature films or television productions. He hesitated between songs, appearing to try out a new persona, a€?the slow guy.a€? This brilliant performer haltingly spoke his song introductions, causing Lucy to look at him quizzically.
Maxwell is spending this time taking care of his wife, and not in production, he has plenty of time to read scripts. Thus, this is a wonderful time to have him take a look at your script.i»?A This page is set aside to give us an opportunity to keep our visitor abreast of what is going on with Maxima Vision Films and our film school.
Centre: Charlie Bennett, Les Griffin (trainer), Harry Oxtoby (trainer), Greg Anderson (treasurer), Jack Armstrong (secretary), Bruce Cambridge (president), Ray Hunt (manager), Graham Seymour.
At the same time we encourage our visitor to write us anything they feel may be of interest in film and television to our community. Many of these articles are written by our own CEO who is serious about keeping our whole community up to date with any breaking news and events we may be involved with. In the event you write to us a story we find the community may want to know about we will post here on this page.
Hea€™ll listen to the names of songs and respond, a€?I recognize those names as songs Ia€™ve writtena€¦a€? In other words, a€?there are too many to sing, and Ia€™ll do the ones I want to do.a€? Ita€™s an unusual audience member who goes away unsatisfied.
These stories may be of any kind pertaining to the film and television industry, from casting calls our community may want to know about, to events in the area, to a new story ideas you come up with you think might make for a good film or television production. Randall Maxwell of Maxima Vision Films takes some of the backdrop of that particular White House, fictionalizes the story, orchestrates some look-a-likes and dramatizes a womana€™s lust for power who is willing to do whatever it takes to become the first lady president of the United States, including assassination, sex, love or war.
When three unlikely but well-intentioned groups of mighty people join forces to battle the demon, they face challenges within and without. Their variegated backgrounds, including slavery, military, and commoners, must be overlooked if they are to stop Man Burnera€™s evil quest.
The powerful and precious Atma stones must be kept secret if the world is to be saved.Will Man Burner be able to succeed on his quest to find the Atma stones?
This delay is expected to last a couple of months, postponing production of every film by a couple of months.The reason for this suspension is due largely to the fact of us not yet having our film school, which is attached to our production company at the point where our investment group had wanted it by summer of 2013. Another large factor is not finding a large enough pool of talent here locally who have enough professional film experience or training to allow us to completely cast four feature films per year, let alone finding enough professionally experienced crew.Thus, one of the things we are now awaiting is hiring a casting director in Hollywood to cast any remaining major speaking roles for each film we have been unable to cast thus far. This is an all out effort to raise the bar in this region of professionally trained actors as well as crew.
At this summer feature filmA  consortium; Whether you are an aspiring producer, director, script writer, editor, animator, actor, cinematographer, or just want to learn the ins and outs of the film making industry, you may begin as early as the summer of 2013 building your working resume by participation in our Summer Feature Film Consortium! Well, we have serious investors who share our same passions who are willing to put their money where their mouths are.
Let us commit ourselves then together to perfecting our craft of film making and television production by committing to professional training and stop spending money with so-called agencies who are simply in business to sell schools and photos, but have no real connections to even consider making even a feature film. It is a very sad thing that so many have been lured into such scams and have been taken advantage of, but now it is time for change and a part of this change is a must, raising the bar of excellence. It is now time for us to show our investors that we are willing to invest in our future so that very soon they will allow us the opportunity that all of us can make a very good living doing what each of us love doing and that we are extremely passionate about.A This film school has always been and will continue to be always a very specialA  part of our production company and our plans for the future as a means of keeping well trained professionals continuing to come on board with our production offices, from professionally trained actors to crew.
About Us Contact Us A Tribute to Ben Fisher and Jack Thompson Bill Keato the Lad from Liverpool Old Newspaper stories and photos from the 1960's VALE Laurie Bruyeres VALE Nev Charlton. This keeps fresh ideas coming through the doors, but more importantly it allows us to always know we have the most highly skilled actors and crew that money can buy. Our investment group has always made the film school a stipulation on their investing in our feature films and will continue to do so. VALE Bill Keato VALE Vince Karalius VALE Bob McGuiness VALE Denis Meaney VALE Johnny Mowbray Vale Kel O'Shea Vale Mark "Snow" Patch VALE Bob Sargent Vale Ken "Nebo" Stonestreet. A One of the biggest concerns of our investment group is to keep from happening here what happened in Louisiana, where their film makers were at least diligent in getting their law makers to raise the incentives to entice major film production companies like Maxima to come into their state to produce films in their state. VALE Doug Walkaden 1966 Season 1967 Season 1968 Season 1969 Season Noel's Dream Team What a game Wests Photos from the Old Days Case of the Missing Goal Posts A Visit to Old Pratten Park Peter Dimond Book Launch Interview with ------ Noel Kelly Interview with ------ Tony Ford Interview with------- Mick Alchin Interview with Jim Cody Interview with ------ Colin Lewis Interview with ------ John Mowbray Interview with ------ Noel Thornton Interview with ------- Bill Owens Interview with John "Chow" Hayes Arncliffe Scots 1969 Un-Defeated Premiers Arncliffe Scots 85 years reunion 2003 Pratten Park Reunion 2007 Pratten Park Reunion 2008 Pratten Park Reunion 2009 Pratten Park Reunion 2010 Pratten Park Reunion 2011 Pratten Park Reunion 2012 Pratten Park Reunion 2013 Pratten Park Reunion. They were able to do this by quoting statistics which prove, when major film production companies come into your state and begin producing motion pictures, they bring with them literally millions of dollars into the local economy. In Louisiana, they experienced tremendous success in enticing these companies into their state.A Unfortunately, these companies came by the droves, however, once there they found there was not enough professionally trained talent already there to produce the number of films they wanted to produce, causing them to have to hire the bulk of their needed talent out of state. Because these incentives are based on hiring local talent, these companies when they were forced to hire outside of state talent, they lost their incentives. Louisiana has since worked diligently trying to get professional instructors in their public schools and universities to train up a workforce of professionally trained film and television professionals to salvage what they can of the professional production companies who have remained and tried working with them.A At Maxima Vision Films, we have experienced the same thing in this region as far as finding sufficient professionally trained talent to do here what we had planned to do in this region. When I speak of this region, I am speaking of the region of Tennessee, Arkansas, Oklahoma and Louisiana. We have two investment groups, one of which has already committed to funding four feature films or television productions per year over the next five years here in this region with Maxima. We want to shoot films that matter, films which can help to shape our culture positively as opposed to negatively.
These films will be marketed directly to the Christian community, which when one considers 70% of the USA population are professed Christian, this is an enormous market. We are certain if we can keep our production cost down under a million dollars the odds are in our favor of at least breaking even if not making a few dollars, especially considering telling stories that matter. If we can keep our films under $500,000 the odds go up even further, and we know one film in 6-7 will make a substantial return. Our main goal though is telling stories that matter, that might help shape our culture positively, and we can all make a decent living while doing what we are all passionate about doing. A To accomplish all of this though, we are going to have to raise the bar here in this Texas region as far as talent goes. We are diligently seeking those individuals who have a real passion for film making and television productions, who are driven by this passion to do whatever it takes to one day be able to make a living in a industry that chances are very bleak in anyone getting to a point of making a living.
However, one thing is for certain, to have any chance at all, the more one is willing to do in the industry, whether it be sweeping the floors, taking coffee to the director, or being the lead role, or simply investment of time, energy, and money to keep perfecting their craft, all tends to lead to work, which gives us more exposure, that in turn leads to more work, etc, etc, etca€¦ A The point is this; we have investors, which is something, if not the one and only thing which keeps most from doing what they truly want to do in this industry! These investors are seeking individuals like yourself who are like minded, those who have a real passion for film making and television productions, but who are also just as passionate about telling stores that matter.
However, the real key is finding these like minded individuals who take this business very serious, as serious as our investors take it, those who are willing to invest into their own future, so as to help them to perfect their individual craft so that they are the very best they can become, so that as a collaborative art form we are able as a group of individuals creating a quality product.
After he began his own recovery, he helped set up centers to help other addicts."I abandoned my old life to serve the Lord Jesus Christ," he said. One twin struggles with an addition to prescription drugs, while the other battles doctors whose prescription anti-psychotics are driving her sister to madness and death.a€?One is what I call a€?preachya€™ and more for the church community and affirming faith,a€? Maxwell said. With the first type of film we will focus on films which are considered preachy and on the nose which will be marketed directly to the Christian community. The second types of films we will focus on are those designed to reach the un-churched with a message of hope for a hurting world, a film with at least a redemptive message. This investment group is especially interested in getting involved with projects where the project owner has some sort of invested interest in the project themselves or have some avenue to put together a split funded project somehow, thus splitting the risk as well.A A Thus, this investment group funded many trips around the country for Dr. Maxwell to travel and meet with other investment individuals, companies and groups who had expressed interest in partnerships with the films we were already in pre-production stage which were our films a€?Rachela€™s Gracea€? and a€?Sister Surrendereda€?, both of which had an estimated production budget of around $300,000. We had felt with partnering with others who could double the production budget we could add at least some actors with much experience as well as other talents.
Unfortunately, at this point, though we met many such investment groups who had expressed interest in split funding our film projects, most simply had projects themselves who they wanted our investment group to invest in their film projects and did not show us even any interest what so ever in split funding our film projects after our investment group paid travel and lodging expenses for Dr Maxwell to meet with these people. A With this being said, this has been a very expensive summer for our investment group in trying to put together split funded film projects.



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