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Even during the premarital ballyhoo, one cartoonist merged the competing tales when he pictured Diana strolling hand in hand with Charles and wondering whether Englanda€™s royal troubles had ended.
These related phenomena challenge any trend-spotter worth his salt to survey them and similar ones and, if possible, to figure out their profound significance.
But it wasna€™t until the last two and a half decades that caressed, caressing, and transformed frogs hopped into innumerable sketches, jokes, stories, poems, comic strips, and cartoons to pay their disrespects to one ancient fairy tale for a mass audiencea€™s amusement.
Several cartoonists have made use of such underminings of the old tale and others to comment on current events. Any guess about the implications of these and similar jokes must take into account the popularity of fairy tales, the way theya€™ve been tampered with, and widespread feelings about them. Compared with lions or other ferocious beasts, the frog (or the toad) does not arouse fear; it is an animal which is not at all threatening. In our modern parody, the story is first made more romantic than it is in the original, and then it is made more absurd. My blog will show you how to start your business with free advertising sources, and to then build your business with the profits. Post to 50 And More Social Media Sites, including Instant Blog Subscribers, Facebook and Twitter.
Madame Louis, nee Marie-Emmanuelle Bayon, was a French composer, pianist, and salonniere of considerable activity and influence.
According to her husband’s biographer, Victor Marionneau, Marie-Emmanuelle Bayon was born in Marcei, department of Orne (west of Paris), in 1746. Diderot compared her work to that of Domenico Alberti, Johann Christian Bach, Johann Gottfried Eckard (Eckhardt), Johann Schobert, and other foreign composers whose music was currently admired in Paris. In 1770, on 20 June, Mlle Bayon married Victor Louis (1731–1800), an architect with important social and political connections similar to her own. A few months before the Paris premiere of Fleur d’epine, Bordeaux was the site of a great ceremony when Louis-Philippe-Joseph d’Orleans, duc de Chartres, at the invitation of Victor Louis, came to lay the first stone for the new theatre.
With the completion of the magnificent Grand-Theatre in 1780 the Louis family returned to Paris, where their residence on the rue de la Place-Vendome became a gathering place for distinguished literary and artistic figures.
With the notable exception of Fleur d’epine, Madame Louis evidently wrote and performed music principally for private gatherings.
During the Revolution of 1789–92 and the even more turbulent times that followed, when the French passion for theatre, including music theatre, continued to find new means of expression, “citizen Louis” still worked in Paris. After Victor Louis died in 1800, Mme Louis remained in Paris and lived for a time in the Vandeul apartment. Diderot’s first enthusiastic accounts appear in letters to his principal correspondent Mlle Volland. Late the year before, in 1769, Diderot had engaged a new teacher for his daughter Angelique, the theorist and pedagogue Anton Bemetzrieder (1739–ca. The next year, in 1771, Diderot published his famous account of his daughter's lessons, the Lecons de clavecin et principes d'harmonie, par M. Some idea of Madame Louis's character, her own music, and the repertoire she has taught Angelique can be derived from the dialogues. Diderot's musical references to the current repertoire of the music lesson corroborate Madame de Genlis's naming of performers and instruments at her l767 salon.
A set of sonatas was the usual debut publication of a performer and composer already known in private circles, and typically when the composer was around 21, sometimes younger.
The style of the sontatas, as can be guessed from the preceding account of contemporary keyboard repertoire, combines traditional French keyboard writing and German and Italian influences. The first movement of Sonata II is the only first movement not marked Allegro; marked Andante affectuoso, it is an expressive melody over Alberti bass and other accompaniment patterns. The three sonatas with violin accompaniment are generally of a more lyrical character than the solo sonatas, in keeping with the violin’s ability to sustain tone.
In several passages the violin melody is set over only a figured bass, not an unusual scoring even at this late date. As it was unusual for an amateur musician, let alone a woman, to have an opera-comique performed by the Comedie Italienne, it is evident that for the production of Fleur depine Madame Louis had the help of influential people. Voisenon’s friend and secretary, Mme la Comtesse de Turpin, in her edition of the Fleur d’epine libretto published in 1781, notes that it had been set once before, by the abbe Charles Gauzargues (ca.
Information about the circumstances leading to performance appeared around the time of the premiere in the Memoires secrets, a collection of political, literary, and theatre news gathered by members of a salon in which Voisenon had been a colorful and noteworthy participant. The libretto was based on L’Histoire de Fleur d’epine, or The Story of May-Flower, a rather long, wonderfully rambling fairy tale by the Irish-born French writer Antoine Hamilton (1646–1720). Voisenon used Hamilton’s main characters and ideas in his Fleur d’epine, which is described (on the title page) as a comedie melee d’ariettes—a comedy [spoken dialogue] mixed with arias [and other musical numbers]. In Hamilton’s story, Tarare rescues Fleur d’epine and carries her back to the caliph’s court on the galloping Sonnante with the luminous cap lighting the way. The published score contains an overture and twenty musical numbers—eleven ariettes, or arias, sung by four of the five characters (Dentillon has no aria), plus two duets, two trios, ensemble finales for each act, two small chorus numbers, and a brief instrumental fanfare for Seraine’s final entrance as dea ex machina.
The Comedie Italienne was a cooperative, profit-sharing troupe; members chose the works to be performed (as noted earlier) and hired the orchestra and chorus.
The first performance at the Comedie Italienne, on Thursday, 22 August 1776, was followed by performances on the next three Saturdays, Mondays, and Thursdays for a total of ten performances in August and September, and two more on 12 and 14 April 1777, a Saturday and Monday. The first few evenings of Fleur d’epine’s run, it was preceded by a comedy of Italian origin, such as a harlequin play. The production of Fleur d’epine attracted the attention of several Paris writers and critics.
The review in the Correspondance secrete dated 31 August pronounced the premiere performance “monstrous,” especially the sight of a man playing a woman (Dentue).
Diderot attended a performance, as might be expected, and pronounced the production cahin-caha, “so-so.” A substantial review appeared in the Correspondance litteraire, another chronicle of Paris literary culture, this one from Diderot’s circle.
Another prominent critic, Jean-Francois de La Harpe, declared that the libretto “falls far short of” Hamilton’s delightful story, and that “the late abbe” had been overrated. In general, the composer’s contemporaries found the music and production to be stronger than the libretto. Besides the full score, music from Fleur d’epine was published in many different arrangements for smaller, chamber forces. Correspondance secrete, politique et litteraire, ou Memoire pour servir a l’histoire des Cours, des Societes et de la litterature en France, depuis la mort de Louis XV, edited by Francois Metra.
Memoires secrets, pour servir a l’histoire de la Republique des Lettres en France depuis 1762 jusqu’a nos jours.
A few months before the Paris premiere of Fleur d’epine, Bordeaux was the site of a great ceremony when Louis-Philippe-Joseph d’Orleans, duc de Chartres, at the invitation of Victor Louis, came to lay the first stone for the new theatre.  In the princely retinue was Madame Louis’s friend, Madame de Genlis, who was a lady-in-waiting to the duchesse de Chartres. With the notable exception of Fleur d’epine, Madame Louis evidently wrote and performed music principally for private gatherings.  Her social position, both before and after her marriage, prevented her from holding a paid, professional appointment, yet it gave her considerable influence in matters of taste and style. After Victor Louis died in 1800, Mme Louis remained in Paris and lived for a time in the Vandeul apartment.  Almost nothing else is known of her life. After less than a year of lessons, Diderot no longer had much use for Bemetzrieder.  One reason, to be inferred from the Lecons, may have been Bemetzrieder's musical taste and his interest in becoming something of a public figure. A set of sonatas was the usual debut publication of a performer and composer already known in private circles, and typically when the composer was around 21, sometimes younger.  (In l769 when her op. Morgellons Disease Awareness -  Artist and Morgellons sufferer, Ayla, journals her experience with the disease   I'd like to introduce myself, I'm Ayla, a 59year old artist and graphic designer who contracted Morgellons in Jan. But once the newlyweds were managing to get into the media only by sassing the queen, gestating a baby, or posing in bikinis, an earlier favorite climbed back to the preeminence it had enjoyed for a number of years. Four syndicated comic strips played with osculations that humanized frogs or frogized humans. As folklore proves, in addition to curing toothaches and cancers, they brought warts, wealth, immortality, and death.
A newspaper cartoon and a Penthouse drawing show a semi-prince griping about the low voltage of a princessa€™s recent smacka€”obvious since the osculation has not defrogified his lower extremities. In a Ladiesa€™ Home Journal cartoon, an enthroned king glares at his queen and growls, "If you must know, yes!
All the playful indignities that artists and writers perpetrate would fail to get laughs if everyman, everywoman, and everychild did not recognize at once each deviation. Other authors testified that fairy tales nourished their creative genius in important ways, among them Rudyard Kipling, G. Such treatments are skeptical not only about magic enchantments but about "true love" as a long lasting thinga€”another kind of enchantment? It works round-the-clock, and for not just days or weeks, but for months and months, very own Money From Your Website making you tons of CASH! Her principal published works are, as Mademoiselle Bayon, a collection of six keyboard sonatas, three of them with violin accompaniment, opus 1 (1769), and, as Madame Louis, the full score of her two-act opera-comique, Fleur d’epine, or “May-Flower” (the heroine’s name), scored for solo voices, chorus, and orchestra. Louis sought membership in the Academie Royale d’Architecture but, owing to internal politics, was rejected, a major disappointment to him. In August 1768, he implies that Bayon had some concern with her musical reputation outside France. The first four sonatas—the three for solo keyboard and the first of the sonatas with violin accompaniment—are, like Alberti's sonatas, in two movements, both in the same key but with contrasting tempos and characters. Her husband specialized in the design and construction of theatres; by the time of his marriage in 1770 he had worked with some of the leading writers, composers, and directors.
Hamilton’s story, which was familiar to many in the audiences at the Comedie Italienne in 1776, begins in the court of the idyllic caliphate of Kashmir and recounts the adventures of the courageous Tarare (literally, Nonsense) on his quest for the magical maiden Fleur d’epine (May-Flower) who could save the caliph’s daughter.
Voisenon reduces Hamilton’s story to the plight of the two young lovers, Fleur d’epine and Tarare, a beautiful princess and her brave prince.
The monsters are turned back into men, and Fleur-d’epine and Tarare can be married and live happily ever after.
The Overture is in two sections, Allegro and Andante, each in Classic key-area form (sonata form).
Antoine D’Origny in the Annales du Theatre Italien for August 1776 (published in 1788) reported that, while the words were sometimes funny, sometimes bizarre or in bad taste, the music had “moments of real beauty,” the most striking being a trio in dialogue, Fleur d’epine’s virtuosic aria, and her sleep aria.
Victor Louis, Architecte du Theatre de Bordeaux: Sa vie, ses travaux et sa correspondance 1731–1800.
The full score of Fleur d’epine, probably published around the time of the premiere, includes a dedicatory preface to the duchesse de Chartres in which the composer employs the conventionally flattering, obsequious phrases of a courtier addressing her patron.
Louis sought membership in the Academie Royale d’Architecture but, owing to internal politics, was rejected, a major disappointment to him.  He began working with the duc de Chartres on plans for extensive development at the Palais Royal, including a newly designed theatre (l’Opera du Palais-Royal). She died at the family’s country residence at Aubevoye, a rich abbey her husband had owned in the vicinity of Rouen, canton of Gaillon, department of Eure, on 19 March 1825. We performed not only some proverbs but an opera-comique for which my friend Mlle Baillon [sic] (later Mme Louis, wife of the famous architect) composed the music.  M. The woman gives Tarare a small packet of bird-salt for ruining Dentue’s brew, and he in turn presents her with a diamond, demonstrating his generosity. Dentue has entrusted Dentillon with the all-important key, which he has attached to his boutonniere. Stationery stores sold greeting cards that portrayed bekissed frogs that at once changed into humans or vice versa. Even after the caress seems to have worked, his royal highness may retain awkward pre-disenchantment habits: In Harpera€™s Magazine, then Playboy, then a newspaper cartoon, and then a comic strip, the prince embarrasses his mate in front of God and everybody by darting out a long tongue and catching a fly. And it is noteworthy that the incongruities that have to be seena€”between wild imaginings and earthy naturalisma€”are of a sort that long have tickled Americans.
Writers, it is true, long have made jokes about different fairy tales, and about spells, transformations, and other fairy tale conventions. They, and their audiences, take for granted the skepticism played up not long ago in a cartoon: When that much-admired schlemiel, Ziggy, asked in a bookstore for How to Beat Inflation, the clerk told him that it was out of stock but an equivalent substitute was availablea€”Grimma€™s Fairy Tales. And the princess does not break the spell by giving the slithery creature a kissa€”not at alla€”but by bashing him against the wall. Composed to a libretto by Claude-Henri Fusee, abbe de Voisenon (1704–1775), a leading writer and librettist, Fleur d’epine had twelve performances in Paris during the 1776–77 season by the Comedie Italienne, one of the official, privileged French theatrical companies of the ancien regime; the final performance was attended by the queen, Marie-Antoinette, and members of the royal family.
1 sonatas she refers to “the many kindnesses bestowed upon me since my tenderest infancy” by the family of Madame la Marquise de Langeron to whom the volume is dedicated. She names the actors—three men and three women, including herself and Mlle Bayon—and refers to fifteen spectators, of whom she names eleven.
In London, Johann Christian Bach (1735–1782), the composer, keyboardist, and royal chapelmaster, had suggested to two English friends that they look up his friend Diderot in Paris. The absence of a publication date is typical of eighteenth-century music, and was perhaps intended to allow music sellers to proclaim an edition to be the latest thing in subsequent years.
The other two accompanied sonatas, like many sonatas of Eckard and Schobert, have three movements in the pattern fast-slow-fast; middle movements are in the dominant key.


He was the protege of the duc de Richelieu who was one of the king’s Premiers Gentilshommes de la Chambre who supervised the Comedie Italienne (which performed Fleur d’epine) and the Comedie Francaise. The entry for 21 August referred to the efforts of Mme Turpin, Voisenon’s “intimate acquaintance” whom he had appointed as “his residuary legatee for his manuscripts and literary productions,” to have the play accepted for performance with music by Mme Louis, and noted that it was scheduled ahead of other plays that had been accepted earlier.
The evil fairy Dentue has kidnapped Fleur-d’epine, who is the daughter of the good fairy Seraine, and has taken her far away.
The energetic opening section in G Major modulates to D major and then explores D minor and other keys, with new melodic motives, before returning to the home key. A second report on 7 September noted that in a subsequent performance Fleur-d’Epine had undergone so many “corrections” that it was “tolerable enough” to continue playing. Bartlet of Duke University, who worked in Paris in 1996–97 and generously shared her extensive knowledge and understanding of eighteenth-century French operatic productions. Extraits de sa correspondance inedite, avec son mari, avec Jacques-Henri Meister de Zurich (1746–1826) et de divers lettres et documents inedits du fonds Diderot-Vandeul aux Archives Departementales de la Haute-Marne. One of the copies of the full score now in the Bibliotheque Nationale in Paris bears the coat of arms of the duc de Chartres, and another that of Madame de Genlis. Correspondence between Diderot and his daughter, Madame de Vendeul, indicates that Mme Louis devoted considerable energy to furthering her husband’s interests. 3, in F major but he plays only the keyboard part without its accompaniment of violin and two horns.
This movement, unlike the first movement, has occasional piano and forte markings.  Left-hand notation in alto clef occurs here and in other sonatas in this set as well. Fleur d’epine, left alone with Dentillon, tries to lull him to sleep so that Tarare, who is hiding in the bushes, can come and steal the key.
I've been moved to create awareness tools that help educate healthcare practitioners and the public about Morgellons Disease (see Awareness Poster) as well as share what I've learned from this experience.Many of the skin photos in the photo galleries are mine. The little creatures gave their lives to help William Harvey trace blood circulation and to educate Luigi Galvani about electricity and generations of students about biology. But in the past the audiences who laughed at such tamperings were, with few exceptions, relatively small groups of disillusioned, cynical intellectuals. Collections of musical numbers from the work arranged for unaccompanied voice were also published, as was an arrangement of the overture for keyboard with violin and cello accompaniment; other vocal arrangements appeared in music periodicals and collections from 1776 until around 1786. In the early 1770s, through the patronage of the duc de Richelieu, Louis was commissioned to design and supervise construction of the Grand-Theatre in Bordeaux, the building for which he is perhaps most famous today. In 1763, Louis had been scenic designer for a production at the Comedie Italienne under the direction of Charles-Simon Favart (1710–1795), created at the request of the government in celebration of the ending of the Seven Years War; Voisenon (librettist of Fleur d’epine) wrote the words and Francois-Andre Danican-Philidor (1726–1795) the music.
Upon Voisenon’s death in 1775, Mme Turpin had “some men of letters” read Fleur d’epine to members of the Comedie Italienne, in accordance with the troupe’s procedures for considering new plays. The influential playwright, teacher, and musician Stephanie de Genlis (1746–1830) considered her a friend. While no new musical works by her are reported, Fleur d’epine was performed in Brussels, and in 1784 it was performed in Bordeaux.  A play by Victor Louis was performed in Paris the same year. The arias are generally in “ABA” form with a brief orchestral introduction.  Voisenon’s ariette texts that contrast two states of mind are given musical settings that contrast “A” and “B” sections in different tempos and keys.
From Aesop, Aristophanes, and La Fontaine to Mark Twain, Owen Wister, and John Steinbeck, frogs were featured in imaginative literature.
What happens to both frog and girl confirms the appropriateness of disgust when one is not ready for sex. The composer’s unpublished works, discussed during her lifetime but not yet found, include further instrumental chamber music and opera-comiques, and music for La fete de Saint Pierre, a divertissement to a libretto by Antoine-Francois Quetant (1733–1823), performed at the Chateau de la Cour-Neuve in Paris on St.
In the two-movement works no repeat marks are printed but they may be assumed—at double bars at the end of each reprise and at the end of the rondo's first couplet. Louis apparently became a good friend of the prominent composer Andre Ernest Modeste Gretry (1741–1813); in late 1782 he accompanied Gretry to the composer’s native Liege, where both men were honored by the government. In the two-movement works no repeat marks are printed but they may be assumed—at double bars at the end of each reprise and at the end of the rondo's first couplet.  There are several printing errors as well—occasional wrong notes, misplaced trills, and, most often, missing sharps or natural-signs with the modulation to the dominant in the first reprise. Fleur d’epine now sings a gentler song, her famous “sleep aria”; Dentillon falls asleep, and Tarare steals the key.
His actual daughter, Angelique, later Madame de Vandeul (1753–1824), studied harpsichord with her from about 1765 until 1769 and remained her lifelong friend and confidante.
Like most, I panicked bought a lot of unnecessary products—some toxic, then managed to pull myself back from the brink of actually hurting myself. Tolkein, Louis MacNeice, Randall Jarrell, Donald Barthelme, and Eudora Welty.6 And ever since mA¤rchen began to fascinate folklorists, not only writers but also scholars and scientists have venerated them. The Lady in Dubuque, excommunicated in 1925 by the New Yorker, may not go for irreverent witticisms about motherhood, patriotism, or God, but she evidently giggles at todaya€™s blasphemies against fairy tales. Bach's sons Johann Christian Bach and Carl Philipp Emmanuel Bach (1714–1803), and the Mannheimer Ignaz-Franz von Beecke (1733–1803).
She sings a brilliant, virtuosic aria, because Dentillon has said that music puts him to sleep—a reaction he attributes to his being a “great nobleman.” When Tarare, hidden, says something to Fleur d’epine, Dentillon half awakes and asks who was talking.
Always wary of doctors, I tried to stay out of that loop but finally caved when my beloved ones pressured me to seek help. A dermatologist gave me Ivermectin which caused a Herxheimer (die-off) reaction and many of the black particles I'd been seeing with a scope surfaced. This gave me great relief from the discomfort of what felt like fiberglass embedded in my skin. There were NO fibers visible in my skin in the previous months before taking the medication. For Randall Jarrella€™s comments, see Suzanne Ferguson, The Poetry of Randall Jarrell (Baton Rouge, 1971), pp. Within two days of taking the Ivermectin, I watched in horror as fibers started to rise to the surface of my skin. That plus coming off the tail-end of the pharmaceutical seemed to stop all the symptoms of itching, biting and crawling for approximately the next 4 months. The only thing that hadn't cleared up was the hyper-sensitivity to my skin which I thought I was stuck with for the rest of my life, an unfortunate consequence of having Morgellons. Had I not been actively using a microscope to look at my skin during this period, I might have presumed I was well. The skin however, doesn't lie and told a whole other story for under it's surface, fibers and particles were clearly still present—multitudes of them. Early on, I'd heard about the testing that Pam Crane of Morgellons Focus On Health (site no longer active) was championing and felt that it was probably the way to go. My only problem with moving forward was a lack of practitioner, as I felt having the best testing in the world wouldn't mean anything unless someone was up to the task of decoding it's contents into a meaningful protocol, sort of like buying a Cadillac that arrives without the key. I wanted to have a conversation with whatever doctor I was going to see and to hear them speak about their philosophy of healthcare. Just try to get a physician on the phone before actually making an appointment and you will find it is an impossible task (especially the high-end specialists).
She talked about The Great Plains Labs and why the testing used in Functional Medicine is so important for our community. She sounded like she knew how to do her job well and was more than capable, indeed she had impressed me as understanding how to approach the disease in a holistic manner that aligned with my own healthcare philosophies.
I believe my first words to her were, "Where do I sign the dotted line?" (While focusonhealth has been taken down, here is another radio show with Nancy speaking with Pam. Let me remind you that I felt fine when I first contacted Nancy, but the emerging fibers showed me I was not.
Nancy forewarned me that treatment would kick up all the initial symptoms I had when first ill with Morgellons, such as itching and stinging and that I might experience more fatigue with die-off, possibly even get lesions although I hadn't had many lesions previously. Within a week and a half of beginning this new protocol all the discomforts she mentioned came back. Black particles began coming out from the skin, sand-like crystals were suddenly pushing from the scalp, I was itchy and uncomfortable but this time around it was at a much lower volume then at onset. I have experienced some lesions, in the form of 'papercuts' and blood spots appearing on the skin.
They were tiny and healed quickly. It took close to 3 months for the symptoms of this detox to disappear, lessening with each week.
We added in another few products to my protocol fine-tuning the process. Once all my symptoms had abated I was ready to move on to the next step and do a colon cleanse.
I used supplements for one month that gently cleansed the colon (Colon Cleanse by DaVinci Labs??). After that, I began with chelation therapy (Chelex by Xymogen) to remove heavy metals. Nancy has taken me through this journey with constant support through email.
The fact that she is able to tell me what I can expect and interpret what I am going through is invaluable.
Having gone through the early treatment phases and emerging symptom-free, makes me feel that I did indeed work through something—hopefully clearing biofilm. So where am I right now and what are the changes that happened over these few months of treatment?My skin cleared of many of black particles, although I still have them (my great lament was that I didn't have a camera back when I first got sick, because my skin was so saturated it was alarming!).
Actually, I feel spry and 10 years younger than my 55 years of age (at the time this was written), an unexpected and very welcome gift. Still, they are here and I am monitoring them carefully. I am convinced of the value of the Great Plains and Metametrix testing. It just makes sense that one would want to know the particular weaknesses of their body before embarking on a journey of healing.
Getting the labwork done and seeing Nancy are the two smartest things I did throughout my ordeal. Morgellons for me is like that impossible teacher I had in my youth. But it has also left me savoring hard-won battles and set me straight on how to live more in balance.
Therefore, I try not to rail against the unfairness of the experience, but to look at how much I learned and the ways in which it has stretched me as a human being. Yes it has been a miserable teacher, but by it's hand I have been become an attentive student.I wish you all full recovery.
AylaWhile I am not comfortable sharing my protocol as it is specific to my lab results, I will outline what I feel are the bare-bones minimum I'd look to take if I were building a protocol.
This would be a good probiotic (I use 3 different kinds throughout the day as was indicated by the results of my testing).
FOS, according to Nancy can promote yeast growth so I'd stay away from a probiotic that includes it. I'd include a biofilm buster which breaks down the cellular matrix in the gut that inhibits absorption of necessary nutrients. I used Interfase Plus and Wobenzym at different times (there are different kinds of Wobenzyme. I've used Carlson's liquid D3 which is lipid based, but recently have switched because of assimilation issues with fats to a dry encapsulated D3 (Prothera brand 5,000 I.Us a day). Certain of the B's can become depleted when the body is fighting infection, so a good B-complex seems necessary. Also, Mr. Common Sense and now Clifford Carnicom have written about NAC and it's benefits along with vitamin C in helping quell the symptoms of our condition. I'd look into this as a close friend from the community began taking both high amounts of Vitamin C and NAC and her symptoms disappeared. She was taking 3,000-5,000 mg of C spread throughout the day and 600 mg 2x's a day of NAC both in the morning and at night. She eventually reduced it to 2,000 mg of vitamin C and 600 mg of NAC because the NAC was giving her headaches. The lesser dosage has been fine for keeping her symptoms of crawling, biting and stinging away.
When she went off the protocol symptoms came back and when she again resumed, they went away. I might mention, that my protocol has always called for 1000 mg of vitamin C, three times a day. While I was not on NAC as a separate supplement, it is in another product I take daily ?(Liver Protect by Xymogen). Nancy has stated that the clients she sees that do this first make themselves much worse and take longer to get better.
If I am going to do this right, I want to know what my baseline toxic load is so I can measure my progress over time. The results arrived right after I finished my third week of chelation. My total toxic representation was OFF the chart with high levels of antimony, silver, cadmium, tin and magnesium. I have a host of other metals as well, they just were at lower levels than those mentioned above. Once Nancy reviewed my test results and knew how I was responding to the treatment she modified my protocol to include a liver support, and the addition of 3-4 new products that would also help balance me out. I keep an ongoing visual journal using photos which I share with her so she can see any new developments. During chelation I was more tired, needing to take naps and sleep longer on most days. I also had some tiny red spots appear on the skin without breaking through.Red spots appear on the skin.
Based on what was going, on Nancy pulled back on the chelation so that the process is even slower and gentler until my body can adapt. Using shea butter and coconut oil mixture as a moisturizer seems to draw fibers and black particles from my skin if left on for 3-4 hours.


Most are not readily apparent unless you really look for them. Hair The Morgellons has moved into my hair. An acupuncturist, pointed out after looking at my hair photos, that there were multiple "hairs" emerging from one follicle.
This is probably why my hair feels thicker even though it has been brittle, weak and falling out.
Helicobacter pylori, the bacteria I had with high levels the first time I was tested, is completely gone.
There was a new bacteria that showed up on this round of testing that wasn't on the previous.
Nancy feels that this is something that could have morphed, or, could have been present all along, but like peeling an onion back, was hidden under layers. She is adding seven new supplements to my protocol to address adrenal support as sleep has become fitful and I feel somehow too 'plugged in.' Fight or flight mode. I'll be taking a prebiotic to address the new bacteria as well as some new products from Xymogen to open detox pathways.
I'm excited to be moving in a new direction. Every time we do a new test, I see the value of this approach. Randomly throwing supplements at the body without being tested, with the hope that something might work, seems a dangerous practice.
Not terrible full-blown itchy, just enough to let me know that I was reinfected or maybe this is an allergic flare-up. This episode might have lasted longer than necessary had I immediately washed all my clothes but I got lazy and didn't wash them for a few days. Was not constantly itchy, but found I'd get itchy at odd intervals, sometimes once a day, sometimes not for days at a time and sometimes for a mere few seconds or so.
I am putting a garden in upstate and often have my hands in the soil (without gloves) and have found that I am fine.
The only itching I've got is from the occasional mosquito bite (and yes, these are real mosquitoes).
Now, instead of direct application of GSE I brush my teeth twice, once with toothpaste and once with a clean brush that has two drops of GSE on it. Note that I have been letting my supplements run out in the last few months because I needed a break from taking approx.
I wonder if the return to itchiness had something to do with my letting down my guard and not watching my pH.
After the first day of swimming, I noticed small circular red blotches appear under the skin of my calves and thought, uh-oh, here comes trouble. I FINALLY have a microscope again (it was replaced after more than 7 months at the manufacturer!). I had a few breakthrough 'papercut lesions' on the hands which I don't know what to make of.
I stopped the Ormus because I wanted to document F-6, which has gotten quite a buzz in the Morgellons community. I still have 1.5 bottles left and intend to take it in a few months feeling I didn't give it a proper shot. For now, I want to concentrate on doing one therapy at a time, so I can really be sure what each does.
October 17, 2011: Began using F-6 and have started a new link documenting that experience including photos showing what is emerging from the skin. I'm going to take it slow with this product as I don't want to have any major herxheimer episodes. Caroline Carter, A healthcare worker that has Morgellons and works with ozone therapy (and who made her Morgellons worse with ozone saunas) said she cannot even be around it anymore.
I have since talked with another person that had strong outbreaks from doing an ozone sauna.
Ozone therapy is typically great for cancer, AIDS and herpes, but for this disease might make us worse. There seems to be improvement to the hair which feels stronger and seems to be falling out less. A lot of "debris" is coming up through the skin, fibers, black particles, granules and many more fibers then ever seen before. A week and a half later I ate some quinoa with my lunch and two hours later had 3 oatmeal cookies (oatmeal, walnuts, carob chips, baking soda, vanilla). This forage into complex carbs was unusual for me.While eating the cookies I started to itch. By the third cookie, I was having full-blown symptoms of itching, stinging and biting sensations (no crawling, thank God!). The fact that it came on with such force and was related to food, makes me think that Morgellons counts among it's causes a hyper-allergic reaction to food.
In this case, I don't really know what specific ingredient triggered the reaction.By eliminating carbs again, symptoms quieted down.
I am noticing flare-ups of the arthritis in my foot which had so improved at the beginning of my treatment (but I kill my feet dancing one night a week, so that could play into this). The ones I can visually see without a scope are bigger then I've had before but there is no increase in the amount I generally see with my scope in the skin. Will keep you posted of new developments.I've noticed that when it's very hot (93-97 degrees) and my skin is exposed to the air, I have more sensations on my arms.
It's not unusual to feel a single pin prick sensation on my left upper arm, often I'll feel the same type of prick mirrored in the same spot on right arm sometime later, as if they were somehow linked.The other day on my bike I felt as if I hot poker were being pressed momentarily to my arm.
When I looked down, there were three distinct tract marks in that spot, about a half, to an inch long that hadn't been there before. Since having Morgellons, it feels like the skin is no longer a reliable friend but is capable of erratic changes suddenly.
They took about 5 days to disappear.?September 27, 2012 • Live blood microscopyJust posted a new link with photos of my recent session with Rick Panson, a microbiologist and healthy body coach who did a live blood and dried blood microscopy and gave me additional guidance for my health.
It's a bird's eye view into the system, giving a fuller, deeper understanding of what's going on  then just looking at lab results—although lab tests have their place!
In the next two weeks I get more testing done so will post those results when in. There were many problems with the blood.
We are in a seasonal shift and my fingers have had a few tiny papercut lesions since the change began.Started the protocol Oct. Beginning with one pill a day of capyrilic acid with one pill olive leaf extract and 1 tsp.
The L-glutamine is supposed to strengthen the gut lining and prevent leaky gut syndrome caused by the yeast die-off.
Will stay on this for a few days and slowly double the dosage, then determine where to go from there.
16, 2012 Went back to Rick Panson for another live blood analysis and posted the photos under my last blood microscopy.
This is encouraging for all of you who wonder how long it will take to knock back candida and even if our protocols are working. Rick recommended Candex and Nancy told me she loved the product except now they are adding corn to Candex (and it's unknown if it's GMO corn), so she is no longer recommending it. Adrenal system had a number of markers indicating a lot of stress to the system, very low levels of vitamins C and B's, four different pathogenic bacteria showed up—Helicobacter Pylori was high, Clostridia, E.
Kreb cycle needs support. Heavy metals hair test—all toxic metals were down except arsenic which went up with cadmium. Lead which was extremely high on my first test showed a considerable decrease as well as silver but lots more chelation ahead. It's been 2 years since I started using supplements to pull the metals out and I think it will take a couple more years of work.
The process is slow but steady which is a good thing because I think if the body released too much metal into the system at once there would be negative impact on the health. Nancy pointed out that lead and cadmium are antagonistic to calcium absorption and bone health, so seeing this rise in cadmium and knowing I still have too high levels of lead makes me think that I might have to give up the painting at some point or switch mediums rather than compromise bone health. The heavy metals test also measures "essential and other elements," (minerals) It seems as a consequence of pulling heavy metals out, the minerals have been compromised.
Nancy suggested this organism is a pleomorph moving from bacteria to fungus according to favorable conditions in the body. This is the third time it's changed. Feb 3, 2013 Just an acknowledgment that I just passed my 3rd anniversary since getting sick with Morgellons. The only time I really have symptoms is when I really mess up on diet (itchiness will start) or when ?very overheated and sweating from physical exertion like dancing, where it sometimes feels like needle pinpricks are sticking my skin from the INSIDE out, accompanied by itchiness. Thieves is a great oil for preventing flu or when one is coming down with illness, but I am unclear if it can damage beneficial bacterias. Stopped taking thieves after a few weeks but do still take lemon and added in lemongrass and grapefruit to my daily capsule. Itchiness did not return. September 22, 2013 Decided to go on Stephen Buhners herbal protocol for Lyme disease (crafted from his excellent book, Healing Lyme). Although I tested negative for Lyme and feel fine, I don't trust the traditional testing one gets with their regular MD, and even though I don't think I'm dealing with Lyme, I can't discount the fact that so many Morgellons sufferers also have Borrelia and other co-infections that might be related to our disease which seem to improve with Lyme treatment.
Also, his protocol addresses other issues I feel are pertinent to my health (even before Morgellons). Certainly, I see over time that my immune system is weak, and my gut reaction now to coasting is that it could be an eventual time bomb. I'm taking Cats Claw, Sarsaparilla root (Jamaican—which I grind in my coffee grinder), Eleuthero (Siberian Ginseng), Astragalus, Japanese Knotweed and Andrographis. To his formula I've added in Ashwagandha and Sweet Cinnamon (from Sri Lanka) for the brain, as well as nettles (excellent herb for trace minerals and general support of system) and Pau D'arco (fungal).
I take a quarter level teaspoon of each herb (which is roughly the equivalent of one 00 capsule) added to some water and drink it down. Surprisingly, I did not feel exhausted, although the protocol was pretty intense and caused a lot of flushing through the digestive system. This is not a new symptom and usually happens in the first few weeks of starting any new protocol. As these breakouts have always been so minor and short-lived? (an occasional papercut lesion or what looks like a pin prick), I paid them little mind.
In this case, the skin continued to break open for the duration of treatment and I had some long "scratch" marks come up as well.
It seemed like the last papercut I got was deeper and for the first time I started to worry that perhaps I was giving myself a lesion problem that I might not be able to turn off. This little spot has bothered me on occasion on and off throughout the years of my Morgellons experience, but during the Buhner protocol, it itched almost constantly. On the plus side, I could tell there was a lot of detoxification going on and all of those bitter herbs were really helpful for quelling sugar cravings. I believe I will revisit this protocol modified in the future, but for now, am taking a rest from it.
Note that when I ceased treatment, the papercut and pinprick lesions stopped, although I recently had a three-inch long "scratch" appear on my leg weeks after stopping his treatment some weeks back.
This was a surprise, since problems usually only show up on my hands and 3 inches is rather a statement!For the first time, the scratch resembled images I've seen for Bartonella.
There is much about it that I think is helpful, and I encourage people to study these herbs and supplements carefully, and decide for themselves if they want to incorporate them. This is a very difficult protocol and for any who have detoxification pathway issues, this could impact their health negatively. The release of toxins in a system that cannot remove them properly can be deadly, so it is important to not rush carelessly forward with something this strong. I did feel like the protocol helped me on many levels, but I could not tolerate the heart issues with pressure on the chest, burning, and breathing difficulties. The creator of the protocol feels that Bartonella is at the core of the Morgellons infection, and Bartonella likes to set up shop in the endothelial tissue of the heart. Thinking this was just a severe Herxheimer reaction, I went back on the protocol but was unable to advance more than one drop of each tincture before heart and breathing issues returned with a vengeance. This time, the heart issues did not abate immediately, and it's been some weeks now in which they often come back on a low level.
His original protocol (which he posted on Jenna's blog and which is now removed) did not use MSM, or Silver Sol or various other supplements. It also did not include baking soda, which is not inherently a problem, but at 2 teaspoons a day, might become one.



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