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Embarassingly dumb flick about a teenage boy who wants to take the prettiest girl in the school to the prom. Andrew Lowery, Traci Lind, Edward Herrmann, Mary Beth Hurt, Danny Zorn, Austin Pendleton, Jay O.
In it, a teenager named Johnny dies trying to impress the girl he’s crushed on since the first grade. So anyway, the girl he digs turns out to be into him, even if she is a bit put off when his parts start falling off. The whole thing is played as a riff on the obsessive nature of teen angst and romance and it works pretty well as that. Short wise, I caught I Love Sarah Jane, a weird little atmospheric short about a boy, the girl he likes (sounds familiar…) and some asshole friends. Zombie Movie Marathon MonthWP Cumulus Flash tag cloud by Roy Tanck and Luke Morton requires Flash Player 9 or better. Recent Commentsdanalyn gayo on The zombie dreamChance Annagale on The zombie dreamWhat Is A Zombie?
The zombie dream (115)Rob Zombie’s lawyers claim he owns the word zombie… (29)Real, Russian zombies? The Inevitable Zombie Apocalypse is your source for daily zombie news and in-depth criticism, commentary and context on all things zombie -- zombie movies, zombie books, zombie games and everything else to do with the walking, running, biting dead. The question I get asked most often (right after “where do you get your ideas?”) is “how did you break into the business?” For me, it started with a little zombie named Johnny Dingle. I called the movie JOHNNY ZOMBIE and, after the screenplay was finished, I had absolutely no idea what to do with it.
So, Adam gives JOHNNY ZOMBIE to Sean in the hopes that Sean might want to make it for very little money and give Adam a shot at directing it. Finally, we get to LA and I begin the development process on the screenplay with Sean and Disney.
Both turn out to be very good choices — and they’re not the only excellent people involved, either.
The movie is going to shoot in Austin, Texas (ironically the place where I destroyed the motel on the way to LA). Early on, I notice that all the actors and directors and producers have chairs with their names on the back. I never really get to know him, mostly because he largely stays in character on screen and off. It turns out my former boss at the PR firm was right — I’ll never make it in the film business. Years later, when I’m working on ARRESTED DEVELOPMENT, Balaban’s name comes up as an actor for a particular role on the show. In the end, all these years later, I have a real fondness for the movie… or at least the experience of making it. About DeanEmmy-Nominated screenwriter, Dean Lorey, has written and produced many TV shows, including ARRESTED DEVELOPMENT, THOSE WHO CAN'T, MY WIFE AND KIDS and RUNNING WILDE.
His movie credits include MAJOR PAYNE, MY BOYFRIEND’S BACK and FRIDAY THE 13TH PART 9: JASON GOES TO HELL. His novels include the young adult series NIGHTMARE ACADEMY (the first book, MONSTER HUNTERS, was awarded “Best Children’s Novel of the Year -- 2008” by the SCIBA).
Currently, he is the co-author (with Vinnie Tortorich) of the recently released non-fiction bestseller FITNESS CONFIDENTIAL, as well as the publisher of Jack Icefloe Jackson's ROMANCE FOR MEN.
His first animated movie, ANIMAL CRACKERS, is currently in production with a voice cast including Ian McKellan, John Krasinski, Emily Blunt, Sylvester Stallone and Danny Devito. Follow DeanGet 10 Free Hollywood Screenwriting Tips when you subscribe to Dean's newsletter!
John Dingle (Andrew Lowery) has been in love with Missy McCloud (Traci Lind) since childhood. Filled with all the stereotypes of teen films, the absurdity goes on as John's ears and nose fall off. His unrequited love and her promise to go to prom with him, made as he is taking his last breath, brings him back as a zombie.


Think of it as a companion piece to similar screwy comedies from the ’80s such as Better of Dead, sort of a Better Off Undead. You can get more info on the About page, in the FAQ or just by spending a few days reading every piece of content here. While I was there, I wrote a comedy about a high school kid who’s so in love with a girl that, even after getting shot and killed in a convenience store robbery, he comes back from the dead to take her to the prom.
I wrote it in a series of cheap apartments in New York City and Hoboken and I knew more about decoding DNA than I did about getting a movie made. So, Disney wants to make it and Sean offers me a three year deal to move out to Los Angeles and become a staff writer for him. A day later, I wreck a hotel in Austin, Texas by ripping the overhang off the front after I slam into it with the roof of the U-Haul — but that’s a story for another time.
By the end of it, it’s hard to understand what they liked about the script to begin with because it seems like they want to change everything. It’s going to be Bob Balaban – a well regarded actor who had directed a sort-of horror movie called PARENTS that’s very quirky and dark. Balaban is shooting in a very stylized way and has chosen to focus on the gentleness of Johnny. He liked the work he was doing and points out, rightly, that the script itself is very quirky and stylized. She keeps pronouncing a word wrong in the scene, so I quietly go up to her and tell her how it’s pronounced. Cloris Leachman arrives in town to play an older woman named Maggie whose husband, years ago, became a zombie.
Philip Seymour Hoffman plays Little Chuck, the bully — a dense, snarling neanderthal. Because it turns out that a lot of people in Hollywood loved the script — thought it was clever and funny. It was my first thing, my first baby and it came out all strange and yet… I have a real fondness for it.
And I’ve been surprised at how many people have reevaluated the film since it’s been out on video — mostly in a positive light. He has also done uncredited work on a variety of movies, including HAPPY GILMORE, GEORGE OF THE JUNGLE and NOTHING TO LOSE. Bits of him keep falling off (his girl thoughtfully glues them back on) and if he wants to stay "alive" long enough to get to the dance he has to munch on human flesh. Her boyfriend Buck (played by Matthew Fox aka Jack in Lost!) is not cool about it at all and Buck’s best friend Chuck (Philip Seymour Hoffman!) tries to kill him and ends up accidentally killing himself and then being eaten by Johnny. It was cool, although it seemed like a scene plucked at random from a larger narrative than a stand alone piece. Unfortunately, being a zombie, he now has a terrible craving to eat the flesh of the living (which he finds morally and ethically reprehensible). And that’s where the whole thing could have ended except I met a guy at NYU by the name of Adam Marcus. There’s very little money in it, but even a little money is more than I’ve ever made before.
Gone is my original ending where Johnny and his true love Missy are run out of the prom by angry townspeople only to hide away in the graveyard, where they discover that the zombies that live there are having their own zombie prom — which turns out to be a lot more fun. At every meeting, an empty chair is set aside for “Jeffrey” and his notes are placed on it. Personally, I’m really pulling for Brandi Burkett in the role of Missy — she’s an actress and a friend from Conyers, Ga, my hometown.
Unfortunately, this has taken the wind out of Balaban’s sails and now he’s hurt and angry and I can see why.
The weird bit is that while everyone is quite surprised to see him, no one really thinks much of it or really reacts to it. His mom keeps bringing him bodies, both living and dead, for him to eat, despite his protestations he doesn’t want to eat anyone. To make matters worse, he’s beginning to decay — in fact, body parts that might otherwise have come in handy on prom night are starting to fall off.


The only thing they don’t want is for a kid just out of film school to direct it — but don’t feel too bad for Adam. I tell my bosses (the managing partners) that I need to quit because I’m moving to LA to make movies.
The Jeffrey notes cannot be argued or discussed — they are the ten commandments, handed down by God himself, and no one has the authority to question them. Now we have to redo the entire first week and shoot the rest of the movie in the remaining six. Eventually, they get one for me and present it with a great deal of pomp and circumstance — but it’s all very condescending. Sean, the producer, tells me that she’s asked that I go to her hotel room because she needs some help with the script. I am 23 and have no idea how to tell Academy Award winning actress Cloris Leachman that she cannot wear a flower pot on her head in the movie.
A comic book framing device is added (always a bad sign…) Balaban shoots the new stuff (and seems to kind of like it) and the movie improves, although it’s still very odd. Another review takes me personally to task for naming it MY BOYFRIEND’S BACK without putting the actual song “My Boyfriend’s Back” in the movie.
They treat him like a pariah, especially once he eats a classmate, but they are remarkably chill about it. The townspeople eventually begin hunting him with torches and all he wants to do is stay undead and whole long enough to take his girl to the prom… And naturally, being a goofy, mainstream comedy, he gets that wish and a whole lot more in the end. On top of all this, everyone in town hates him — he is, after all, one of the undead. He was also best friends with a kid named Noel Cunningham, who was the son of a Hollywood producer by the name of Sean Cunningham. His consolation prize is that he gets to direct FRIDAY THE 13TH PART 9: JASON GOES TO HELL, which you can read about in its own section.
They don’t want me to go, so they offer me a job as an account executive, offering me more money a year than I’m being paid for the movie. Carla will become famous and loved by fanboys everywhere for her sexy roles in SIN CITY and SPY KIDS among many others. I had imagined a rapid-fire movie, like BACK TO THE FUTURE, but this is methodically paced, although interesting. You can give your opinion to the director and you can argue points but, at the end of the day, you should either support that person or replace them.
I remember thinking “Good God, why not?” I later realize that it’s just a different and much more dry style of humor — one that Balaban has made a career of as an actor.
I turn to go when Sean adds: “Remember, you’re about to give direction to an Academy Award winning actress!” And then he cackles, knowing this will unnerve me. I fumble around, muttering “not sure, maybe…” Later, she asks the same thing of Balaban and he gently talks her out of it, but only after telling her what a clever idea it is. Turns out he stayed committed because he became one of Hollywood’s finest actors until his tragic and untimely death.
Balaban wasn’t allowed to make his stylized version of the movie but the end result is not a straight down the middle crowd pleaser, either. I, of course, didn’t name it that and, as the writer, had nothing to do with the songs they chose. It’s also amusing to see such recognizable actors in it so young and in such goofy roles. Cloris Leachman is the one you’ve probably heard of, but there were a ton of wonderful veterans. Where were they, I wonder, when I was all alone in a tiny apartment in Hell’s Kitchen dreaming up this whole thing? And I’m struck by an odd desire — I really want to see the movie that Balaban wanted to make.



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