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City Contemporary Dance Company of Hong Kong, The British Council, Creative Scotland, Goat Media Ltd. Awarded Jury prizes at the San Francisco Dance Film Festival 2011, Dance Camera West 2011, and gained a special jury mention at Napolidanza Il Coreografo Eletronico Naples 2011. A pilot film a€?Energy Sculptinga€™, which documents the findings of on-going research which I am currently undertaking Kirstie Simson, Associate Professor of Dance at the University of Illinois, USA, and Simon Fildes. Crew: Avril Gordon, Rebecca Wylie, Natasha Robertson, Alexander Gibbs Evelyn Jellema, Annie Baker, Ollie Annand. Part reality-TV, part video-dance, GIRLBAND stars a girl who wants to have a girlband but simply cana€™t keep it together. This 15 minute video dance drama as created with a group of 25 11- 17 year olds, working along side a professional video production crew. Therea€™s Something You Should Know is the outcome of a year-long performance and video project which explored ways of enabling people with a learning disability to work with drama, dance and video specialists to create individual and collective art works.The programme was initiated by Lung Haa€™s, an Edinburgh-based professional theatre company that provides opportunities for adults with a learning disability to participate in the performing arts and produces large-scale venue specific and small scale touring productions with the highest production values. The Truth was collaboration with Simon Fildes, and Kate Gowar and Karin Fisher-Potisk, the co-Artistic Directors of Ricochet Dance Productions, an established company that at the time had revenue funding from Arts Council England. Multiple layers of perception emerge through the moving cameras, the editing and the sound track, creating a multi-perspective experience of dance. This documentary celebrates the power of the creative arts by profiling the successful Adugna Community Dance Theatre in Addis Ababa Ethiopia.
A documentary about the work of choreographer and teacher Royston Maldoom and Dance United in Holloway Womena€™s Prison, London, where they created a live dance performance with the women in the prison.
The challenge in making this film was to capture the essence of the incredible work being done by Royston, his colleagues and the people they work with. Dance United works with marginalised groups and divided communities promoting dance as a means of raising esteem and changing attitudes.
Made in the memory of the young dancer and film maker Michele Fox who died in 1997 at the age of 30 from cancer.
Moment was awarded the 'Best Screen Choreography' awardA  at the IMZ Dance Screen Festival in Monaco 2000. Presented at Glasgow Film and Video Workshop, Glasgow, Scotland and Tangente, Montreal, Canada.
Fast moving, rhythmical dance; a solo dancer moves, breathes, sweats, falls, stops, starts again. To buy the DVD Five Video Dances at A?25 including postage and packing you can use the PayPal secure server by clicking here. Over five years, Katrina filmed Kirstie Simson performing and teaching across Europe, culminating in a one-off performance with Michael Schumacher, Kenzo Kasuda and Dai Jian at the Universal Hall in July 2010. This film is supported by China-UK Connections through Culture, a joint initiative between the Department for Culture, Media and sport and the British Council with support from the Scottish Government and Welsh Assembly Government.
Effort, dynamic, balance and style weave together in a physical exploration of the failure and success of 4 solo climbers. Made over a 9 month period with clients of the hospital and in collaboration with artists from Drake Music Scotland and Dance Base, Scotlanda€™s National Dance Agency. The aim of the project is to explore how the embedded processes of video dance, evolved specifically through my own practice to include improvisation, can alter and optimize the understanding and appreciation of improvised dance performance. The project was funded y the Scottish Arts Councila€™s children and Young Peoplea€™s Fund and co-produced by Goat and East Lothian District Council with Dance Artist in residence, Dawn Hartley. The work was funded through the Scottish Arts Council for the European Year of Disability and by East Lothian Council and West Lothian Council.
The concept of observation is important as this happens between the dancers and the cameras and amongst the dancers themselves, not only through sight but also through hearing and energy. What began as an experimental project in the streets of Addis Ababa is now a vibrant,internationally acclaimed, success story. Filmed over a five-week period, observational footage is juxtaposed with filmed dance material and specially conducted interviews. We strove to create a fils that contained the factual information that needs to be imparted and whilst at the same time communicate the power and potential of dance as a means of expression and as a tool for social change. The film was commissioned by her family and is a tribute to her passion for the challenges of making innivative dance for the screen.


Moment has been screened atA  numerous festivals and curated programmes acrossA  the world, including Moving Pictures, Canada, Mostra Video Danza, Barcelona, Dance Camera West, Los Angeles and Rotation a€™03 in Helsinki, Finland, where it formed part of a six film retrospective of Katrinaa€™s work. The aim of the project is to explore how the embedded processes of video dance, evolved specifically through my own practice to include improvisation, can alter and optimize the understanding and appreciation of improvised dance performance.A  The first stage of the research was carried out during a week-long residency at Casina Settarte in Puglia, Italy with 25 international dance artists led by Kirstie Simson.
Each one tackles a challenging route on freestanding boulders across 4 highland locations, The aesthetic potential of the climbersa€™ performances is drawn into focus by the cameraa€™s framing.
Project funded by the Scottish Arts Council, Fife Council, Exxon, Arts and Business Scotland, Fife Council and NHS Fife. A collaboration with dance-artists Janice Parker (Creative Scotland Award winner, 2004) and Karen Anderson of Independence (Glasgow), to engage with a group of people who have severe learning disabilities and often very limited physical movement, to create a video dance work. It received positive reviews in both newspapers the Herald (Mary Brennan) and Sunday Herald (Ellie Carr) (both November 2004). Made with choreographer Katy Dymoke of Touchdown Dance, working with sighted and visually impaired dancers in the Contact Improvisation form. It is a story of a struggling urban population and of empowerment; a story of social outreach and advocacy and of feeding skills back into the community. This is a film about a project that celebrates the creativity and potential of the women of HMP Holloway.
It is toured internationally by the British Council as part of their Forward Motion program of innovative dance films and by IMZ Dance Screen as part of their award-winners program. The editing creates an involving and evolving 4 way video counterpoint that echoes the communality of the bouldering culture. Methods employed during the filming process drew on the research that I have done in previous projects into the use of improvisation as a core element of making video dance.
It is the story of young people from the streets of Addis Ababa who are radically changing their lives and the lives of others. For five demanding weeks nearly 200 women contributed their time and skills to a challenging and demanding programme that brought together dance in performance, dance on film, original writing and the design and making of costumes and backdrops. At the heart of the work is a passionate belief in the power and joy of dance and its transforming potential. We carried it proudly all the way back to one of their houses and proceeded to patch the hole with a piece of plywood and tar. Displayed alongside is specially commissioned Laban notation of the duets between human and rock.
The soundtrack was created with actuality sounds recorded whilst filming, a technique that we have developed together over a number of screen-based works. This film celebrates the culmination of five years of intensive work by the Adugna dancers under the artistic direction of Royston Maldoom, Mags Byrne and their Anglo-Ethiopian team.
The significance of the moment, whether solitary or between them, is explored as time is slowed down, stretched, speeded up, repeated and stopped. The soundtrack was createdA  with actuality sounds recorded whilst filming, a technique that we have developed together over a number of screen-based works. Basically, players use a magnet wand to pick up bells of only one color and make a string off the end of the magnet wand, but you’re not allowed to pick up bells of any other color.
More usually deployed to notate dance, these scores further emphasis the performative nature of the climbersa€™ sport.
The resulting 6-minute single screen work combines the formal aesthetics of non-narrative video dance, whilst at the same time foregrounding performers who would otherwise not be seen within the public domain. Adugna have already achieved a high profile with performances at both local and international level.
Adugna demonstrates the tremendous potential not only of Ethiopias youth but of all young people from disadvantaged backgrounds. The Adugna Community Dance Theatre is testimony to what can be achieved when the creative arts are given a central role in human and social development. The challenge in making these films was to capture the essence of the incredible work being done by Royston, his colleagues and the people they work with. One of the boys found a canoe paddle in the weeds and we three got into the boat and started to paddle out. We strove to create two films that contain the factual information that needs to be imparted and whilst at the same time communicate the power and potential of dance as a means of expression and as a tool for social change.


We strove to create two films that contain the factual information that needs to be imparted and whilst at the same time communicate the power and potential of dance as a means of expression and as a tool for social change.A  Dance United works with marginalised groups and divided communities promoting dance as a means of raising esteem and changing attitudes. We feverishly paddled with that one oar and bailed out the water with our hands and an old can. She loves making no-budget horror flicks with her friends, cooking, crafting, exploring, and being silly with her two kids, awesome husband, and lazy cats. Barely we made it to shore and got out just before the boat sank below the water and headed downstream.
Wet, cold and shaking the three of us headed home knowing we would never tell our parents of this stupid adventure. We were lucky to be alive and it was only by Goda€™s grace that I can live to tell about it. Sometimes that other road will bring you back to your original path and sometimes it will take you farther away from it. But God used him to gather and lead his people out of Pharaoha€™s slavery and split the Red Sea in two.A  Joseph was sold into slavery by his brothers and was cast into prison but became the second most powerful person inEgypt. Or, maybe just maybe a smile or a kind word from you to a stranger may just prevent them from going home and ending their own life and their grandson will some day save the world.
He will bring to light things that are now hidden in darkness, and will make known the secret purposes of people's hearts. Throw your troubled waters out of your boat and paddle on down that river of life with Him at your side. You have ears, but you don't really listen.Psalm 13:2 -- How long must I worry and feel sad in my heart all day? I have been praying for something to happen for 4A? years now and what I prayed for was not granted. Leta€™s speak of reality a€“ He is God and He can do what He wants to or not do what He doesna€™t want to. We cannot command the Lord to do anything whether we do it in pleading, tears, anger, or desperation.
If God has the will, He may answer our prayers about life but nothing says that He absolutely has to.
All we have is the hope that he will hear us, see what we are going through, and grant us a little drop of His mercy in this life.
He will cure a cancer, heal the deaf, grow an arm back or bring someone back to life but that does not mean He will do it all the time. He has given us guidance through His word (the Bible) and occasionally gives us a nudge or lesson to learn from but basically kicks us out of the nest like the mother bird does to face the challenges of life. I get so frustrated at times that my prayers are not answered and I have to keep reminding myself that this is my life and I need to deal with it on my own sometimes. Their job is to preach the message to inspire, encourage, and give hope to their congregations.
If we are to be an example of His mercy to others, it can only be done with people of lesser stature than us. He wants us to spread the Gospel and not make up stories of what He has done for us personally in life. Just show others how you believe in His salvation and forgiveness and tell them of His Word. He has promised everything in His kingdom of Heaven to those who accept His Son as Lord and Savior.
Life here is just a temporary setback, trial and test to see if we are worthy of everlasting life sharing in His love -- or without it in a very dark place. So accept His Son as your Lord and claim the only real promise that He made to us --- Forgiveness and Salvation.




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