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Ita€™s difficult to express how much enjoyment I got out of hearing the old chestnut, a€?Wild Women,a€? written by Ida Cox and sung by Wool&Grant on a recent John Platt Sunday Morning Breakfast Show on WFUV-FM. Their joined voices provide a wealth of pleasure, no matter what direction their music takes them. A big formative experience came from Ina Maya€™s connection with a member of a frienda€™s family, Davidine Small, whose mother and uncles were vaudevillians and musicians. One of Ina Maya€™s big money gigs was the town Christmas party at Abbott Hall in downtown Marblehead.
After high school, she moved to Manhattan and went to Barnard College, the womena€™s school affiliated with Columbia University. In a short-lived episode after college, Ina May moved to Santa Cruz, Calif., to continue working in a rock band with her boyfriend.
As she described it: a€?I booked myself at coffeehouses and colleges as a solo act but after a few months, the bass player from the rock band moved to town from where hea€™d been in California to play with me. One of my solo gigs without the band was at Sandya€™s (also a famous jazz club) in Beverly, Mass. As she saw it: a€?I missed playing out live and New York gigs were always high pressure showcase kinds of things. The next change in her life came through her friend Jon Albrink, a session player and singer who also had bands playing his original music. It was the era of singing sister acts such as The Lennon Sisters (The Lawrence Welk TV Show) and The McGuire Sisters (The Arthur Godfrey TV Show). Bev felt intimidated by the jazz people who surrounded her and stopped doing music for a time. She was finally on her own and became involved with protesting the Viet Nam war and in overarching societal problems. She got introduced to and became heavily involved in the womena€™s movement, resulting in a greater level of self-awareness.
Bev gave birth to her second child in 1982 and The Human Condition re-formed as a world-beat band, singing in different languages about international struggles. Ten years ago, Bev formed a trio called The Dissident Daughters with two women were recruited from the Brooklyn Womena€™s Chorus. Beva€™s involvement with Ina May evolved from a Dissident Daughters recording project with Ina Maya€™s husband Daniel.
While Bev brings a higher political sensibility and Ina May writes a greater amount of personal songs, they complement each other. She got introduced to and became heavilyA  involved in the womena€™s movement, resulting in a greater level of self-awareness. It happened last fall in one of those hotel meeting rooms used for showcases at the Hudson Valley Resort in Kerhonkson, N.Y. While his talent appears genetically acquired, the genes were backed up by hard work and experience. Dave March was born in Huntington in 1976, and he and his sister Krista grew up in Centereach, where they and Jon all attended Centereach High School. There really werena€™t many places an acoustic duo could play during his high school years. As open mics began to pop up around the area in new coffee shops and wine bars on Long Island, he and Krista began performing together. Dave states that while he cannot read music, hea€™s developed a really good ear and his storehouse of musical ability has come from years of playing with other musicians.
For Krista, the first non-family influence came from the Broadway play (and subsequent movie) a€?Annie.a€? Krista wanted to be Annie. About the time Jon was returning from Chicago to nurse his wounds, Dave was hosting an open mic at a local Starbucks. They spent another year riding an emotional rollercoaster while they wrote and recorded songs for the banda€™s first album, A Long Way Back (2005). Somewhere during the evolution of M2D, Davea€™s busy life in music, playing bass for M2D and other groups, provoked insecurity in his girlfriend with whom hea€™d become serious. After the first album was released, violinist Leanne Strom, Jona€™s married sister, came into the group. Brian Kroll entered the picture right after the release of Rise, while M2D was showcasing the album. School protocol demanded that Brian had to start by learning band instruments, so he played bassoon and upright bass in fourth grade. Brian had his own band in high school, and then received classical training as a voice major at Hofstra University.
By the time this author caught up to Miles to Dayton, it had released its third album, Pass It On (2011). Whereas A Long Way Back had a more pensive, ethereal feel overall, Rise kicks off immediately with a€?Eyes Lighta€? with its refrain my heart sings, revealing a huge uptick in both mood and energy.
About the time Jon was returning from Chicago to nurse his wounds, Dave wasA  hosting an open mic at a local Starbucks.
Brian had his own band in high school, and then receivedA  classical training as a voice major at Hofstra University. Louis is the most accomplished and impressive a€?unknown entertainera€? to grace the stage in year!
Not only can he improvise vocally, but he can entertain you with his special blend of humor ad quick wit as well.
As a former lead singer of The Temptations and The Drifters, Louis Price has toured the world, enchanting audiences of all ages in Europe, Africa, South America and the US.
With his own show of fan favorite songs sprinkled with new offerings, Louis has performed for The American Medical Association, The National Council on Aging, The March of Dimes, The Sheraton Corporation, 20th Century Fox, Warner Brothers, The NAACP State Conference, The National Conference of State Legislators, The Heart Foundation of Cedars Sinai in their tribute to Berry Gordy, and Oscar party goers. Numerous Executives and Studio Heads have partied all night to Louisa€™ captivating sounds, ranging from the Big Band sound, to a cappella singers and strolling violins, R&B hits, 70a€™s Disco, Jazz and Standards. Louis had the pleasure of providing vocals for the upcoming Elton John album and was vocal consultant on the last 2 Seal albums. In the commercial arena, Louis has sung on commercials for Fruit of The Loom, Coors, TriCyclen, Verizon, Klennex, Mountain Dew, Epson, Jack In The Box, Coke, Wriggleys, Chrysler, Oscar Meyer, Red Lobster, Nike, JC Penney and Michelob. Movie soundtracks on such biockbusters and fan favorites as The Lorax, Rio, Hairspray, Happy Feet 1 & 2, Norbit, Phone Booth, O Brother, Where Art Thou, Amistad, Tommy Boy, The Ladykillers, Dinosaurs, A Buga€™s Life, Hercules, The Prince of Egypt, The Lion King and White Men Cana€™t Jump have enjoyed the tasty vocals provided by Louis Price. He was blessed to sing with his mother, gospel great, Vernon Oliver Price in the film Hoodlums.
Stage, Film, TV and radio - all performance disciplines that Louis Price has tackled, mastered and given back to an audience hungry for great entertainment. Physically, from the author's viewpoint, about five-and-a-half feet off the ground, he's standard size. For the average listener, in one lifetime, there is not enough time to practice to get to this level. What happened in Toby Walker's lifetime was that innate skill and intellectual curiosity collided with an obsession in one person.
The only thing I had was the standard Alfred's Book #1, but I didn't bother reading any of the notes. I had a friend who lived across the street who was in the band as well and his older brother had turned him on to BB King. Within the same year, the seminal moment arrived where 15-year old Toby, carrying his guitar, passed by the house where Robbie Bravo, in his 20's, was working on his car, and when Robbie asked what he played, Toby said 'the blues.' Robbie then asked, 'Like who?' Robbie thought that BB King was too slick, and introduced him to his basement record collection.
I asked him, 'How do you get that percussive slap?' He started doing it while I was watching. These people, unlike people like Skip Jamesa€¦ I had missed that part of ita€¦ these people were still alive! The blues is a major part of Toby's repertoire, but there have been other sources of inspiration that result in a variety of styles within what he does.
Our readers owe it to themselves to get out to a Toby Walker performance to soak it all in. Her teacher, George Walkey, hired her as a helper for his group guitar lessons at the Marblehead Y. During their visits from New York, everyone made up songs and wrote plays, then performed them. She played the venerable Postcrypt Coffeehouse and other concerts on campus, opening at one point for legendary jazz pianist and composer Mary Lou Williams.
A drummer hea€™d met in California also moved in, and we met some local musicians, and we started doing some of my solo gigs as a band. I opened for Paul Pena who wrote (Big Old) a€?Jet Airliner.a€™ He invited me to sing with him that night, and I jammed with him onstage. Musicians that I knew were able to play a€?cluba€? dates, weddings, anniversary parties, bar mitzvahs, etc., and I thought it would be good for me to get better as a singer and to learn material, not just work in a band based around me a€” and to earn money.
Her oldest sister bought some stock arrangements and thata€™s how Bev learned to sight-read music. She listened to the greats like Billie Holiday and Ella Fitzgerald and thought a€?I cana€™t do that.a€? She played the role of the musiciana€™s a€?old ladya€? for a couple of years and then ended the marriage.
It was liberating for Bev to finally see her own involvement in an abusive relationship as part of a greater issue. The project never went anywhere, but Bev and Ina May had gotten to know each other through a song writing workshop and started singing together. They got to know each othera€™s life stories and saw that they had similar sensibilities as young performers. The 2012 Northeast Regional Folk Alliance Conference was proving to be as enlightening and uplifting as expected. The family sang together and Jon began studying cello at The North Shore Suzuki School in Setauket when he was 4.
However, Dave was four years ahead of Krista and three ahead of Jon, so the two boys knew who each other was, but were a€?like ships passing in the night,a€? according to Jon.


Davea€™s grandfather owned a music store where he taught accordion to Davea€™s mother and all of her siblings.
Dad leaned toward Styx and Led Zeppelin, while Mom tilted in the direction of Neil Diamond and Barbra Streisand. He took a few lessons and jammed with a neighbor who played guitar and picked it up pretty quickly.
Crosby, Stills, Nash and Younga€™s album Four Way Street had made an impact and would set the structure for the musical style he would prefer from that point on. Most places were bars that were still promoting a lot of the dying glam rock scene of the late a€™80s and early a€™90s, but nevertheless, they managed to play a few opening slots. They started a group with her then-boyfriend, called Sleeping Genius which flourished from playing open mics and had a similar folk rock sound to M2D.
For her, the big influence was her grandmother, who, when younger, had sung in a large traveling choral group called The Sweet Adelines.
Throughout grade school shea€™d sing her part, but wouldna€™t make an effort to stand out from the group. Krista, coming out of a yearlong post-breakup funk, was working as a barista at the same Starbucks. There are songs about Jon and Krista getting together and breaking up all through that album.
At the time I was interviewing the band, Leanne was busy having a baby and was unable to participate.
As a kid growing up in West Hempstead, he obsessively drummed on everything a€“ pots, boxes, whatever. He played drums all through college and gigged in a progressive rock band and a cover band. The progression from one album to the next is readily evident to even the most casual listener.
In the middle of a big show at the Patchogue Theatre in 2008, Jon fed his cello through a loop and, over his instrumental, proposed to Krista in front of 700 to 800 people.
His vocal stylings range from R&B, Pop, Standards, and Jazz to the Gospel he learned growing up in Chicago with his musically talented family.
Every concert is a surprise, which makes it exciting or the audience as well as for his accomplished musicians and singers.
He has been blessed to share the stage with Bill Cosby, Smokey Robinson, Ben Vereen, Gladys Knight, Aretha Franklin, Johnny a€?Under The Broadway,a€? Moore and Ben E. Audiences have ranged from as many of 5,000 party goers to as few as a handful of surprised and delighted recipients of a special up close and personal encounter with Louis. With his musical partner Benjamin Wright, who has arranged for such artist as Michael Jackson, Justine Timberlake and Gladys Knight, Louis and Benjamin have released an album under The Price Wright mantel. His voice is used for radio station IDa€™s such as WNUA in Chicago and 94.7 The WAVE in Los Angeles, plus many others all over the country and even on domestic airlines. They include Boston Legal, The District, My Wife & Kids, The Temptations Story, Cop Rock, Motown 30, The Little Richard Story, and South Park. As a songwriter, performer, and producer, Louis Pricea€™s talents make him a sought after artist in the entertainment field, and a knock out on the stage as well. Many times, listeners will hear a guitar player and dreamily picture themselves playing just like that. On top of a rock-solid bass pattern, the treble melody lines dance with speed, grace and precision.
It was there that Toby learned about Chicago players like early Buddy Guy, Magic Sam, Otis Rush, Magic Slim, Herbert Sumlin, Howlin' Wolf and Muddy Waters.
The people who stayed there knew about other missions and people that travelled a lot would tell you about missions in other cities. You'd get $8 the first time, then go back a few hours later in the afternoon and get $7 for the second time.
I took out my guitar and said, 'Can I try that?' He said, 'Sure.' I sat there and I learned it from him. I went to see Jorma play at a tribute to [Reverend] Gary Davis at Merkin Hall in New York City. Over the years, using books and records, he's studied jazz on his own and has taken a couple of lessons to learn a few things.
I knew it was Ina May and Bev because Ia€™d heard them before and their sound is immediately recognizable.
Both women started making music when they were very young and both of their paths make fascinating stories. She would help tune studentsa€™ guitars and at the end of the class, would sing and play a song. Although she cana€™t be sure, Ina May thinks that Davidine might have helped her get her first local gigs. Paul Penaa€™s producer and booking agent were there and approached me about working with them. The gig organizer told Ina May that a€?Danny Weiss would be playing the evening gig and was a genius.a€? Ina May was skeptical.
Always a high-energy person, Bev had a full-time job and was a single parent throughout this time.
Their first gig as Wool&Grant was a co-bill with Bev and The Dissident Daughters at The Good Coffeehouse in Brooklyn. A group blending guitar, violin, bass, drums and anywhere from three to five voices was lighting the fuse to a powder keg that could have blown a hole in the ceiling.
The vocal harmonies and instrumentation were as tight as a leotard on a ballerina and the overall musical command of the group had all the earmarks of a wealth of experience. Kristaa€™s powerful, soaring alto grips each vowel like a pipe wrench and her voice echoes in the listenera€™s mind long after the song is over.
However, for me, the growth of the banda€™s character centers around its ability to work through an initial emotional maelstrom and build on it.
He studied the trumpet in public school and was in the school band, the church choir and youth orchestras.
The floodgates opened for Dave and Krista one New Yeara€™s Eve when their mother played her entire Beatles collection. The title aptly suggests that time had to elapse before they could understand the process they were going through. His sistersa€™ record collection planted the seed and today he cana€™t remember a time when he didna€™t want to be a musician.
On the recorded track, we hear Krista singing, In your heart, you will find a piece of me, a symphonya€¦ Krista later walked down the aisle to the accompaniment of Jona€™s cello solo from that song. It also tells of how people judge others without knowing anything about them, which we, as a couple have experienced so many times ourselves. He has recorded on the albums of Diana Ross, Michael Buble, Neil Young, Michael Jackson, Michael Smith, Taylor Hicks. The spirit-filled selections are a much needed addition to any serious gospel music collector.
Get ready to discover a truly dynamic talent - LOUIS PRICE - a voice and personality that will win your heart. I liked the way this chord fit with that chord, plus I had a sense of rhythm and I enjoyed listening to the chords I was learning, so I just wrote my own songs.
Toby borrowed heavily from Robbie's collection to study from and occasionally scraped together enough cash to buy something by Buddy Guy or the like. Then you'd get to sleep there that night You'd get to sleep that night, and the next morning, you'd get to shower and you'd get another sermon while you were eating breakfast.
The second trip, three of my guitar students wanted to come along and would pay for all the gas and the hotel. He told Jorma, 'Look, you're approached by a lot of people but this is somebody you need to hear,' and gave him one of my CDs.
Therea€™s something of a country twang in Ina May Woola€™s voice that increases the veracity in her songs about lifea€™s travails and victories.
Her mother graduated from Massachusetts College of Art in Boston and was an oil painter and then later a prolific printmaker.
She played kidsa€™ parties in junior high and high school and would get $10 for each party during which shea€™d lead singalongs. She didna€™t play acoustic for a while and hung out with rock musicians, did studio work and was in a rock opera, The Last Words of Dutch Schultz.
It took her a while to extricate herself from that relationship, but she managed to do it around 1966.
She learned to use the concept of a€?story songsa€? to make a political point, and on the first album, wrote about a working-class woman, a€?Janie,a€? from Ironbound, N. Ina May has learned more about harmonizing from working with Bev, who is still a choral director. Miles to Dayton was introducing itself to the uninitiated in one of four a€?quada€? showcase groupings during the mid to late evening hours. Given the euphorically upbeat experience it provides its audience, it is worth noting that in the history of Miles to Dayton, there were not one, not two, but three relationship meltdowns before and during the groupa€™s evolution. For instance, a€?Green Light Goa€? was a positive song about both Jon and Krista, attempting to will them to a€?take that step.a€? Krista co-wrote a€?Therapya€? with Jon, essentially telling him to get over his ambivalence in letting go of his ex-girlfriend and accepting her as his true soul mate. The title track sums up the albuma€™s purpose nicely: All the loving in the world wona€™t mean a thing unless you learn how to sing and share it a€¦ and pass it on. Although Jon and Krista were becoming a couple, their progress didna€™t exactly dovetail.A  Krista was a year further into her healing while Jon had some catching up to do. I had a homemade amplifier made from an old stereo with some old speakers and a cheap electric guitar. I had a sleeping bag and slept a lot of times off the side of the highway, in small wooded areas. And when I heard that there were still people alive who were playing it, people that I had read about in books!a€¦ Eugene Powell, Wade Walton, and James 'Son' Thomasa€¦ they were all in these books!


Toby put in a lot of years at the post office, but knew he'd have to get out to save his sanity. Therea€™s a Buffy Sainte-Marie-like quaver and a power in the voice of Bev Grant that helps raise a persona€™s social awareness when it happens to be her goal. It was a whole other world, some rock and pop and also some standards and jazz singing with pickup bands. Another band person was explaining to Dan how Ina May sings a€?this songa€? and a€?that song.a€? Daniel said in response (not aware that Ina May was standing there) a€?Oh, I know all that female stuff!a€? Ina May stepped up and said, a€?Oh, really? Bev was known as a€?the little girl with the big voice,a€? and sang songs like a€?Blue Suede Shoesa€? and a€?Heartbreak Hotela€? as well as Teresa Brewer covers. As part of that group she made a documentary about the Miss America pageant protest in 1968 and she took many photos surrounding that event. She has written songs to illustrate those issues.] After the Human Condition disbanded, she formed the Brooklyn Womena€™s Chorus, a 40-person vocal group. While Ina May focuses on rhythm guitar and finger picking, Bev has taken on lead guitar work.
Kristaa€™s brother, Dave March, the bassist, has written the occasional key song and is an original anchor for the group. Although Jon is well-rounded, music was always number one in the household while he was growing up. The fact that it was developed and presented on the album says a lot about their seriousness of intent, both musically and personally. Two years later, Brian made a special trip to see the band and, lo and behold, they were playing without a drummer. Also, while working as a band member through the Long Island-based Omnipop Agency, he played in highly accomplished cover bands for clubs on Long Island, in upstate ski lodges and on the Jersey Shore. Together, Wool&Grant possess a sweet blend and a one-two punch that invites all kinds of a€?strong womena€? references. Are you married?a€? and wound up telling him about her relationship problems after the gig.
Her oldest sister had taken several years of piano lessons and learned electric bass, while her middle sister took up lap steel.
Theya€™ve each brought earlier work to the new album and have collaborated on one of the new songs, a€?The Last Man on the Mountain,a€? about strip mining. Hea€™s been classically trained but still remembers the feeling of discovering different styles of music like jazz, rock, folk and funk.
At that time and we played Rolling Stones covers -- a lot of the Get Your Ya-Ya's Out album (Live at Madison Square Garden). The Bridgeview farm is 80 acres.A  Right down the path from this house is a newer home Jack had built in the 1970's. Later I realized that when you change the words, the chords, the melody and the rhythm of a song, it might be called a€?writinga€™ a song. Abruptly, her husband and a bass player friend moved to New York, where they looked for gigs.
Jona€™s sister, Leanne Strom, a classically trained violinist, having switched to the rootsier style of the band, provides one main reason why M2D (abbreviation from Dave) compositions achieve majestic flight. When the relationship with her boyfriend collapsed, the group broke up and she went into a tailspin and didna€™t do music for about a year. The banda€™s name refers to living life to its fullest a€“ going the miles a€“ until being reunited with loved ones whoa€™ve passed on. Brian reintroduced himself, and then sent a follow-up email to Jon, pitching himself for the drummera€™s slot. I was playing fairly regularly and was still doing a little bit of finger picking, but still playing a lot of electric.
When I was in Albuquerque, I almost got arrested for vagrancy, but the police gave me a ride out of town. I thought, 'OK, That sounds good to me' Also, during that period, I was with two bands, and I travelled on the road with those two bands.
Shea€™d only heard him doing pop and rock on synthesizer at the gig and was flabbergasted to hear him playing a€?gorgeous acoustic jazza€? on a piano.
In college, at the University of Miami, he studied the cello and trumpet, sang in the jazz vocal ensemble and had his own band called Soma. Jon and Krista knew each other well in high school (he might not have been aware of it, but she had a crush on him). Theya€™ve been married 25 years now and Daniel has produced both of Ina Maya€™s solo albums. Drummer Brian Kroll, who joined the group a few years ago, has a powerful, classically trained voice. Not realizing what was transpiring, the normally freewheeling Dave apprehensively asked Jon a€?Who is this guy?a€? In a role reversal, the normally cautious Jon answered, a€?Hea€™s our new drummer.
You could go to any college, and they had ride-aways -- cars that needed to be driven across the country. This means whenever the sound equipment of a venue permits, theya€™re capable of five-part harmony.
Lil Woulfe did me a HUGE favor by gathering family information for me which made it possible to complete the name list below.A Dunganville? You can always go to any college or university and find ride-aways and you can transport a car, and they would pay you for the gas. The present-day address of the Woulfe farm at Dunganville is - Bridgeview, Dunganville, Ardagh, Co. In the beginning of my junior year, my counselor wanted me to go on to college, and asked me what my plans were.
In theA  beginning of my junior year, my counselor wanted me to go on to college, and asked me what my plans were. Townlands vary from fairly large to sometimes containing only one or 2 farms.A Sometimes their boundaries are known only to the locals and the Postman. He said, 'That's OK for the summer, but then what are you going to do?' I said, 'I want to keep doing it.' He said, 'What about a career?' I said, That's what I wanted to do. A  Ardagh is the Post Office address, arrived at because the town of Ardagh is only about 2 miles away. It reminds us very much of the old cabaret-style records of the twenties and thirties, but up to date.
If you everA examine a parish map, the farm is in the Parish of Newcastle West.A Up until the 19th century, the area was also known as Glenquin, the old Baronial name. GREAT FUN!i»?Apparently, the multi-taleneted Mike has written this as the theme song for a TV series he has written, titled 'The Bitter End', which he is usure of where to go with it. I also learned from Lill that the property was once leased from the Massey family before my family acquired it.
I learned more about the farm's history from Paul MacCotter's research.A  He discovered that there were 3 Woulfe farms adjacent to one another in the early 19th century (plotted as 2a, 3a, and 4b) A In land records from about 1820 to 1850, we find that John, James, and Edmond Woulfe lived there. Brandy's voice is sweet and perfectly suited to the track i»?Forever Young, and yet she can be full of fun as well, as in the track Never Wed an Old Man (Here that Nikki? The band comprises of Nicko on Bass, Rob on Guitar, Stewie on Drums, Rich on Keys and Sam on Vocals.
Edmond was their nephew - his father (name unknown) may have been a brother of John or James.
Currently working on their self-penned debut album, Section IV's intention is to create thought provoking accesible progressive music. All the members of the band are experienced musicians, both on the stage and in the studio.Descriptionsection IV. The 3 WoulfesA came to the Dunganville farms from Athea.A  In the early 1800's, just about every farm in the Athea area was owned by a Woulfe, and there just weren't any left for the next generation. Phil introduced it thus: A I wrote this song in 1998 having been reduced to tears on my knees watching the news reports with poor baby Orangutan's that had been burnt in the forest fires after El nino. Given the popularity of the name Bridget at the time, I'm assuming that's most likely what it was.A  From graveyard inscriptions, I find that James married Johanna MacKessey From Knocknaderry.
An old band member drew a beautiful picture of a baby Orangutan for the cover and I used the International weather satellite image of the area as the back cover. The last I heard he had moved onto enabling the forests to regrow at a much faster rate than normal, which was very successful.
Dr Galdicas, who gave the Orang's their name, meaning "Old Man Of The Forest", at Orangutan International Foundation loved this song also. From Graveyard and Newcastle West baptism records, I know that John Woulfe had several sons. So, the first John Woulfe on the Dunganville farm was likely born around 1800.A A  My cousin Jack at the same Dunganville farm, asked other family members, and they confirm this stone is that of our ancestors.
1878 age 76 years (he would have been born in 1802) - his mother Johanna Woulfe March 10 1866 age 46 years. Doocateen is only about 3 or 4 miles south of Dunganville, and is about 3 miles north of Newscastle west. This Doocateen James born in 1802 would be of the same generation as John and James of Dunganville. Working from Gravestone information, 2a John was born around 1800, 3a James was born around 1778. But - is his son Edmond James of Doocateen the same 4a Edmond mentioned on the Dunganville farms in 1852?



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