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T-Enami.org - A Welcome, all who like old Photos of Japan !YOU ARE ONE OF OVER 100,000 VISITORS TO THIS SITE. The Bridgeview farm is 80 acres.A  Right down the path from this house is a newer home Jack had built in the 1970's. OTHERWISE, BEGIN SCROLLING DOWN FOR A TREASURE-TROVE OF RARE AND BEAUTIFUL PHOTOS OF OLD JAPAN. Lil Woulfe did me a HUGE favor by gathering family information for me which made it possible to complete the name list below.A Dunganville?
The present-day address of the Woulfe farm at Dunganville is - Bridgeview, Dunganville, Ardagh, Co. ENAMI WEARING SAMURAI ARMOR, TAKING A REST BETWEEN POSES IN HIS YOKOHAMA STUDIO, CA.1898-1900.
ENAMI, OTHER WELL-KNOWN JAPANESE PHOTOGRAPHERS WHO OPERATED DURING THE MEIJI-ERA (1868-1912) ARE MENTIONED THROUGHOUT THE COMMENTS.I HOPE YOU FIND THE STORY AND DATA BOTH INTERESTING AND HELPFUL. FOR THOSE WHO ARE HERE PRIMARILY TO LOOK AT THE IMAGES, I HOPE THAT YOU EXPERIENCE SOME ENJOYMENT IN GAZING AT A FEW OF ENAMI'S"LOST PICTURES" OF OLD JAPAN.
THOSE THAT LIVE FOR DISCOVERING NEW DATA AND CONNECTING THE DOTS WILL NO DOUBT FIND SOME EYE-OPENING REVELATIONS HERE.A OF COURSE, WE ALL LOVE KIMBEI KUSAKABE AND THE REST OF THOSE ILLUSTRIOUS JAPANESE PIONEERS OF PHOTOGRAPHY WHO GOT THEIR START LONG BEFORE ENAMI OPENED HIS OWN MEIJI-ERA STUDIO.
Townlands vary from fairly large to sometimes containing only one or 2 farms.A Sometimes their boundaries are known only to the locals and the Postman.
THEIR BEST WORK IS ENOUGH TO TAKE YOUR BREATH AWAY.HOWEVER, ENAMI ALSO HAD HIS FANS AND FRIENDS, BOTH AS A PERSON AND AS A PHOTOGRAPHER.
A  Ardagh is the Post Office address, arrived at because the town of Ardagh is only about 2 miles away. AS YOU SCROLL DOWN THESE PAGES, FOR A FEW MOMENTS YOU MAY STEP INTO ENAMI'S SHOES, AND TAKE A PEAK THROUGH HIS LENS.A LIKE SO MANY OTHERS --- SOME NOW FAMOUS, BUT MOST BEING FORGOTTEN --- ENAMI DEDICATED HIS LIFE TO CAPTURING, AS BOTH ART AND DOCUMENT,A WORLD THAT WAS QUICKLY VANISHING BEFORE HIS EYES. If you everA examine a parish map, the farm is in the Parish of Newcastle West.A Up until the 19th century, the area was also known as Glenquin, the old Baronial name. AS THIS SITE IS A PERSONAL HOMAGE TO ENAMI, YOU WILL FIND SOME AMATEUR ELEMENTS, AND THE OCCASIONAL PITFALL.


I also learned from Lill that the property was once leased from the Massey family before my family acquired it. AT ALL TIMES, PLEASE "EAT THE MEAT, AND SPIT OUT THE BONES" WHILE DIGGING FOR VISUAL TREASURE.DISCOVERING THE OCCASIONAL GEM OF A PICTURE, OR ODD BIT OF INFORMATION, WILL HOPEFULLY MAKE THE SCROLLING WELL WORTH IT. I learned more about the farm's history from Paul MacCotter's research.A  He discovered that there were 3 Woulfe farms adjacent to one another in the early 19th century (plotted as 2a, 3a, and 4b) A In land records from about 1820 to 1850, we find that John, James, and Edmond Woulfe lived there. Edmond was their nephew - his father (name unknown) may have been a brother of John or James.
The 3 WoulfesA came to the Dunganville farms from Athea.A  In the early 1800's, just about every farm in the Athea area was owned by a Woulfe, and there just weren't any left for the next generation.
Given the popularity of the name Bridget at the time, I'm assuming that's most likely what it was.A  From graveyard inscriptions, I find that James married Johanna MacKessey From Knocknaderry. The general wording seen above was fairly common to all photographic self-promotion during the Meiji-era, and actually contains less specifics than some of his studio ads which he placed in various guide books of the time.
OGAWA, who was actually a year younger than Enami, was still his "elder" in terms of experience. From Graveyard and Newcastle West baptism records, I know that John Woulfe had several sons. It was photographed by Enami's friendly competitor and neighbor Kozaburo Tamamura, whose studio was located at No.2 Benten Street. It would be built in 1894 just down the street on the right hand side, and appear in endless views and postcards as the most recognizable landmark of Benten Street. So, the first John Woulfe on the Dunganville farm was likely born around 1800.A A  My cousin Jack at the same Dunganville farm, asked other family members, and they confirm this stone is that of our ancestors. Other images of Enami's studio -- both interior and exterior views -- are shown farther down on this page.A  While offering many of the same services and productions as his contemporaries, he also engaged in other activities that made him unique.
Further, while no photographer did "everything", Enami worked and published in more processes and formats than any other Japanese photographer of his time. A He was one of only a few photographers born during Japan's old Edo-Bakumatsu period, who went on to photograph right through to the Showa period of Emperor Hirohito.Enami was also one of the few to experience, and then successfully outgrow his roots as a traditional maker of the classic, large-format "Yokohama Shashin" albums.


While successfully embracing the smaller stereoview and lantern slide formats, he added to that a portfolio of Taisho-era "street photography" that maintained his own unique and artistic content. 1878 age 76 years (he would have been born in 1802) - his mother Johanna Woulfe March 10 1866 age 46 years. Doocateen is only about 3 or 4 miles south of Dunganville, and is about 3 miles north of Newscastle west. This Doocateen James born in 1802 would be of the same generation as John and James of Dunganville. Working from Gravestone information, 2a John was born around 1800, 3a James was born around 1778. But - is his son Edmond James of Doocateen the same 4a Edmond mentioned on the Dunganville farms in 1852? Enami and Kimbei Kusakabe are now the only two Japanese photographers known to have a surviving list of their commercial 2-D images. While Enami's 2-D portfolio contained a sprinkling of older, public domain images, his 3-D images and slides made from them were wholly his own.A THE 3-D CATALOG "S 26.
Girls Looking at Pictures" A Maiko and two Geisha Looking at Stereoviews in Enami's Yokohama Studio.
One of over 1000 cataloged 3-D images of old Japan.A THE "CATALOG OF COLORED LANTERN SLIDES AND STEREOSCOPIC VIEWS"A  Not surprisingly, Enami matched his older Catalog of Meiji-era Prints with a separately published catalog of his classic STEREOVIEWS. In the case of the 3-D Catalog, the lantern-slides were all made directly from one half of the stereoview negatives. The Cover and two sample pages of the Stereoview Catalog are shown just below in the Enami Activity List numbers (6) and (9). ENAMI'S ACTIVITIES and CONTRIBUTIONS TO THE WORLD OF JAPANESE PHOTOGRAPHYA A  For the moment, based on a wide range of primary sources, it is now clear that T.



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