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To report on the performance of the line stage AND the phono stage at one time would be too much information. A pair of 6922-family tubes is used in the phono stage and a pair of 6922 is used as the a€?nominala€? tube type for the line stage. One of the unique design aspects of the WV is its support of 12-volt based tubes (12AU7, E180CC, 7062, 6829, 5965, etc.) in the line stage. Another attractive WV feature is the ability to use this as a home-theater pass-through and NOT require the WV to be powered on. As nice as the stepper-motor based remote volume control is here, I wish I had remote mute capability rather than simply the level adjustment. When I heard the ARC SP-8 at a dealer in 1983, the preamp bar had been raised; I came to realize the significant role that a preamp played in the result of a systema€™s musicality. After a few years with the BAT units, I was ready for a major leap in performance like I had attained with the SP-10 purchase 17 years before. With my focus on portrayal of space, other sonic attributes such as a strong bass foundation, low-level resolution and upper-frequency extension and detail have been secondary to me.
I think we often equate sonic characteristics such as tonal coherency, extended trebles and dynamic contrasts as contributors to clarity and purity. I was scrambling for a high-resolution source to get a handle on the WVa€™s line stage capability compared to the Bent. A return to the Bent and the silence along with the carry-on of the harmonics as they decayed, was much diminished. A return to the WV and the difference was significant: midrange and upper-midrange piano tones had much more energy in their harmonics. After the initial impressions of the WV line stage with the Io Sig and APL player for a couple nights, I played a little bit with the WVa€™s phono stage before I started the line-stage tube-rolling trials. As stated earlier here, with the flip of an internal switch, the line stage supports tubes of the 12au7 family. With the 7062s in the line stage and the Amperex 6922 PQa€™s in the WVa€™s phono stage, I played for a few nights with various PS tubes. Throughout the tube evaluation process, I had one primary thing on my mind: I wanted to recover some of the 3-dimensionality midrange magic that was so inherently strong with the Callisto Sig and somewhat lacking with the Bent. As I was assembling my notes from the last 2-3 months for this report, I wanted to try the Bent one last time this week.
The differences between the WV and the Bent are greater now than before due to the WV custom tube set. With the WV loaded with the custom tube set, I have bottom-to-top resolution and dynamic contrasts like never before.
Not only has this retest confirmed to me the incredible performance of the WV, but I have greater respect for the Bent as well. Line Stage Output Impedance: This is not a fixed number, it varies according to the tubetype used.
My audio tracks have been imported into iTunes.  Where did they save to on my computer? If you already have iTunes installed on your computer you can update the software from within iTunes. When connecting the device to your computer you will only need to use the USB cable and not the RCA connection. Note: Some devices are powered by the USB port on your computer, and do not require this connection. Plug the USB Cable into the ION Audio device, and then directly into a USB port on your computer. If the software is unable to connect to the audio device try different USB ports on your computer until the device is recognized.
Setting up the sound correctly can help resolve many common issues experienced during playback. Note: If Line in or Internal Microphone is selected as your default you may hear your voice during recording.
First, connect the ION turntable or tape player to the computer with the USB cable and ensure that it is powered on.
Note: This feature may not function properly on certain types of recordings such as spoken word, live recordings, and classical music. Once the GAIN is set to the proper level and you have toggled the Split recordings into tracks function on or off, click on the record button to start recording your audio. To remedy these problematic albums it is recommended to un-check the box in Step 2 Split recording into tracks.
In Step 3 there will be a new track button you can press each time you want the software to create a new track. Once you have recorded your songs Step 4 will allow you to name the Artist, Album, and the Track titles as well as select your save location. Windows users: Click on the yellow folder icon at the top of the window to change the save location of your tracks.
Currently the only way to record both sides is two record one side, name your tracks, and then export the recording. Navigate to the file or folder which contains the songs you want to import and then click Select Folder.
Once iTunes is installed it sometimes will request to be the default player on your computer. Make sure Keep iTunes Media Folder Organized, and Copy files to iTunes Media folder when adding to library boxes are checked. With iTunes open you have the ability to change additional information associated with the MP3.
Note: Audio CD is selected as it is the most compatible type to play in home stereo and cars. The following steps will show you how to add your converted music to Windows Media Player Library. Save the audio tracks to a location of your choosing on your computer following the steps located here. Some of the ION Audio turntables offer 78 rpm so the following steps will not be necessary. Select the speed that you recorded it at (33 or 45), as well as the speed you would like it to be (78). If you are experiencing looping or audio skipping please try the following recommendations.
Recording audio is very sensitive process and requires most of your computers power to process audio smoothly. Whether you are a customer or dealer, if you already own a ION product, or if you just have pre-sales questions, the experienced ION technical support team is available to help! When checked, Shutterstock's safe search screens restricted content and excludes it from your search results.
The WV5 contains a phono stage (MM and MC) and a fully balanced line stage as a single integrated design.
Elliot has reported that listening sessions of the WV compared to his Counterpoint preamps, stock or upgraded, result in the WV outperforming them all.
Elliot was preparing for a new product line that would take his amplifier designs to a new level.


I looked for such a tube line stage a few years ago, and contacted some manufactures to find this feature for the HT system that I have in another room. One not-so-obvious benefit here is that the amps do not need to be powered off if the user wants to power down the WV. With the exception of a few ICa€™s, nearly all other components auditioned in my system have retained the portrayal of space and decays to some level of acceptance.
Each upgrade here was a refinement from the previous with greater tonal coherency, a lower noise floor and clearly more retrieval of information. With the Bent, there was a presence in the upper octaves that was very much lacking with the Callisto.
The APL Denon player has much more treble extension than the Io Sig, but I needed to hear LPs. The Io Siga€™s strong fundamental was still prominent but there was now some a€?available timea€? for the notes to breathe and show some of their own presence rather than to immediately be smeared by the subsequent note. It was not in the loudness level of the tones but rather a a€?dimensionala€? signature of the tones. Elliot discusses in his website, the stock tubes in the WV are a good starting point but the WVa€™s performance will be significantly improved through the efforts of the customer to try many tubes.
I was not surprised to learn that the Amperex Bugle Boy rectifier tube had clarity and dynamics compared to the other 3 rectifier tubes I had on hand for this evaluation.
And there is this new experience of depth with sounds so beautifully placed throughout the region behind the speakers. That top-tiered TVCa€™s are selling for a few hundred to a few thousand $$ makes them an unbeatable choice for someone not willing or not quite ready to jump in to the costly arena of the great active preamps. All of the sound is transmitted through the USB port so the RCA connection is not required. In most cases the USB connection on the back of a computer tower is faster and more powerful. In some cases a restart is required for the level to save at 5 or 25 depending on your Windows version. Songs with break downs and gaps of silence could trick the software into thinking the track is over and advance it to the next song prematurely. If you wish to save them in a different location, such as your Desktop for example, here is how.
How this works is the software listens to the silences and reads them as a separation between tracks. After the files have exported you will need to start back at Step 1 to record the other side of your album.
It also allows the ability to add music to portable devices, and CDs for listening to on home and car stereos.
If you wish to add your files to Windows Media Player or a MP3 player you can import your files from this directory. Simply find your track in the iTunes library, right- click on the track(s) you want to edit and choose Get Info from the drop down list.
For all turntables without 78 rpm setting you will need to use a 3rd party software to convert your 78's. Only the power transformer is in a separate chassis; this is less than half the size of the main chassis. Beyond this, there are options to upgrade the Cardas RCA jacks to WBT, upgrade to the new top-level Vishay TX2575 resistors and a silver-wired umbilical. I was unsuccessful to find such a product and thus stayed with a solid-state product for the HT setup.
With the volume all the way down, the WV in Standby, and then powering down the WV, there was a faint buzz through the speakers for a few seconds. But with regular interruptions, being able to silence the system in an instant would be nice. However, I have dismissed far too many preamps and line stages as they failed in this key parameter. But unlike any preamp change before, the Aria WV line stage (and phono stage) has made it clear to me what I have missed up to this point.
I could still hear the smearing but the benefits of this new silence between the notes were becoming clear. After hearing the WV for only a short amount of time, returning to the Bent made me only want to get the WV back into the system. The difference was all about the tonal signature of each instrument from its initial sound through the follow-on.
And it was only a matter of seconds coming off the Io Sig and into the SUT MC input of the WV, that I realized it was not only the WVa€™s line stage here to redefine performance. The one tube that he has regularly stated to make a major improvement is the power supply rectifier tube. Out of these, the Amperex 6922 PQ pinched waist tubes were my favorite as they have been in the CAT 6922 sockets.
A CD getting lots of play here has been the Mike and the Mechanics, a€?Beggar on a Gold Beacha€?. A friend of mine who heard this many times here always commented that something was wrong even though it sounded good. This is plenty good for driving cables with no more than 1200pF capacitance and power amps with no less than 50K ohm imput impedance (higher is always better). If you have tried all available USB ports, and the software is still unable to connect to the audio device try switching the USB cable. If the tracks are not able to be entered or grayed out then the software did not detect or split the tracks correctly.
You can change the track numbers or add information to the file after importing the files to iTunes. Audacity is a free third-party recording software that allows you to adjust the timing of the recorded audio.
The Aria amps got little press coverage but from what I had read about them, and owning an upgraded NPS400 myself, I had a good feeling that they could be special. An umbilical cable of customer-specified length (typically 6 feet) and captive at the transformer-chassis connects to the audio chassis with a 9-pin connector. I still have to wonder what the sound of the WV might have been with the beefy PS design but the added reliability of the simpler design has its merit as well. The model reviewed here is the WV5 XL (line and phono model) with the TX2575 resistors, the silver-wired umbilical, and the remote volume control.
He also notes that rolling the power supply tubes, particularly the rectifier, will significantly increase the WVa€™s performance as well. This a€?featurea€? is great for tube-rolling tests without the need to power down the amps. However, adding a stepper motor is one thing; adding additional switching or circuitry to accommodate a muting function would likely compromise the performance that Mr. The BAT brought on a different presentation with the music now at the plane of (and behind) the speakers whereas the ARC projected the sound more out into the room.
There was clearly a compromise for which one set of priorities had to be chosen over another. When a Bent TX-102 TVC (with the rare silver transformers) was available in late 2007 at a local dealer, I took it home to play.


Even with the Io Siga€™s softened trebles and average dynamic capabilities, with the WV line stage there was a greater hint of massed strings as a collection of stringed instruments rather than simply a a€?beautifula€? sound. Low-level detail in the music by other musicians was now coming through that had been previously masked. I never had the opportunity to own his previous top models, but I feel mighty fortunate to own the WV. Click on the Info tab you will then be able to add or change additional information associated with your MP3 including Name, Artist, Year, Album, Track Number, Composer, Genre, and more.
Audacity is not included with ION products, and technical support or assistance on how to use Audacity is not available directly from ION.
But for a system configured with balanced sources, I would think at least 2 balanced inputs would be neededa€¦.for a digital player and a tuner or balanced external phono stage. The result was altogether different: the smearing and grain that I had been accustomed to hearing for so many years was gone.
The Io Sig renders the fundamental of notes in the mids like no other phono stage I have heard.
I was aware of the cable upgrades (done months ago) to bring on greater resolution to the system, particularly in percussion, but the WV took this to a new level of refinement over its peers. But the WV was altogether in a different league as it was not only about upper-frequency coverage but also in the purity of the delivery of the trebles, and the all-important mids as well.
These tones decayed several seconds from behind the speakers as if the speakers were much further into the room. But it was the SUT input and the WVa€™s phono stage that I was to use for 2 months for all subsequent listening sessions for the line stage and power supply tube-rolling efforts.
Evaluating many tubes in 2 of the other 3 PS sockets allowed me to find a combination of PS tubes that worked incredibly well with the Amperex rectifier tube. One interesting note was that I changed the ECC99 tube in the APL Denon player with a 7062 and I was stunned by the benefits. Perhaps this is what this new experience refers to but I have owned some of the preamps and amps that got high praise of transparency.
This blog has been removed which is unfortunate as it gave the reader an opportunity to follow the design decisions for the power supply, audio circuit, volume control, comparison of several step-up transformers, choice of passive parts, etc.
Also, if the WV were to be used in an HT setup, it would likely be part of a top-tier HT setup, and these are often balanced systems as well. Harmonics, ambiance and decays were there like I had not before heard from an audio system.
And all subsequent preamp models have had this presentation back at the plan of the speakers. But this comes at a cost with the follow-on of the notesa€™ tonal signature highly truncated. Still the trebles were a bit weak (due to the Io Sig) compared to piano music that I tried on the APL CD player but I was hearing musical details with the Io Sig like I had not before with the Bent or the Callisto Sig.
I would bring in the APL player to confirm the tube differences I heard when changing line stage or power supply tubes. I now had a nice refinement over the stock PS tubes in terms of midrange smoothness, dynamics and treble clarity. Perhaps the colorations from before added to the sense of what I liked about the Callisto Sig with its strengths clearly coming through in the bottom half of the range. After playing a few tracks 2-3 times and the system powered on for nearly 3 hours, I put the Bent into the system. And the WV is in such a different performance level than those that I will continue to be cautious of the use of transparency.
To pay $8k for a line stage at this performance level is a bargain with all the $15-20k line stages coming out now.
Once you download and install the software follow these simple steps to convert your 78’s. But two tubes here took the WV to yet another level beyond the Amperex 6922 PQ with one clearly being the top performer in smoothness, harmonic structure and dynamic contrasts without adding any anomalies that the Amperex 6922 did not have. As outstanding as the Callisto Sig had been for me, the WV is altogether in a whole different league of performance.
But a return to the WV and now the decays that fade are those from the fundamental AND the harmonics. A jump to the Bent and the sound is beautiful, but there is no presence of vibrating strings. And here we have a full function preamp whose phono stage, even with SUTs, significantly outperforming phono stages I have owned that cost from $4-8k. Elliot, I am sure any customer could have these additional connections made to a WV upon order. I compared the Callisto and Bent for several weeks until I passed the Callisto onto a new owner.
After the first night with the WV, I concluded there was one effect taking place that was a new experience to mea€¦.in a word, purity. And this was the first night with the WVa€¦with its stock EH tubes in the line and phono stages and stock PS tubes as well. The WV has this same purity that is far beyond any other line stage to ever be tried in my system. And it was mighty coincidental that the tube to become the reference was also Amperex: the 7062 PQ pinched waist. No doubt the latest Callisto version addresses some of the shortcomings for which the WV excels. It gives a sense of far greater dynamics but I think it is more to do with the notesa€™ loudness levels lasting longer as the tones shift to the higher frequencies.
The temptation for me to swap those tubes was strong but I needed to hear the WVa€™s sonic signature for a few days. And this gives each sound that more distinct dimensional signature as it decays in one direction across the room or to the rear for a longer period of time and if there is nothing stopping it. A final return to the WV and the result is layers upon layers of harmonic structured details with the decays seeing no boundaries. When you think of the added cost of another power cord and interconnect for separate phono and line stages, the WVa€™s value is even more apparent.
Your turntable or cassette player will need to be plugged in while making these changes to your sound settings. And I followed Mr Elliota€™s suggested burn-in process for two weeks with the CD player driving the phono stagea€™s MM input during the night and day for 2 weeks to achieve 300 hours.
The Bent and WV have nearly identical bass extension but with the Bent, there is a bit of bass a€?thumpynessa€? vs.
And add to this the possibility of custom design work and modifications, which is unheard of with all the top preamp manufacturers out there, the WV customer has more options than ever before.
Just as a few tubes were able to take the WV to top-end performance, a few, most notably the 6H30, let none of the WVa€™s capability through.



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