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This guide is for designers using Adobe Flash Professional who want to create SWF content that is intended to play inside PDF documents using the Flash Player in Acrobat in Adobe Acrobat 9 or higher. One of the great new features of Adobe Acrobat 9 Pro and Pro Extended is the ability to add SWF-based Rich Media Annotations (RMAs) developed in Flash (or Flex). There are two ways to play the SWF in Acrobat or Reader, on the page or in a floating window. The floating window has certain advantages when you need the SWF to be present regardless of what page you are on in the PDF file. When the SWF is played on the page, you are able to use the Acrobat commenting features to review and markup the interactive content. Tip: If you intend to play the SWF on the page, select the the Flash tool from the toolbar and double-click on the PDF page rather than dragging out a marquee.
You can either embed the SWF in the PDF document by selecting it from your hard drive or you can reference the SWF via a URL. One advantage to referencing the SWF via a URL is that you can update the SWF at any time without needing to update the PDF file and then redistribute it. Use these settings to determine how the media is started and stopped, where it is displayed, and what is displayed when the media isn’t running.
FlashVars work exactly the same way in Acrobat as in HTML.You can pass FlashVars through this dialog if you always need the same variables. Note: If your SWF is not functioning properly inside of Acrobat it is most likely a failure to embed all of the required resources. Rich Media Annotations in Acrobat and Reader use an embedded Flash Player runtime that is independent of the Adobe Flash Player installed on the system.
You can use a combination of the Flash ExternalInterface Object and JavaScript for Acrobat to store and retrieve data from the global object.
In your Publish Settings in Flash Player Professional, you can target Flash Player 9 and ActionScript 1, 2 or 3. However, if you intend your SWF to be used in the Header or Welcome Page of a PDF Portfolio, you must use ActionScript 3 when you publish your SWF. Your SWF is allowed to use resources that were embedded during the authoring of the PDF file, but is restricted from accessing resources external to the document except to support streaming FLV files or to access trusted URLs.

If you are creating PDF files with dynamic content that is not wholly embedded in the PDF file itself, you’ll need to read this white paper and this blog entry. In addition to the Flash Player in Acrobat providing greater security and consistency for SWF content playing inside of PDF files, it also has built-in functions that take advantage of features found only in Adobe Acrobat and Adobe Reader. With a small amount of coding, you can keep the state of your SWF persistent in the PDF so that when the file is saved then re-opened, your SWF looks exactly the same. Specifically, a hot shoe–mounted flash and not the built-in, pop-up flash found on many cameras can do wonders for your photos. Get it off the cameraBetter than bouncing the flash is getting it off of the camera altogether. These SWF files can be placed in a PDF document using the new Flash Tool in Acrobat 9 and play using the Flash Player in Acrobat.
However, there are a few additional settings that are important to get right in order to create the exact experience you want for your end users. By double clicking and then selecting the SWF from the dialog box, the SWF will be placed at actual size and the rectangle for the Rich Media Annotation will be the right size. However, there are security restrictions associated with this approach so you may not want to use this method unless you understand the desktop environment of your users. While not absolutely necessary, I always use the advanced options because I want to control the exact experience my end-users see. If you are playing the SWF in a floating window you’ll need this border so that users can easily move the window around, resize it or close it. When the user right-clicks the SWF file, the available options are from the originating file. However, again, you can use a combination of the Flash ExternalInterface Object and JavaScript for Acrobat to communicate between SWFs running in the same PDF file.
In all cases, a SWF running in Acrobat is subject to both Acrobat and Flash Player security rules. You can also do the same sort of thing except you store the state in a comment that was made on top of the SWF.
In order to trigger events in an embedded RMA, you’ll need to call the exposed ActionScript functions inside it.

The Flash Player in Acrobat provides greater security and consistency for Flash playback inside any PDF document. You’ll see three tabs where you can change the behavior of your SWF when running in the Flash Player in Acrobat.
Content in a floating window enables users to read the page and interact with the SWF at the same time. I’ve got a Flex tutorial and example here but the concepts are the same for Flash Professional. If you know how to communicate between an HTML page in a browser and the Flash browser plug-in, this will feel pretty familiar.
As an example, see the above photo of my wife and daughter. The lighting is often flat with little or no contrast on your subjects, while also creating harsh shadows on the background. Rather than having the flat and flashy-looking light as seen above, you get more diffused, directional and appealing light.
Moving your flash off of the the camera entirely means you can control the direction the light is coming from, the angle at which it lands on your subject as well as how close or far away it is.The easiest and least expensive option for moving your flash off camera is with a sync cord.
Acrobat 9 provides tight integration between the PDF document and the RMAs well as other content types that run in the Flash Player in Acrobat such as FLV and H.264 encoded video. Global data-sharing and notification across documents is done through a subscription mechanism, which allows you to monitor global data variables and report their value changes across documents. These cords, which come in various lengths, allow you to move the flash off of your camera while still giving you full control.
A light modifier of some kind, like a shoot-through umbrella or a soft box (shown above) does just that.

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