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One of the greatest challenges for an instructional technology professional, faculty member, or media producer is determining the best video encoding workflow for their source media content. There are several ways to tackle this, but I’d recommend creating a high-quality intermediate file (I like to export a high quality QuickTime movie using H.264 compression). The export size settings need to match the settings of your own sequence (especially the aspect ratio). Lastly, if you really want to get the best quality out of your editor, please use the multi-pass encoding option.
Note: If you are using your video editor to export multiple videos for uploading to Ensemble Video, you may want to create and save a preset or export profile.
I hope this article helps you export your videos from a video recording software tool so they are ready for streaming! Check back next week for my final thoughts on the Video Conversion series and be on the lookout for a useful tip! About Ensemble VideoEnsemble Video is a proven, flexible, and valuable video management platform for organizations that want to effectively manage their video content. In Part One of my behind the scenes look into the production of “PIMP in the SERP,” I exposed how we prepped and shot the video with no budget and only 69 minutes of access to a downtown Los Angeles skyscraper. Work with virtually any video format thanks to native editing support for DV, HDV, RED, Sony XDCAM, XDCAM EX, Panasonic P2, and AVCHD.
Deliver video in a variety of formats for viewing on air and on DVD, online and offline with Adobe FlashA® Player and Adobe Media Player software, and on mobile devices with Adobe Flash Litea„? software.

Use Final Cut Pro XML interchange to transfer projects directly from Final Cut Pro to Adobe Premiere Pro without conversion or rerendering, preserving commonly used effects and transitions. Record directly to disk and maximize camera image quality using software-based waveform and vectorscope tools to quickly calibrate your camera, check levels, and monitor your signal.
This is a really powerful video editing software, it's a little more complicated, if you do like video editing, you will like it. The most popular video editing software come from Adobe, it works pretty well with Adobe PhotoShop, if you often use PS, this is the best video editing software for you. Your program is superior to others and your tech-support people is always patient and smart, keep good work.
This week, we will focus on video editing programs, and wrap up our series with some final thoughts.
I would recommend exporting at least 3,000 kbps, but no larger than 5,000 kbps if you will be streaming the file. Hundreds of organizations use Ensemble Video every day to manage, coordinate and syndicate their video and image assets.
Use speech recognition technology to create text-based metadata to help you organize your assets more efficiently. Edit faster with powerful editing tools that give you precise control and real-time feedback.

Jump to a specific area of a shot by searching for keywords within the dialogue, and then use keywords to quickly locate and display what you're looking for a€” or even cut video based on the script. Instead, let Speech Search generate a transcript of recorded dialogue, and then quickly navigate to key words and phrases. If you missed anything, or would like more information on this series, click here for the cheat sheet.
If you are a seasoned video editor, I’m sure you may have your own export workflow, so feel free to skip this section if you know how to prepare content for Ensemble Video. If the majority of your viewers will be on computers, tablets, and mobile phone,s you’re probably fine with 720p. Pass the metadata through export for web publishing, enabling searchable video and helping to unlock new revenue streams. If you have a talking head video with simple footage, I think you can get away with a lower bit rate (3000 kbps). Depending on factors like the amount of motion in the video, you may not see any visible improvement in quality with two-pass encoding rather than one-pass.

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