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Content is licensed under a Creative Commons Attribution 3.0 License, unless specified otherwise by their respective authors. XTC was one of the smartest -- and catchiest -- British pop bands to emerge from the punk and new wave explosion of the late '70s. Partridge, Moulding, and drummer Terry Chambers formed the first version of the band around 1976, calling themselves Star Park.
While on tour in March of 1982, Partridge collapsed while on-stage, suffering from exhaustion. Mummer, the first album the studio-bound XTC recorded, appeared in the summer of 1983; former Glitter Band member Pete Phipps recorded the drum tracks for the record.
Released in the fall of 1984, The Big Express essentially followed the same pattern as Mummer, yet it charted higher in the U.K. XTC recorded another Dukes of Stratosphear album, Psonic Psunspot, in 1987; the two Stratosphear albums were collected on one disc the following year. XTC's lack of commercial success isn't because their music isn't accessible -- their bright, occasionally melancholy, melodies flow with more grace than most bands -- it has more to do with the group constantly being out of step with the times. This information is provided as a brief overview and not as a definitive guide, there are other sources on the net for that. This item is in Excellent condition or better (unless it says otherwise in the above description). Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description.
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Please do provide us a link if you have made a translation and included the corresponding credit to the original author. From the tense, jerky riffs of their early singles to the lushly arranged, meticulous pop of their later albums, XTC's music has always been driven by the hook-laden songwriting of guitarist Andy Partridge and bassist Colin Moulding. As punk rock took off in 1977, the group changed their name to Helium Kidz and added keyboardist Barry Andrews. Released the following year, English Settlement featured more complex arrangements, as well as more intellectual lyrics, particularly from Andy Partridge. XTC released a psychedelic parody album, 25 O'Clock, under the name the Dukes of Stratosphear in 1985.
Oranges and Lemons (1989) reworked the psychedelia of the Stratosphear side-project, leaving out much of the loopy humor and replacing it with a Ray Davies-inspired nostalgia. However, the band has left behind a remarkably rich and varied series of albums that make a convincing argument that XTC is the great lost pop band. If however you have a story or information that is not generally known we would love to hear from you.
We buy items as close to Mint condition as possible and many will be unplayed and as close to new as you could hope to find. While popular success has eluded them in both Britain and America, the group has developed a devoted cult following in both countries that remains loyal over two decades after their first records. After being turned down by CBS Records, the band changed their name to XTC and secured a record contract with Virgin; they released their first EP, 3-D, in October of 1977.


The band canceled the tour shortly after his second collapse, prompting Chambers to leave the group.
After a difficult recording session with producer Todd Rundgren, the pastoral Skylarking appeared in the fall of 1986.
Irrespective of the source, all of our collectables meet our strict grading and are 100% guaranteed.
White Music, the band's first full-length album, was recorded in a week and released by the end of the year. In November, Partridge announced that XTC would never play live again, concentrating on recording instead; he also blamed his collapses on intense stage fright. Upon its release the album was hailed as a masterwork by critics, even though the band were claiming they were unsatisfied with the production. As the band completed their new album, a compilation called Waxworks -- Some Singles (1977-1982) was released at the end of the year. Three years later, the group released Nonsuch, an album that recalled both Pet Sounds and Revolver. Like every XTC record, its critical acclaim was greater than its sales -- the album dropped out of the British charts after two weeks. In America, Nonsuch was more successful, reaching number 97 and staying on the charts for 11 weeks.
Years of internal difficulties and label battles kept the group from releasing any new material for much of the decade, however, and not until 1999 did the next XTC album, Apple Venus, Pt.



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