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A scorpion rode on the back of a monkey crossing a river and half way across the scorpion stung him. And I think the key to understanding this is to understand that from their point of view, this is not seen as evil, ita€™s not seen as bad. The Muslim Brotherhood (MB) was founded by Hassan al-Banna in 1928 in opposition to Ataturka€™s abolition of the Ottoman Empire (Caliphate) in 1924 with secular Turkey in the aftermath of World War I. The Jahili system can be seen in this video of Egyptian President Nassera€™s speech in the 50a€™s when he was cheered for mocking the hijab and Salafists.
That system also existed in the new secular Turkey, where Islam was more suppressed than in Egypt. In 1999 the World Health Org reported that 97% of Egyptian women had Female Genital Mutilation (FGM). The Muslim Brotherhood and Salafis were on record supporting Islamic practices like killing apostates, amputating thieves, and FGM. But since that 2010 PEW poll in Egypt was published months before the Arab Springa„?, why were most Expertsa„? predicting a pluralistic government that respects universal human rights would be elected, and where were those votes supposed to come from? Why is it that only the so called Islamophobesa„? warned at the start of the uprising in January 2011 that the Brotherhood was best positioned to takeover Egypt through elections, and if they did, predicted what it would look like?
Many Expertsa„? have been claiming for years that the new Brotherhood has Renounceda„? violence, respects Human Rightsa„?, is largely secular with no overriding agenda, and therefore must have the opposite goals and methods than the 3 key ideologues.
Raymond Ibrahim names the most notable 2012 Fatwas in Egypt, which got bolder under the Brotherhood. He twice turned down offers to be the Brotherhood Supreme Guide or General Leader (GL) - 1976 and 2004.
He drew the largest crowd of the 2011 Arab Springa„? to Cairoa€™s Tahrir Sq., around 2 million after being banned from the country for decades. You have seen the 3 Key Ideologues whose influences are a€?impossible to exaggeratea€? according to Professor John Esposito. 5th GL: Mustafa Mashhur (1996-2002) He said the MB differed from al Qaeda only in its tactics, not in its goals. 6th GL: Ma'mun al-Hudaybi (2002-2004) - As GL, he was one of the first to welcome and justify the assassination of Egyptian secularist Faraj Fawda after a group at al-Azhar accused him of blasphemy. In fact, a document called The Project was seized in the raid of a luxurious villa in Campione, Switzerland in November 2001.
Included in the Swiss seizure was The Project - a 14-page plan written in Arabic, dated 1982, which outlines a strategy to a€?establish an Islamic government on eartha€?. Ita€™s a flexible, multi-phased, long-term approach to the a€?cultural invasiona€? of the West using various tactics, ranging from immigration, deception, political legitimacy, and terrorism.
Developing a comprehensive 100-year plan (already 30 years old) to advance Islamist ideology worldwide. Avoiding open alliances with known terrorist organizations and individuals to maintain the appearance of a€?moderationa€?.
Establishing financial networks to fund the work of conversion of the West, with full-time administrators and workers.
Involving ideologically committed Muslims in institutions on all levels in the West, including government, NGOs, private organizations. Infiltrating and taking over existing Muslim organizations to realign them towards the MBa€™s collective goals. Cultivating an Islamist intellectual community, including the establishment of think-tanks and advocacy groups, and publishing a€?academica€? studies to legitimize Islamist positions.
Instrumentally using existing Western institutions until they can be put into service of Islam. Instituting alliances with Western a€?progressivea€? organizations that share similar goals. Supporting jihad movements across the Muslim world through preaching, propaganda, personnel, funding, and technical and operational support.
Adopting the total liberation of Palestine from Israel and the creation of an Islamic state as a keystone in the plan for global Islamic domination.
Instigating a constant campaign to incite hatred by Muslims against Jews and rejecting any discussions of conciliation or coexistence with them. What Tamimi describes is that The Project would militarize the Palestinian MB by reviving the terrorist a€?secret apparatusa€?, which eventually resulted in HAMAS December 1987.
During a traffic stop of Ismail Elbarasse, police discovered he was a Hamas operative wanted on a Material Witness warrant in a Hamas case out of Chicago.
Many of these documents were entered into evidence at the largest successfully prosecuted terrorism financing and Hamas trial in U.S. Holy Land Foundation (HLF) was the largest Islamic non-profit in the United States and was a Hamas entity.
There is a significant Muslim Brotherhood Movement in the United States which began in the 1950a€™s.
The first national Islamic organization, the Muslim Students Association, was created by the Muslim Brotherhood. The most prominent Islamic organizations in North America are controlled by the Brotherhooda€™s Movement to include, but not limited to:A  Islamic Society of North America (ISNA), North American Islamic Trust (NAIT), Muslim Students Association (MSA), International Institute of Islamic Thought (IIIT), Fiqh Council of North America (FCNA), Islamic Circle of North America (ICNA), and the Council on American Islamic Relations (CAIR) which was demonstrated to be a Hamas entity in US. ICNA is partnered with the Muslim American Society (MAS), and their training program to Muslims across North America includes the call to a€?wage wara€? against all systems of government not under Islamic rule, and calls Muslims to a€?hate and despisea€? all un-Islamic governments.
That was the same Brotherhood advising the US government, which is why Western leaders agree the Islamic State has nothing to do with Islam, despite a mountain of evidence that all the Islamic State is doing - beheadings, crucifixions, massacres, sexual enslavements, and the subjugation of religious minorities - is rooted in Islamic theology, and so called denunciation by stealth jihad groups in the US on theological grounds are bogus. The process of settlement is a a€?Civilization-Jihadist Processa€? with all the word means. In other words this strategy has already been operative in America for at least 27 years as of 2014!
Political, military, law enforcement, media, and religious leaders are being duped across America by the Brotherhood leadership.A  The approach tactics differ depending on the targeted organization a€“ ie for media the approach may be a a€?civil rightsa€? basis, while for Christian leaders it will be based on the Muslimsa€™ claiming they are a€?also followers of Jesusa€?A without the explanation that to the Muslims, Jesus was a Muslim prophet.
Here is an example of that: In a 2011 LA Times op-ed, MPAC president Salam al-Marayati threatened the FBI with a total cut-off of cooperation between American Muslims and law enforcement if the agency failed to revise its law enforcement training materials by eliminating all references to Islam that CAIR and other MB front groups claimed were offensive. Our entire national security apparatus is focused on the threat of the violent Jihadis around the world. Qutb and al-Banna would be amazed if they knew the Brotherhood would take over Egypt with the help of the U.S. Yet, American political leaders from both parties continue to disparage this request in personal terms, giving clear indication they are completely ignorant of the facts in this matter. The Islamic Society of North America (ISNA) is the largest Muslim Brotherhood (MB) organization in North America, created to be the a€?nucleusa€? for the Islamic Movement, according to MB documents seized by the FBI in Annandale, Virginia in 2004.
Because of the evidence ISNA is a Brotherhood front, as well as the numerous financial documents detailing money going directly from ISNA and their banks to Hamas entities overseas, ISNA is an unindicted co-conspiratorA in the largest Hamas trial ever successfully prosecuted in U.S.
When ISNA filed a motion with the federal court to have their name removed from the unindicted co-conspirator list, the government stated that ISNA exists to be a financial support entity for Hamas.
ISNAa€™s two key directors and its President, Mohamed Magid, all work with Secretary Clinton and her office.
Are Senator McCain and Speaker Boehner aware that ISNA President Mohamed Magid spoke at a Counter-Terrorism training program at CIA Headquarters at Langley last week? 3) Eboo Patel - member of President Obama's Advisory Council on Faith-Based Neighborhood Partnerships. 6) Imam Mohamed Magid - see above, advisor to Department of Homeland Security and Secretary of State, president of ISNA. With all that influence ita€™s not surprising Obama handed the 2011 Arab Spring in Egypt to the Brotherhood, and in 2013 will not say a word to support the people demonstrating against the Brotherhood beginning to institutionalize universal human rights abuses.
John Brennan, CIA director nominee, is uniquely unqualified to be the CIA director as evidenced by him being the architect of the outreach program to the Muslim Brotherhood in the United States as well as in the Middle East.
In 2014 the United Arab Emirates insists CAIR is a terrorist organization after the State Department asks why. A month later Obama revealed he just met with Muslim leaders (again) tied to Hamas and the Muslim Brotherhood. Ita€™s a myth that Islamic Extremistsa„? tend to come from less education, more poverty or local grievances. As I read essays about the Brotherhood that named people, orgs, companies, etc, I found many foreign names that started to sound the same. Here are some of the sharia authorities employed by important Western financial institutions, including 5 from the US MB at a Glance Chart. Edina Lekovic is the Communications Director of MPAC held an Interfaith Dialogea„? with Jamal Badawi, an associate of Qaradawi, at UCF where someone was ejected for asking a question about Reliance of the Traveller. Moderatea„? Jimmy Carter,A MPAC's Lekovic & Director Tarin Dr. Here is a list of stories showing the Egyptian Brotherhood has not moderated since the Arab Springa„?. Yet despite the Brotherhooda€™s stated intentions and reaching many of their goals with White House support, in 2013 three times Pulitzer Prize winning Middle East Experta„? Thomas Friedman blamed global warming for the outcome of the Arab Springa„?. I can only imagine what it must be like to struggle with body image issues in your situation, and you’re a much braver, stronger person than I will ever be. Censorship of sexuality, especially while simultaneously violence, particularly sexual violence, is left uncensored, and the harmful implication this juxtaposition has on our collective sexual wellness, is something I’ve written a lot about, like here and here. I typed in a bunch of different searches that a child might reasonably want or *need* to anonymously ask the Internet.
Other people are content with the shirts they arrived in (“Waterboarding – baptising terrorists with freedom” and “If you don’t BLEED red, white and blue, take your bitch ass home!”).
His rivals, who are useless individually, were meant to co-operate with each other and the national party to deny him the nomination.
This anger, which can supposedly be turned on anyone who gets in the way, has mainly been vented, so far, on the protesters who disrupt Trump’s rallies. It is their removal by police, at Trump’s ostentatious behest, that causes the disruption, rather than the scarcely audible protesters. After a horrified split-second, the Trump crowd, massively more numerous, rallies with “USA!” and – perplexingly, since one of the main themes of the speech it has just heard was the lack of jobs in Connecticut – “Get a job!” The two sides then mingle, unobstructed by police. There is no violence, only this: some black boys are dancing, with liquid moves, to the sound of the drum.
Half a century later, he cannot say exactly what drove him to become an investigative reporter. He had been a journalist for ten years when he received a tip-off about an army officer being court-martialled for killing civilians in Vietnam.
The conventional wisdom holds that “all that is necessary for the triumph of evil is that good men do nothing”, in Edmund Burke’s familiar phrase; but this is at best a half-truth.
No doubt; but mobilising intelligently demands being willing to ask what habits and assumptions, as well as what chances and conditions, have made possible the risk of evil triumphing.
If what interests us is simply how to assign individuals rapidly and definitively to the categories of sheep and goats, saved and damned, this is offensively frustrating. It would be possible to argue that the anti-Semitism of a lot of German culture – as of European Christian culture overall – was never (at least in the modern period) genocidal and obsessed with absolute racial purity; limited but real possibilities of integration were taken for granted, converts to Christianity were not disadvantaged merely because of their race, and so on.
All of this prompts questions about how it is that apparently sophisticated political systems succumb to corporate nervous breakdowns. Yet the idea of such a state monopoly is in fact essential to anything that could be called a legitimate democracy.
So, one of the general imperatives with which Hitler’s story might leave us is the need to keep a clear sense of what the proper work of the state involves.
Contemporary political theatre is not – outside the more nakedly totalitarian states – a matter of Albert Speer-like spectacle and affirmation of a quasi-divine leader; but it is increasingly the product of a populist-oriented market, the parading of celebrities for popular approval, with limited possibilities for deep public discussion of policies advanced, and an assumption that politicians will be, above all, performers. The extraordinary mixture of farce and menace in Donald Trump’s campaign is a potent distillation of all this: a political theatre, divorced from realism, patience and human solidarity, bringing to the surface the buried poisons of a whole system and threatening its entire viability and rationality. And – think of Trump once again – one of the most seductively available tricks of such a theatre is the rhetoric of what could be called triumphant victimhood: we are menaced by such and such a group (Jews, mig­rants, Muslims, Freemasons, international business, Zionism, Marxism .
This is a rhetoric that depends on ideas of collective guilt or collective malignity: plots ascribed to the agency of some dangerous minority are brandished in order to tarnish the name of entire communities. The threats now faced by “developed” democracy are not those of the 1920s and 1930s; whatever rough beasts are on their way are unlikely to have the exact features of Hitler’s distinctive blend of criminality and melodrama. London is soon going to lose one of its most familiar sounds when the world-famous Big Ben falls silent for repairs. Any building or machine needs regular maintenance – we paint our doors and windows when they need it and we repair or replace our cars quite routinely. The pendulum suspension spring is especially critical because it holds up the huge pendulum bob which weighs 321kg.
The clock derives its remarkable accuracy in part from the temperature compensation which is built into the construction of the pendulum.
In the Westminster clock, the pendulum shaft is made of concentric tubes of steel and zinc.
So stopping the clock will also be a good opportunity to dismantle the pendulum completely and to check that the zinc tube is sliding freely. In Denison’s gravity escapement, the “tick” is the impact of the “legs” of the escapement colliding with hardened steel seats. In the mid-1990s, statistics undergraduates at Lancaster University were asked to analyse goal-scoring in a hypothetical football match. The UK has always lagged behind the US when it comes to the mathematical analysis of sport.
Dixon and Coles did this by focusing on three factors – attacking and defensive ability for each team, plus the fabled “home advantage”.
The season before Gareth Bale moved from Tottenham Hotspur to Real Madrid for a record ?85m in 2013, the sports consultancy Onside Analysis looked at which players were more important to the team: whose absence would cause most disruption? As more data is made available, our ability to measure players and their overall performance will improve. There will never be a magic formula that covers all aspects of human behaviour and psychology.
Hard though it is to grasp the full extent of Paul McCartney’s wealth, this book showers you with gentle reminders.
What’s more, he has several Magrittes and a circular bed that used to belong to Groucho Marx. But whenever you find yourself envying a life in which you could underwrite a $200,000 heart operation for a friend’s daughter, you remember the grim reality of such fame. His profile is such that he occasionally resorts to riding in vehicles with tinted windows and had to disguise himself in an afro wig to attend a George Harrison concert. The repercussions of his celebrity are colourfully examined in this detailed and engaging book, as are the chief figures in his life – his mother and father, his early girlfriends, John Lennon, Brian Epstein and his first two wives – but it is the changing nature of another relationship that makes the most gripping narrative: that of the subject and the author. There is something attractive, too, about the notion that McCartney ended up being the sole Beatle with a firm grasp on the tiller. So why alarm bells didn’t ring when he ran into Heather Mills is a mystery that baffles even Philip Norman. Mills convinced the world – and her apparently suggestible new husband – that she was some kind of romantic rebel, who had run away from home as a teenager to work on funfairs, sleep rough in cardboard boxes and steal food from supermarkets.
You’re left with a sense that McCartney’s life in the Beatles was impossible madness and that he has been in recovery ever since. Class is no longer banished from mainstream discussion, but it remains an uncomfortable topic for most mainstream media. DESCRIPTION: While some earlier scholars would have labeled these maps as a€?the epitome of medieval European cartographya€?, due to the very ecclesiastical form and content, they were, indeed, an exception in this perioda€™s mapmaking. In his recent book, Body-Worlds, Opinicus de Canistris and the Medieval Cartographic Imagination, Karl Whittington writes that on the 31st of March, 1334, this Italian priest named Opinicus de Canistris fell sick. As mentioned above, Opicinusa€™ drawings survive in two manuscripts, both kept in the Vatican Library in Rome. There is no way of knowing how many other drawings Opicinus completed, and certainly no reason to believe that all or even a majority of his works have survived.
Victoria Morsea€™s 1996 doctoral dissertation for the first time performed a large-scale study in order to demonstrate the logic of Opicinusa€™ works.
It was not unusual during the later Middle Ages to bring together the body and the earth in pictorial representations.
The relationship on the page between texts, diagrams, and pictures throughout Opicinusa€™ work is an especially important issue.
According to Whittington the captions on most of the drawings seem to interact with them in the following way: Opicinus created the visual material first, usually to address a particular theological question or theme. The elaborate, complex, and beautiful drawings that Opicinus created in the years following his illness and vision are the subject of this monograph. What we see, then, is an embodied map a€” a picture of the eartha€™s surface that is also a depiction of human bodies. Opicinusa€™ beliefs and hypotheses about the earthly, the heavenly, and the human are encoded in the very structures of his drawings. Over half of Opicinusa€™ 80 drawings in the Vaticanus and Palatinus manuscripts include at least part of a portolan chart.
Opicinusa€™ body-maps are far more complicated than any of the examples above, and the question of what they mean is more difficult to answer. In a number of drawings, Opicinus used the most basic form of the body-worlds - presumably the one that he describes having received in his 1334 vision.
As in all of Opicinusa€™ drawings of the body-worlds, each figure takes on a specific identity, though in this example these identities are complex. It seems most likely that the figure depicts a sort of hybrid a€” a personification of Christianity, with Christ at its head and its heart, surrounded by elements of the cosmic order.
Its chest is bare (we can see the cloak falling away from the shoulder on the northern coast of France), but the lower roundel covers the place where a breast is often revealed in Opicinusa€™ female European figures. In three folios near the end of the Vaticanus manuscript, Opicinusa€™ cartographic drawings add one more layer of meaning on top of the basic arrangement outlined above: he superimposes a gridded local map of Pavia, his hometown, on top of a single portolan chart. According to Whittington the precise placement and scale of the two maps is certainly not accidental; the maps have been placed in a precise relation to one another in order to create and explain correspondences between them. In contrast to this relatively simple correspondence, another caption shows how complicated his spatial interpretations could become.
As a final word on this drawing, I want to return to one more visual feature: the form of the local city grid. In the two previous examples, Opicinus constructed a drawing using only one portolan chart; on fol. This doubling and mirroring of the portolan chart served a specific purpose: as Victoria Morse has argued, it allowed Opicinus to contrast the world as it was seen and known with the possibility of an alternate world converted to a state of grace. Each of the four land-figures bears an emblem on its chest a€” these signify the intention or motivation of each character. On the bottom half of the page, however, similar captions placed on the white chart actually point to cities on that chart, rather than on the one below. Even after all of the figures in the drawing have been identified, its meaning remains elusive.
There is one caption on the page that offers a tantalizing comment on its form and content. This quoted caption outlines the general principle that Opicinus follows in these drawings that employ mirroring or correspondence a€” that the multiplied forms are generators of multiple truths and realities.
Many Vaticanus drawings contain more explicit imagery of birth and reproduction; metaphors of birth and rebirth seem to have been one of Opicinusa€™ primary ways of expressing the spiritual transformation that he underwent following his illness of 1334. The interest in the local ramifications of the pregnancy of the European figure is explored even more closely in two drawings in which Europe is actually pregnant with a tiny map a€” fols.
DESCRIPTION: A good example of Protestant theologian Heinrich Buntinga€™s Europa, Europe as a Queen. Even though the Brotherhood was outlawed for decades in Egypt they were tolerated to some extent which allowed them to change the society gradually. This practice is sanctioned by Reliance of the Traveller and other authoritative Islamic sources. So ita€™s not surprising that a year after the 2011 Arab Springa„?, after the Brotherhood initially said they would not take a leadership role in the Egyptian opposition coalition, they and the Salafis won a combined 80% of Egypta€™s Parliamentary vote, then Brotherhood candidate Morsi was elected president, soon began controlling the press, forced out military chiefs, granted himself sweeping new powers, and drafted a new sharia constitution that passed in public referendum, all before the end of 2012.
There is so much known about the MB in their own words, the fact there is still any debate at all about what their goals and methods are shows how extraordinarily successful their deception has been. Wrote Jihad is the Way, cautions Muslims not to rush to Jihad until Jihad is prepared and timed fully for maximum benefit. The target was Youssef Nada, director of the Al-Taqwa Bank of Lugano, who had active association with the Muslim Brotherhood for more than 50 years and admitted to being one of the organizationa€™s international leaders. US and Swiss investigators had been looking at Al-Taqwaa€™s role in money laundering and funding a wide range of Islamic terrorist groups, including Al-Qaeda and HAMAS. According to testimony given to Swiss authorities by Nada, the unsigned document was prepared by a€?Islamic researchersa€? associated with the Muslim Brotherhood.
As can be seen in a number of examples throughout the West a€“ the plan outlined in The Project 30 years later in 2012, has been overwhelmingly successful. The 1st Caliph Al Bakr al-Baghdadi has a PH.D in Islamic Studies and was a Muslim Brotherhood leader before he rampaged across Syria and Iraq to create the new Caliphate. The Ikhwan [Brotherhood] must understand that their work in America is a kind of grand Jihad in eliminating and destroying the Western civilization from within and a€?sabotaginga€? its miserable house by their hands and the hands of the believers so that it is eliminated and Goda€™s religion is made victorious over all other religions.
In approximately 1993, the Brotherhood begins establishing between 80 and 120 new non-profit organizations annually.
The latest blast came from leaders in the GOP, publicly defending a senior advisor and Deputy Chief of Staff to the U.S. The federal judge agreed stating the government provided a€?ample evidencea€? and left ISNA on the list. McCain and Speaker Boehner aware that Secretary Clintona€™s official position on the so-called a€?Arab Springa€? was that it was a freedom movement led by students who organized on Twitter? Or that ISNA advised Senator Richard Durbina€™s Senate committee before his hearings in the summer of 2011?
Also a presenter at John Espositoa€™s Georgetown conference in 2008 Is There a Role for Shari'ah in Modern States? 5 of those leaders are covered in the Key Faces of US MB, and Tariq Ramadan has his own page. Videos have come to light in which he [President Morsi] lashed out against Jews with venomous hatred, referring to Qura€™anic curses of them as a€?apes and pigsa€? and declaring that there could be no negotiations with Israel. In the course of the investigation conducted by the Investigative Project on Terrorism, we discovered that there were at least four hundred visits in the three years between 2009 and 2012 to the White House of radical Islamic groups, some of whom were unindicted co-conspirators in terrorism trials, but all of whom had been involved in establishing radical Islamic rhetoric, including support for Hamas, Hezbollah, denigrating the US, calling this a war against Islam by the United States.
I couldna€™t tell if I came across someone already, and if I did who or what they were connected to. In 2005 he already demonstrated his astounding ignorance of Islam and therefore the Middle East, when he nominated Grand Ayatollah Sistani for a Nobel Peace Prize, and even insisted he was serious. When a lot of people wonder aloud about the perceived lack of fat male models they are not requesting a bigger platform for the models, but rather they are calling to question that the female counterparts even get a platform in the first place. When I learned the results are handpicked by humans and not a computer broadly banning based on keywords, I was extra curious to see if I was still right.
Outside the Connecticut Convention Centre in Hartford, frail old men and brawny moms are selling “your Trump 45 football jerseys”, “your hats”, “your campaign buttons”. Only a minority within a minority of Americans, it was assumed, could possibly be stupid enough to think a Trump presidency was a good idea. But Trump won four out of the five key states being contested on “Super-Duper Tuesday” on 15 March. According to his new manager, Paul Manafort, this requires him to appear in “more formal settings” – without, of course, diluting “the unique magic of Trump”. His people seem uplifted but, out on the street, they are ambushed by a large counter-demonstration, with a booming drum and warlike banners and standards (“Black Lives Matter”; an image of the Virgin of Guadalupe, holding aloft Trump’s severed head).
Four young Trump guys counter by stripping to their waists and jouncing around madly, their skin greenish-yellow under the street lights, screaming about the building of the wall. After he was thrown out of law school for poor grades in 1959, he heard about an opening for a police reporter at a small news agency in Chicago.
After investigating, he broke the story of the massacre at My Lai, in which a group of US soldiers murdered at least 347 people. After researching the death of Osama Bin Laden, he became convinced that the Obama administration’s account of what happened before, during and after the raid in which Bin Laden was killed was a lie. The piece was read widely but attracted criticism from some American journalists who argued that it relied too heavily on a single, unnamed source and veered dangerously in the direction of conspiracy theories. His new book also questions whether it really was the Assad regime that carried out the chemical attacks in Ghouta, Syria, in 2013.
This is when the pundits decide to hold a seance in the studio, taking advantage of Alan Shearer having sent us all to sleep. This is when an operation takes place on the field, such as open-heart surgery, to work out whether any Aston Villa player has got one.
Studying the biography of a moral monster triumphantly unleashed on the political and international stage points us to another perspective, no less important. And that leads us into deep waters, to a recognition of how what we tolerate or ignore or underestimate opens the way for disaster, the ways in which we are at least half-consciously complicit.
It raises the awkward issue of what philosophers have learned to call “moral luck” – the fact that some people with immense potential for evil don’t actualise it, because the circumstances don’t present them with the chance, and that some others who might have spent their lives in blameless normality end up supervising transports to Auschwitz.

Yet the truth is that this cultural hinterland offered a foothold to the mania of Adolf Hitler; that it gave him just enough of the permission he needed to identify his society’s problems with this clearly definable “alien” presence. It is one of the repeated and focal themes in Ullrich’s book that Hitler was a brazen, almost compulsive liar – or, perhaps better, a compulsive and inventive actor, devising a huge range of dramatic roles for himself: frustrated artist, creative patron, philosopher-king (there is a fine chapter on the intellectual and artistic circle he assembled frequently at his Berchtesgaden residence), workers’ friend, martyr for his people (he constantly insinuated that he believed himself doomed to a tragic and premature death), military or economic messiah and a good deal else besides. In the anxiety and despair of post-Versailles Germany, there was a ready audience for the high drama of Nazism, including its scapegoating of demonic enemies within and without.
It is anything but an academic question in a contemporary world where theatrical politics, tribal scapegoating and variegated confusions about the rule of law are increasingly in evidence.
In effect, the polity of the Third Reich “privatised” coer­cion: again and again in Ullrich’s book, in the struggles for power before 1933, we see Nazi politicians successfully bidding for control of the mechanisms of public order in the German regions, and more or less franchising public order to their own agencies. Arguments about the ideal “size” of the state are often spectacularly indifferent to the basic question of what the irreducible functions of state authority are – and so to the question of what cannot be franchised or delegated to non-state actors (it is extraordinary that we have in the UK apparently accepted without much debate the idea that prison security can be sold off to private interests). It is not – to warn once again against cliche and exaggeration – that celebrity culture in politics is a short route to fascism.
The dark legacy of much popular Christian language about collective Jewish guilt for the death of Jesus could be translated without much difficulty into talk about the responsibility of Jews for the violence and poverty afflicting Germans in the 1920s. But this does not mean that we shouldn’t be looking as hard as we can at the lessons to be learned from the collapse of political legality, the collective panics and myths, the acceptance of delusional and violent public theatre that characterised Hitler’s Germany.
Instead the bell was rotated one eighth of a turn and a lighter (200kg) hammer was installed. It is convenient to choose a day when we’re out of the house to paint the doors, or when we don’t need the car to repair the brakes. There is corrosion damage to the cast iron roof and to the belfry structure which keeps the bells in place. The “drive train” that keeps the pendulum swinging and that turns the hands is driven by a weight of about 100kg. The swinging pendulum releases the “escapement” every two seconds which then turns the hands on the clock’s four faces.
Each collision causes microscopic damage which, accumulated over millions of collisions per year, causes wear and tear affecting the accuracy of the clock. This is partly because of a lack of publicly available match data, and partly because of the structure of popular sports. With ever more datasets now available, betting syndicates and sports analytics firms are developing these ideas further, even including individual players in the analysis. Teams typically examine past results before buying players, though it is future performances that count. Successful defenders – whether in British or American football – don’t always make a lot of tackles. However, for the analysts helping teams punch above their weight and the scientific betting syndicates taking on the bookmakers, this is not the aim.
He organised a display involving 25,000 flowers beside the M4 to advertise a Linda McCartney photo exhibition and gave his second wife, Heather Mills, a ?360,000 annual allowance (almost ?1,000 pocket money a day). McCartney is forced to erect ramparts of privacy to allow him even the ghost of a normal existence. Tough, fascinated, painstakingly thorough and studiedly unemotional, Philip Norman was always firmly in the Lennon camp, once declaring McCartney’s rival and professional partner to be “three-quarters” of the band.
It took serious powers of persuasion, Norman points out, to sell millions of copies of the syrupy “Mull of Kintyre” in the teeth of the punk revolution.
At the time, friends advised McCartney (with excruciating irony) that taking up with this doughty campaigner would be like “walking into a minefield”. She was soon labelled a “fantasist”, revealed to be a former topless model and accused of pedalling untruths and exaggerations to the extent that Jonathan Ross declared that she was “a f***ing liar” and that he “wouldn’t be surprised if we found out she’s actually got two legs”. The high achievers ended up at the gas board or the Rover works and the word “university” evoked “something as distant as Mars”. Opicinus was a minor functionary and scribe at the papal court, which had moved to Avignon some thirty years earlier, and luckily for us he kept a kind of day-book that still survives. Numerous scholars such as Camille, Kris and Salomon point to Opicinusa€™ a€?frequenta€? self-representation in the drawings.
Medieval mappaemundi often organized the land-forms of the earth around the shape of a crucifix (sometimes even a cruciform body), medieval astrological drawings commonly showed human figures at the center of cosmic and planetary networks, and the concepts of macrocosm and microcosm had been fully developed for a millennium.
It is possible, and productive, to partially separate Opicinusa€™ texts from his diagrams and pictures, especially those that represent his body-worlds vision.
Opicinusa€™ works present a conundrum when it comes to audience and reception, since there is no textual or visual evidence that anyone ever actually saw the drawings. Their unusual forms complicate our most basic assumptions about what and how medieval artists could represent. These structures form the core of the drawingsa€™ disorientation and strangeness a€” maps are piled on top of other maps, sometimes transparent and sometimes opaque, in a seemingly endless play of permeability and superimposition. Some drawings contain one chart, others up to four; sometimes the continents and seas are embodied, while other times they are left plain. His drawings are so diverse and disorienting that generalizations about their design or meaning are difficult and often misleading. These drawings depict a single Africa and a single Europe, separated by the Mediterranean Sea. The figure of Africa appears to be a woman; she is labeled Babilon maledicta [cursed Babylon] by the small caption above her forehead. Captions suggest various identities: Christ, Opicinus, and a female personification of prudence are all indicated. The face is smooth and beardless (many male figures in Opicinusa€™ work wear beards), and has long, flowing hair. According to Whittington it is mainly a confrontation between two figures: a figure of Babylon (probably representing Islam) and a figure of Christianity. This interplay between the local and the global is not unusual within Opicinusa€™ texts and captions on other drawings, which often comment on the everyday world of his youth and family (we must remember that he made these drawings in Avignon, not Pavia), but the specific visual alignment of parts of Pavia with parts of the Mediterranean region is unique in these three drawings. In the bottom right corner of the page is a caption that reads, a€?Just as the islands of purgatory pay a tax to the Roman Church, so too the Chapel of St. Opicinus seems to say that when any two maps are placed in relation to each other, if they are true empirical representations of Goda€™s created earth, one will find correspondences between them. One interprets the significance of the placement of Opicinusa€™ home parish district, around the Chapel of Saint Mary, delineated with a red outline near Tunisia and Sicily on the lower map. 84v each part of Opicinusa€™ hometown is given multiple interpretations, usually based on its placement on the portolan chart, but other times simply based on etymological connections, family stories, dreams, or coincidence. Certainly the drawing contains multiple levels of reality: it is an allegorical depiction of three body-world characters in contact and dialogue, a depiction of the structural connections between local and regional realities, and a series of interpretive musings about the significance of these connections for Opicinusa€™ own life and family. As the reader may already have noticed, this grid strongly evokes the rhumb-line grids that were placed over contemporary portolan charts.
61r he uses the skeletons of two portolan charts of the Mediterranean region, which have been rotated and overlapped to form one image.
61r, parts of each of the charts remain intact, while others are distorted or hidden by the overlapping forms.
In this particular example, the map shows the natural world at the bottom and the spiritual world at the top: labels on the drawing indicate that Affrica naturalis ypocrita and Europa naturalis occupy the continents of the smaller chart while Affrica spiritualis and Europa spiritualis talk to each other in the larger chart above. Europa naturalis bears a tarasque (a river demon from the Rhone) and Europa spiritualis contains an image of Christ showing his wounds, his side-wound situated suggestively close to Avignon, where Opicinus was living when he made the drawing. The message itself is simple enough: one must abandon the external senses that lead to sin in order to follow the internal senses to redemption. 58r of the Vaticanus Opicinus combines four small embodied portolan charts to create juxtapositions between the four seasons, the four cardinal directions, and the four states of the soul. 82r, we see many of the principles and techniques of the other drawings pushed to the limits of recognition and interpretability. On its surface lie two complete portolan outlines that retain the white color of the paper.
On the upper half of the page, the brown labels all point out the location of cities on the colored chart, even though all lie on the space of the white chart; they indicate the continued presence of the map below, even when it is obscured by the upper chart. At the precise center of the drawing, a cruciform shape is formed by the two mirrored shapes of Asia Minor and the Holy Land; Asia Minor forms the two arms, and the land below forms the body of a cruciform vestment.
While other drawings seem designed to convey a single allegory or a primary confrontation between figures (which are often reinforced by the particular cartographic forms that Opicinus chose for the drawing), this drawing resists this type of analysis.
According to the letter, this is a heretical position, since one species cannot be transformed into another. 84v, there are several depictions (or suggestions) of male genitalia in the Vaticanus manuscript, each of which is unique. 1350), a Pavian who worked at the papal court in Avignon, drew a series of imaginative maps, while acknowledging in a text written between 1334 and 1338 his use of nautical charts. See how much it changed under gradualism while Turkey did not during the same time by comparing these 2010 PEW poll results taken just before the Arab Springa„? 2011. More later on his ties to al Bannaa€™s grandson Said Ramadan, and Nadaa€™s Swiss Nazi banking connections going back to the 1950a€?s in the US MB History at a Glance Chart. Here is video of Islamic State stoning woman to death for adultery, which Islamic law permits because Mohammad did it. Without this level of understanding, we are not up to this challenge and have not prepared ourselves for Jihad yet. Today, there are over 2,000 Islamic non-profit [501(c)(3)] organizations in the United States.A Not all are controlled by the Muslim Brotherhood, but many are. Later in 2012 Obama picked Marayati, who defends Hamas and Hezbollah, to represent the US at a human rights conference. But again in a June 2012 post on Twitter, Billoo wrote as a a€?public service announcementa€™ that, a€?ita€™s never a good idea to speak to an FBI agent without an attorney. A three-judge appellate panel unanimously agreed and left ISNA on the unindicted co-conspirator list. She blocked Middle Eastern Christians' access to White House to discuss their fear of sharia coming to Syria like it did in Egypt. The OIC is in a full-scale campaign to intimidate Western governments into adopting Hate Speecha„? codes that will effectively quash criticism of Islam - including quoting what theologians and jihadists say.
Those who are protesting against his regime, on the other hand, are in favor of genuine democratic rule, without Sharia restrictions on the freedom of speech and its denial of equality of rights to large segments of the popular. Sistani is also serious about his interpretation of Koran 9:28, posting for years on his website that all non-Muslims are as filthy as dogs, pigs, semen, poop, urine, and the sweat of animals that eat dogs, pigs, semen, poop, or urine.
He won New Hampshire and South Carolina with over 30 per cent of the Republican vote, then took almost 46 per cent in Nevada. Here is the rest of the world, the real American world: young people, beautiful people, more female than male, every shade of skin colour.
There was no alcohol inside; they’re drunk on whatever it is – the elixir of fascism, the unique magic of Trump.
He got it into his head he must talk proper, sound solemn, or at least like a trade union leader of the times, so instead of saying “yes” he would say “very much so”. What is necessary for the triumph of evil is that the ground should have been thoroughly prepared by countless small or not-so-small acts of petty malice, unthinking prejudice and collusion. Or, to take a sharply contemporary example, that one Muslim youth from a disturbed or challenging background becomes a suicide bomber but another from exactly the same background doesn’t. His notorious outbursts of hysterical rage seem to have been skilfully orchestrated as instruments of intimidation (though this did not exactly indicate that he was otherwise predictable). And in turn, the shrill pitch of Hitler’s quasi-liturgies normalised a whole set of bizarre and fantastic constructions of reality.
A classical democratic political philosophy would argue that the state alone has the right to use force because the state is the guarantor of every community’s and every individual’s access to redress for injury or injustice.
This is not the same as saying that privatisation in general leads to fascism; the issues around the limits to state direction of an economy are complex.
In ancient Athens, the annual Dionysia festival included the performance of tragedies that forced members of the audience to acknowledge the fragility of the political order and encouraged them to meditate on the divine interventions that set a boundary to vendetta and strife.
But a political theatre that never deals with the fragility of the context in which law and civility operate, that never admits the internal flaws and conflicts of a society, and never allows some corporate opening-up to the possibilities of reconciliation and reparation, is one that exploits, rather than resolves our anxieties.
But zinc is a ductile metal and the tube deforms with time under the heavy load of the 321kg pendulum bob.
The analysis employed was a bit simplistic, but with a few tweaks it could become a powerful tool. A game such as baseball, with its one-on-one contests between pitcher and batter, can be separated into distinct events.
Include too many processes and it becomes hard to pin them down without vast amounts of data. What if a prospective signing had just enjoyed a few lucky games, or been propped up by talented team-mates?
He sent a sick puppy on a 280-mile return journey by taxi to a vet in Glasgow, and made the same sort of provision for a duck with a broken leg.
He systematically purchased all of the land around his farm on the Mull of Kintyre, in Scotland, to create a vast, continuous exclusion zone. First, McCartney gave his tacit approval for this book – “neither authorising it nor discouraging it” – which allowed Norman access to countless crucial, first-hand accounts. Who wouldn’t want to be allowed through international borders when you’ve forgotten your passport? The media all too often discriminate on the basis of parental wealth rather than talent: from unpaid internships to expensive postgraduate journalism qualifications, the routes into the industry are difficult to traverse without parents able to offer financial support. In a passage that describes what sounds like a stroke, Opicinus details how his body slowly became paralyzed; he temporarily lost his ability to speak, and much of his memory.
Opicinus almost always dated the Vaticanus drawings, which were composed between June and November of 1337.
The passage describes a visionary experience: through oculus meis interioribus, Opicinus is granted a new view of the earth, one in which the land and the sea take on human attributes.
Most examples, however, lie in the realm of the theoretical, the academic, or the theological. A significant problem with many previous studies of Opicinusa€™ drawings is that they take a few lines of text, from folios of the Palatinus, or from distant pages of text in the Vaticanus, and use them to a€?explaina€? the content of Opicinusa€™ strangest imagery. The captions (and some of the texts), then, are often the evidence of Opicinusa€™ self-analysis a€” he uses himself as a case study, personalizing the drawings through the text.
Simply put, we do not know if they were ever viewed as more than a curiosity by those who encountered them. Visual parallels to these drawings certainly exist: body-maps have been produced in numerous periods, including such famous examples as the Ebstorf Map (#224, Book II, a medieval world map that placed Christa€™s body in the corners of the earth), the Leo Belgicus (a map of the Netherlands and Belgium formed into the shape of a lion, the earliest example of which dates from 1583), or the Europa Regina, a depiction of Europe as a royal female (see below). In these drawings, Opicinus was not trying to express a single concept or doctrine, but rather to visualize the possibilities raised by an entire new way of looking at the world, based on what he had seen during his visionary experience of 1334.
The varied formats of these diagrams cannot be taken for granted a€” their arrangements form a crucial and underexplored aspect of their meaning. But looking at them as a group, perhaps the first thing one notices is that the map itself is incredibly accurate. The drawings in this first a€?categorya€? are not all alike, and there is no evidence that Opicinus thought of them as a group, but finding language to describe and categorize their forms is a critical first step in their interpretation. This folio includes a cartographic picture in the upper two-thirds of the page, and text at the bottom. She is a rare example of a figure with a distinct racial identity: Opicinus darkened her skin with a grey-brown wash, in a clear reference to an African or Middle-Eastern skin tone. One could even identify Europe in this drawing as a kind of conglomerate figure of Christianity. The strongest indicator that the figure is female is the small child lying over Lombardy a€” the area always associated with the womb of the European figure. The simplicity of this contrast stands out despite the extensive texts and interpretations written around it. Binary themes in similar drawings include a contrast between the mouth of hell and the temple of the Lord (fol. Opicinus played with this arrangement differently in each of the three drawings, changing the scales and position of the two maps, presumably seeking different correspondences. On the page we see the body-worlds with which we are now familiar: here, a female Europe confronts a female Africa, and the Mediterranean devil lies between them, his head to the east. 84r, in which the scale of the portolan chart is completely different (much smaller in comparison to the grid of Pavia); here, Opicinus identifies different correspondences and comes to different conclusions as a result of the change in scale. Yet the drawing is all about experimentation, layering, and play; to claim that creating or interpreting a drawing like this is a burden or struggle may be a modern misperception. But Opicinus piles on meanings, multiplies forms, and plays with realities seemingly as a form of experimentation.
The grid may offer a clue to Opicinusa€™ working process, or the way he was inspired to create these drawings. Each of the two charts is rendered in a different scale, with a larger one oriented toward the top of the page and a smaller one pointed toward the bottom.
On each map, the western Mediterranean retains its integrity a€” France, Spain, and the northwestern coast of Africa are clearly visible both at the top and the bottom of the page. In the Italian peninsula of the upper map, for example, which is overlapped by the eastern Mediterranean of the lower map, we see the word Roma written over the sea (on the sea-mana€™s forehead), signaling where the city would have been on the map below. Both figures of the a€?natural worlda€? are male (a bearded, older figure in Europe and a tonsured monk in Africa), while both of the a€?spirituala€? figures are female (Africa is a robed nun and Europe is a younger woman with long, flowing hair). The question, just as in the previous examples, is how its meaning is changed, activated, complicated, or simplified by its construction within the doubled and overlapped forms of the portolan charts. Within the drawing, small lines suggest points of correspondence between elements in each of the four quadrants. The three previous drawings were characteristic of a particular type; in contrast, this drawing is unique in Opicinusa€™ oeuvre. At the top of the page are two labels for Europe and Africa: Europe is the aduena rector novus, the strange new priest, and Africa is the parrochia aliena, the parish of another. This is labeled in a caption on the right side of the page, which reads a€?behold the vestment of the Church soaked in blood.a€? Opicinus accentuated the form of the vestment by adding a small cutout for the neck.
The longer captions on this folio do not always contain a single focus, and many make no comment at all on the drawing.
But spiritually there is truth in this mirror [i.e., in this drawing], since no heresy, fiction or allegory can be found that in this mirror does not give birth, at least in part, to a certain truth?
Here, Opicinus seems to say that men do not transition literally into angels of light or darkness a€” the figures of the priest and parish at the top of the page do not actually become the figures at the bottom of the page. Even as Opicinusa€™ drawings make use of the natural world and empirical science, the arrangement of their forms expresses the detachment from reality that characterizes a dream. At first, we would not identify these as genitalia a€” they are simply two small, robed bodies that stand within the genital region of the European body.
Four of these drawings depict the body-worlds, and the reproduction always takes place within the body of the European figure.
In each of these drawings, Opicinus drew a small copy of the body-worlds over the area of Lombardy, even extending it slightly into the sea near Genoa. The more time goes by, the easier it is to see, and as the MB imposes Islamic Human Rightsa„? in Egypt, with a new epidemic of rape, and calls by prominent clerics to destroy Egypt's Great Pyramids begin. The OIC seeks to re-establish the global Islamic State (Caliphate) and implement Islamic Law.
This individual's immediate family founded a Muslim Brotherhood front group which, at a minimum, raises questions about Abedina€™s position inside the government. If Abedin is not aware ISNA is a Hamas support entity, she is incompetent at her job and should be relieved of her duties. Secretary of State refer to the Muslim Brotherhooda€™s revolution in the Middle East this way? Is the Secret Service aware that the leader of a Hamas support entity has been coming into the White House?
It is only true of the Championship, where three teams – Burnley, Middlesbrough and Brighton – are on 87 points each, with the fourth team miles away. They have known for ages they’re dead parrots, not long for this life, with their successors lined up even while their bodies are still warm. He can’t actually describe what the striker did, as it was so quick, so clever, and he totally missed it, but he must have done something with his body, surely. Yet so much of the German public heard Hitler’s language as the slightly exaggerated version of a familiar trope and felt able to treat it as at worst an embarrassing overstatement of a common, even a common-sense, view.
Ullrich devotes a fair measure of attention to the literal staging of National Socialism, the architectural gigantism of Albert Speer which gave the Fuhrer the sophisticated theatre he craved.
If state coercion becomes a tool for any one element in the social complex, it loses legitimacy. However, a refusal to ask some fundamental questions about the limits of “franchising” corrodes the idea of real democratic legitimacy – the legitimacy that arises from an assurance to every citizen that, whatever their convictions or their purchasing power, the state is there to secure their access to justice. The problem was that the churches’ rationale entailed just that accountability to more than power and political self-identity that Nazi philosophy treated as absolute. It decouples the driving force of the falling weight from the periodic force that maintains the motion of the pendulum. Premier League football teams have gradually built up analytics departments in recent years, and all now employ statisticians. According to Ray Stefani, a sports researcher, it depends: rugby union teams, on average, are 25 per cent more likely to win than to lose at home. But most of us want to believe that our successes are personal achievements: that if we do well, it is because of our own ability, intelligence and determination. She compares it to “emigrating from one side of the world, where you have to rescind your old passport, learn a new language and make gargantuan efforts if you are not to lose touch completely with the people and habits of your old life”. He returned to these folios frequently in the years that followed a€” many include changes, graphic additions, or new captions, which he dated individually (we find dates from the years 1338-1341, especially). Morsea€™s other crucial innovation, in addition to asserting the rational and intentional basis of Opicinusa€™ thought, was to place the Vaticanus manuscript at the heart of her research. Salomon and others characterize the themes of the Vaticanus manuscript as just an extension of those in the Palatinus. The shapes of Europe, Africa, and the Mediterranean Sea each contain (or form) a human figure; these are the forms that Whittington calls a€?body-worlds,a€? and they constitute Opicinusa€™ most original and perplexing contribution to 14th century visual culture. One of the things that makes Opicinusa€™ drawings so unusual is that they also incorporate a visual tradition that was practical, empirical, and scientific a€” medieval sea charts, usually called portolan charts. He often kept adding to the drawings over many years, including new details or textual explanations, and dating them to a specific day.
As mentioned above, it seems possible that the Vaticanus was never meant to be viewed by others; much of it is arranged chronologically (like a diary), rather than thematically, and the subject matter of the texts and images suggests a private function. The meaning of such imagery obviously depends on context, but these diverse examples demonstrate how a land, country, or region has often been embodied within a human figure, to show the potential power of that space, or even the dominion of a figure over it. The images of Africa and Europe as human figures were the core of this experience, but the interpretation of the vision was left up to him. According to Whittington the formats of Opicinusa€™ body-world drawings can be grouped into four categories: (1) single portolan charts, (2) portolan charts overlapping with local maps, (3) multiple portolan charts overlapping with each other, and (4) multiple, mirrored portolan charts. The coastlines of the Mediterranean and the relative scale and position of the landforms are almost exactly the same as we know them to be today. The figure appears to be bare-chested, although no breasts are visible (perhaps they are covered by her long hair).
But the label above the head of the figure seems to identify it as Opicinus assuming the identity of a€?the house of God.a€? Another caption in the Mediterranean Sea off the southern coast of France labels the figure as an Ymago Prudentie. The fact that the face is labeled as Christa€™s would indicate on the surface that the figure is male.
Yet beyond the basic characters and the captions, the drawinga€™s meaning is clearly activated or shifted by the placement of the two personifications within the geographical forms of the portolan chart; after all, it is not difficult to imagine a much simpler way to express this confrontation, using only pictures and no maps. The scene is full of interesting and surprisingly graphic details, many of them interpreted in the marginal texts. Such interpretations are, I think, meant as models; as Morse demonstrated, Opicinus hoped that the drawings could be used by others to probe their own consciences and personal histories.
Many parts of it must have been intentionally humorous, such as the basket for collecting the sea-mana€™s excrement, the graphic sexual organs, the interpretation of the Europe womana€™s pearl earrings, or the depiction of the Africa womana€™s cloak as a green river.
Even when texts in the Vaticanus indicated the stressors in Opicinusa€™ life a€”spiritual, moral, legal a€” the drawings remain exploratory and even lighthearted. Without any words from him on the subject it is impossible to know where such an idea comes from, but perhaps the grids on the portolan chart(s) from which Opicinus was working reminded him of a gridded map of Pavia that he had seen, or perhaps even made. The mapsa€™ superimposition encourages the viewer to seek correlations between them, and Opicinus reinforces these correspondences by drawing actual lines and lines of text to connect various parts.
He grafts a spiritual system of correspondences and coordinations onto this new representation of the physical world, but specifically includes details that undermine both systems, seeking instead a negotiation between the two. The rota on the breast of Affrica naturalis shows the mental processes that lead to sin: thinking, imagining, deciding, and delighting in (cogitatio, ymaginatio, electio, delectatio) lead the sinner to consent to sin (consensus peccati). These can either connect the same geographical location between two separate maps (as in the line drawn between the two Carthages on the upper left map and the lower left map), or establish a point of contact between the same physiological parts of two body-worlds on the same map (as in the line drawn between the reproductive areas of the Europe-woman and the Africa-woman in the upper-right map).
It contains four complete portolan charts, all the exact same size, placed in careful relation to one another through overlapping and mirroring. This is different from the numerous drawings in the previous category, in which the two charts overlapped one another; here, the two white charts on the surface of the page are both complete diagrams of the region, reflecting one another along an invisible horizontal line in the Holy Land and Asia Minor.

The figures seem to present the encounter between a new priest and his new parish (a situation that Opicinus underwent several times in his early career). The role of this form in the drawing is ambiguous a€” its cruciform shape and its a€?soaking in blooda€? certainly evoke Christa€™s sacrifice, and its position at the heart of the drawing, precisely where the two white maps are mirrored, suggests that it may be significant in the transition between the two. One caption on the left side of the page is a short rant about the mosquitoes that were bothering Opicinus while he made the drawing, while another, longer text at the lower left is an extended metaphorical description of the penis, describing how, like a heretic disobeying the Church, the penis disobeys the orders of the body. It is the caption that tells us something different; over their heads are written the words a€?matrixa€? and a€?virgaa€? a€” womb and penis. Representing pregnancy and birth inside of Europe was a way for Opicinus to convey how both good and evil tendencies enter the world. Some researchers have convincingly explained this positioning of the tiny body-world figures as indicating a Caesarian birth; as Opicinus explains, the two figures are born through Genoa, the a€?forced porta€? in the stomach of the European figure, rather than through Venice, the a€?natural porta€? of the figurea€™s vaginal canal (Opicinus makes the pun about Venetian a€?canalsa€? several times). The earliest depiction of Europe as a woman is believed to be by the 14th century Pavian cleric Opicinus de Canistris for the papal court, then at Avignon. You think to yourself - are you telling me a billion people really are hell-bent on subjugating the world?
Here is a video of a Jordanian pilot being burned to death, which Islamic law also permits. If we keep in mind that from the Brotherhood perspective, this is an Influence Operation, not a a€?terrorista€? operation, their operation here might beginA to make a little more sense. Or that Mohamed Magid has worked with the National Security Council and sits on the Department of Homeland Securitya€™s Advisory Committee?
The only two mass popular uprisings in Muslim countries that he has not supported have one thing in common: both have been against pro-Sharia Islamic supremacist regimes. They are striving in the way of Allah, a Muslim mansa€™s burden to do their part to Liberatea„? the world from the Oppressiona„? of man made secular law. Ita€™s useful at a glance, but if you are really skeptical there is so much info here that you could spend hours on it to see their country of origin, education and degrees held, professional history, leadership positions held in these orgs (ie, Founder, Director, President), criminal convictions if any, political connections, and timeline.
I’ll talk right over them, there’s no problem!” But it’s impossible to leave the protesters where they are, because it would not be safe. It is bound up with the rule of law, which is about something more than mere majority consent.
And, connected with this, there are issues about how we legislate: what are the proper processes of scrutiny for legislation, and how is populist and short-view legislation avoided? It is also relatively low-scoring, in contrast to baseball or basketball – further reducing the number of notable events.
To realise that actually, you have queue-jumped, in effect, because of your parents’ bank balance: well, that would provoke insecurity and defensiveness.
The dating of the Palatinus is more complicated a€” the large autobiographical calendar on fol. The Vaticanus was often mentioned by earlier authors, but had never been the object of extensive study, perhaps because its visual material is smaller and less elaborate than the large Palatinus folios.
These and other claims are refuted by Whittington with a basic statistical analysis of the manuscriptsa€™ subject matter.
Their enigmatic forms, expressions, and arrangements have the power to arrest the attention of modern viewers, reversing expectations about what sorts of imagery were possible in the early 14th century. The a€?world,a€? in Opicinusa€™ drawings, is always represented using these charts; they form the drawingsa€™ structural basis and frame their meanings. Still, crucially, this does not make the drawings, in their inception, a€?abouta€? Opicinus. The large size of the Palatinus folios suggests a more public function, given their physical similarity to large medieval wall maps and portolan charts. Here one sees before a map of the Mediterranean world a€” Europe, North Africa, Anatolia and part of the Near East are left the white color of the paper, and the seas around them are tinted with a reddish-brown wash. The incredibly diverse drawings that he created in the years that followed were his way of exploring the meaning of this vision and experimenting with different strategies for representing its shape and scope, searching for the arrangements and combinations that would lead him to the deepest meaning.
Opicinusa€™ maps were based on the most modern and technically accomplished cartography of his day a€” marinersa€™ sea-charts, which we call portolan charts.
Several folios depict only the western portion of the standard Mediterranean portolan chart, limiting their view to the area between Gibraltar and the boot of Italy. The geographic range of the depicted portolan outline is narrow - we see Gibraltar, Tunisia, France, Spain, and Italy, but none of the eastern Mediterranean, which is cut off by the drawinga€™s lower edge. Little is visible of her lower body, but she wears some kind of cloth wrapped around her waist.
However, the most prominent indicator of the figurea€™s identity is the large rota around the face in the Iberian peninsula, which seems to label the figure as Christ.
The drawing thus suggests a combination of male and female elements: a pregnant female personification of Christendom, with Christ at the head and heart. In this first example, where the contrast between the two figures is simple and direct, we can more easily explore two ways that the form of the drawing a€” its geographical frame a€”may change the meaning of these figures. For example, the Mediterranean figure appears to have two sexual organs a€” one massive penis that seems to be ejaculating onto the southern coast of Spain, and another that he clutches in his fist (presumably in an act of masturbation) near Venice. 84v, numerous captions explore the moral, theological, quotidian, and incidental correspondences created by the overlay of the city grid on the portolan chart. In addition, the monastery with which they were both associated fell near Rome on the portolan chart. The revelation and the experiment were meant to be used by anyone a€” Opicinus is using himself as a test case, taking examples from his own life, family history, and childhood, and using them to interpret the correspondence between the two charts. These are all examples of Akbaria€™s horizontal allegory, or of allegory as a primarily interpretive act; Opicinus creates the structure (which may or may not have an intrinsic meaning a€” in this case, it seems not to), but the primary work is put into interpretation, play, and the creative exploration of his visual construction. Opicinus created, an over-determined world because of its opportunities and flexibility, not to build a burdensome system that would collapse on top of him. This basic format is repeated on at least eight other pages in the Vaticanus; again, there are variations in the size and placement of the two maps, but all of these examples include two portolan charts that are laid on top of one another. In the smaller, lower image, the negative space of the chart a€” the sea a€” is tinted with a light brown wash, delineating the body of the so-called a€?Mediterranean Man,a€? often labeled a€?Lucifera€? His head and beard occupy the eastern Mediterranean (his ear tucked against the Nile delta and curving beard shaping the coast of the Anatolian peninsula), his arms gesture near Italy (one fist plunging violently east of Italy, forming the Adriatic), and his feet poke out near Gibraltar, between the faces of Europe and Africa. On this page he connects the two representations of the Adriatic with a diagonal line that slices through the center of the image, running from Venice on one chart to Venice on the other. Morse also points out that different renderings of the sea in the two charts likely correspond to their content; the embodied a€?devil seaa€? lies between the natural worlds, while the a€?spiritual seaa€? is left empty, perhaps to indicate its purity. Small lines connect the first four concepts to the eyes, ears, nose, and mouth of the Africa-figure, indicating the complicity of the exterior senses in this pathway to sin.
74v how Opicinus, by framing his allegories within the portolan charts, solidified their meaning into measured form, aligning the worlda€™s shapes with the truths and figures they revealed.
The meaning of such lines remains ambiguous, but they do suggest points of contact and interconnection between elements that are otherwise set in opposition to one another.
All four of these portolan charts are embodied, creating eight distinct characters: four male figures of Europe, and four figures of Africa (two angels and two male figures).
Rather than containing the figure of the diabolical sea, the spaces of the Mediterranean and Black Seas on these two charts are left as windows through which the viewer can see the other maps in the drawing.
The colored worlds below are not labeled, but the figures seem to be a precise mirror of those on top, in both gender and physical appearance.
Opicinusa€™ statement about the generation of meaning seems to apply both to this drawing and to many others that depict multiple levels of reality (usually through multiple iterations of the body-worlds). 82r becomes overwhelming, Opicinus provides the viewer with visual cues to make sense of the drawinga€™s disorienting forms. This drawing contrasts two complete sets of body-worlds, one overlapping and partially obscuring the other, and two very different depictions of genitalia are found in the area around Venice on both depictions of Europe.
In a passage early in the Vaticanus, Opicinus describes how the a€?diabolical seaa€? inseminates an already-pregnant Europe, splitting the child unnaturally into two figures a€” Europe and Africa. Victoria Morse shows the way that Opicinus read meaning even into the precise position of these two tiny body-worlds over Lombardy below, determining which local cities fell under Africa and Europe.
The Muslim Brotherhood, like the OIC and Al Qaeda, seeks to re-establish the global Islamic State (Caliphate) and implement Islamic Law.
Since Abedina€™s parents co-founded the Institute for Muslim Minority Affairs with backing from the Muslim Brotherhooda€™s Muslim World League, questions about her loyalty and affiliations are not only proper; they are required as a matter of policy for such a position in our government. Perhaps the influence exerted by the leaders of the Muslim Brotherhooda€™s Hamas-supporting entity ISNA has something to do with it. Are the American people aware that the very agencies legally charged to support and defend the Constitution and this nation are working with the leader of a known Hamas-supporting entity? For the moment just glance at them to see how big and unified the spiderweb of relationships is.
So, between now and the end, look out for the following tired old phrases, well-worn adjectives and hackneyed descriptions, and do feel sorry for them. One way of reading the rise of Hitler and National Socialism is as the steady and consistent normalising of illegitimate or partisan force, undermining any concept of an independent guarantee of lawfulness in society.
In many sports, scoring goals is subject to a greater degree of randomness than creating shots. And so journalists and columnists are often disinclined to understand why society is stacked in the interests of some, but not others. The first 48 contain little visual material besides a few marginalia, while the second half of the book includes some text-only pages, some full-page drawings, and some smaller drawings with extensive text on or around them. 11r, which provides the most complete information about his life, ends with June 1336, suggesting that this drawing was finished by that date.
In contrast, Morse demonstrated that the Vaticanus holds the key to understanding Opicinusa€™ thought: its drawings are more intimate and revealing, and it contains over a hundred pages of text. Portolan charts were modern, cutting-edge diagrammatic maps of the Mediterranean region, and Opicinusa€™ use of them transforms what would otherwise have been old-fashioned, theoretical, and primarily textual drawings into a completely new type of representation. Interpreting the vision with relation to his own body and life was only one of the tactics that he used. The drawings in both manuscripts could have been preparatory studies for some larger-scale project or commission that was never carried out. According to Whittington, to explain what the body-worlds a€?mean,a€? one must explore how and why Opicinus harnessed these maritime maps to a completely different purpose from that for which they were created.
Others include the entire range of the chart, from the Atlantic Ocean to the Black Sea and the Holy Land. Small captions and rotae are positioned at various points on the map; some of these are placed to comment specifically on a geographical feature, while others remark more generally on the drawing and its characters. A worm or snake emerges from an otherwise empty circle on her stomach, twisting along the North African coast, its mouth gnawing on the figurea€™s thumb near Carthage. Large red capital letters spell out C-R-I-S-T-U-S, with each letter also being the first letter of one of the seven gifts of the Holy Spirit. Opicinus uses the portolan chart to construct a binary system in which values can be opposed, and also to place these allegories or personifications within a space that is, in the broadest sense, real. On the southern coast of France, a basket-woven pattern is explained in a caption as a basket to catch the excrement of the sea-figure.
For example, in a short passage in the upper left corner of the page, Opicinus mentions that the body of the sea-devil extends beyond the inner city wall of the Pavian map, which he interprets as a sign that malice and mischief are spread out in the city; beyond the old city walls. An over-determined world allowed him to make visible to himself and his potential readers the primary concerns, impulses, histories, and spaces of his world and his body in a way that led to potentially productive connections and revelations.
In contrast, the sea of the larger top map is not embodied, and retains the color of the paper. This line could help the viewer perceive the imagea€™s orientation, by providing a reference point for the location of the same city on each map at this crucial juncture at the center. The sea-figure takes control of the pagea€™s center, superimposing his twisting body over the eastern half of the upper, spiritual chart a€” his a€?negativea€? space dominates the positive space of the other chart. In contrast, a caption on the rota for Affrica spiritualis points to the interior senses (sensus interiores) that indicate spiritual progress: meditation, contemplation, discernment, and rumination (meditatio, contemplatio, discretio, degustatio). They also establish that the body-worldsa€™ identities as both bodies and maps remain significant on their own; because connections rely on their status as both maps and bodies, one is not emphasized over the other.
This window or outline a€” the negative space of the upper drawing a€” provides a view onto a world of color. The mirror of any of his creations, which he acknowledges are fabrications (in the sense that they are imaginary and exploratory), will always contain some new level of meaning. The two red lines indicate the precise point where worlds are mirrored, and the differentiation in color a€” white, brown, and red a€” brings the forms of the body-worlds into a near-sculptural relief. In the overlapped body-worlds, which are tinted with red and brown wash, we see a small penis depicted inside the figure of Europe, just past the fist of the Mediterranean figure. It must be acknowledged that both figures are shaped like small penises, but it is also true that in medieval anatomical texts the female genitalia are often described as an interiorized mirror image of a male penis, so perhaps we should not be surprised that the two are a€?personified,a€? if we want to use that term, in similar ways.
According to Victoria Morse, Europea€™s pregnancy was also related to local political situations, visualizing the (sexual) corruption of Lombardy within an otherwise holy European body.
She then contrasts this a€?violenta€? delivery of the figures with the small baby depicted on fol. In 1537 the Tirolese cartographer Johann Putsch celebrated the Hapsburg rule over Europe by presenting a placid a€?Europa Reginaa€? wearing Charles Va€™s Spain as a crown and Ferdinanda€™s Austria as a medal at her waist, representing the triumph of the Hapsburgs. All of the enemy doctrine can be found on the internet, in books, in speeches, in their training curricula, and coming out of their mouths on a daily basis.A When the MB says they have a€?renounced violencea€? they are a€“ hold onto your hats a€“ lying.
But because it is the Muslim Brotherhood, which many American leaders have either coddled, worked with, or ignored, these five Members of Congress who are abiding by their oaths of office and asking for a legitimate investigation into this potentially damaging espionage issue, are being attacked by Senator McCain and Speaker Boehner. Hanley has always felt like an outsider: she struggled to make friends, found the limits of what was expected of someone from her background suffocating, and when – against the odds – she made it to sixth form, it seemed “one minute I was struggling for air, the next I felt as though I’d entered a large bubble of pure oxygen”. The representation and interpretation of this divine image of the earth would occupy much of the rest of his life. Other dates in the manuscript are scarce; most scholars agree that the bulk of the drawings were completed between February 1335 and June 1336, with later additions stretching all the way to 1350.
Opicinus was working during a crucial moment in the history of cartography, when numerous artists and mapmakers sought to combine old and new forms. Most of the drawings suggest other interpretive avenues, through personifications, allegorical confrontations, or superimposition; one does not have to turn to Opicinusa€™ biography to explain them. It is also possible that these works were intended, like several of Opicinusa€™ earlier treatises, for the Pope. In this example, Europe is embodied as a man a€” his head occupies the Iberian Peninsula, his chest and stomach lie in France (where some kind of beast in the ocean tries to bite at his shoulder), his arm arches up through the lowlands and Germany, and his legs occupy the Italian peninsula and the Dalmatian coast. He used this technical, practical, scientific cartography to probe deeper into the nature of God and the created world.
But all of the drawings in this category share a single feature: they include only one map, one level of cartographic reality on the page.
The two figures that constitute, lie within, or coexist with Africa and Europe are classic examples of Opicinusa€™ body-worlds (the third figure that often appears in the Mediterranean is not included, in this particular drawing).
In two outer concentric rings Opicinus places the names of the seven planets and the days of the week.
Yet their placement within a map, particularly an empirical one which was actually used for travelling, emphasizes the tenuousness of such binary oppositions. Despite these and other details on the figures, the actual bodies seem less important to Opicinus in these three drawings; the commentary focuses more on the physical interplay and connections between the two overlapping maps. It is not that he thinks that this image of the two maps placed in this particular arrangement is necessarily a€?correcta€? or a€?truea€? a€” on fol. 84v offers further evidence that Opicinus viewed the portolan charts as empirical representations. At the centre of the page the embodied eastern Mediterranean of the lower map (including the Black Sea) overlaps both the land and the sea of the upper map, so that its eastern half (part of Italy and all of Greece, Egypt, and Turkey) is obscured. Or, given the opposing genders of the two Europes in the maps, and the fact that the area at the top of the Adriatic was understood as the erogenous zone of the European body, the line could suggest a sexual point of contact a€” even intercourse a€” between the two figures.
It is necessary first to describe and explain the drawinga€™s complex structure, before discussing its content in relation to several captions that surround it.
In the space below, the continents are shaded a brick red, while the seas are painted a soft brown-grey. The interpretive paradigm for this drawing must be one of experimentation; it is the only image in the manuscript with this particular arrangement of forms, and through it Opicinus only seems to have arrived at fragments of meaning. The small caption nearby simply reads Venetie [Venice] and without further explanation it is unclear whether the penis belongs to the European body, depicted lying back against his stomach, or whether he is somehow being penetrated by a small penis belonging to the sea-figure. Here, reproductive sexuality is a sign of corruption; elsewhere, as we will see, it is a marker of generative spirituality. 74v, which is positioned for a normal delivery through Venice, with its head down and its arms folded peacefully in prayer. The queena€™s crown (Spain), orb (Sicily), and heart (Bohemia) from a triangle that directs the viewera€™s eye away from Eastern Europe toward the West. Myers says it is obvious all these leaders must be aware of the general methods and long term goals.
She looks to academics to help explain experiences she found difficult to navigate at the time. In over eighty surviving drawings, now kept in the Vatican Library and referred to by scholars as the Vaticanus and Palatinus manuscripts, he experimented with how he could uncover the meaning that he was sure God had planted in the vision he saw, in the hope that his drawings would help to renew the faith of all Christians.
Far more drawings in the Vaticanus portray body-worlds (23), while few in the Palatinus do so (6).
This encounter between the scientific and the spiritual is best explored by looking at the structures that Opicinus used to create the drawings. Another rota lies inside France, near the location that Opicinus usually associates with the a€?hearta€? of the Europe figure a€” Avignon. On a map you can literally sail by sea from one a€?placea€? or a€?bodya€? to the other a€” each place is accessible to the other. Here, the grid structures the space of the local map, but also shapes the way we view the portolan below.
It looks like a kind of symbolic twin to the spatio-indexical rhumb lines of the original portolan charts. 61r demonstrates that Opicinus was also aware of the dangers of aligning appearance with truth; appearances could just as easily deceive as reveal.
The arrangement of these colored maps beneath the surface of the white ones is the most complicated aspect of the drawing. The angels are labeled angelus lucis and angelus tenebrarum a€” an angel of light and an angel of darkness. Given the penises in this region that we discussed above, this latter proposition is not without basis, but it seems more likely that it belongs to the European figure, since it is tinted the same color. And it was seen as a good thing, just like a€?The White Mana€™s Burdena€? was articulated as - we need to bring civilization to the savages, for their own good. Here are 27 well educated US operatives named in a 2013 Egyptian newspaper investigative report.
There are MB branches in around 70 countries, and these charts show just the tip of the U.S.
Her sense of isolation, for instance, can be illuminated by the sociologist Angela McRobbie’s exploration of “the ‘hermetically sealed’ nature of working-class culture in Birmingham”. Nearly all of the drawings in the Palatinus feature what Whittington calls an a€?overarching containing structurea€? a€” a geometrical framework that contains all of the drawinga€™s content. Her face is to the west, shown in profile as she seems to whisper into the ear of the European figure across the Straits of Gibraltar.
She seems to speak directly into the ear of the European figure, depicted partly in profile and partly from the front. At the center of the roundel is a seated figure of Christ showing his wounds; around this are the names of seven episcopal seats, and the seven planets and their positions. In these simplest drawings, though, such a possibility is only hinted at; a much fuller manipulation of the metaphor of travel and movement between binaries, and indeed a subversion of the very concept of binary opposition, is found in Opicinusa€™ more complicated images, discussed below. This grid, eight squares by ten, is oriented in the same way as the map below, with east at the top of the page (the street grid of Pavia was, and still is, slightly off-axis from the cardinal points because of its alignment with the river, which is reflected in its positioning at a slight angle on the page). Opicinus just seems to be testing each possible arrangement on either side of the folio, turning it back and forth to see which parts of it align with things he believes to be true.
Any resident or visitor familiar with the city would recognize that the local map of Pavia was a measured, accurate representation, and the fundamental hypothesis of this image and its interpretation is that correspondences can be deduced through the alignment of one measured map with another. One complete map lies below the upper white map, and one complete map lies below the lower white map, but each is placed in a different relation to its chart above. The angel of light in the surface map whispers into the ear of the upper male Europe, labeled homo spiritualis, while the angel of darkness whispers to homo carnalis.
61v, where two tiny figures with the same labels hold between them a baby, its head positioned downward, pointing toward the area near Venice through which we presume it would be born. Whether ita€™s done through violence, force, colonialism, conquest or whatever, it is the same exact thing in Islam. The danger of any study of Opicinus is that in seeking out the contexts in which one may understand Opicinusa€™ work as logical and coherent, one risks losing sight of what makes them so exceptional. But he also used this idea in order to create images unrivalled in their complexity and interpretive difficulty, multiplying maps and figures across the page in kaleidoscopic networks. The local grid is filled in with detail; the numerous small labels in brown indicate churches, city gates, bridges, and monasteries in Pavia, while the few red captions refer to cities or regions on the portolan below (here, like elsewhere, Opicinus uses color to clarify his content for the reader).
Once again, a grid serves two functions, measuring the space of one reality and indicating the measurability of another. On the top half of the page, the tinted map below is a precise mirror image of the upper map, reflected from it along a red horizontal line that bisects the upper, white body-worlds. The arrangement recalls nothing so much as the angel and devil of the human conscience that perch on the shoulders of cartoon figures in modern movies and comics, offering advice and urging the character towards good or bad decisions; in the drawing, the heads of the angels seem to rest directly on the shoulders of the figures below them.
Here, the two a€?personificationsa€? of the penis and the womb have produced a tiny child and are preparing it for birth. Later editions of Europe as a queen were issued by Sebastian Munster, Heinrich Bunting and Matthias Quad.
The more I read the longer it got, and eventually I had to call it good enough to make an exclamation point! This a€?manuscripta€? is a collection of 27 huge unbound parchment sheets, averaging about two by three feet, although some are significantly larger. This observation prompts the next a€” that the Palatinus drawings almost always include calendars (usually as part of the overarching containing structure), while few of the Vaticanus drawings do. Looking at the drawings as a whole, there can be no doubt that there are distinct threads running through them a€” themes, problems, and possibilities that Opicinus set out to explore.
And just as the drawingsa€™ forms combine simplicity and complexity, their content also veers from the straightforward to the impenetrable.
The relationship between these human figures and the landforms is, as is always the case in Opicinusa€™ drawings, very difficult to describe. The huge green swath at the right of the page indicates the Ticino River, which is coextensive with the long veil or cloak worn by the Africa woman. The white body-worlds in the top layer always overlap the lower, colored ones, which are only visible in the negative space of the sea. These personificationsa€™ sexuality is normative and non-transgressive a€” male and female members come together inside of the female body. Depending on the individual viewera€™s perception, the figures can seem to be lying on top of the land, growing out of it, or somehow placed under it a€” as if the landforms are windows through which we are looking. The green lines at the top and bottom of the page show the path of several Pavian canals, and the three concentric red boundaries drawn around the page indicate the city walls.
The same system is repeated in the lower half of the drawing, except that the lower tinted map is reflected along a vertical line, also colored red. From these observations, Whittington generalizes some of the basic differences between the two manuscripts.
Most of all, however, these enigmatic forms seem to depict the earth and the bodies as coextensive, and of the same material a€” bodies made out of the earth. The two maps on the bottom half of the page are also mirror images of one another, but along a different axis. The Vaticanus seems to be more of a personal manuscript, perhaps never intended for a wider audience.
The more one looks at these body-worlds, the more one sees the human figures as figures a€” the stranger parts of their bodies, where the landforms do not align so easily with a normative human shape, become less and less noticeable. The two red axes are thus crucial to understanding the drawing: they must have been used to construct it and also intended to aid in its decoding. Its drawings are less structured and presentational, contain more sexual imagery, and include more personal themes, all of which we might associate with a private, rather than public function (although such distinctions were perhaps more fluid in 14th century Italy than they are today).
Secondly, the drawings in the Vaticanus and Palatinus have very different structures; the Vaticanus uses the form of the portolan [nautical] chart to structure meaning and representations of bodies, while the Palatinus drawings use larger geometric, ecclesiastical, and temporal frames, which in turn often contain representations of the earth. Finally, the Palatinus drawings contain a temporal, cyclical element (numerous calendars and representations of the zodiac) that the Vaticanus drawings usually lack.

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