Create a music video app zeitlupe,digital editing video,program to make video effects - Review

Think of this as something that could easily show up in bar gigs, at weddings, alongside other stuff in the studio, or even for a touring DJ plopped on a bed (or the back of a helicopter, if you’re Tiesto). More or less what surface could been but never will be (lol) due apps like this will neve so hard code integrated than iOS ecosystem I dare. The reason why I am posting is I can not believe some of the disrespectful comments criticizing petty details.
If you are a true digital music lover you would obviously respect what Peter has done for the scene and have constructive criticism at least. CDM is an online magazine for creative technology, from music and DJing to motion and more. CDM by Create Digital Media GmbH is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. But that delay has an advantage: an impassioned Axoloti community has slowly built up around the board and demonstrated just why the thing could be so useful.
The project is the creation of one person, now with a community behind him – Johannes Taelman, of Belgium. Micro USB- with USB host – so connect to a computer, or use standalone to host other USB devices. Fire up your Mac, Windows, or Linux machine, and you can work in a friendly modular environment. You could already use that as-is, but there are also 16 solder points for connecting pots, faders, and so on.
Naturally, the other thing you might want to do is build an enclosure, as some in the community have. Back in the studio, the digital nature of the Axoloti means that it can be an ideal computer stand-in, still flexible enough to produce strange new synthesizers and pair with controllers that send polyphonic expression data. Because the Axoloti has built-in USB host, you don’t need a USB-MIDI converter, either. Lest you think this is only about experimental noodling, though, here’s an acid bassline for you. Today’s announcements are likely to be heavily covered by tech and Apple-focused sites, but we can cover the music angle pretty easily.
Most likely, the people who were waiting to get an iPad Pro after seeing the first one where waiting for this. I think that’s a big deal, because while the bigger iPad Pro was strictly a niche device (literally the only people I knew who bought one were iOS developers), this looks like a tablet that could be both mainstream and a primary music device. It’s also significant that this hits the middle price range and works with a really nice pencil input device. Now, if you don’t need the Pencil (for scoring, in particular), the whole iPad range has in turn commoditized further. The downside today, of course, is that Apple’s aggressive upgrade cycle can always spell trouble for people hanging on to older devices. But the bottom line is, free phones on contract and entry-level iPads costing less than $300 now give you high-end performance, run multiple music apps at once, and have powerful sound generation features previously only on laptops. While some Apple watchers fear the transformation of OS X into iOS, it would be more accurate to say that Apple has gradually been bringing its next-generation architectures to both platforms.
The feature was buried in a slide deck in the WWDC keynote and appeared shortly after in draft developer documentation in iOS 9.0.
The Audio Unit extension point allows your app to provide musical instruments, audio effects, sound generators, and more for use within apps like GarageBand, Logic, and other Audio Unit host apps. And if it allows App Store purchases on iOS, it seems desktop OS X App Store purchases of plug-ins can’t be far behind.
For developers, it means you can create plug-ins once and then sell them to desktop and mobile users at the same time. What that means for users actually consuming those plug-ins: well, that can only be answered when developers have had some time to work with the new operating systems. If you are a developer, you can read up on this in the iOS 9.0 release notes and App Extension Programming Guide.
This could be exciting for the prospect of using an iPad to act as a plugin host, especially if Apple finally allows us to use an cable to interface with the iPad instead of wireless. I know- as per my comment above, it needs a server daemon on OSX, but only requires the VST on Windows. An iPad app lets you touch anything you see on screen – not just a few pre-defined templates. Various third-party apps have turned your iPad (or, occasionally, Android) into a control surface for DAWs. What Apple didn’t do was provide touch interfaces for all its instruments and effects. That’s where V-Control Pro, a third-party iPad DAW control app, has a killer feature. V-Control Pro has some superb features for working with Pro Tools specifically, but it has robust support for other apps, too.
In Ableton Live, you get the sort of mixing window Ableton and transport window didn’t give you on screen. Multi-touch fader control and automation mode switching and gestural control of the faders. Edit, store memory positions, zoom, control windows, scrub, and shuttle (slightly different in different apps). V-Windows can float atop the interface, too, if you don’t need to maximize all your space.
Pro Tools is supported fantastically well, down to this keypad for inputting shortcuts in editing. Looks cool but far too expensive to take a punt on, as I can imagine the V-Window feature being the main draw and also not imagine it working as well as you’d hope (based on using other remote desktop apps). I believe the main drawback (not aparent in demo version) is that the V-Window is not multitouch.

I bought V-Control months ago for using with Reaper, recommended it to a friend who runs a local Pro Tools-based studio, and he’s been in love with it since! It’s such a weird coincidence seeing this article pop up now, just hours after I started thinking about using it again for the first time in ages.
Plugins need resizing and grey out when windows are closed – nice idea but needs some work I think. This is a new concept for Logic, but sister program MainStage has had this functionality since 2009.
Absolutely – I mentioned that in passing in my review but maybe worth explicitly showing an example. Now, that said, to me the appeal of using this app with Logic has more to do with mixing and arrangement than V-Window. Other than the above, latency improvement is the obvious one; even running via ad hoc network there is a bit of a lag going on.
I have a dream to be able to play NI Battery through my ipad’s screen ?? Bring on multi touch osx, faster V control and we’re in business! Once the layout is done, using an iPad as an interactive, do-anything-you-want, Star Trek-style music and visual controller is a unique pleasure.
Lemur is perhaps the most powerful controller app anywhere, a terrific demonstration of why a tablet controller can be useful. The new Lemur – in-app editing, new skins, and still the mobile controller app to beat.
Entirely tailored to iOS interface paradigms, in-app editing does everything you need to customize control layouts, says Liine.
For novice users, this means a much smaller learning curve and an immediate initial experience. For advanced users, the In-App Editor provides the possibility to quickly edit templates without breaking the musical flow.
Experience the ultimate Ableton Live controller, designed in partnership with master designer ST8. Some people may still prefer doing initial editing on the desktop app, but it’s hard to imagine anyone will complain about at last being able to make adjustments on mobile. A new Ableton Live controller template will be available as a free download early in 2013, says Liine. One simple but critical difference between the two: Lemur protects your controls from each other. Lemur can create a grid of buttons, and within that grid, you can drag your fingers from one button to the next like you would in beatsurfing. Playing around, I do wish there was a hybrid semi-capture available on some of the object types. In an array of triangles forming trees and snowflakes, a festive holiday geometric pattern turns into a musical playset. It’s a free browser toy from Ableton, in celebration of the holidays, and a nice little diversion. To make it work, start clicking on triangles, and you get some polyrhythmic tunes and percussion. DJ developer Algoriddim have been able to carve out a place in the market partly because they aren’t Serato, Native Instruments, or Pioneer. The true point of this is smart keyboard support because it means you could charge the ipad meanwhile you can plug a HID controller… So we could expect some combos of audio cck + HID controllers (cough Native cough) or even bt additions in some point of the equation. For those of you that can not help but be petty and flat out mean put a link to your own blog and see what happens.
It was one of those things that was indeed so interesting that … I failed to come up with something to say about it.
You can build a multi-effects pedal that has any number of effects, made in that modular system. The Axoloti allowed a mobile DIY box that happily fits in a rucksack – and that means making some music out in nature in the sunshine.
True to the open source quality of the device, Mark Harris has added support for just that, and shows it off with a Madrona Labs Soundplane and an Eigenharp Alpha.
Apple has been unmatched in terms of how appealing they make their mobile platform to developers.
It’s now possible to buy a new phone or tablet very cheaply with high-end performance capable of running demanding music apps.
But since they use up the Lightning port, until now, you have to watch your battery when you used them. I suspect that there may even be some marketing numbers behind that; Apple leaves little to chance. The extension point also brings a full audio plug-in model to iOS and lets you sell Audio Units on the App Store. Audio apps already make use of the Audio Unit API to talk to the audio stack in the OS (it’s actually how we implemented libpd). I’m only speculating, but this seemed strategically inevitable the day GarageBand and Logic moved to the OS X App Store. I know there are 3rd party solutions out there (and have them) but it would be ever so nice if they gave us serious music type people what we need to make the iPad live up to it’s potential for music creation.
Here, Pro Tools Eleven amp, full-screen in the app as you’d see it on your desktop, but touchable. And as I said in the review, that was especially odd when some already looked like iPad interfaces. Sure, those GarageBand instrumental controls are fun, but V-Control Pro gives you a proper mixing window and more dedicated transport and marker controls. Whereas most iOS apps (and Ableton’s Push hardware) focus on live work in Session View, this finally gives you a boost when mixing and arranging. It’d be nice to see that in the future, and perhaps we will if the iPad app catches on.

But as your fingers surf through virtual knobs and faders, the idea has surely occurred to you: why can’t I actually do my editing and layout on the iPad?
Any basic configuration, such as a typical bank of faders, can now be created with a few familiar taps and gestures. Whether you’re playing with live musicians or engineering a track in the studio, designing and using the Lemur controller becomes improvisatory. And, as you can see, by using iOS-native UI components, Lemur makes sure those editing tasks are fat-finger-friendly. Now, you don’t have the variety of pad shapes you do in Beatsurfing, but you can certainly get close. I tried to make one with the original lemur hardware but it did not work for some reason related to sysex, i do not remember. But it also includes a design that’s tailored to the new powers Apple has added to the iPad Pro. From the beginning, they’ve made Apple-centric products that are friendlier to beginners, but doing so without necessarily dumbing down functionality. That alone could transform this into must-buy category even if it’s sitting alongside an existing DJ rig. So you heard that right – having traded in your laptop for an iPad to get rid of the keyboard, you wind up adding it back again to get keyboard shortcuts. If anyone’s worried about the business model there, I can tell you that the result has been buying even more music. The hardware is paired with a graphical modular interface – one that immediately had people thinking of the beloved (but defunct) Nord Modular. Plus you can work with analog voltages and PWM outputs and MIDI from the board, plus stream audio files from its SD card.
The problem is, that means contending with an operating system and configuration, for starters. And you can actually put it on the floor underneath your feet, which you probably don’t want to do with your MacBook Pro. And that means the platform is likely to continue to attract both users and developers, in a continuous cycle.
This is stuff that wasn’t even available in the top-of-range iPad up to fairly recently, and it now exceeds what was not so long ago laptop performance. And since that’s a phone Apple sells in big quantities, that means the installed user base with that horsepower will increase in a hurry. A lot of us were dreaming of something like this since the very first time we laid eyes on a computer.
I expect this will mean a new generation of apps that push horsepower more than they have in the past, which can be relevant to more CPU-expensive effects and synths. Whereas combining audio tools has so far meant connecting apps via Audiobus or Inter App Audio, you’ll be able to install Audio Unit from the App Store and, for instance, add a delay effect to your favorite production app on the iPad. What was missing was a way to distribute Audio Units as add-ons for apps; this provides just that.
Third-party developers had told me they thought Apple would push sandboxing for audio plug-ins on the desktop. And that means people long wanting a traditional mixer control for Live will feel right at home. And the added flexibility to control anything is nice – at least until Apple, I hope, adds more control layouts for their built-in features. But switching between an editor on the desktop and the layout on the tablet definitely feels less intuitive.
And coming early next year, there will also be a free layout for Ableton Live from one of the best creators of this stuff, ST8. Choose a key and scale to guide your melodies and use Quick Chord to instantly create harmonies. Of course, this is also momentous as we’ve never seen browser development officially from Ableton, and this uses the new audio APIs in modern browsers.
So on one hand, don’t dismiss djay Pro by comparing it to a couple of Pioneer CDJ-2000nexus decks and a boutique rotary mixer. Part of why I use an iPad mini is because the iPad Air size is still somewhat cramped, so I choose portability. There’s even 4K video support, though good luck working out how to store all that video.
Then, by the time you’re actually running the music tool you want, you may have to contend with unexpected performance issues in the embedded environment. And it also means you can run more apps together on one device, which is the other reason this trend may lead more people to try out production on the iPad.
Fortunately, music developers have been a uniquely resourceful bunch and have done more than the rest of much of the App Store to support older devices.
It can be a little bewildering at first attempt, but once you get the hang of it, you can do it in seconds. Use the Modulate page to flawlessly map any parameter from any plugin to the MultiBall object and take advantage of Physics, LFOs and gesture recording. But everything that looked small on the previous iPads looks, weirdly, exactly the right size on the Pro – and this is exceptionally so, enough so that you might finally trade in physical controls for touch.
This could change the way plug-ins work on the desktop, though keep in mind that hosts from Steinberg, MOTU, Ableton, and others will likely continue to support some mixture of VST and existing AU formats (plus AAX and the like from Avid). But rather than making you awkwardly try to navigate a computer screen entirely from a tablet, V-Control Pro combines dedicated remote controls and the remote windowing on the same screen. While strikingly similar to Steinberg’s offering, Apple earns points for adding instrumental control, interactive help, and something called Smart Control.

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