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Whether it?s the speeded-up glow of car headlights in a night-time city scene, an alien spacecraft or a deep-sea jellyfish you?re recreating, this far-out neon look is a highly useful trick to master. In this tutorial, Tony Ariawan provides a step-by-step guide to creating this look, using simple resources and Photoshop tools. The design we’ll be creating this time makes use of a radial pattern that draws in the viewer to the centre. Create a new document in Adobe Illustrator at the dimensions of your preference and draw a rectangle across the whole artboard. Go back to Object > Blend > Blend Options and adjust the settings to Specified Steps with a count of 8.
Draw a line from the centre of the document, then with the Pen tool add a point at the halfway point. Repeatedly press the shortcut CMD+D to repeat the transformation until you have a series of 20 lines spaced evenly around the circle. Draw a selection across all objects, then Shift-click the background rectangle to deselect it.
Right click and Ungroup, then delete out the excess linework beyond the edges of the artboard. On the next and subsequent rows select alternating shapes to create a chequerboard style pattern. Use the green gradient to fill the leftover shapes in the centre area of the pattern, then switch to blue for the next row. Alternate between blue and green fills until the whole design is filled with gradient colours.


After a lot of clicking and dragging all the gradients will follow the same radial path, which gives the design a much more dynamic feeling. The vector work is complete, but let’s switch over to Photoshop to give the design a more tactile feel. Change the blending mode of the texture to Overlay to allow the texture and colours to interact with the vector pattern. Switch back to Illustrator and clear out the fills from all the objects, then add a white stroke.
Go to Filter > Blur > Gaussian Blur and enter around 3px to take the harsh edge off the white strokes. Change the blending mode to Overlay at 50%, then dab a few spots of black with a large soft brush on a layer mask to adjust the impact of these glowing lines. Add a soft spot of white in the centre of the design and change the blending mode to Overlay to finish off the design with a vibrant highlight. Our cool abstract radial pattern design is complete and ready for printing as a large format poster. Access All Areas members gain instant access to 100s of premium design resources & source files. But I think for this tutorial with things that could be as easily done all in Ai without Ps could be preference for your (broad) audience. It conveys a sense of movement and energy, and the colours can be tweaked to give a surprising range of effects.
He shows that you don?t need particularly advanced tools to create a high-tech look: sometimes the simpler tools, applied with care and skill, can have far more impact.


We’ve used similar techniques on the 3 poster a couple of years ago and more recently on a colourful abstract poster. Alternating colours give the design a cool and funky feel and textures add a touch of authenticity to the artwork.
Use the Convert Anchor Point tool to drag bezier handles from the point to give a smooth curve.
Create a Compound Path (CMD+8) then with both the compound path and background rectangle selected, click the Divide option from the Pathfinder palette.
The Photoshop steps really transform the lifeless and flat vectors into a tactile and authentic feeling design while the radial pattern draws you into the centre.
The millions of stuff you can do with computer made me switch to CAD illustrations from manual! Follow this latest step by step guide to create a cool abstract design complete with radial pattern and alternating colours. Have tried using the direct selection tool and also trying every line around the shape but have still got some obstinate bits just refusing to let me select and fill them!
I filled the whole lot with white (any colour would do though) then was able to click anywhere in the shapes and fill with gradients.



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