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In this tutorial, Tyler of Tylers Photo Video covers advanced color correction and color grading using adjustment layers and secondary color correction to make detailed changes to specified colors in premiere pro CS6. Vsevolod Pudovkin was a Russian filmmaker who developed many modern influential theories of montage.
Welcome, in this tutorial I will show you how to create a retro music video effect in After Effects. By creating a mask we can remove troublesome areas to key out and save a lot of hassle in the long run. But to make sure we keyed out all of the green screen let’s look at the alpha channel of your footage. Step 4; If you notice that there are any random gray spots or holes in your footage you will need to fix those in order to properly composite your image. Select the Tritone effect in the bottom layer and change the highlights color to a brighter color.
Duplicate the singer precomp layer several times moving each one back in the Z and X position. Learn how to create the zoom and pan effect made popular by documentary filmmaker Ken Burns.
To create a Ken Burns pan and zoom effect in Premiere Pro, we’ll be using keyframes for the zoom and position parameters.


After you click and enable the stopwatch for a parameter  Premiere Pro automatically adds keyframes when a parameter is adjusted.
I usually scale up just a little bit and adjust my position to zoom into the main subject of the image.
Now, whenever you need to achieve the Ken Burns effect again, just look in your presets folder in your effects window. The Ken Burns effect is a type of panning and zooming effect used in video production from still imagery. The feature enables a widely used technique of embedding still photographs in motion pictures, displayed with slow zooming and panning effects, and fading transitions between frames. I like to move the anchor point to a specific item in the photo so you can zoom directly to it without position keyframes. The Tritone effect remaps the bright, dark, and mid-tones of an image using the colors you select. At the moment it’s taking on the orangish tint that we created from the Tritone effect. Turn on the stroke for the text and turn off the fill so that the center of the text is hollow. Change the defocus value to make your foreground objects sharp and the background objects blurred.


Using this effect makes plain and static subjects come to life with simple zooms and movement.
So, all we have to do now is navigate to the LAST frame of the clip and adjust our scale and position parameters.
Change the colors of each text’s stroke to the primary colors to make it vibrant and retro. In our effects controls window, click the stopwatch icon next to the SCALE and POSITION parameters. As soon as you adjust the parameter, a new keyframe is automatically added at the current time. It helps to draw the viewer’s attention in, as if they are leaning in closer to the subject.
In Premiere Pro, like most video editing applications, you can even get really creative and add keyframes to things like color effects, blurs, etc.
As you can see, creating the Ken Burns effect in Premiere Pro is really simple and only takes a few seconds.



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