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Incredibly, the $3,999 pair of floorstanders is right at home in a six-figure reference system, throwing out a wide soundstage that both extends well beyond the speaker boundaries and claims three-dimensionality—each member of Cream takes up a distinct space in the listening room—that paints a vivid picture of a seemingly in-progress live event. In the early 70s, Polk Audio grabbed the audiophile world’s attention with its legendary SDA-SRS speaker system and has since counted a number of significant milestones. When introduced in 2001, the LSi series garnered rave international reviews, proving Polk a solid contender in the audiophile speaker market.
The LSiM707 constitutes a four-way system with many new features, some of which break new ground and some that refine past processes. To ensure the speakers would perform at the top level, Polk made substantial upgrades to its in-house listening room. Placing the speakers five feet from the rear wall, with the tweeters nine feet apart— combined with five degrees of toe-in and a slight rearward rake—proves optimum in my room.
The LSiM707s’ slight out-of-the-box stiffness vanishes after about 50 hours of playing time, unveiling speakers much more sophisticated than what’s intimated by their price.
While listening to a $20k pair of speakers reveals the areas in which the LSiM707s fall short, this review isn’t meant as a shootout. The 50 watts per channel that the CJ amp provides is great for most listening, but the configuration particularly excels at vocals and mellower music, as illustrated by Mobile Fidelity’s 24K CD of Tom Petty’s Full Moon Fever.
Swapping the CJ gear for the C500 preamplifier and the 450Wpc MC452 power amplifier, I effortlessly buried the big, blue power meters courtesy of albums from Van Halen, Slayer, and Nine Inch Nails. The LSiM707s’ greatest virtue owes to their overall performance level; they have no shortcomings.
It would be easy to say that these speakers’ only errors are those of omission, but such a statement sells them short.
Most importantly, for music lovers on a budget, the LSiM707s still deliver a very musical performance when paired with a garage-sale receiver. Revealingly, on our way to the airport, Suskind commented that Polk “wants the LSiM707 to be a gateway to the high end on a reasonable budget.” The company accomplished this feat—and much, much more.

Payment & Security We offer 10% Discount to Students to claim this discount please enter Student10 at checkout and your discount will be automatically added. We use Sage Pay and Paypal, both forms are highly acceptable, recommended and safe forms of payment over the internet. The veil is what changes things from a pretty dress into a wedding dress, and this one does that job and then some! Made from premium compression performance fabric, RB Runway offers an ultra firm hold for muscle support. I wanted that midrange openness and neutrality,” remarks Mark Suskind, Polk Audio’s VP of Product Line Management, as we listen to the nuances in Ginger Baker’s drumming through Polk’s latest creation, the LSiM707 speakers. The LSiM707 brings the history full circle by leaning on nearly 40 years of speaker-production knowledge. A cutaway view highlights the attention paid to every facet of the design—from the Dynamic Sonic Engine that incorporates Polk’s latest ring radiator tweeter and Extended Motion midrange driver to the meticulously assembled crossover network, featuring premium capacitors and inductors. Visiting the company’s Baltimore office reveals a full complement of Audio Research Reference electronics—amplifier, preamplifier, CD player. The LSiM707s sound good without critical placement, but taking the time to make adjustments to rake angle results in superior imaging.
The ARC REF gear and dCS Paganini CD player highlight how the speakers perform in very high-end systems. A few snooty local audiophile associates experienced the LSiM707s (albeit with the Polk logos hidden from view) in my full ARC system.
Todd Martens’ column (on page 88) inspired a maximum-volume romp through The Downward Spiral that left me invigorated and convinced that the LSi707s play at high levels without instilling listener fatigue. It’s one trick to play really loud, but these speakers possess the necessary finesse to capture the essence of acoustic instruments. We use industry recognised website developers that develop our site using secure encryption codes to ensure safety and privacy. Yes, these are handsome speakers, available in a Mount Vernon Cherry medium wood finish or Midnight Mahogany a black ash wood finish. And, there are a few things the naked eye cannot see, such as the aerated polypropylene woofer cones and rigid internal cabinet bracing.
No surprise, then, that the LSiM707 yields excellent results when plugged into my ARC REF 5 preamplifier and REF 150 power amplifier.

Sure, the process requires a few minutes per speaker, but it’s made even easier with the iLevel Pro app for the iPhone. My recently rebuilt (fresh power supplies and full CJD Teflon cap upgrades for both units) Conrad Johnson MV-50 amplifier and PV-12 preamplifier, along with a BelCanto CD player, makes for a great setup that won’t break the piggy bank yet still renders highly satisfying performances. When asked to guess the cost of the mystery component, they estimated between $10-$20k, a conclusion spurred on by my spinning of well-known audiophile favorites. Comparing the LSiM707s to speaker favorites in the $4,000-$5,500 bracket is more useful and interesting. They seem minor, yet these minute details allow you to forget about the system and concentrate on the music. With a recent listening session to the mastering of Music Matters’ analog edition of Herbie Hancock’s Empyrean Isles burned in my memory, I eagerly played a test pressing of the LP via the LSiM707s. They could be teamed together with a dressed up or dressed down look which makes them a wardrobe must-have! Is this a Fringe episode where in an alternate universe Polk Audio rules the world of high-end speakers and Walter Bishop blasts Cream in his laboratory while he investigates the unknown? Slim, magnetic grilles keep fingers, noses, and prying guests away from the drivers, or you can use the speakers bare and showcase the gorgeous gloss-black front panel. For budget-conscious music lovers that might make the LSiM707s a foundation on which to build, a vintage Pioneer SX-434 receiver and 563 universal disc player only add $200 to the cost of the Polk speakers. After the guinea pigs became convinced they were listening to $20k speakers, I finally dropped the bomb by informing them the Polks fetch $3,995 for the pair. Plus, to be all they can be, they necessitate a $10k high-current, solid-state power amplifier. The well-designed crossover network also provides a top-to-bottom coherence that’s rare at this price.

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