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For this reason, there are two aspects to the Film Connection Film Editing School: the storytelling aspect and the technical aspect.
Please review what you will learn by attending our film editing school with one-on-one instruction. In this lesson, you will continue working on a rough cut and incorporate the techniques of cutting to music and narration.
In this lesson, you will further your command of the program by creating subclips from clips, adding Markers to clips, and using the Replace edit function. In this lesson, you will learn the basics of changing some of the motion properties, which includes speed, freezing a frame, and adjusting size and position. In your final lesson, you will cover how to export your cut in a variety of different ways. Coursework is delivered via distance education and completed at a location determined by the student. Cross-disciplinary courses that give the students the knowledge and understanding of all the aspects of visual storytelling enabling them to direct and communicate with their collaborators and to fully express their ideas on film or video.
The Editing major is specifically designed to give students professional preparation for a career as a film or electronic media Editor. Bachelor of Fine Arts is a 3 year program which provides a broad introduction to the fundamental elements of filmmaking with the possibility to major in Editing. Master of Fine Arts is a highly personalized 2 year program designed for students who have either a Bachelor’s degree in cinema or Fine Arts or who have had extensive professional experience.
The first year consists of intermediary and advanced courses in the key disciplines of filmmaking (directing, cinematography, screenwriting, production and editing) as well as hands-on-film exercises and shorts. In the second year the emphasis is on the student’s thesis film with the possibility to major in Editing.
This lesson is not intended to teach you the mechanics of how to use various video editing software. First, you already had either a script or some kind of storyline developed before you began videotaping. Using this tape log, you can begin selecting the clips that you’ll use to edit your production. So let’s say that you just want to start capturing video on your hard drive by using your script or storyline. Follow the chronological timeline of events – start at the beginning and end at The End.
Now let’s take a more detailed look at the possible footage and edits that you might use to follow these four main principals of editing a story.
Follow the chronological timeline of events – Even without a narrator, we can use the interview from the elderly fisherman to set the stage of time and place.
Develop story from simple to complex – Now that we know when the chemical plant was built and where, we can begin revealing more of the story with simple to complex development.
During all these various edits of scenes that help tell the story, we herd the chemist telling his part of the story.


Follow logical continuity in the unfolding action – This part should be pretty easy and makes perfect sense in getting deeper and deeper into the story.
Orient the audience with sequences that universally go left to right, down to up, close to far, and far to close. Avoid jump-cuts which is editing together two very similar scenes without a change in camera angle, subject or focal length. Cut-aways on the other hand, cut away to something else related subject or separate simultaneous action, such as a duck swimming in the river looking, or another person looking at something. People entering or leaving the scene can also be used as introductions to a new scene or as a final clip when leaving a series of scenes. So, that’s a jump start on some of the editing techniques that will help your viewers navigate through your storyline on a gentle ride without speed bumps. Often considered just a film technician, a good editor is, without doubt, much more than that. You will learn how to edit your marked clips to the Timeline using the Overwrite and Insert functions as well as the drag-and-drop method. You will gain a better understanding on how to use the Selection, Ripple, Slip, Roll and Slide tools to adjust edit points. You will learn how to create an online sequence, mix audio using the mixing layout, and perform basic color correction. You will export a QuickTime movie, QuickTime conversion, audio only, and learn how to export to tape. Students have additional required courses in their major as well as workshops, and one-to-one tutoring. From that, you maybe also made some notes on what and who you videotaped, and on which tapes they are located.
However, if you want to skip making a tape log or even forget making a rough edit on paper by listing the clips, you can jump right in and begin capturing (digitizing) your desired clips to your hard drive in preparation for editing. Yes, although capturing can be tedious work at times, capturing and identifying what footage will eventually be used is a crucial part of the editing process. At this point, rather than let the chemist talk anymore about his role and risk letting the story become boring, it might be good to switch to either someone from town or an official from the chemical company to further develop the story.
But an editing trick that you can use to build tension as you unfold the story is to use shorter and shorter edits with interviewed people and the cover footage as you get closer to the climax of a point in the production.
You’ve shown setting, characters, conflict, protagonist, antagonist, on a timeline with rising tension. Watch out for connecting video clips that pan or have action moving in opposite directions.
While you apprentice (extern) one-on-one under a professional editor in a post production facility learning Final Cut Pro, you will also learn storytelling from our structured course curriculum for Producers and Directors. Furthermore, you will learn how to change Timeline parameters and adjust a clip’s audio within the Timeline and Viewer. In addition, you will work with adding cutaways or insert shots to your sequence with the drag-and-drop and three-point-editing techniques.


You will also learn how to use the three different capturing methods: Capture Clip, Capture Now, and Batch Capture.
Furthermore, you will learn how to apply video and audio filters to clips, copy and paste attributes, and add basic titles to a sequence.
The students have the opportunity to work in most film and digital formats including 16mm, 35mm and HD, including the latest Red and Panasonic HD cameras. Students also have the opportunity to work on EICAR productions -other than their own-  in their area of specialization and, when available, to work on professional productions, as interns. There are several ways of planning your story on the timeline although you probably know much of the story by heart. Keeping them sorted in folders that make sense relative to your story will help later in organizing production workflow. But as you go, take notes about what clips you’re capturing and where they will fit into your production. He talks about yesteryear when the river flowed clean, full of big fish that were good to eat.
Just use the most appropriate interviews to tell the story of what the plant does and why it may be polluting the river and the town’s drinking water. It could even be a worker in the plant who helps make the chemicals who also lives in town and his family drinks the water.
Trying to tell your entire story in a documentary with one interview after another can be both tiring and perhaps boring to the viewer. Instead, break up the two clips in between with cover footage of the chemical plant or river.
These are ECU’s (extreme close-ups) of hands in action, chemicals, fish, discharge pipe, faces. They also serve as a smooth transition between different scene locations or create bridges between segments.
It is no wonder that within the film community, a good editor is highly revered, and considered a magician with the power to make or break a film. That way, you’re already thinking ahead to other footage to keep your eye open for during capture. At the end of each edit is a note about what type of transition from one clip to the next might best fit that flow and part of the story. Even 15 to 20 seconds of various edits will give them time to digest what you’ve already shown them and possibly set the stage for your next section or interview subject.
Here’s an example of a short editing sequence where the company chemist is talking about his job and what he thinks is coming out of the discharge pipe.



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