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Actually, this is a list of pretty frickin sweet drum sounds, and again, they’re free. You have to sign up and provide them a valid email address, which they use to send you the free drum kits, but I did this and the sounds sound pretty good. Here’s another rather extensive list of some great drum sounds that should suit a hip hop producer well in their production. Email sign up required, but based on the quality of the demos posted, sounds like it’s worth it for the great sounds. Fast forward into 2013, Yung Ced is one of the most-popular rising producers in the game and is working with everyone from Maybach Music to Juicy J. How does it feel to be a part of this new generation of producers, along with Billionaire Boyscout, Mike WiLL Made It, Lil Lody, and the others?
Here's an odd paradox: while hip-hop has the lowest entry-level of all genres - all you really need to perform it is a mouth and maybe a mic - producing appropriate beats for your tracks can be intimidating.
MusicRadar is part of Future plc, an international media group and leading digital publisher. This eclectic collection of stock music brings together dance styles with salsa, hip hop and techno in 12 premium quality recordings. Check out these poll results from fellow music producers on music production hardware, music software, making music, and more. Beat Selling Website Template – 20+ Tools to help you sell beats, products, and promote your music.
Hope my fellow hip hop heads found this post useful, got some great sounds out of it and maybe discovered a few other great sites to keep in your digital arsenal as you continue down the road of music making. I will be producing songs submitted for Rick Ross’ new project and I have produced for Rockie Fresh. Right now, I am lining stuff up with Future, DJ Khaled, Meek Mill, I have also submitted stuff to Ludacris, Wiz Khalifa, and many others. Hip-hop has so many recognised masters and defining styles that fabricating a winner can feel tricky. You can unsubscribe at any time and we'll never share your details without your permission. Use these sound clips as background music for websites and multimedia projects or as production music for film, video and TV. If you make music, download these free drum kits, use them in your productions, load em up in your MPC, EXS24, Kontakt, Battery, SP 1200, Halion, Sample Tank…I think you get the idea. The biggest current producer in the game, Mike WiLL Made It, is among those producers Yung Ced is working with. Yung Ced went on to explain what doors have been opened up since then, which includes him having the chance to meet French Montana.


It was crazy to be with them, especially with all the different major people that came into the studio. As with all production, making great beats depends on getting the fundamentals right - and that's what this guide is about. I haven’t had the chance to get into the studio with him yet, but I like what he did to my beat. Whether you aspire to be the next J Dilla, a newschool DJ Premier, Just Blaze's second coming or something else entirely, there are certain key elements that it pays to get right from the start. You won't use all of these techniques all of the time, but if you start producing tunes without this knowledge tucked away in your mind, you'll find things very difficult indeed.
Nothing will set you apart as a great producer faster than applying your own unique style and spin on things. Get the basics down and then start innovating and producing beats that will have MCs banging on your door.
If you want it to be a huge radio and club hit, you'll need to focus your energies on making everything as hard-hitting and powerful as possible. But if your song isn't going to make it into a club sound system or onto the stage, it pays to spend some extra time focusing on the details of your track - things that will be picked up by someone listening intently in their living room, rather than someone dancing their behind off on the floor. Let the beat build If you're making a track for an MC, one of the most enjoyable ways to show off his or her (and your) skill is to create a track that mutates as it progresses. Forget traditional hooks and verses: start with a simple drum beat, then gradually begin adding other elements to it. Once things have built up, you can start twisting the drum beat and switching tempos and rhythms, in order to create an ear-catching track. Get your MC to freestyle in the booth and listen as they try to keep up with the changing rhythm. Cold world Most of the time, you'll want your effects to be largely 'wet' - but don't underestimate the appeal of dry, 'cold' sounds, either. Used sparingly, a completely dry instrument can have a great effect in a track; just ask Pharrell Williams! For nearly as long as sampling has existed, people who make records have been suing those who 'borrow' their sounds. If you're not a well-known artist or signed to a major label then the chances are you'll slip under the radar - until your track with that great James Brown sample takes off, at which point you could be in a whole heap of legal trouble. If you're serious about using samples, invest money in getting them cleared (there are services that do this) or use royalty-free ones only. Turn it off and your tracks will exhibit a human touch - but in a genre where flow, rhythm and tempo are very important, doing so can often be counterproductive (not to mention disruptive for your MC). Chances are, you'll want to have your DAW's quantise function turned on for most of the time.


It's often better to activate it while laying down the notes and then manually tweak them afterwards so that they sound a little more natural and human, if necessary.
Soundbombing Don't be afraid to use unusual sounds in your tracks - it can often add a level of shine that puts your song above others.
In Nas' classic single Nas Is Like, producer DJ Premier underscored the hard-hitting drums with the sound of birds chirping, creating one of the most recognisable loops in hip-hop. If you've got a microphone to hand, try recording unusual percussive sounds, and layering and processing them to create something a little bit different. It can often be tempting to overload your track with elements, throwing in dozens of samples and drum breaks. While this can be effective, it can also lead to a muddled track with too many different things competing with each other for space. Some of the best hip-hop tracks are built around two or three very simple elements - think Dead Prez's Hip-Hop, which consists of nothing more than a bass drone and some ultra-simple percussion.
Have a go at producing a track with just a simple drum line, a couple of sparse keys and a bassline. While there are certainly songs that use them well, many end up sounding discordant and cheesy - as Lil Wayne found out with his disastrous rock project Rebirth.
If you do decide to lace a hip-hop beat with some rock riffs, don't go overboard, and EQ them wisely to create room for other elements in your track.
Blow the horns Horns are perfect for setting off a rap track, giving your production an instant injection of energy.
For example, a simple sequence of high-pitched, rapid-fire horns will sound a lot better if they're underscored by a steadier, lower-pitched horn sequence.
No biting allowed New hip-hop producers often start out by trying to make their tracks sound like Dr Dre, DJ Premier or J Dilla - as we have in this tutorial. This emulation technique is good for developing your ear, and is absolutely fine… up to a point. Remember that while using the styles of these producers as a jumping-off point is OK, you don't want to emulate them too heavily. Rather, you should focus on creating your own sound and your own take on things - it'll help you to stand out from the crowd in the same way that they did.



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