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The second step in creating a Sumac database perfectly tailored for your non-profit is to choose your Add-on Options.
Sumac Collection Management is an extraordinarily powerful tool for managing any number of distinct collections of artifacts or archival documents.
If your organization is a museum or has a large museum-like collection or archive, this Add-on Option is for you.
Prepare lists of objects for special exhibitions by dragging them from one window to another.
Sumac non-profit software is an easy-to-use, affordable CRM solution that can be customized to meet the needs of any non-profit. Unsupported browserThis site was designed for modern browsers and tested with Internet Explorer version 10 and later. Now we select this new anchor point and take it higher than the line and we separate the lower anchor point from each other to obtain an object with this approximated shape. Pressing Alt key (that it is used to duplicate –you will see the black arrow together with a white arrow), we drag the object. As our button will have an inner insertion –some kind of assembled object in the frontal part- we will repeat the previous steps but this time with a much smaller and shorter object.
We use the same duplication method described before, rotating the object 120° to obtain also 3 identical objects and evenly distributed. Finally we create a simple circle, a vector that will be used as LEDs that will light up the button in its hover state.
Now we select all the vectors and pressing Ctrl+C (Windows) we copy them into the system clipboard. Using dark grey and black colors, we create a Radial gradient and take it to its maximum scale (130-150%). The order of the layers is the one you see in the picture and do not forget to name every layer to organize better your work. Making a double click on the layer at the main button window, we open the Edit window of this layer styles.
Now we make the chromed surface more complex by adding more lights and shadows details to the metal.
With Inner Glow we add an inner beveled edge to the button as if it was 3D, trying to make sharper the merge with the object’s background. Still holding our selection (which will become visible again with Ctrl+H) we reduce it some pixels to erase a little of the work we have done with the brush and achieve a more sophisticated effect. We hide this selection again by using Ctrl+H and pressing the Delete key we erase some parts of our previous brush traces.
Let’s create a new Inner Shadow in the inverted angle just like we did before for the main button. The following step is a Drop Shadow used as a lighted surface by the Blend Mode Screen and the white color. In this picture you see how we can add an external beveled edge to the icon, using a 3 pixel stroke of the same color than the button surface and then applying the Stroke Emboss effect with these values. The Stroke Emboss effect as an option to create a beveled edge will allow us to create the beveled effect of the icon on the background. Finally we add a metallic texture to the icon using a gradient as you can see in this picture. With this inverted selection we create a mask to obtain the final shape and size of the leds around the button.
With a Stroke with same color of button surface (use color picker to get it) we create a small bevel around these lights. With Bevel and Emboss we give an upper shadow and a bottom light to our Stroke (as if the light from above would impact on these beveled edges). With an inverted Inner Shadow and Multiply we create an acrylic reflection over the upper area of these leds.
We finalize the edition of these objects with a Drop Shadow that allow us to give the idea that these details in the button design change the background surface, pressing it down and creating shadowed areas around them. Now with a gradient at 50% transparency and Blend Overlay (using white and black colors that are set by default in the gradients editor) we reach this spherical sensation on the button background.
With white Drop Shadow and Blend Screen, we create the lighted up area of these beveled edges. Follow this step by step walkthough of the design process for my recent gothic typography design.
Once all the type customisations are made, Merge all the elements together using the Pathfinder tool.
Draw a large black rectangle across the artboard to use as a background on a new layer and lock it in place.
Right click and Ungroup the two text elements then add a white fill to the newly created outline.
Select the outlining shape then go to Object > Path > Offset Path, this time enter 0.75mm in the options window. With the newly created black outline still selected make another Offset Path of 1mm and fill it with white.

Each letter’s outline currently overlaps the previous letter, which looks a little ugly. Select all the original letters from the centre of the design, copy and paste in front (CMD+F).
Draw a clear rectangle covering the lower half of the text and use this along with the Subtract option from the Pathfinder to trim down the white text. Select and nudge the two side points inwards to make the triangle thinner, then move the upper point vertically to stretch it out. Make a Compound Path out of the triangles, then make copies and position them over each letter where the white and black shapes meet in the centre.
Working on each letter individually, make a copy of the original black letter, send it to the top (CMD+Shift+]) and use this as a tool to trim to the triangles to size using the Pathfinder Intersect option. Continue making copies of each subsequent letter and trim down the triangles so they sit perfectly inside the letter outlines.
To trim the lines down so they fit inside the text we’ll need to create a duplicate of one of the outline shapes.
With the series of lines and the duplicated letter outlines selected, click the Intersect option from the Pathfinder palette.
The lines have been trimmed so they fit within the text, but we don’t want them to fill the centre of the text. Use the Pathfinder once again, but this time choose the Subtract option in order to punch out the letters from the linework so they fit exactly into the confines of the outline. Elsewhere on the artboard use a duplicate of the small triangle to create a radial flare with the Rotate tool.
Make copies of this group of radial triangles and position them across the design wherever there’s a concave corner. In order to finish off the three dimensional appearance, some areas of the duplicated outline need filling.
Select all the newly created gap filling shapes along with the black and white outline and merge them together with the Pathfinder tool. Ungroup the vector elements in order to change the linework to white and switch the inner fill from yellow to black to match the rest of the design. Add an additional stroke to the black outline to give the text prominence against the detail of the ornamental elements.
Access All Areas members gain instant access to 100s of premium design resources & source files. I’m a noob to illustrator so still learning some things, but wanted to ask about the offset path steps. I flip through your blog once or twice a week, and I see a lot of stuff that inspires me to try, but today was the first tutorial I will go home and try step by step!
A team of neuroscientists and psychologists at the University of California, Berkeley, has created a detailed ‘semantic atlas’ showing which human brain areas respond to hearing different words.
Scientists at the University of California, Berkeley, build a semantic atlas to chart how the brain responds to language.
They listened passively to several stories selected from The Moth Radio Hour while brain activity was monitored using functional magnetic resonance imaging (fMRI). Then the scientists used the fMRI data and story transcripts to build computational models that predict brain activity as a function of which words the subject heard. PCA finds the most important dimensions in a dataset, which allowed the team to reduce the 985-dimensional models to only three dimensions, while preserving as much information as possible. According to Huth and co-authors, detailed maps showing how the brain organizes different words by their meanings could eventually help give voice to those who cannot speak, such as victims of stroke or brain damage, or motor neuron diseases such as ALS. For example, clinicians could track the brain activity of patients who have difficulty communicating and then match that data to semantic language maps to determine what their patients are trying to express.
Another potential application is a decoder that translates what you say into another language as you speak. Today you will be learning to create a clean light WordPress style layout and I hope all of you can follow this step by step tutorial.
With the Rectangle tool we click on the work area and a window will appear that will allow us to determinate the exact sizes for the object. Using the Plus Pen tool (to add anchor points to an existing vector) we add one extra anchor point in the upper side of the rectangle. In the Pathfinder window we unite the vectors: click the Unite option and click the Expand button to convert the group into one solid object.
It is a complex object to be done manually and this is why we use some techniques to achieve a symmetrical and ergonomic vector. The rest of the vectors can be created manually or in an automatic way without so much complexity. Please remember that in this layer style window you can drag the gradient to take its center to the place in the screen that you wish. Let’s duplicate as much layers as parts we have got -4 in this case- and eliminate the unnecessary objects on each of them leaving the shape we are interested in. We now have ready the frontal part of it that has an opaque surface that we will later add gloss and pseudo 3D extrusions.

With Bevel & Emboss and the Gloss Contour you see in this picture we add more little details to the surface.
The first step is to use the shape layer of the button and obtain a selection that will be used as a mask for it to be painted. With the Brush tool, using a 35 pixel brush and a 10% Flow, we paint inside a new layer some light reflections over the button, using white color.
This allowed us to paint manually and then polish our work creating a beveled edge area that reinforces the 3D aspect of the button and giving a plastic texture to its surface.
The size of this light must be 2 pixels to make it very sharp, as if it was a beveled edge that receives some light from above. This makes the observer interpret this object as a little beveled edged panel that is meshed inside the main button.
Actually it is not a button placed on a background: through some additional effects it will be seen as an inset of the background surface, that has a metallic stroke around and that contains a button inside that can be pressed down.
The first step is to give the Shape Layer the color #06B9FB, doing double click on it to edit its color. Now, by using a selection with 20 pixels Feather inside the new layer we make the background to have a convex appearance behind the button as if the background would come out from its center creating a soft 3D ball that will react to the above light.
You can use the Paint tool or the keyboard shortcut Alt+Backspace that paints the layer with the color you are using as Foreground.
We just need to create some beveled edges on the background using the symmetrical vectors created in Illustrator. The idea is that these would merge softly with the background and disappear towards the corners.
I'm a User Experience expert with more than 25 years in Advertising and Digital Art Direction. We’ll be customising a blackletter font with various black and white elements and creating a range of tones with detailed linework to create a cool gothic style design that would be right at home as a logo for a heavy metal band or dark apparel brand. These shading elements include a series of closely packed sharp triangles and a spread of horizontal lines. Send the merged item to the back then bring it back into the correct level using the CMD+[ shortcut. Hold Alt and Shift while dragging the triangle to the side to make a duplicate, then continuously press the shortcut CMD+D to repeat the transformation until you have a series of repeating shapes.
Continuously press CMD+D to repeat this transformation until you have a series of lines larger than the text.
Nudge this shape downwards vertically then switch the fill to black and give it a 0.5pt white stroke.
This particular vector pack is courtesy of WeGraphics and is available for download in the Access All Areas section.
The vectors really enhance the gothic style and disguise the text a little to make the design a tad more abstract. To validate these models, they were used to predict fMRI responses to a new story that had not been used before.
With the Preview option you will realize if the Radius softens correctly the corners: if the amount of pixels is excessive the object will look distorted and not softly rounded. We start by adding a circular gradient using the same background colors #333333 (dark gray) and #000000 (black). As the light of our scene comes from above, we will apply more brightness to the upper area of the button and we will enhance with little light spots some dark areas in the bottom part of the object.
Always save a .PSD file with these resources that provide a realistic and photographic effect to reflective objects. I've directed small and large creative and digital production teams and have mentored many colleagues. Choose as many as you like to create a complete solution to manage your entire organization. Track any number of dynamically-updated and dated information like conservation actions, insurance actions, locations, and provenance information, for any object. We will use Illustrator to create complex vectors and Photoshop to develop realistic effects. Make sure this gradient is soft from the center to the edge, increasing its size up to 120%.
We reproduce a chromed metal reflective surface where we use the resource of reflecting the horizon and the sky of an outdoor stage. Now I can go through and manually select the offset path, but I keep missing certain parts and have to redo it.

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