How to make your video slow motion in sony vegas,video making app for android,download free bluetooth software for mac - Test Out

Slo-mo is a special effects technique in which the action appears to be happening slower than its normal speed. Slo-mo is a powerful tool, so use it to its best advantage—whether your video is a dramatic feature or product demo. Slo-mo is perpetually popular with viewers, and with the release of slo-mo video features on smartphones like the iPhone 5s, recent Samsung Galaxy models, and entries from Motorola and HTC, suddenly everyone can be a special effects videographer. There are plenty of instructions out there telling you how to shoot, edit, and share slo-mo video, so rather than replicating the play-by-play, let’s consider compelling use cases and best consumer practices. The slow motion examples below, which were derived from YouTube, were shot with a variety of cameras and camcorders under a range of conditions to show how effective a slo-mo narrative can be.
To achieve slow motion with digital video cameras and DSLRs, you record at a faster frame rate and then play back at a normal rate.
Lights: Try to have optimal lighting for the slow parts of your movie (indeed your whole movie, too). If you’re on the street filming your masterwork, available light may not offer abundant lighting choices—unless you’re carrying proper lighting gear and are game for a more elaborate setup.
Because shooting for slo-mo is not the same as normal video, try unhinging your camera from the tripod. Consumer DSLR-type cameras can be used to shoot video, but make sure their specs match your needs.

60fps: The native high speed you’re most likely find on consumer and prosumer DSLRS and camcorders.
If you do not have a camera with a high enough frame rate for the effect you seek, you can turn to software packages such as Adobe Photoshop, Premiere Pro, and Apple Final Cut Pro on the high end and Adobe Premiere Elements and iMovie on the consumer side to simulate or augment slow motion. These software packages all do essentially the same thing; they add frames into the video timeline to produce more frames per second than you actually shot.
While software simulation is not the same as genuine slo-mo shooting, sophisticated software packages can do an able job, nonetheless. Viewers are always thrilled to see something they would not ordinarily perceive with their own eyes. Whatever your editorial aims in using slow motion, a combination of careful planning, good scripting, proper equipment, and software skills will assure that your visual point gets across in the way you intended. Jackie Dove was in charge of The Next Web's Creativity channel from February 2014 through October 2015. Often used to lend versatility to a project, slo-mo can make the output more cinematic and artistic, add emphasis, ramp up anticipation, and focus viewers on the essence of a narrative. The best way to get the most out of slow motion is to plan ahead—analyze how it fits into your overall narrative, action, and script, and plot where the effect will best serve your story. While 24 frames per second is a standard movie recording speed, many of today’s smartphones can record footage at up to 120 fps.
The slower playback speed will emphasize the highlighted content of your footage, and if the video is poorly lit, the effect will suffer.

Give even more careful consideration to slo-mo if you’re planning your scene to be at night or in a dark environment. Typical DSLRs from Canon, Nikon, and Sony all record video of at least 24fps at full HD for varying lengths of time. Depending on your subject, you may need to buy or rent a higher speed video camera capable of accommodating your project.
With your video loaded into a software program, you can specify the speed you want and software interpolation will take care of the rest.
Even if you only thought about slo-mo after the fact, you can still simulate the effect in software. The camera operator would crank the reel faster to boost the frame rate while shooting, and then run the film at the normal rate, making playback look slower than normal action. With product demos, for example, it’s possible to get away with inserting several slow motion sequences for instructional purposes.
Smartphone cameras such as the iPhone 5s record HD video at 720p. High quality consumer camcorders typically offer full HD at 60fps.

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