Slow motion video software for windows ce,water security videos,video game sales 2015,edit my video online for free download - Plans On 2016

Slo-mo is a special effects technique in which the action appears to be happening slower than its normal speed. Slo-mo is a powerful tool, so use it to its best advantage—whether your video is a dramatic feature or product demo. Slo-mo is perpetually popular with viewers, and with the release of slo-mo video features on smartphones like the iPhone 5s, recent Samsung Galaxy models, and entries from Motorola and HTC, suddenly everyone can be a special effects videographer.
There are plenty of instructions out there telling you how to shoot, edit, and share slo-mo video, so rather than replicating the play-by-play, let’s consider compelling use cases and best consumer practices.
The slow motion examples below, which were derived from YouTube, were shot with a variety of cameras and camcorders under a range of conditions to show how effective a slo-mo narrative can be.
To achieve slow motion with digital video cameras and DSLRs, you record at a faster frame rate and then play back at a normal rate. Lights: Try to have optimal lighting for the slow parts of your movie (indeed your whole movie, too). If you’re on the street filming your masterwork, available light may not offer abundant lighting choices—unless you’re carrying proper lighting gear and are game for a more elaborate setup.
Because shooting for slo-mo is not the same as normal video, try unhinging your camera from the tripod. Consumer DSLR-type cameras can be used to shoot video, but make sure their specs match your needs. 60fps: The native high speed you’re most likely find on consumer and prosumer DSLRS and camcorders.
If you do not have a camera with a high enough frame rate for the effect you seek, you can turn to software packages such as Adobe Photoshop, Premiere Pro, and Apple Final Cut Pro on the high end and Adobe Premiere Elements and iMovie on the consumer side to simulate or augment slow motion. These software packages all do essentially the same thing; they add frames into the video timeline to produce more frames per second than you actually shot.
While software simulation is not the same as genuine slo-mo shooting, sophisticated software packages can do an able job, nonetheless. Viewers are always thrilled to see something they would not ordinarily perceive with their own eyes. Whatever your editorial aims in using slow motion, a combination of careful planning, good scripting, proper equipment, and software skills will assure that your visual point gets across in the way you intended. Jackie Dove was in charge of The Next Web's Creativity channel from February 2014 through October 2015. Video slow motion Programm Registrieren Hilfe Angemeldet bleiben? All you have to do is import your high speed footage - GoPro HD 3 shoots in 120 fps - and simply adjust the playback speed factor. For slow motion, you simply decrease the playback speed and for time lapse you increase it. A time lapse video consists of footage that is rendered in higher speed than that of the original frame rate. Weather changes - clouds forming and moving, mist and fog, rain, snow layer building up over time. Light sources - sunset and sunrise, sun's travel on the sky, the moon, the stars (especially Polaris time lapse), night transforming into day, beams of light penetrating the clouds, etc.
Fire - a fire consuming the logs and ending in smoke or a fire that grows bigger as fuel is added. Construction work - a wall being build, a tall building being erected, crane booms swinging back and forth - all of a sudden a construction site becomes interesting to watch. The beauty of the fast forward video effect is that it's cool enough in itself without too much shooting work on your part.
Take still shots every few seconds (also called timelapse photography) and then import all the shots into your editing program.
Make sure to export your video with at least 24 frames per second as for the video to look like a moving picture, not like a sequence of stills.

Shoot video for a longer period of time and then simply modify the payback speed or the speed ratio in your editor. A cool technique you may wanna apply while shooting a time lapse video is to use a kitchen timer on which to mount your GoPro camera.
At the bottom of this window there are two fields named Standard Picture Length - select "1" in the Picture Length field and the select "Frames" in the second field. Then go to your Import tab - select all photos which you want to add in the timeline (click on fist picture, hold Shift key, scroll down to the last picture and select that as well). Well, shoot in a higher frame rate: 60 fps or 120 fps with your HD Hero 2 - that's a must if you want smooth video in slow motion (must have a high frame rate footage).
Then, slow down the footage, depending on what software you use - I recommend Magix for ease of use - but not lower than 15 fps. And it's always good to share knowledge, so if you have questions let me know on my YouTube account! Before You Join the YouTube Club, Get a Program That Doesn't Crash, It's Not Expensive and It's Easy To use.
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Whether you're new to us or a longstanding member, there are several ways to get in touch. Latest news releases and statements, information on spokespeople and contacts for journalists. Often used to lend versatility to a project, slo-mo can make the output more cinematic and artistic, add emphasis, ramp up anticipation, and focus viewers on the essence of a narrative. The best way to get the most out of slow motion is to plan ahead—analyze how it fits into your overall narrative, action, and script, and plot where the effect will best serve your story. While 24 frames per second is a standard movie recording speed, many of today’s smartphones can record footage at up to 120 fps. The slower playback speed will emphasize the highlighted content of your footage, and if the video is poorly lit, the effect will suffer. Give even more careful consideration to slo-mo if you’re planning your scene to be at night or in a dark environment.
Typical DSLRs from Canon, Nikon, and Sony all record video of at least 24fps at full HD for varying lengths of time.
Depending on your subject, you may need to buy or rent a higher speed video camera capable of accommodating your project.
With your video loaded into a software program, you can specify the speed you want and software interpolation will take care of the rest.

It's basically a clip in which everything moves at high speed - or consider it to be the opposite of slow motion video.
You simply place your camera on your tripod (or any other stable support), point it to your subject and start recording. And instead of dealing with lots of files, as when taking stills, you only have one file to work with. The timer rotates while your camera captures either photos (every 2 seconds) or video - this is your panning effect. It seems easier to handle a single file in the editor (instead of importing lots of photos, especially with unsophisticated video editing software). Time lapse is a technique whereby the frequency at which film frames are captured (the frame rate) is much lower than that which will be used to play the sequence back.
Yeah I use video as well for time lapse - I like the 16:9 ration better plus it's faster to render the clip. So, if you export at 24, 25, 30 fps - you'll get to view 24, 25 or 30 pictures in one second. If the action develops really slow then I increase the playback speed to 50 or even 80 times. You can do some tests, exporting the same clip in say 10, 30 or 50 playback speed factor and then you decide which you like best.
Once you ungroup it export it, then open in Audacity and in Effects, select "Change Tempo". Editing on music beats, color correction, effects and all - I mean, you know how to edit videos.
Even if you only thought about slo-mo after the fact, you can still simulate the effect in software. The camera operator would crank the reel faster to boost the frame rate while shooting, and then run the film at the normal rate, making playback look slower than normal action. With product demos, for example, it’s possible to get away with inserting several slow motion sequences for instructional purposes.
You can reverse your scene using the same function - check the Reverse box and you're done. Keep it filming as much as you want but be sure to let the action develop to it's fullest. Set your software to import each picture as a certain frame duration (fractions of seconds). Note that you need to remove the audio from the video in Magix in order to modify the playback speed. And then i started a new project, imported the first one and made the speed like x3,000 it was sick thank you for all the help! The settings are roughly based on % of increase or decrease, and won't really match anything like the timing of frames in your video editor, so you'll have to mess with it a bit to make your sound file the correct length. Smartphone cameras such as the iPhone 5s record HD video at 720p. High quality consumer camcorders typically offer full HD at 60fps.
It is done shooting, but when I try to combine all the pics in Movie Edit 17 i end up with spaces in between each pic.
When satisfied with your results, export as a wave and import it back into your video project. This site consists of tutorials and tips specifically created for people who are starting to edit videos.

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