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Digital video editing has long been associated with giant towers packed with the most expensive computer parts available, and with good reason.
For a value price point it’s really hard to beat, and even when you go as high as the retina macbook, I think the asus is still better. What kind of battery life do you get on that when doing simple things like web browsing tasks. Also there are 2 versions of the n56vj – one with backlit keys but slightly different spec, so watch out! So when you set your scaling to 150% to make it usable, UI elements like menus, text etc are very sharp, but your video is being scaled. Look for a well rounded unit, with good processor, gpu and an ssd for the OS and programs, second drive for storage and a few USB 3 or faster peripheral connections. Myself, I decided on the MSI GT70, but many people would balk at the weight and size of the machine.
I also wouldn’t spend ?3k on a laptop which I need a 2nd screen for so I can do my job properly. You can get Quadro graphics too (meant specifically for workstations), which was only listed on the HP laptop in this article.
Toshiba Satellite C850 P0012 15.6-inch Laptop is a high definition easy to use portable laptop that is widely used both by professional as well as students. I have a 1-year old MacBook Pro, and it just doesn’t seem well-suited for the heavy-lifting required by video editing software.
You may have gotten a bad Apple, but I log and cut 2.5K RAW footage in PP CC2014 on an older MBP with no problems. Doesn’t match my experience, then I do use FCP which is better than Premiere in this regard. I love my MacBook Pro, but the battery lasts only about three hours despite Apples claims, and their video card offerings are seriously lacking. Dell & Asus have some very innovative designs and perhaps some performance advantages, but my 2011 MBP will not require an upgrade until I need to move beyond 4K. Apple has always led the way when it came to computer design, at least as far back as I can remember. How come Apple can create so much excitement and passion over its products, by continuously reinventing and redesigning them, so that their customers (and non-customers) are willing to pay a premium for the privilege of using them?
Why is the Mac Pro designed as it is, and how does it help video editors and post production professionals? Before we go on, it must be understood that a workstation has many other use scenarios, like in the fields of medicine, architecture, business, data centers, and so on. 6x Thunderbolt 2 ports, with each port able to chain 6 devices (A grand total of 36 devices can be connected!). It’s one thing to see pictures and read specs, and yet another to see the thing on video. OS X Mavericks Compatibility:  We did think for a while that Mavericks had finally enabled Apple to catch up with Microsoft and allow full 10 bit output to a monitor, from a compatible graphics card. So, the sad part is, even though the GPU is professional-grade and capable of 10-bit, and the monitor is 10-bit, OS X still does not support 10-bit, even via Thunderbolt. Of course, if any of you have information contrary to this, please let me know and I’ll update it. Deeply integrated into OS X, OpenCL accelerates applications by tapping into the parallel computing power of modern GPUs and multicore CPUs.
You use OpenCL to transform your apps’ most performance-intensive routines into computational “kernels.” Each kernel is runtime compiled by OpenCL and efficiently scheduled for execution, automatically taking best advantage of the parallel processing capabilities of the targeted GPU or CPU.
OS X supports drive striping (RAID 0) for improved performance, drive mirroring (RAID 1) for higher reliability, and mirrored striping (RAID 10) for improving both performance and reliability of storage. Better playback and rendering performance, plus faster opening of the application and projects. As far as other software is concerned, 3D animation programs already run well on AMD cards (though some officially certify Nvidia cards). AMD Firepro GPUs are ready for the big time (they already were, just that some people didn’t want to hear about it), and the new Mac Pro is ready for every video editing software that you can throw at it.
The thermal core also keeps all the heat into one pipe-like triangle, which is then sucked up by one specially designed quiet fan, which only produces about 12 dBA when idle.
Put the Mac Pro under an air-conditioning suction vent or some other cooling system and you only have to draw heat from one point. Apple takes a complete product life cycle approach to determining our environmental impact. The low power and efficient cooling system ensures you can use the workstation at full blast in a small room and not give the editor (or your client) a sauna. I can quite honestly say that, despite working with these huge file sizes and frame sizes, the editing experience has been silky smooth.
With these settings in place, skimming and playback was very responsive, with the exception of the 4K RED RAW footage which dropped frames on playback (though skimming was absolutely fine). The major gripe in the marketplace is the lack of expandability, or slots for cards like the Red Rocket, Blackmagic, AJA, etc. The second negative is one we’ve covered before, which is, no 10-bit monitoring on the Apple Mac Pro as of OS X Mavericks. If you want to know how the iMac stacks up against PCs in terms of price and specs, check this comparison out. The Mac Pro starts at $2,999 (quad-core, 12 GB RAM, D300, 256 GB storage) or $3,999 (6-core, 16 GB RAM, D500, 256 GB storage).
Note: Prices might be inaccurate and not representational of what you might ultimately have to pay. You can add an additional SSD if you wanted to, but it would be hard to find one that fits into that tiny space. In my opinion, it’s a false advantage. If you really wanted, you could buy a tower separately and put everything in it! At the time of this writing, the Promise Pegasus2 is already out, and it’s not cheap. Posted in Computers for Editing and tagged 10-bit, 12 dba, 4K, amd, apple mac pro, color grading, consumption, dell, dell t7600, display, e5, ecc ram, editing, firepro, Flash, hp z820, imac, intel, k5000, k6000, New Mac Pro, noise, nVidia, open cl, opencl, pc, pegasus2, power, promise, samsung, seiki, sharp, SSD, storage, thermal core, thunderbolt 2, ultrasharp, upgrade, upgradeable, usb 3.0, video, video editing, xeon.
The new Mac Pro offers powerful performance, but which video editing applications are best suited for the system? Two of the main benefits of those cores packed into the new Mac Pro is the ability to split (thread) parts of high performance tasks to each core, therefore getting the job done faster, and sending computational instructions to the two GPU’s that ship with each Mac Pro configuration. But as the Mac Pro is new, there aren’t a load of software applications that are ready to do that multi-threading work.

It may have to do with core clock speed since FCPX uses only 8 cores to render the two effects.
Phillip Hodgetts, who is an outspoken supporter of FCPX, posted this video of FCPX playing back 5 streams of native RED RAW files in real time. In the latest Coloristo’s podcast Jason Myres leads a discussion on his round of color grading tests on both a 6-Core and 12-Core machines in Resolve 10. Colorist Tom Parish has blogged about his experiences in testing the new Mac Pro for color grading and whether an iMac might be a better buy depending on your performance requirements. If you’re still wondering about the difference between the Nvidia GPU vs the AMD GPU discussion then this short post from Linear Post should help you out. Although this next link from Business Insider, is a complete aside from color grading, it’s interesting to see that studios like Pixar are using the Mac Pro in their pipeline. During the course of this test, I learned that the Mac Pro does not support hardware acceleration, that clock speed is only part of the equation – with or without turbo boost – and that different codecs yield different results on both systems. Mac image editor Acorn has been updated to version 4.5 today with a number of new features, improvements, and fixes. If you've got both hands on the wheel and don't know where you're going, Siri and Maps can help. If you spend any part of your day in a car, you should have a charger in there just in case.
It's either hidden in the constantly-shifting toolbar that's inside the document window, or its a 2001-era Aqua palette that doesn't match the Pro-style UI in the rest of the app. Dark, musty rooms packed with tens of thousands of dollars worth of equipment are par for the course in the realm of editing. 3.2ghz Core i7 quad, 8gb ram, 1080p IPS screen, geforce 635m so cuda and half price of the MBP with actual usable resolution. The SSD works well (W8 boots in about 10s), but not a revolution by any means, stuff just opens a bit quicker. Any other ratio involves scaling, which introduces a quality loss, and what you’re seeing is no longer true to what it actually is.
I seriously doubt the color is better on the Asus, and I care much more about color than pixels. Either way, the mac can drive it’s internal monitor plus an external and they 2 screen spaces, not mirror image. For you its colour, for me it’s important to see things in a similar way to how it will be seen when my work is out in the wild. Little things like branding don’t make a big difference, you might have just had better luck with one particular laptop. They make some of the most badass workstation laptops available, capable of blowing some of these out of the water – yet they get almost zero time in the spotlight.
Yes, some Toshiba and HP laptops are made by the same ODM (Toshiba buys from Quanta and Compal, while HP buys from just about everybody, including also Wistron, Inventec, Foxconn, and Flextronics). A few paint manufacturers make many brands of paint, but they make them to the specifications provided by the paint companies they manufacture for. What it offers is excellent build quality, decent performance in a small package, Thunderbolt and a design with a comfortable layout.
Going a decade without having to upgrade a laptop used for high performance applications is a great value, so I don’t mind paying the Apple tax.
Apple has gone beyond what the video market demands, in terms of workstation design, energy consumption, and GPU computation – to produce a revolutionary new product. Other than the Thunderbolt 2 ports and the faster Wi-Fi, there’s nothing really new about the innards of the Mac Pro. What’s the point in purchasing a 10-bit monitor if you can’t get 10-bit from the Apple Mac Pro?
However even though Mavericks does allow the creation of 10 bit look up tables in the graphics card the actual output is still 8 bit, even with Thunderbolt. This means, if you are planning on using a Blackmagic Design or AJA 10-bit card in the hopes of getting 10-bit, you will be unpleasantly surprised.
Using a C99-based language coupled with a flexible API for managing data-parallel workloads, OpenCL opens up a new range of computationally intensive algorithms for use in your application. In addition, you can reformat storage in the background: You can promote a single volume to a mirrored volume, split a mirrored array into two volumes, or rebuild RAID volumes.
Current workstations have at least two points of heat dissipation, and this is a huge problem when it comes to cooling. Not at all surprising really; a RED Rocket card attached via a Thunderbolt chassis would certainly help in this regard. Apple decided it was no longer worth bothering about supporting third-party cards – these might become redundant soon anyway. We’ll do two comparisons, one for the lowest model ($2,999), and the other for the highest ($8,399 without expensive Apple RAM).
Only the Dell T7600 comes close, but at the expense of being large and consuming a lot of power.
The traditional workstation tower does not offer any benefit that a Mac Pro can’t emulate.
Another benefit of Thunderbolt: You can easily move your high-performance peripherals from one Mac to another based on the task at hand. VFX facilities build their architectures around Linux to save on licensing fees, and they also have a lot of custom code. How do i get a 10bits signal out from my blackmagic decklink using HDSDI into my Sony PVM1741 ? I took a quick trip into FCP’s preferences, disabled the background rendering function and enabled the dropped frames warning. Interestingly in these Mac Pro benchmarks the 6-core D500 configuration beat out the 12-core D700 config.
The colorist’s conclude that the 8-Core with a D700 and 32gbs of RAM might be the sweet spot in terms of best bang for buck. Frankly, I never heard it, as even the quietest disk drives seemed to be louder than Mac Pro. The performance of both Premiere Pro and Final Cut Pro X on this hardware is way more than most people need, most of the time. In this first article he compares it’s performance to an iMac, performing a plethora of tests with different types of video content, codecs and lengths. As you’ll see from the length of the article and the number of updates to it, it is not a straight forward comparison, but it is worth a read to get to the bottom of what is happening. These changes include new international presets when creating an image, a new command, and better RAW support.

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It sure would be nice to use my magic trackpad's zoom instead of that wimpy magnifying glass tool.
Not to mention they’re around half the price of the competition with a reputation for solid build quality. However, even when that is true, Toshiba and HP are not like the smaller manufacturers that buy generic ODM designs and re-brand them. They may also make a generic type of paint that they label for smaller companies who don’t want to develop their own paints but who would like to sell paint under their own labels.
I do more motion work than straight up editing, so c4d and after effects but have done a few full PP edits and it’s been very smooth. I’ll take a hit on battery life and performance before going back to a lunker for logging footage in the field or editing in an airport during an extended layover.
All I see is Apple fanboyism justified by adding in two competitors that make equally less sense than a workstation. So far, the only 4K monitor you can buy directly from the store is the Sharp 32″ PN-K321 Ultra HD LED Monitor, for $3,595. Therefore, at this time, I cannot recommend the Apple Mac Pro if you want to color grade in 10-bit. If software can’t make use of all the cores and GPUs, then they are just dead weight. Let someone else worry about supporting it via external enclosures connected by Thunderbolt. The only time this might be untrue is if you live in a country where Apple charges twice the price (where I live) and somehow PC parts are much cheaper. Apple has clearly indicated that it is tough for it to estimate the storage requirements of each individual user. Apple has left it for you to decide how organized or sloppy you want to be with your drive strategy.
However my BMD mini monitor is outputting a 10bit signal over HDMI to my Eizo CG monitor via thunderbolt. You will only get the full image and no GUI stuff so not sure if you can actually work on your files or just preview the final image. Next, I switched the Viewer’s menu from the default “Best Performance” option to “Best Quality”. In other words, the 12-core Mac Pro has no advantage over the 6-core (12 with hyperthreading) — at least in this instance.
For a full run down of all the tests, the results and what they all mean, plus a PDF download of the results, head over to the Lift Gamma Gain forum. You can now also merge your visibile items into a new layer by pressing Command-Option-Shift-E. However, my research on the Internet has not borne this out, but fairly recently still indicated questionable durability. If you’re shooting AVCHD you only need one-tenth the storage as Prores HQ, which is one-fifth the size of R3D RAW, and so on.
Contrast that with the restrictions placed on you when you try to put together a workstation PC under a systems integrator.
I don't have PS in the grading bay here so will ask the guys downstairs to run a test for me :) will let you know. Instead, they can actually join the rest of the world, and edit on the go.Okay, massive towers aren’t the only game in town anymore, but what exactly should an editor look for in a work laptop? Therefore, the laptops that HP and Toshiba sell won’t necessarily be comparable just because they are made by the same ODM. As far as I know Clevo does not manufacture to other companies’ specs, but only re-brands their own devices for different small manufacturers. In this instance, having a workstation class Xeon CPU and ECC RAM is preferable over the long term.
Most of your "reviews" are based on reading specs from the web and not actually reviewing the product (cheap journalism) If you do this then offer it as your personal opinion and don't put forward your comments as fact!
The new Document crop preset sets the crop for an image at 90% of the canvas size, and the aspect ratio will remain the same when resizing.
When they make, for example, strawberry for one brand it can taste a lot different than strawberry from another brand even though they made both batches. Your existing layer filter presets will no longer be replaced when adding a new layer filter. But more than anything, you need to pick a laptop that fits your specific on-the-job needs. Your budget, your existing workflow, and the needs of co-workers or clients all come into play here. With a 2880×1800 native resolution, this laptop display allows you to edit in 1080p while the full user interface of your editing suite stays on screen.
Cannot imagine how long it would take to load simple web mail with modem speeds like that today and I have doubts that it’d even work. Both Thunderbolt and FireWire are left out completely, and it’s always slightly disappointing to see only two SuperSpeed ports on offer. You might need to invest in a hub, though.The best of the bestVideo editing is definitely resource intensive, but laptops have finally become flexible and powerful enough to handle the task with aplomb. Even though many of these machines are expensive when compared with the average laptop, you’re getting a lot of bang for your buck these days. If you’re looking for an extremely high-res laptop with a slightly lower price point, this 15-inch Dell XPS model is no slouch. On the upside, it does have a built-in three-way card reader, so importing footage from cameras will be relatively streamlined. Both HDMI and mini DisplayPort are also available, so hooking up to external displays will be a snap.

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