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To download a full artist biography click HERE and please visit the DOWNLOADS tab for additional program information. Sweet Honey in the Rock seemed right at home when they performed at Carnegie Hall last week, and why not? The all-female African-American a cappella gospel quintet, Sweet Honey in the Rock has been making music that touches the heart and speaks to the soul for more than four decades. Nobody makes a more joyful or dignified affair of that act of positioning than Sweet Honey in the Rock. Legendary a cappella female ensemble Sweet Honey in the Rock will release its 24th album on Jan. The two-time Grammy Award-winning a capella group usually has a specific intent when it’s time to record. The renowned a cappella group Sweet Honey in the Rock drew an enthusiastic response for an arresting performance that included their arrangement of Bob Marley’s “Redemption Song.” Cameras and phones were aloft everywhere to catch their politically charged songs. US a cappella ensemble Sweet Honey in the Rock first came across then-Illinois senator Barack Obama at a dinner at the Joint Centre for Political and Economic Studies in Washington DC in 2005.
Sweet Honey In The Rock recorded this interview when they were at The Birchmere to perform their CELEBRATING THE HOLYDAYS program this past December. For their 40th anniversary, the women of the revered all-female a cappella ensemble Sweet Honey in the Rock decided it was time to up the drama.
The concert on Sunday night at Boston Symphony Hall began with the mellifluous signing of “I’m Going to Stand,” which is a fitting statement for the a cappella ensemble Sweet Honey in the Rock. Drawing its name from the biblically based title of the first song it performed, Sweet Honey in the Rock has had about 23 members rotate through since 1973 (Reagon retired from the group in 2004).
SWEET HONEY IN THE ROCK has been invited by the South African Embassy to be a featured performer at the National Memorial Service for Nelson Mandela. Over the past several decades, tribute projects have become somewhat commonplace in the world of music.
Comprising a 2011 performance in New York, the album is a strong set from the get-go (although I find it odd that the producers felt the need to include the admonishment to the audience to silence their cell phones).
The lineup of the all-women, a cappella vocal ensemble Sweet Honey in the Rock has changed many times during the past 40 years, but its sound, rooted in African and African-American music, remains unmistakable. The sky looks awfully threatening which lends an extra kind of gravitas to the deep spiritual vocals of Sweet Honey In The Rock.
The First Lady is a huge fan of the a cappella gospel group, whom she hosted at the White House in 2009. Nearing its fourth decade, the internationally acclaimed, award-winning female African-American a cappella group, Sweet Honey in the Rock takes the stage at the Merriam Theater Feb. On Thursday at the Merriam Theater, Sweet Honey in the Rock will be bringing it – and then some.


SWEET HONEY IN THE ROCK, the venerable and Grammy Award-nominated a cappella ensemble that is currently celebrating its’ 39th performance season will bid farewell to one of its’ most tenured and revered member’s Dr. If longevity is a function of consistency and change, then there’s little mystery about why Sweet Honey in the Rock is about to celebrate its 40th anniversary. Sweet Honey in the Rock began their set at the Triple Door by summoning ancestral spirits with a whoosh, an exhalation, an exultation. Although National Hunger and Homeless Awareness Week technically ended Nov.18, one Frederick nonprofit saw no reason to limit the help for the cause to just one week. Sweet Honey In The Rock, the celebrated African-American female a cappella vocal ensemble founded in 1973 by Civil Rights Era group The Freedom Singers’ Bernice Johnson Reagon, have posted a video on YouTube and Facebook urging viewers to vote. Sweet Honey In The Rock demands—and gets—both complete attention and participation from both its adult and children’s audiences. The female a cappella group, now celebrating 38 years of performing, continues to use music as a means of social commentary. On this weekend’s Choral Mix, we explore musical storytelling through the voices of Sweet Honey in the Rock. Sweet Honey in the Rock, the Grammy Award-winning all-female African-American a cappella ensemble, has had a long relationship with Ann Arbor, one they will further with a return visit—their ninth since 1993—Friday night.
The African Meeting House, the oldest standing black church in America, reopens to the public Friday for the first time in six years. The three-story brick building is tucked in an alley off Joy Street on the north slope of Beacon Hill.
Sweet Honey in the Rock, the Washington-based a cappella group, is renowned for an eclectic repertoire that reverberates with black American musical traditions from spirituals, gospel and blues to rap, hip-hop and jazz improvisation.
When asked what their fans might expect when Sweet Honey In The Rock returns to Carnegie Hall on November 4, Aisha Kahlil, a mainstay of the all-female a cappella ensemble for some three decades, sums it up in a single word: Sankofa.
They’re the most significant singing group in America, and have been for a long time. The composer and longtime member of the famed a cappella group talks about collaborating with the Alvin Ailey American Dance Theater, taking on controversial material and why black music is in a fragile state today.
Foot-stomping music filled the East Room of the White House on Wednesday as first lady Michelle Obama hosted nearly 200 schoolchildren for a Black History Month celebration featuring Sweet Honey in the Rock, an award-winning female a cappella ensemble. Premiering with the National Symphony and performed with the Minnesota Orchestra and the Sphinx Orchestra, Affirmations For A New World is a collaborative symphonic and choral work between composer William Banfield and the internationally renowned vocal performing ensemble, Sweet Honey In The Rock. SWEET HONEY IN THE ROCK: CELEBRATING THE HOLYDAYS is a rare fusion of traditional American holiday spiritual songs and hymns, as well as songs from other cultures and religions, ranging from Africa to Israel. This ensemble is the gold standard…their voices are all fabulous, and they unite to create a sound so pure, smooth and homogenous that it does not seem humanly possible.
Even as the melodies, harmonies and rhythms soar, one is immediately struck by the message of the songs, for the message is what SWEET HONEY is all about.


The video above, made by Harmonix for marketing purposes around the same time as the game was released, is a beautiful artifact of the times. If you signed up using a 3rd party account like Facebook or Twitter, please login with it instead.
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Sweet Honey In The Rock possesses a stunning vocal prowess that captures the complex sounds of blues, spirituals, traditional gospel hymns, rap, reggae, African chants, hip hop, ancient lullabies, and jazz improvisation. They are an American Grammy Award winning (and many times nominated) troupe who express their history as African-American women through song, dance, and sign language. Sweet Honey will be debuting the song live on their current run of seasonal performances this month entitled, SWEET HONEY IN THE ROCK: CELEBRATING THE HOLYDAYS.
15, the Center for the Arts in Grass Valley helped trumpet venerable ensemble Sweet Honey in the Rock’s anniversary celebration by bringing its tour, “Forty and Fierce,” to Nevada County.
Archived photos will be projected on screen while each member will share their personal stories. Ysaye Barnwell of the Grammy Award-winning African American female a cappella group, Sweet Honey In The Rock, talks about 40 years of making music and their new CD, “A Tribute – Live! Last Sunday’s afternoon Sweet Honey children’s concert at Celebrate Brooklyn’s annual Ezra Jack Keats Family Concert at the Prospect Park Bandshell was no exception.
We do not store specific user data and the sharing of it is not required to login with Facebook. The group’s collective voice, often accompanied by hand percussion instruments and bass, produces a sound filled with soulful harmonies and intricate rhythms.
Originally a four-person ensemble, the group have expanded to five-part harmonies, with a sixth member acting as a sign-language interpreter. Later, the technology behind that game would inspire the Guitar Hero and Rock Band series, which helped to fill living rooms around the world with plastic instruments and good times. The ensemble educates, entertains, and empowers its audience and community through the dynamic vehicles of a cappella singing and American Sign Language interpretation. Institutionen, Stockholm University, SE-106 91 Stockholm Stockholm University Masters Catalogue Stockholm University Stockholm University's Aula Magna (Great Hall).



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