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If you are planning to start out in digital video or if you like to record video and would add some personal elements, you may need video editing software to achieve that effect. The ability to import and export various video formats is the most important factor in the considering list.
Examine the versatility of the software by assessing the range of functions it’s able to perform. Based on the consideration of the above factors, I carefully pay particular notice of the experiences on testing several of video-editing software and find a nice cheap one – VideoFlick. Not only video editing, VideoFlick also has other features like editing photos, converting videos etc.
If you're a beginner to making clips, a GoPro enthusiast, a video blogger or an amateur filmmaker and want to make better videos, check out this list of tutorials on video editing.
All this is based on my own editing experience so if you have any questions, drop a comment and I'll reply. How To Edit Picture in Picture Videos - Find out how to overlay an object (video, picture, graphics) onto a video background.
Split Screen Tutorial - Crop & mirror flip your video when editing vlogs, interviews or video chat videos. How To Clone Yourself in a Video - Create a ghost of yourself (duplicate of character) in your video.
How To Do Slow Motion and Time Lapse Videos with Footage - You need a camera that shoots at 60 fps or higher in order to get smooth slo' mo'. How To Add and Animate Titles - Add titles to your videos, animate them using keyframes and add sound effects on each movement of the title. How To Do Time Lapse Videos with Still Images (Timelapse Photography) - Same thing here - I took GoPro pictures as an example but you can follow the process for any time-lapse project.
How To Edit Videos with Keyframes - Learn to play with the intensity of video effects within a video scene. How To Get the High Pitch (Chipmunk) Voice Effect - Talk like a funny chipmunk in your vlogs.
Color Correction - How To Change and Enhance The Colors of Your Video - You can alter any color in your video by using the eyedropper tool for selection. How To Do The Vertigo Effect (Dolly Zoom) - A cool trick you can do to make your videos more dramatic.
How To Capture Audio Separately and How To Synchronize Your Sound with Your Footage - When you want to get high quality sound.
3 Ways To Make Your Videos Look Better - Small yet essential details which can make the difference between a good video and a bad video. How To Vlog - 5 Quick Tips for Your Vlogging Career - Being YouTube famous as a vlogger requires some technical know how and a lot of psychology. How To Batch Convert MP4 to AVI - If for some reason you don't wanna work with MP4 files and wanna convert them to AVI format, follow this process using MPEG Streamclip.
How To Convert AVI to MP4 for Smaller File Size and Faster Online Upload - I recommend exporting in AVI for best quality when editing with Magix. How To Edit GoPro MP4 Files Even with a Slow Laptop Computer - Follow this process if your computer is too slow for editing HD videos.
If your computer is not that strong (maybe old), close all other applications when editing your videos and use a laptop cooler. Let me know what other problems you are facing when editing videos and I may write a tutorial on it. Before You Join the YouTube Club, Get a Program That Doesn't Crash, It's Not Expensive and It's Easy To use. In Part One of my behind the scenes look into the production of “PIMP in the SERP,” I exposed how we prepped and shot the video with no budget and only 69 minutes of access to a downtown Los Angeles skyscraper.
In Part Two, I want to walk you through the post-production workflow of how I cut, colored and accomplished the sound mix in 4 days.I would like to share 5 Adobe CS6 editing tips that will save you time, energy and hopefully a couple brain cells as we all know how strenuous and taxing low budget productions can be! Here is a link to my Adobe CS6 Premiere Pro Template (below) that I use every time I start a new project. Editing is a marathon, not a sprint (expect when the deadline is looming) so use the CPU in your head efficiently. On projects with gargantuan amounts of footage…the editor (or assistant) must plow through hundreds of hours and pluck out the selects.
As soon as I tried this method…I realized I was cutting faster, smarter and always had a bird’s eye view of the project. Before I jump into Tip 4…I wanted to quickly touch on the actual color grade before the VFX was added. With the addition of Dynamic Link in Adobe CS5…my days of rendering out a quicktime, importing into After Effects, rendering out another quicktime and finally importing back into Premiere…were gone forever. My workflow in Premiere was to send the entire locked sequence to After Effects using Dynamic Link.
Inside After Effects, I used Luca Visual FX to help move the cut along and emphasize visual moments in the cut based on the music and my edits. VideoCopilot Twitch has some very nice colored-strobe light presets that I used during the chorus and at the end of the song. Lastly, I leaned on FilmConvert Pro to give the footage a film stock emulation that would further blend all my footage and VFX into one cohesive visual world. With all the color and VFX done, I saved my project in After Effects and all my work was updated and reflected immediately in Premiere. Back inside Premiere…My scratch track audio from the Canon 5Dmkii were already in my timeline. Once the vocals were clean, I applied the Audition 20-band Graphic Equalizer to run a high and low pass cut. I saved my work in Audition and using the Export option, chose Multitrack Mixdown, Entire Session and picked the Wave PCM 48KHz, Stereo, 32-bit option…uncompressed and floating point. Thank you so much for taking the time to read my ramblings and I hope this article was able to open your eyes up to some helpful tips and techniques.
Impressed that you can handle audio and mastering as well (although with preset here ?? – looking fwd more to those posts. I hope that answered your questions and sets you in the right path for solid results in the future!
Customer FirstWe work with a "customer first, quality assured" attitude, Mantra is committed to the highest of quality standards.
We produce innovative & engaging videos that use creativity and ideas to help you reach the people you want to reach. Windows Movie Maker (For Windows users): provided by Microsoft but is refused by the majority of Windows users for its unsatisfying features.


Software package in the market cost from several to hundreds of dollars, how to decide which one to choose? It should support all the popular video formats and minor updates should be accessed when there is a new format. The most basic software allows you to adjust sound volume up and down, but more advanced software offers a broader range of fine adjustments. Some software is fantastically feature-rich, but a possible downside of all this power is that the software can be harder to get to grips with. Before you buy your top original software, watch some tutorials so you know it's right for you. In YouTube you can make those areas clickable so you can promote your other videos as well. With Magix, you simply adjust the playback speed factor and you either slow down or speed up your videos - it's very easy to do. If you want, you can make the whole image black and white and keep just one color in normal saturation. Helpful if you sell stuff online through your own shop or on other platforms like Ebay or Amazon. Synch the footage across all cameras and edit like a live broadcaster - you have a main monitor and the source cameras, then you edit by simply clicking on the cam that has the right angle at the right time. But then you end up with a large file - that's why you should compress it with Leawo before uploading it to YouTube. A basic fade and some dissolves here and there will do but stick to simple cuts for the most part. I’ve been using Adobe Creative Suite almost exclusively for the past several years and will focus on how I use Adobe Premiere, After Effects and Audition to speed up my workflow and get high quality results in the shortest time possible.
The time you spend up front will be paid back tenfold once you are buried deep in the edit. By stacking 2 timelines on top of each other…an editor can now access an entire reel of selects in chronological order (or whatever order desired) and instantly drop them into the active timeline below. By keeping the selects timeline (top) zoomed out…I could keep track of how much footage I had seen and what was left to preview. In my article on Shane Hurlbut’s Blog (and the most viewed article of all time on his site!), I go into depth of how I color correct inside Premiere. I always copy and paste the entire edit onto a higher video level in Premiere before I dynamic link. I only had 38 minutes of total raw footage between the 2 cameras during our 69 minutes of security guard escorted shooting (see Part 1). I then dropped in the ADR vocals that both Peter and AnnMarie recorded in my studio the day before. Because I had slid and slipped the video to match audio earlier…mouths and lips were all in sync and my rappers were locked into the beat. Just like the final video footage was crafted to feel as if it existed in one world…the same strategy was used on the audio. Because the audio file was the same length (thanks to dynamic link) it was as easy as plopping the track under the existing audio and then muting the temp dialog and unmixed music track. Please feel free to share any tips you have used or experiences with the software that I utilized in “PIMP in the SERP!” Leave me a comment below!
In answer to adjusting audio clips with more sensitivity, there are 2 things I can suggest to make it easier. I love the idea of the pancake timeline but I dont understand how you can keep sync for a music video.
The Pancake Timeline is best used to build the rough cut and get all the shots you want into the Main timeline.
But when we do work with a client, we treat you like you're the most important client in the world. Then that’s the point of this article – it’ll drag you out from the predicament on how to choose video editing software for your digital life. For example, even the most basic software has special effects you can add to your footage, but some software has far more special effects to choose from. I just like Magix coz it lets me import most formats (MP4, MKV, MOV, MTS - AVCHD, M2TS, VOB, etc.), it's easy to use and delivers professional results.
Then you combine all those photos and create a video that looks as when you fast forward a film. It makes your video Hollywood style and it also allows you to get a better frame composition for each shot. Capture the sound on an external voice recorder and sync it with your video in post production.
I don’t want to be cooped up in my edit cave too long…there is a world out there that I would like to see while the sun is still up! The 7 Master Bins cover the basic categories needed to organize any project while editing in Adobe CS6.Things are no doubt about to get clutter crazy…so why not give yourself a fighting chance early. I recently was excited as shit to watch Oscar Winners: Kirk Baxter and Angus Wall utilize the same method. To accomplish this layout…first open both timelines by clicking on them in the Project Panel. Mentally, for an editor, this allows you to keep a frame of reference to the sheer volume of footage. This allows me to keep the initial shots separate and as reference, if I need to revisit or make adjustments later. Due to this fact…I choose to manipulate the footage and give it an active visual palette of streaks, flares, sprocket slips and light strobes.
I had busted out my ancient and indestructible Shure SM58 vocal microphone and recorded onto my Tascam DR40 (portable digital recorder). The next step was to go again use dynamic link and this time open all the audio inside Adobe Audition. That’s a conservative range and usually gets rid of any objectionable frequencies while not affecting the human voice.
I remember seeing that in some training I watched on FXPHD but I definitely need to utilize more. Once my shots are all in…I can use waveforms from audio to slip and slide the shots to the final audio mix. I will notate in the name of the file that it has 2 takes inside it and just use a keyboard shortcut to move forward to the next marker to access it.
This helps us providing fantastic results for our clients across India, while giving the personal touch that your project deserves.


A bin full of similarly named text-based shots will overload your coconut almost immediately. His energy level is off the charts and his brain worked at hyper-speed during the 5-month post run.
You can now, with a glance, know you’ve seen 50% of all the selects…and step outside for an Irish coffee and an e-cig. I prefer to do critical color correction in Davinci Resolve but because of the time constraints and the ample options in Premiere…I stayed all Adobe on this. This feature alone propels my workflow into overdrive with maximum time-saving and harnessing of the powerful entity that is After Effects. Premiere is powerful and responsive and allows me to cut almost any format on the planet in real-time thanks to the Mercury playback engine and the appropriate CUDA card…but After Effects gives me even more options as it is specifically designed for VFX and complicated compositions.
I went with a hyper-saturated color grade before I overlaid the Luca Visual FX…and I found that it blended together nicely and felt like it lived in the same world. It treats the skin-tones wonderfully and gets rid of the Canon h.264 red color that is often too harsh.
The rappers listened to the final music track through Sony MDR-7506 headphones and recorded the lyrics line by line until I was happy with their rap-ostitude and performances. I am usually dealing with a dozen or more audio tracks in most projects…so it was a real treat to look down at the timeline and see only 3 tracks. I am not ashamed to say, that I dug into one of the numerous Izotope Ozone presets and chose…the Hip Hop Master setting.
Then you can make your audio edits accurately up to the sample level, like you can in Audition. The options of markers of the audio clip itself makes only for very sharp adjustments and changes are all to steep.
These tips are timely as I’m getting organized and familiar with Premier workflow before jumping in. This allows me to keep the initial shots separate and as reference, if I need to revisit or make adjustments later”.
First, if I share the project with assistants, it’s easier to confirm the right bin or location is being used. Specific selects are usually called star or circle takes (“good” takes as noted by the script supervisor) and all these shots together are used to build the rough cut. Using Fast Color Corrector…levels and saturation were the only effects I needed to primary color grade my cut and get it ready for the VFX. I know there are a lot of options for visual FX…but every post house and student utilizes After Effects before anything else. To hear the diabolical internet-themed rap lyrics in my quiet studio, as they focused on nailing the vibe, was a treat all by itself. The pancake and thumbnail posters were revelatory to me and give me confidence before tackling the project.
Every clip, sequence, cut, file has a number attached to it so that keeps things consistent. Scanning a full bin of text upon text will fatigue you if not in minutes, than most assuredly by lunchtime. As an example…“The Social Network” had 324 hours of footage and 281 hours of selects. The only other manipulation of the original footage was the blowing up several shots by 50%.
It is the common ground that allows you to even share projects between PC and Mac platforms with no problem.
This preset emulates the EQ settings of popular rap songs and raises the overall perceived volume while not allowing any clipping. One of the biggest time-sucks is hunting down one rogue file that is hidden amongst dozens, if not hundreds of multi media files with different extensions and version numbers. Second, and more importantly, you can rearrange the bins in the order of your preference without relying on alphabetical order. With Thumbnail mode, I could easily spot the scene and series of shots he requested and jump on the last one for playback. You can playback the Selects timeline in the program panel or hit the “match frame” keyboard shortcut and play it back in the source panel. This is usually more than h.264 8-bit can handle…but when used on close-ups and short edits it held up fine to my eyes. I spoke about my experience with After Effects in the 20th anniversary event last month and my article can be found here(if I’m not boring you yet!). Your eyes will bleed and your brain will turn mushy after one too many “needle-in-the-haystack” endless searches.
I had previously been in List mode and I would have to playback a shot to make sure it was the right one. After Effects is a very stable platform and the option for both its built-in effects and 3rd party options are staggering. Additionally, I believe your set up for Audition may be combined and saved as a preset for future projects of a similar nature.
Usually the default image will give you enough visual reference to see what you need…but it’s nice to have the capability to be more specific if needed. Another very nice feature of this edit workflow is that the shots you pull from the Selects (top) timeline remain in their original position and are duplicated into the Main (bottom) timeline. Izotope Ozone 5 – masteringFirst, I used the Izotope RX plug-in to denoise the vocals. By switching to Thumbnail mode, I could visually spot the take on my monitor without previewing it on the big screen.
Due to the quick turnaround of 4 days…I chose Izotope RX even though Audition CS6 has equally impressive and thorough noise reduction capabilities. Day 2 of the edit was all of a sudden smoother than butter…he got his shots instantly and we had more time to talk about his hero, Davy Crockett…and Woodford Reserve Bourbon.
The latest incarnation is leaps and bounds better and has a cleaner interface than the previous version.
I will have to run them head to head at some point…but I was more familiar with Izotope RX and cranked it out in short order. If you pay attention…there is some form (actor or image) of Davy Crockett in every one of David Zucker’s films.




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