Texas-born, Atlanta-based chef-turned-restaurateur, Ford Fry, continues to enrich Atlanta’s dining offering.
Bits and pieces of mementoes, old medicine bottles, old books, a plank of aged wood, a darkened painting leaning against a wall, a stuffed bird on a side board. These details neutralize the newness and create a comfortable visual link to something old and somewhat Mediterranean, an appropriate context for the Italian-inspired menu. And of course we love the black-and-white colour scheme, always a harmonious back drop for creative sparks.
Although there is not a samovar in sight – neither anything resembling the ornate boiler of tea water - the two-month-old Samovar tea bar in The Mission area of San Francisco is most decidedly dedicated to tea. In addition to the highly edited selection of teas and scones, the central focus of this Samovar is the peaceful, almost prayerful atmosphere brought out by the exquisite surroundings. The thick, white walls, against which hefty white shelves are suspended appear old and slightly weathered. These handle-less cups are meant to be cradled in the hand, held and enjoyed, as opposed to held with the pinky pointing skyward, or clutched like a beer mug.
The limited assortment of black, green, herbal and iced teas plus masala chai and matcha, is not made from dustings out of dangly bags with hot water poured on. But the Swedish winters being what they are, the archipelago location was open only part of the year. Designed and lovingly outfitted with repurposed, antique and retro furnishings and materials by architect Mats Fahlander and architect-designer Agneta Pettersson, the restaurants have already gained several prestigious Swedish awards in business, design and food categories. Oaxen Krog is a bit more formal but seats only 35 and therefore retains an intimate atmosphere.
We just had to include this little, happy-looking Mediterranean take-away restaurant on TCH today.
Pine furnishings, birch veneer paneling and raffia add both softness and Mediterranean natural elements to the space. Istanbul, with its magical mix of tradition and everything new, cosmopolitan and local, offers a fertile ground for new concepts and new business ideas.
Nopa, the restaurant and grill opened recently in the Nisantasi neighbourhood, is perhaps not that radical as a restaurant concept, but it has a delicious lushness and richness that appeals to us. The grand scale and opulence speak of bygone times of train travel, gentlemen’s clubs and important residences. But there is also a cool modern, open-to-the world vibe created by the green vertical walls framing the patio that has a glass roof that can be opened in seconds to create an outdoor terrace. Hong Kong seems to have more than enough restaurants, yet new ones keep opening up and the best candidates always do well. We love the echoes of the past that are visible everywhere at Mott 32 without turning the establishment into a traditional Chinese restaurant.
The name Mott 32 has its roots in 32 Mott Street in New York City where it was the address of the city’s first Chinese convenience store, opened in 1851 by pioneering Hong Kong families whose entrepreneurship and hard work helped establish Chinatown and spread the global love of Chinese food.
Metal, wood, rattan, leather, eccentric lighting, and countless details make Mott 32 a place where there are cool stories everywhere. Opening this week in Antwerp, Belgium, The Jane restaurant designed by Piet Boon has all the building blocks of a success.
A famous chef-owner: Sergio Herman with his young right-hand man Nick Bril running the establishment. Our favourite aspects of The Jane are the scale of the space - its height, massive arches and large windows, the lovely decaying celling, and the almost complete lack of colour. This stylish restoration of a nearly 200 year-old wine cellar combines many of our favorite attributes in a renovation: generous use of aged and new wood, lavish open spaces and a minimalist color palette. This stylish restoration of a nearly 200 year-old wine cellar captivates us with its overall minimalist approach. The renovation was completed earlier this year by Lisbon, Portugal-based P06-Nuno Gusmão.
The building, Graham’s Lodge, is located in Portugal in Vila Nova de Gaia on the Douro river estuary near the Atlantic Ocean. The granite-walled Lodge is now not just a real, functional working building where thousands of casks of Port are aged, but also an immersive visitor centre where Graham’s Vintage Ports can be tasted and experienced as part of guided tours.
The guided visits now include a visitor reception hall leading to an auditorium, the two-level Graham’s Museum, the Lodge itself, a tasting room, the Vintage Room, a shop and a wine bar and restaurant. Romita Comedor is a restaurant that is less than two years old yet it has the ambience of a well-loved, casual tradition.
The interior touches - the use of wood and tile, the wood furnishings, the many plants and various surface treatments - all seem to belong here, and they seem to have belonged for a long time. The building dates back to early 1900s and its style was inspired by grand railway stations. The massive windows, glass ceiling and a retractable awning all take full advantage of the station-style architecture, and let the light in for the benefit of the many plants. The building’s current owner, Rodrig Espinoza, and his two partners, Marcela Lugo and Arturo, designed the restaurant with the idea in mind that it would become a gathering place that would attract not just the locals but visitors as well. Romita Comedor is known for authentic Mexican cuisine, great cocktails at the two bars, and live entertainment by well-known DJs.
The Basque word Biribildu means to turn, to make a round, to round out, to perfect, and the round form appears frequently in the design.
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Cecilia, in The Pinnacle building in Buckhead, in the space previously occupied by Bluepointe.
Cecilia’s most redeeming feature is the scale and the satisfying feel of pattern and repetition.
Seating and tables, shelves and bottles, and rows of pendant lighting fixtures all add to the sense of harmony and tidiness, yet there are spots of whimsy and little surprises at every turn. This is the fourth Samovar in owner Jesse Jacobs’ little empire (the other three are also in San Francisco), and clearly different from the others which are more traditional tea houses. And on the substantial shelves, in harmoniously spaced rows, sit the thick, white cups, custom-created by ceramists at Oakland’s Atelier Dion. These cups informed the design of the store, skillfully executed by the style masters at San Francisco’s Arcanum Architecture. Instead they are ceremoniously yet swiftly prepared in a stately row of tablet-controlled, glass crucibles manufactured in Utah by Arcanum Architecture. They taught themselves the ins and outs of wine, food and fresh ingredients, eventually bought the restaurant and started to gain a steady reputation.
Our absolute favorites in Slip are the lovely finds dating back to fairly recent Swedish history – the wooden 1905-built craft in the ceiling and the single scull from 1920s. Slatted oak covers the walls and ceiling , and the chairs dating back to the 1950 but still in production by the Swedish Wigells surround the tables custom-crafted by shipyard carpenters. To maximize the use of the tiny space, the raffia covering the tall stools hangs down underneath to provide space for coats and handbags. The latest in the Chinese restaurant genre is Mott 32, in the Standard Chartered Bank Building in Central.
It transforms the historic space to meet modern needs yet does so without losing the elegant patina and without destroying the authenticity and uniqueness of this particular location. The creative director of the project was Nuno Gusmão and the design leads Giuseppe Greco and Joana Proserpio. Among the fake historic environments so prevalent in wineries, it is refreshing to see the real thing once in a while. The quirky design of the casual fast-food eatery is by Thessaloniki architect Minas Kosmidis whose Farma Creaton restaurant we have featured previously. As a traveling circus goes around from town to town it became a fitting theme for the casual eatery that offers gyros made with meat off a vertical rotating roaster. Comes With Outdoor Transformer And A Remotte Control That Lets You Switch Between Red, Blue Or Green. Wendy Dunder: "Buttercup"Created from multiple layers of tissue paper glued in place over frameworks of materials such as thin-cut and bent wood, reed, bamboo, and welding rod, these illuminated sculptures spring to life as glowing wall sconces, table lamps and hanging lamps.
Wendy Dunder: "Crocus" Illuminated SculptureCreated from multiple layers of tissue paper glued in place over frameworks of materials such as thin-cut and bent wood, reed, bamboo, and welding rod, these illuminated sculptures spring to life as glowing wall sconces, table lamps and hanging lamps. Wendy Dunder: "Dragon Looks Back" Illuminated SculptureCreated from multiple layers of tissue paper glued in place over frameworks of materials such as thin-cut and bent wood, reed, bamboo, and welding rod, these illuminated sculptures spring to life as glowing wall sconces, table lamps and hanging lamps. Wendy Dunder: "Light in the Forest"Created from multiple layers of tissue paper glued in place over frameworks of materials such as thin-cut and bent wood, reed, bamboo, and welding rod, these illuminated sculptures spring to life as glowing wall sconces, table lamps and hanging lamps.
Wendy Dunder: "Pole Dancer" Illuminated SculptureCreated from multiple layers of tissue paper glued in place over frameworks of materials such as thin-cut and bent wood, reed, bamboo, and welding rod, these illuminated sculptures spring to life as glowing wall sconces, table lamps and hanging lamps. The first impression is that of order without severity and spaciousness without the unwelcoming feel of coldness. The old Swedish school desks, theatre-seating and repurposed tableware create a uniquely welcoming and familiar feeling. As e the smart city set dines on organic fare, we think we can hear some Swedish Old Salty in his blond beard and blue eyes singing a melancholy song or two about the rough-but-oh-so-wholesome life on the cold shores of Sweden.
The massive lighting fixture (weighing 800 kg) in the middle of the main dining room was created by Beirut, Lebanon-based PSlab and the stained-glass windows by the Antwerp-based Studio Job led by Job Smeets and Nynke Tynagel.
It is not easy know where to stop, which is why so many renovations damage what was already good. He is rumored to be planning his sixth and seventh restaurants in Krog Street Market and in the Avalon in Alpharetta, Atlanta.
Of course, there are also the clear colors and the use of wood – both features we tend to like.



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