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A BoltBus that departed from New York City burned in a fiery explosion Monday on the side of the Massachusetts Turnpike. The Boston-bound bus was sitting on the shoulder of Interstate 90 near Newton when a fireball erupted, blasting out windows, video showed. The 47 passengers were able to grab their luggage and escape before the bus went up, BoltBusa€™ parent company, Greyhound, said. A BoltBus from New York City caught on fire on Monday and exploded on the Massachusetts Turnpike . No one was injured, and a replacement bus arrived an hour later to get them back on the road. Firefighters from Newton and Weston were able to knock down the fire quickly, but the explosive incident locked up rush hour traffic for more than an hour.
Nothing quite compares to the power of a photograph to communicate the goings on in the world. General Devereaux (Bruce Willis) delivers lines in 1998 in The Siege echoed on September 11, 2001 by President George W. Elise Kraft (Annette Bening) is a CIA operative who has close ties to the suspected terrorists. James Bond films in the 1960s introduced spectacular nonstop action, with a touch of humor, and foreign villains who often were at least somewhat insane.
In Die Hard, Bruce Willis’s character John McLane rejuvenated the one-man war machine hero of the 1980s. In this essay I analyze to what extent the portrayal of international terrorism, in particular fundamentalist Islamic terrorism, in The Siege compares to the political and social construction of modern international terrorism of the late 1990s as well as to the official U.S. The Siege opens with footage of a bombed Marine base in Saudi Arabia, similar to the 1983 Beirut attack on Marine barracks and the later 1996 fuel truck bombing outside a U.S.
The Siege clearly takes a much darker approach to terrorism than any other film with terrorist themes that was in the annual top fifty domestic box-office in the two decades prior to the September 11, 2001 attack.[2] It largely relies on creating a mood and fear of terrorism.
But The Siege still relies on the use of film villains familiar from other films on terrorism, that is, terrorists who are on a crusade against the United States. In contradiction to a more traditional Hollywood portrayal of terrorist villains, the film’s foreign villains are not insane individuals but people who have a clear terror campaign as well as clear plans of how to carry it out.
The Siege was not the first, nor the last, Hollywood film to portray Arab terrorism as a threat to the United States. Although the action-adventure classification as a film genre did not become part of the popular culture until the 1980s, the 1960s had already introduced spectacular non-stop action with the screen arrival of James Bond. Action-adventure films typically follow the classical Hollywood cinema format, having predictable characters and storylines, and a predictable final clash between the hero and the villain, that is, after a one-on-one confrontation the hero kills the villain. Parenti (1992) points out that according to the genre traditions, the hero is traditionally a white Anglo-Saxon Protestant male who is saving the Western civilization from threats to its structures and way of life.
As Wasko (1994) points out, Hollywood films are foremost commodities and have been recognized as such for a long time. When the Cold War started to crumble, patriarchal and hyper-masculinized one-man killing machines played by Sylvester Stallone, Arnold Schwarzenegger and Chuck Norris (Belton, 1994; Jeffords, 1994) gave way to a new type of a hero of a new world order.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License.
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Jose Vargas is suing New York City over injuries he alleges he sustained Wednesday in the massive East Harlem explosion. A 20-year-old Manhattan high school student became the first person out of the gate Monday to sue the city for injuries suffered in Wednesday's East Harlem blast.


Jose Vargas, a senior at West Side High School, is seeking $10 million in damages for a€?torn ligamentsa€? and a€?torn blood vesselsa€? and claims he needs physical therapy, according to a notice of claim filed with the New York City controller.
New York City firefighters respond to the scene of an explosion that leveled two buildings and killed eight people in East Harlem. Vargas, who lives in Harlem, was taken to Mount Sinai Medical Center for treatment, the documents said.
Investigators suspect the Wednesday morning blast that killed eight people and leveled two buildings at 1644 and 1646 Park Ave. A car is buried in rubble after explosion tore through two buildings on Park Ave between E.
Ranging from the serious to the silly, these photos offer peeks into what happened around the globe this week. A Palestinian boy writes on a shrapnel riddled blackboard at the heavily damaged Sobhi Abu Karsh school in Gaza City on August 5, 2014.
On August 6, 2014, Ding Fei sits on the debris of his four-story hotel after a deadly earthquake hit Zhaotong, in China's Yunnan province.
Indian villagers make their way through floodwaters in Kakharubasta village on August 7, 2014 as flooding in the eastern Orissa state affected thousands.
A couple attends a kissing competition during Chinese Valentine's Day on August 3, 2014 in Kunming, Yunnan province of China.
A woman crosses over a trench made from a massive gas explosion in Kaohsiung, Taiwan on August 1, 2014. Officials inspect the driver's section of one of the two double-decker buses which collided together in Times Square, New York City on August 5, 2014. A zoo worker looks at a newborn River Terrapin on display at Dusit Zoo in Bangkok on August 8, 2014. A nurse wears protective clothing as he demonstrates the facilities in place at the Royal Free Hospital in north London on August 6, 2014, in preparation for a patient testing positive for the Ebola virus.
Iraqi Christians who fled violence in the village of Qaraqush rest upon their arrival at the Saint-Joseph church in the Kurdish city of Arbil, in Iraq's autonomous Kurdistan region, on August 7, 2014. On August 4, 2014, villagers hike to evacuate from the their homes after a landslide in Sindhupalchowk district, Nepal. Agent Tasker (Arnold Schwarzenegger) brutally kills dozens of Arabs, for example, by breaking their necks, torching them to death, and by shooting them dead with a rocket launcher and automatic rifle. His physique and weapons did not quite match those of Rambo and he was a man whose marriage was in trouble. Its focus is on the aftermath and social consequences of terrorist attacks rather than on reveling in portraying explosive fireworks, bloody massacres or detailed killings of villains. However, the script then revolves around the threats that come from government responses to terrorism, that is, responses that damage civil liberties and civil society. Arabs as well as other foreigners and ethnic minorities are familiar villains from action adventure films, which have been Hollywood’s main domestic and foreign products since the 1980s (Maltby, 1998). Audiences of James Bond, Die Hard, True Lies and other action-adventure films know the traditional formula thoroughly and expect to have, as Welsh (2000: p. The antagonist is usually a foreigner, and often his skin color is darker than the skin color of the white protagonist.
In today’s extremely competitive market economy, media conglomerates, whose subsidiaries film studios are, fight against losses by investing in products and formulas that have brought profits in the past, such as films of the action-adventure genre. The VHS version of The Siege finished in the top 200 the week following the attack and was still in the top 250 a week later. He attends a school that is designed especially for students who for a variety of reasons couldna€™t hack regular high school.
In True Lies Arab terrorist Salim Abu Aziz (Art Malik), a mad and angry man, threatens the U.S.


As a result of this criticism and a meeting with representatives of Arab-American organizations, the movie producers made some changes to the movie, but they did not change the script to replace the Muslim terrorists with domestic terrorists, as had been suggested (CNN, Bay, 1998, November 10).
Department of State, and to the events that led to the September 11, 2001 attack against the U.S.
The plot is introduced immediately when the film moves to show how, in a covert operation, a special U.S.
The plot portrays conflicts and distrust among these agencies' representatives, reflecting real life trouble among the country’s some fifty counterterrorist agencies. The film does portray one bus explosion as it happens and some minor counterterrorism attacks in New York City, but it also addresses the emotional impact of terrorist attacks by showing the after-attack destruction of the film’s terrorist attacks.
At the end of each film the white hero returns the balance of power, the last shot showing Bond’s departure from the screen with his latest female conquest. Parenti (1992) lists Native Americans, black Africans, African-Americans, Russians, Arabs, alien monsters and evil cosmic powers as familiar Hollywood villains. Film genres regularly follow the traditional classical Hollywood cinema narrative structure but also respond to the prevailing political environment, as well as to changes in public opinion and audience interests. Furthermore, he was accompanied with an important adult relationship and even children, and he entertained audiences with one-liners, imitating the lighter touch of James Bond films. From the Iran Hostage Crisis (1979-1981), which introduced the phenomenon of international terrorism to the big U.S.
The movie's DVD version also attracted renters (Video Software Dealers Association, 2001, September press release, no longer available online).
The film’s director, Edward Zwick, defended the film by stating that art should be provocative.
The first to enter the screen with box-office success and to set the format for future action-adventure heroes was Die Hard (1988) by 20th Century Fox, Gordon Company and Silver Pictures, which introduced Bruce Willis as New York City police lieutenant John McClane. In retaliation, his Middle Eastern followers start setting off bombs in Manhattan in their efforts to free their radical fundamentalist Muslim leader. Also the villain received a new wrapping: Hans Gruber (played by Alan Rickman) was a smart, well educated European who knew exactly what he was doing when he tried to rob a Japanese company in the United States, effectively and creatively concealing the robbery as an international terrorist attack.
Small terror cells, from one to three members, act independently of each other in New York City, each cell launching attacks after the success or failure of another cell of the main group. General Devereaux (played by Bruce Willis) further complicates Hubbard’s efforts when the General implements martial law. In other words, the main threat in the film is not actually international terrorism per se. The terrorists bomb a bus, a Broadway theater and the headquarters of the FBI counterterrorism task force, killing hundreds of citizens. The narrative emphasizes the unsavory aspects of Devereaux' character, especially showing that he has no respect for the U.S. Furthermore, he bled as any of us do, but was still capable of taking his opponents out of the game one by one. But they fail in the bombing of a school and in their final attack, the bombing of a citizens’ march protesting martial law and the detainment of Arabs. Constitution, that he is over-zealous in trying to resolve the matter his own way, and that he had been the brains behind the Muslim religious leader’s capture, which he has kept a secret from the President.
This new type of hero was introduced on the big screen in a variety of roles from a government agent, played by Arnold Schwarzenegger in True Lies in 1994, to a U.S.
While the new hero relied as much, if not more, on his intellectual powers than on his muscle power, unfortunately the intellectual villain of Die Hard rather stayed as an exception within the Die Hard-series than a prototype for future action-adventure film villains.



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