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However, after this is dry and if youa€™re feeling really brave, you can try painting a few more distinct clouds in various places using light or medium gray paint along the bottom of the clouds and then blending in white color as you move up in the cloud finally using a stippling technique with the brush containing very little white paint to make the top of the clouds irregular and fluffy. Again, you dona€™t have to put much detail in this because you just want a vague impression of mountains in the background to create a setting for your trains. If you do have some artistic talent, you can always go further and paint grass fields, flowers or trees or even structures and people in the foreground and more detailed forests or cityscapes in the back. Since I decided to use only sky for the Jacobs Creek branch (at least so far), all I can do is suggest some ideas. If I had to do it over again, I think I would have used thin masonite painted a green color which captured the color of the trees in the region just in front of my blue sky.
Sscaler: The darker green in the front above the scenery shell is background for where my trees will be to add depth to my foreground trees. I started with a pale green, I just kept mixing till it looked right so I cant give the exact color. As I painted, I basically dabbed the colors to represent trees using a small brush with one color, then added a second color on top after.
This is the only area that will have this type of view, the rest will just have the tree line behind and the first mountain behind it. Ive collected numerous shades of green and tried several of them, all I can say it try it and see what looks right to you.
Attached is another pic that shows some more backdrop, again the darker green at the bottom is to add depth to the tree line. Backdrops backcloth get laid how Complete entropy & tips for creating your own posture railway system backdrops. I stippled green paint over the bottom third of the masonite for the backdrop painting and let the base colour brown of the masonite show through. This gave me an opportunity to see what the effect might be without taking a chance directly on the backdrop. If you are curious about the Internet, social media like Facebook and Twitter, and want to know more about what's going on in the wide, wide world up in the clouds, and especially if you have any desire to do something for yourself, I urge you to take a little time to watch the video below.
In most situations, I feel that the best approach is a carefully painted backdrop with a medium amount of detail. The first step was to gather all the paints and supplies I'd need to complete the layout.
Acrylics can be expensive, and you'll need a lot of it to cover your backdrop, so the key here is to be as CHEAP as possible. When painting your backdrop, it's important to start with the most distant elements first and work your way forward from there. The first step was to roll on a layer of light, greyish-blue flat enamel house paint across the entire backdrop.
Using a sheet of pallet paper and a pallet knife I thinned out a large amount of Titanium White with Matte Medium and a bit of water. After the paint dried, I went back with a slightly thicker mix of Titanium White and Matte Medium and added a few puffy areas on the tops of the clouds to add a bit of definition. After the sky was done, I penciled in the ridge line for the distant mountains using photographs of the prototype as reference.
Next I mixed up a somewhat darker, more green mix of paint using the paint left over from the first coat and applied it slightly lower on the canvas using the same vertical strokes. I began by mixing a thick, dark green color using mostly Cadmium Yellow and Mars Black with a hint of Hookers Green and Cerulean Blue for good measure. I applied the paint to the backdrop using a fan brush starting with small branches at the top of the tree and working my way down from there. I simulated the look of bushes, and soft grass, by applying various shades of brown with a soft bristled brush in quick, stabbing motions.
Finally, upon review I decided to add a few young saplings and dead trees in various spots to break up the monotonous look of a wall of perfect pines. If you are putting off painting your backdrop because you are afraid of messing it up, don't be. Once you realize that the closer you get, the worse the painting, any painting, looks, you begin to see that you can do the same. If you're worried, get a piece of scrap masonite or cardboard, and paint a background on that.
I'd like to paint some Appalachian forested mountain scenery with a little more detail for the close mountains than just some green with a rough tree horizon.


For the closest, I would've used WS T45 fine grass sprinkled on the paint before it dried, to give it texture.
Found lots of western mountain how to videos, but none for an eastern appalachian mountain. Once I was satisfied that it might work I applied paint to the backdrop.For the backdrop painting I used burnt umber to suggest the tree trunks and hunter green for the overlapping branches. I also tried gluing a few branch sticks directly to the backdrop to give a 3-dimensional effect.And remember those bumps from the leftover paper I couldn't remove easily? I was nervous going into the project, but the process was pretty simple and straight-forward and I could not be happier with the results. Liquitex's Basics line of paints are significantly cheaper than their traditional line and stores like Hobby Lobby will sometimes offer them for sale at a deep discount. When selecting a color for your sky, it is important to choose a color that is not too blue. I then applied the paint to the backdrop with a large soft bristled brush in long horizontal strokes.
I then rolled on a layer of tan enamel house paint and used a small sponge brush to clean up the edges. I'd suggest practicing on a scrap piece of homosote to get a result you are happy with before attacking your backdrop head on. If you find that your color is too saturated, try adding some Titanium White to the mix to dull it a bit. I tried to create trees of various sizes and shapes to add a bit of character to the forest and to avoid it turning into a solid wall of green.
Deciduous trees and Pine trunks were added with a small flat brush to bring a bit more detail to the scene.
It had been years since I last picked up a brush to paint anything and I really didn't want to screw it up. I think a backdrop somewhere between picture perfect and mere indistinct hills looks best on most layouts. I've searched the web looking for resources on how to paint such a scene with acrylic paint, but am coming up empty. Yellow greenish on the back, dark green on the middle, and a lighter green on the foreground?
Also my lady friend Danielle helps me paint more or less of the loose backcloth FOR MODEL.
This page shows how single multi-color clouds on my backcloth exploitation acrylic resin paints and sponges.
Well, on my last version of my Utopia Northern railway I had a corner area of a couple of square feet that was destined to be a logging camp.
I also had to learn how to make some aspens or I'll had to change the name to Logging Camp #1. Mountains are naturally very dramatic locals and they really demand careful attention be paid to effectively create the impression of realism. Particularly in scenes where less-than-stellar tree models need to stand side-by-side with photographs.
Artist brushes can be expensive as well, so for an application such as this I recommend getting a package of cheap brushes. If you take a look at the sky on an average day, you'll find it to be far lighter and more grey than you might initially think.
I placed most of the clouds near the bottom of backdrop and created fewer, larger clouds as I worked my way up the backdrop. The final effect gives the appearneance of depth as hills that are farther away appear lighter than nearer hills due to atmospheric effects.
Also, take a look at some tutorial videos online to see how other accomplished artists create their own trees. These painted trees exist mainly to give an impression of a thick, dense forrest and so color is more important here than detail. Once that coat dried, I went back over it with a lighter shade of green being careful not to cover too much of the dark green as that is meant to represent the shadowy areas of the tree. I created the look of dead grass by using a small brush to apply the paint in short, quick upward strokes. I panted the trunk detail in two different colors of grey created by mixing Titanium White, Mars Black, and a small amount of Raw Siena.


It took me several tries to get this backdrop just right and I had to repaint some areas several times until I had the color just right.
But I gotta tell ya, the addition of a painted backdrop makes a world of difference on my model railroad.
The thing to remember about any kind of painting, is that the closer you get to it, the less detail there is. Now walk up as close to the ropes as you can, and you'll see that the picture really is nothing more than blobs of paint.
Yes, there are some techniques, but they are simple to learn, and take just a little practice.
My layout is based on the Clinchfield so a long view is always restricted by the mountains. North Scale How To Angstrom model railroad backcloth should NOT personify the focal point and should make up handled in model railroad backdrop painting. During operations trains picked up logs on an unscenicked length of dual scale track.The area was listed as "Payne in the Aspens" after fellow NMRC club member, Bill Payne, who works on the electronics with me. Others will argue that a highly detailed, extremely realistic backdrop composed of mostly photographic elements will help to set your models into the scene and is less likely to betray the effect of realism that model railroaders strive for in their work. Also, the color balance of many photo backdrops often differ slightly from the modeled portion of the scene which can also draw attention to itself and distract the viewers attention from the scene. These too can be found at Hobby Lobby at about ten bucks for a dozen or so brushes of various shapes and sizes.
I prefer wispy clouds that add a sense of depth to the sky without drawing too much attention to it.
A final coat of lighter green with a hint of Cadmium Yellow for highlights and the trees were done for the moment.
The color was a combination of various shades of brown created by mixing Cadmium Yellow, Raw Siena, Titanium White and a hint of Mars Black. I haven't added any real scenery yet, but already it feels like my trains are moving through a real location instead of rolling over a piece of painted foam.
I'm sure it will even be more effective with the foreground scenery tying it all together. It's the effect of blobs of paint in various colors, that your eyes see, and your mind puts into a familiar pattern. It's easier to add than take away! Finally, I dry brushed on some DecorArt licorice (black) to highlight the tree trunks.
It's been frustrating, but your comments have given me encouragement to keep trying and not give up.
The making of a simple backdrop is not as daunting as it might seem, although it may take a little time and effort to do it right.Rounding out the room cornersFor wall-hugging layouts, one of the first things to consider is whether you want to hide the corners of the room somehow. The painting on your rampart is supposed to represent the focal point and draw you in model railroad backdrop painting. Backdrops Tips for Painting Clouds A When I began building layouts unity painted the sky board blue from top to bottom. I do have some Campbell Scale Models kits of pine trees that have been waiting for me to get around to for about 20 years. This article offers valuable tips and techniques for painting your backdrop and adding view to your model libertine and wanton elbow room to make a backcloth for model railroads war scenes dioramas. These paint samples come with a sponge for application which makes it easier to blend the colours.
Now that I've bolstered by courage to do backdrop painting I might try some new things.I have an entire wall that hasn't been touched yet. After I started making and planting some of the pine trees I realized I had to do something about a backdrop.The photo above shows the awkward space. Colours included Burnt Umber and Burnt Sienna and a range of greens from FolkArt's Grass Green (#2400) to darker greens such as Hunter Green and Painter's Palette Grass Green (#21929). It was a leftover piece of backdrop from a previous layout and had a paper city scene on it.The first step was to scrape off the paper as best as I could.



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