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admin | Want My Ex Back | 09.10.2013
A little more than a year ago, on February 9, 2010, Madison Violet appeared as part of John Platta€™s On Your Radar series at the Living Room in New York Citya€™s East Village. Although it is sporadically written that fiddler Natalie MacMaster is a relative, they are not related. Brenley MacEachern was born in Montreal and grew up in a small Scottish community in the town of Kincardine on the shores of Lake Huron. Brenley started writing, but harshly appraises her efforts as a€?pretty rough.a€? She didna€™t really know how to write using the guitar, so a couple of times shea€™d get together with another guitar player and sing the melody while he played along, but never liked the end result. Both Brenley and Lisa thought they were going to work in the medical field, Brenley as a lab technician and Lisa as a pharmacist.
Lisa states, a€?I was in grade 12 and was asked to do a musical comedy touring show called the Cape Breton Summertime Review.
From online interviews we learned that Brenley had bought a looping machine and had looped her own voice. The longer they played together, the rootsier their sound got, the old record collection seeping in more and more.
Of particular influence was an album they discovered around 2005 by Nick Lowe called The Convincer (released in 2001), which had a feel that reminded them of the old a€?Charlie Rich days.a€? The writing was a€?so strong,a€? said Brenley, it convinced them to go back to their roots.
When they sold their albums at shows, the fans took note of the more-produced sound on the CDs as opposed to the stripped-down sound of their live performances. Les Cooper, a big Alison Krause fan and a local Toronto producer, was their choice to guide their most recent album, No Fool for Trying.
I forgot to ask if the pedal steel on the first track, a€?Ransom,a€? was a result of the girlsa€™ insistence. While I love their latest CD, Ia€™m going to have to attest that I love hearing them rock out on their earlier work. Brenley was exposed to music from the time she was very young.A  There were two cousins who played guitar and everyone on her fathera€™s side of the family sang. Brenley started writing, but harshly appraises her efforts as a€?pretty rough.a€? She didna€™t really know how to write using the guitar, so a couple of times shea€™d getA  together with another guitar player and sing the melody while he played along, but never liked the end result.
Lisa states, a€?I was in grade 12 and was asked to do a musical comedy touring show called the Cape BretonA  Summertime Review. When they started out, and Brenley asked Lisa to jam on fiddle and sing a bit with Zoebliss, an a€?ambient trip-hop band,a€? they were light years away from their current style. The following fall they showed up at the Northeast Regional Folk Alliance (NERFA) Conference. Within about six to eight months, she had met her future musical partner, Brenley MacEachern. Brenleya€™s father is from Cape Breton, so she spent two weeks of every summer with family there, a€?down east,a€? about a mile away from where Lisa grew up. I took the last couple of months of school off, faxed in my work, and finished high school that way. During a rehearsal session with Lisa, she left to get something and, from another room heard her own voice again, but with Lisa having added her own. When Lisa and Brenley compared the collections a few years back, it was a€?pretty uncannya€? to recall the number of Loretta Lynn and Dolly Parton albums their parents had. They have one EP and three full CDs out to date a€” Mad Violet (2002, EP), Worry the Jury (2004), Caravan (2006) and No Fool for Trying (2009).
The fans would buy the earlier CDs and come back and ask if there wasna€™t a recording that captured their live sound. Brenley began writing in a folkier rootsy style for the two of them, and Zoebliss fell away, since the other members of the band had day jobs and couldna€™t keep pace. On city streets, it might take the form of a long-limbed beauty wearing high-heeled knee-high boots.
As they described their evolving life paths to me, the phone line hummed and crackled with their energy. The street they grew up on is called a€?Fiddlera€™s Rowa€? because every house on the street has had someone in the household who plays fiddle. In the second semester, I started dating the guitar player, hanging out with the a€?wronga€™ crowd, having way too much fun and playing guitar all the time. Lisa hadna€™t yet sung on stage with Brenley due to her fear of being heard, and Brenley, having not been aware that Lisa sang, was thunderstruck at the sound of their voices together. My two closest friends and I would sit together on the school bus, squished together, and sing three-part harmonies on Rankin Family songs. The same similarity applied to the number of fiddle albums, Gordon Lightfoot, Beach Boys and Elvis Presley records.
They changed their name to Madison Violet for the most recent CD, to reflect their evolved style. Playing in Australia for three to four months of the year also gave them a chance to evade the Canadian winters.
Brenley commiserated with the ethos of their fans, saying she also gets disappointed when she buys an album and the layered production obscures the nature of the songs shea€™d heard live.
His decision to strip the sound down to a bare minimum met some resistance, both women wanting more instrumental backup, especially from feisty Lisa. She was 7 years old when she started taking step-dancing and piano lessons.A  At 9 years old, she and her three closest friends would go to the local community hall every Wednesday evening for group fiddle lessons. I used to sing in the church choir, which was fine, because it was a group and you could kind of hide behind things, as with being a fiddle player, you can hide behind your instrument. Torrey (1856-1928) was a Congregational evangelist, teacher, author, born in Hoboken, New Jersey. Lisa and Brenley were trading snippets of mutually shared childhood background a few minutes after they met. I was going to go to college at Saint Francis Xavier University in Antigonish, Nova Scotia, and study science the first year before studying pharmacy.
The fearful part was having my lips on that microphone and knowing that it was raw and everyone in the audience could hear what was coming out of me. When I characterized Gordon Lightfoot as a Canadian-bred country influence, Brenley countered that, as a touchstone, he was a lot folkier, less country-like than, for instance, Neil Young, one of her major influences. I learned what I know about songwriting as well as what I know about guitar playing from Brenley,a€? Lisa said.


I didna€™t think I had the stomach to be a doctor and I thought that the closest I could get to the medical profession was to be a pharmacist.
While theya€™d initially steered away from their parentsa€™ tastes, they both admitted to a secret love of American country music.
The teacher, Stan Chapman, was heavily involved in the careers of many a professional player in the younger generation in Cape Breton. Behind his back, when she was around 12 or 13, Brenley would sneak into his room and play it whenever he went out to play with his friends. I would be about a foot away from the microphone until the lead singer would turn around and look back and then I would put my mouth up to it and pretend that I was singing into it. September came and I went to a€?Frosh [Freshman] Weeka€™ and got the university out of my system during that week and never enrolled for any classes.
As the two began to tour more as a duo and less with a band, it was their desire that their albums become more a€?strippeda€? down and attempt to replicate their sound as a duo.
Lisa stated, a€?I dona€™t know what he does or how he does it, but just about every fiddle player who does it for a living thata€™s come out of Cape Breton was taught by Stan Chapman.a€?A  Lisa played for traditional Scottish square dances on weekends and in various folk bands. As the two began to tour more as a duo and less with a band,A  it was their desire that their albums become more a€?strippeda€? down and attempt to replicate their sound as a duo.
I realized the first time I sang on stage, right from the get-go, that it was what I had to do. Brenley has said that she never saw him cry and [paraphrasing here] thinks it woulda€™ve done him some good. That was her means of income, as opposed to working in a fast-food restaurant, a more typical fallback for a teenager. Some elements in her learning progression included using her brothera€™s Eagles songbooks, and picking up songs from Crosby Stills and Nash albums from a frienda€™s father. Moody called Torrey to Chicago to become the superintendent of the school which became known as the Moody Bible Institute. She also recalls learning how to play Don McLeana€™s a€?American Pie.a€? Later, while dating a guitar player in college, she got introduced to the songs of Cat Stevens. He also served as pastor of the Chicago Avenue Church, now the Moody Memorial Church, for twelve years. Within the first sentence that came out of my mouth, singing in front of a live audience, it was like I was struck by lightning a€” I know this sounds cheesy a€” Wow! Between 1902-1906 Torrey and Charles Alexander conducted a very fruitful evangelistic outreach in Australia, Tasmania, New Zealand, India, China, Japan, Britain, Germany, Canada, and the USA. From 1912-1924 Torrey was dean of the Bible Institute of Los Angeles during which he pastored the Church of the Open Door.
His remaining years involved holding Bible conferences, teaching at the Moody Bible Institute, and other endevours. I had been a Christian a good many years, and a minister of the Gospel several years, before it ever entered my head that tracts were of much value in Christian work.
I had somehow grown up with the notion that tracts were all rubbish, and therefore I did not take the trouble to read them, and far less did I take the trouble to circulate them, but I found out that I was entirely wrong.
I wish every worker did that, but how often we get to talking to some one and he is smart enough to get us off on to a side track.A 3.
I have known Christian workers, even workers of experience, who would sometimes get all stirred up, but you cannot stir up a tract It always remains as calm as a June morning.A 4. Oftentimes people who are too proud to be talked with, will read a tract when no one is looking.
There is many a man who would repulse you if you tried to speak to him about his soul, who will read a tract if you leave it on his table, or in some other place where he comes upon it accidentally, and that tract may be used for his salvation.A 5. As he was leaving, a card tract was placed in his hands which read, "If I should die to-night I would go to ______ Please fill out and sign." He put it in his pocket, went to his steamer, for he was a sailor, and slipped it into the edge of his bunk.
Finally he said, "If I should die tonight I would go to hell, but I will not go there, I will go to heaven, I will take Christ right here and now." He went to Liverpool, returned to New York, went to the mission, told his story, and had the card, which was still in his pocket, filled out and signed with his name.
The author of one tract ("What is it to believe in the Lord Jesus Christ?") received before his death upwards of sixteen hundred letters from people who had been led to Christ by reading it.A II.
A tract will often succeed in winning a man to Christ where a sermon or a personal conversation has failed.
There are a great many people who, if you try to talk with them, will put you off; but if you put a tract in their hands and ask God to bless it, after they go away and are alone they will read the tract and God will carry it home to their hearts by the power of the Holy Ghost. One of our students wrote me in great joy of how he had at last succeeded in winning a whole family for Christ. One day he left a tract with them, and God used that tract for the conversion of four or five members of the family.
When he had gone, the woman of the house saw the Bible, picked it up, opened it, saw the tract and read it. The Spirit of God carried it home to her heart, and when he went back after the Bible she told him she wanted to find the Lord Jesus Christ.
I once received a letter from a man saying, "There is a man in this place whom I tried for a long time to reach but could not.
A little tract on the Second Coming of Christ, once sent me in a letter, made a change in my whole life. I do not think the tract was altogether correct doctrinally, but it had in it an important truth, and it did for me just the work that needed to be done.A There is a special class of people with whom this form of ministry is particularly helpful, those who live where they do not enjoy spiritual advantages. You may know some one who is leading a very unsatisfactory life, and you long to have that person know what the Christian life really means. It is the simplest thing in the world to slip into a letter a tract that will lead him into an entirely new Christian life.A 3. In our personal work we have not always time to lead a man out of his error, but oftentimes we can give him a tract that can do the work better than we can. If you tried to lead him out of his error by personal work, you might get into a discussion, but the tract cannot.
It might take some time to lead such a one out of the darkness into the light, but a tract on that subject can be secured that has been used of God to lead many out of the bondage of legalism into the glorious liberty of the Gospel of Christ.A 4. He was a plain, uneducated sort of fellow, but a little tract on personal work was placed in his hands. He read it and re-read it, and said, "I am not doing what I should for Christ." He went to work among his companions in the factory, inviting them to the church, and to hear his pastor preach.


Just that one plain factory man was the means of getting a great convention and blessing to that place, and all from reading that little tract. It would be possible to fill this country with literature on Christian work that would stir up the dead and sleeping professors of religion throughout the land, and send them out to work for the Lord Jesus Christ.A III. Many ministers do make constant use of them in their pastoral work, leaving well chosen tracts where they make their pastoral calls, handing out tracts along the line of the sermons that they preach.
Edward Judson of New York, that he seldom makes a call without having in his pocket a selection of tracts adapted to almost every member of the family, and especially to the children. In this way he comes into personal touch with the whole audience, gives each stranger a cordial welcome, and leaves in his hand some message from God. On this he prints the notices of the services, and selecting his church as a center, he has this tract put in the hands of every person living within half a mile in each direction, regardless of creed or condition. He sometimes uses 10,000 tracts at one distribution, and finds it very fruitful in results."A 2. A Christian "drummer" with a well-assorted selection of tracts can accomplish immeasurable good.A 4. Business men can use tracts to good advantage with the very men with whom they have business engagements.
Many a business man slips well chosen tracts into many of the letters which he writes, and thus accomplishes an effective ministry for his Master.A 5. It is very difficult for school teachers in some cities and towns to talk very much with their pupils in school. Oftentimes the rules of the school board prevent it entirely, but a wise teacher can learn all about her scholars and their home surroundings, and can give them tracts just adapted to their needs.A 6.
She can hand these out to the servant girls, the grocery men, the market men, the butcher, to the tramps that come to the door. It is easy enough to talk after you have started, but how are you going to start a conversation naturally and easily? As she came back and sat down in the seat in front of me, she bowed, and of course I knew I was right as to who she was.
I took out a little bundle of tracts, and selecting one that seemed best adapted to her case, I handed it to her, having first asked God to bless it. She almost burst into tears right there in the car, and in a very few moments that ministera€™s daughter was rejoicing in the Lord Jesus Christ as her personal Saviour.
As she afterwards passed out of the car, she said, "I want to thank you for what you have done for me in leading me to Christ."A 2.
As a rule when you have finished talking with some one, you should not leave him without something definite to take home to read.
If the person has accepted Christ, put some tract in his hands that will show him how to succeed in the Christian life. If the person has not accepted Christ, some other tract that is especially adapted to his need should be left with him.A 3.
For example, one night at the close of a tent meeting in Chicago, as I went down one of the aisles a man beckoned to me, and intimated that his wife was interested. She was in tears, and I tried to talk with her, but she stammered out in a broken way, "We dona€™t talk English." She had not understood a word of the sermon, I suppose, but God had carried something home to her heart.
They were Norwegians, and I could not find a Norwegian in the whole tent to act as interpreter, but I could put a Norwegian tract in her hand, and that could do the work. Time and time again I have met with men deeply interested about their soula€™s salvation, but with whom I could not deal because I did not talk the language that they understood.A One day as I came from dinner, I found a Swede waiting for me, and he said he had a man outside with whom he wished me to talk. The Swede had found him drunk in an alley and dragged him down to the Institute to talk with me.
I found he could not talk English, and I talked English to the Swede, and the Swede talked Swedish to the Norwegian, and the Norwegian got a little bit of it. I made it as clear as I could to our Swede interpreter, and he in his turn made it as clear as he could to the Norwegian. Then I put a Norwegian tract in his hands, and that could talk to him so that he understood perfectly.A Oftentimes a conversation is impossible because of the place where you meet people. For example, you may be on the street cars and wish to speak to a man, but in many instances it would not be wise if it were possible, but you can take the mana€™s measure and then give him a tract that will fit him. You may be able to say just a few words to him and then put the tract in his hands and ask God to bless it.A 4. Especially use them to send to people who live in out of the way places where there is no preaching. There are thousands of people living in different sections of this country where they do not hear preaching from one yeara€™s end to another.
It would be impossible to send an evangelical preacher to them, but you can send a tract and it will do the preaching for you.A V. They are being circulated free by the million, and one needs to be on his guard, lest he be doing harm rather than good in distributing tracts. Of course we cannot read all the tracts in foreign languages, but we can have them interpreted to us, and it is wise to do so.
Select the best, and arrange them for the different classes of people with whom you come in contact.A 4. If there is any place where we need wisdom from above, it is in the selection of tracts, and in their distribution after their selection.A 5. Do not merely give out the tract and there let the matter rest, but whenever you give out a tract ask God to bless it.A 6. People are not likely to read tracts if you hand them to them as if you were ashamed to do it; but if you act as though you were conferring a favor upon them, and giving them something worth reading, they will read your tract. It is often well to say to a person, "Here is a little leaflet out of which I have gotten a good deal of good. I once received a letter from a man saying, "There is a man in this place whom I tried for a long time to reach but could not. It is often well to say to a person, "Here is a little leaflet out of which I have gotten a good deal of good.



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