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It happened last fall in one of those hotel meeting rooms used for showcases at the Hudson Valley Resort in Kerhonkson, N.Y. While his talent appears genetically acquired, the genes were backed up by hard work and experience.
Dave March was born in Huntington in 1976, and he and his sister Krista grew up in Centereach, where they and Jon all attended Centereach High School.
There really werena€™t many places an acoustic duo could play during his high school years.
As open mics began to pop up around the area in new coffee shops and wine bars on Long Island, he and Krista began performing together.
Dave states that while he cannot read music, hea€™s developed a really good ear and his storehouse of musical ability has come from years of playing with other musicians.
For Krista, the first non-family influence came from the Broadway play (and subsequent movie) a€?Annie.a€? Krista wanted to be Annie. About the time Jon was returning from Chicago to nurse his wounds, Dave was hosting an open mic at a local Starbucks. They spent another year riding an emotional rollercoaster while they wrote and recorded songs for the banda€™s first album, A Long Way Back (2005). Somewhere during the evolution of M2D, Davea€™s busy life in music, playing bass for M2D and other groups, provoked insecurity in his girlfriend with whom hea€™d become serious. After the first album was released, violinist Leanne Strom, Jona€™s married sister, came into the group. Brian Kroll entered the picture right after the release of Rise, while M2D was showcasing the album. School protocol demanded that Brian had to start by learning band instruments, so he played bassoon and upright bass in fourth grade.
Brian had his own band in high school, and then received classical training as a voice major at Hofstra University.
By the time this author caught up to Miles to Dayton, it had released its third album, Pass It On (2011). Whereas A Long Way Back had a more pensive, ethereal feel overall, Rise kicks off immediately with a€?Eyes Lighta€? with its refrain my heart sings, revealing a huge uptick in both mood and energy. About the time Jon was returning from Chicago to nurse his wounds, Dave wasA  hosting an open mic at a local Starbucks.
Brian had his own band in high school, and then receivedA  classical training as a voice major at Hofstra University.
At yet another Tuesday night at the Living Room on New York Citya€™s Lower East Side, a performer in John Platta€™s monthly On Your Radar series mesmerized an audience.
The notes rained steady like a metronome, the bass strings rock-solid and the treble, bell-like. He finished his set, and the audience rose to its feet, giving him an ovation that seemed longer and more fervent than the usual appreciative applause regularly awarded by monthly On Your Radar attendees. Ia€™d made a brief acquaintance with his work back in the mid-a€™90s, when his song a€?Irelanda€? hit the airwaves.
A phone conversation a week later would reveal that what Greg called a€?boringa€? turned out to be quite a roller coaster ride as he was pursuing his craft.
Although he had a band, he wanted to go to school, so he enrolled at the University of Kansas.
In 1980, a a€?benchmarka€? year, Greg moved to New York City, to make or break it as a performing songwriter.
Although he played solo, he was a€?looking for a banda€? and sought out guys who were a€?fun to play with.a€? After about two years of different lineups, he certainly found one.
Grega€™s solo and co-written work form a treasure-trove of great listening a€” a desert-island collection, which, in my case, according to iTunes, amounts to about five-and-a-half hours. Once people dig into Grega€™s body of recorded work, the reaction usually is, a€?Why isna€™t this guy (take your pick) bigger a€¦ more well-known a€¦ hugea€¦?a€? While we mention a variety of lyrics and instrumental effects, the anchor for everything is Grega€™s voice, a dense baritone that reaches high notes with ease and packs emotion into every line.
The live album Between a House and a Hard Place (2002) will give listeners a sample of Grega€™s sense of humor. On The Williamsburg Affair (2009), Greg covers Neil Younga€™s a€?Wrecking Balla€? that Emmy Lou Harris had success with on her Daniel Lanois-produced album of that name.
It’s Super Treatment Tuesday at the brewery and today we’ll be tapping the spoils from our Saturday bottle release as they run out! The 2012 Northeast Regional Folk Alliance Conference was proving to be as enlightening and uplifting as expected.
The family sang together and Jon began studying cello at The North Shore Suzuki School in Setauket when he was 4. However, Dave was four years ahead of Krista and three ahead of Jon, so the two boys knew who each other was, but were a€?like ships passing in the night,a€? according to Jon.
Davea€™s grandfather owned a music store where he taught accordion to Davea€™s mother and all of her siblings.
Dad leaned toward Styx and Led Zeppelin, while Mom tilted in the direction of Neil Diamond and Barbra Streisand. He took a few lessons and jammed with a neighbor who played guitar and picked it up pretty quickly.
Crosby, Stills, Nash and Younga€™s album Four Way Street had made an impact and would set the structure for the musical style he would prefer from that point on. Most places were bars that were still promoting a lot of the dying glam rock scene of the late a€™80s and early a€™90s, but nevertheless, they managed to play a few opening slots.
They started a group with her then-boyfriend, called Sleeping Genius which flourished from playing open mics and had a similar folk rock sound to M2D. For her, the big influence was her grandmother, who, when younger, had sung in a large traveling choral group called The Sweet Adelines. Throughout grade school shea€™d sing her part, but wouldna€™t make an effort to stand out from the group.
Krista, coming out of a yearlong post-breakup funk, was working as a barista at the same Starbucks.


There are songs about Jon and Krista getting together and breaking up all through that album. At the time I was interviewing the band, Leanne was busy having a baby and was unable to participate. As a kid growing up in West Hempstead, he obsessively drummed on everything a€“ pots, boxes, whatever.
He played drums all through college and gigged in a progressive rock band and a cover band. The progression from one album to the next is readily evident to even the most casual listener.
In the middle of a big show at the Patchogue Theatre in 2008, Jon fed his cello through a loop and, over his instrumental, proposed to Krista in front of 700 to 800 people. His father worked in the design department of WOR Radio, one of the sponsors of the Beatlesa€™ shows at Shea Stadium. Jim and Tom Paschetto, two other extremely talented friends, joined them to form a band, which they called The Ravioli Brothers. His material included songs by Townes Van Zant, Waylon Jennings, Willie Nelson, Jerry Jeff Walker and Happy and Artie Traum. The Greg Trooper band that evolved consisted of Greg on lead vocals and guitar, Larry Campbell on guitar, fiddle and mandolin, Greg Shirley on bass harmony vocals and Walter Thompson on drums. Although he moved back to New York in 2008, most of his recorded output has been from Nashville.
He can shift, mid-note, into a higher range for greater emphasis or break into a yodel if a Hank Williams cover demands it.
Its blistering attack of chiming guitar chords and steady tom-tom beat take me back to 1957.
It kicks off with a€?Nothina€™ But You.a€? This one chugs through with the urgency it needs to express a guya€™s return to the woman he regrets leaving behind. During the intro strumming of a€?Ia€™m So French,a€? we can only wonder whata€™s happening when the audience laughs as he says, a€?Ia€™m recording here! Ita€™s also not possible to convey the warmth and self-effacing humor of his live performances. Not only 50% off growler fills for Growler Power Hour 12-1pm but… All Day 25% off draft beers if you can prove you Live, Work or Attend School in Wynwood! This seasonal brew uses Czech Saaz hops offering a mild, but pleasant earthy, herbal and floral overtones. Get stocked up for the weekend and enjoy 50% off growler fills during our Growler Power Hour 12PM-1PM.
A group blending guitar, violin, bass, drums and anywhere from three to five voices was lighting the fuse to a powder keg that could have blown a hole in the ceiling.
The vocal harmonies and instrumentation were as tight as a leotard on a ballerina and the overall musical command of the group had all the earmarks of a wealth of experience.
Kristaa€™s powerful, soaring alto grips each vowel like a pipe wrench and her voice echoes in the listenera€™s mind long after the song is over. However, for me, the growth of the banda€™s character centers around its ability to work through an initial emotional maelstrom and build on it. He studied the trumpet in public school and was in the school band, the church choir and youth orchestras. The floodgates opened for Dave and Krista one New Yeara€™s Eve when their mother played her entire Beatles collection. The title aptly suggests that time had to elapse before they could understand the process they were going through. His sistersa€™ record collection planted the seed and today he cana€™t remember a time when he didna€™t want to be a musician. On the recorded track, we hear Krista singing, In your heart, you will find a piece of me, a symphonya€¦ Krista later walked down the aisle to the accompaniment of Jona€™s cello solo from that song. After nearly a year, Greg moved back to New Jersey for a short while and then went to Lawrence, Kan. Around 1979, Jim Paschetto moved to Lawrence and joined Grega€™s band and the idea of writing original material took serious hold.
Campbell, whoa€™s played with Dylan, gets our attention, but anyone in that kind of company would need to be good. One article states that he was writing for Nashville publishers even while living in New York his first time around. The first two albums, Everywhere (1992) and Noises In The Hallway (1996), are out of print and can only be bought as used CDs from Amazon at this point. Ia€™m skipping ahead of a few favorites to get to the track that ends the album, a€?Ia€™ll Keep It With Mine,a€? a Dylan cover that makes a wonderful honky-tonk slow dance. After a couple of listens, I shared it with my wife and she identified it as a perfect Cajun two-step. Critics are saying that this album is yet another wonder in the series of great Trooper releases.
Each Wynwood beer you have you will receive a raffle ticket that will enter you to win a Golden Ticket or a Wynwood Brewing swag bag! Zip Codes 33127 & 33137 If you are part of the beer world and happen to be in our neighborhood today the 25% Beer Biz button will be working too!
Our unfiltered Czech Pilsner is straw in color, light bodied, and has a refreshing lemon zest. These guys are slangin Mediterranean food tonight till 11pm like it’s nobody’s business! Zip Codes 33127 & 33137 That’s a killer deal that only Happy Hour 4-7pm $1-$2 off drafts can beat! Miles to Dayton was introducing itself to the uninitiated in one of four a€?quada€? showcase groupings during the mid to late evening hours.
Given the euphorically upbeat experience it provides its audience, it is worth noting that in the history of Miles to Dayton, there were not one, not two, but three relationship meltdowns before and during the groupa€™s evolution.


For instance, a€?Green Light Goa€? was a positive song about both Jon and Krista, attempting to will them to a€?take that step.a€? Krista co-wrote a€?Therapya€? with Jon, essentially telling him to get over his ambivalence in letting go of his ex-girlfriend and accepting her as his true soul mate. The title track sums up the albuma€™s purpose nicely: All the loving in the world wona€™t mean a thing unless you learn how to sing and share it a€¦ and pass it on.
Although Jon and Krista were becoming a couple, their progress didna€™t exactly dovetail.A  Krista was a year further into her healing while Jon had some catching up to do. I was starting to develop a direction and I liked lyric-based folk-rock.a€? Bob Dylana€™s influence crept higher.
The track is so amazingly strong that you might cut in on somebody with his girlfriend at the roadhouse, plead temporary insanity and not get your head stove in. Youa€™ll get a taste if you go to YouTube and type in a€?Greg Trooper,a€? but thata€™s only a taste.
Texas barbeque, Ia€™m so French!A  We also get to hear him do a€?Ireland,a€? in the only version I have at the moment until I can pick up a copy of Everywhere. We open back up to the public at 7:30pm and she will be pouring for your drinking pleasure! Kristaa€™s brother, Dave March, the bassist, has written the occasional key song and is an original anchor for the group. Although Jon is well-rounded, music was always number one in the household while he was growing up. The fact that it was developed and presented on the album says a lot about their seriousness of intent, both musically and personally. Two years later, Brian made a special trip to see the band and, lo and behold, they were playing without a drummer. Also, while working as a band member through the Long Island-based Omnipop Agency, he played in highly accomplished cover bands for clubs on Long Island, in upstate ski lodges and on the Jersey Shore.
His brother, two years older, had been instrumental in turning Greg on to the major rock acts of the day. However, a€?WOR was the first New York album-oriented rock-and-roll FM station,a€? he said. In the early a€?70s, Greg was in his late teens when the work of John Prine and Steve Goodman made an impact. On their way out west, Greg and Richard stopped in Emporia, Kan., to visit a friend and wound up playing gigs in the area for about a year. Then, after two years, although he was doing well at school, he felt antsy to move forward in his desire to a€?make records,a€? so he quit. Also during this time, Greg wrote a€?The Hearta€? with Tom Russell, who was living in New York then.
If great writing, perfect recording and stellar performances are your thing, this is the guy for you. However, a€?WOR was the first New York album-oriented rock-and-roll FM station,a€? he said.A  a€?We still have some psychedelic posters from WOR that my father did the lettering for,a€? he stated. We have some seriously fresh beer flowing today… Rickenbacker Czech Pilsner Flagler Saison Wynwood IPA Nutty Blonde Not feeling beer today? Hea€™s been classically trained but still remembers the feeling of discovering different styles of music like jazz, rock, folk and funk. We highlight the Rickenbacker Causeway with our first production brewed Lager to join our Origin Series. Jona€™s sister, Leanne Strom, a classically trained violinist, having switched to the rootsier style of the band, provides one main reason why M2D (abbreviation from Dave) compositions achieve majestic flight. When the relationship with her boyfriend collapsed, the group broke up and she went into a tailspin and didna€™t do music for about a year. The banda€™s name refers to living life to its fullest a€“ going the miles a€“ until being reunited with loved ones whoa€™ve passed on. Brian reintroduced himself, and then sent a follow-up email to Jon, pitching himself for the drummera€™s slot. This historical causeway began construction in 1941 to connect Miami, Florida to the barrier islands of Virginia Key and Key Biscayne across Biscayne Bay. In college, at the University of Miami, he studied the cello and trumpet, sang in the jazz vocal ensemble and had his own band called Soma. Jon and Krista knew each other well in high school (he might not have been aware of it, but she had a crush on him). There are a few similar characteristics to the main figure in Suttree, but otherwise, ita€™s all Greg. In addition, a€?Ireland,a€? included on his 1992 album Everywhere, according to a quote we saw somewhere, was written as a tribute to his wife. Drummer Brian Kroll, who joined the group a few years ago, has a powerful, classically trained voice. Not realizing what was transpiring, the normally freewheeling Dave apprehensively asked Jon a€?Who is this guy?a€? In a role reversal, the normally cautious Jon answered, a€?Hea€™s our new drummer.
We have lots of specialty beers, live music, good food and great people to make the day awesome. This means whenever the sound equipment of a venue permits, theya€™re capable of five-part harmony. The song captured the spirit of Ireland so well that Irish folk diva Maura Oa€™Connell covered it, and the song subsequently saw heavy rotation on Fordham Universitya€™s (WFUV) radio playlist a€” back then, this authora€™s only source of preferred music. In an online interview, Greg is quoted: a€?I was desperate back then a€¦ I was living in a trailer park a€¦ We were just desperadoes with shitty jobs. A friend and I saw Greg play an inspiring set at the Mercury Lounge in the mid a€™90s and stopped to pay our respects afterward. It was just different, or maybe it was just different for me, chasing the dream of making music.



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