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admin | Getting An Ex Back | 17.01.2016
ErrorSorry!This page is currently unavailable while we undergo routine maintenance.We apologize for any inconvenience. It says something about me that two of my favorite Gorka songs, occurring back-to-back on the 1994 album Out of the Valley, explore the dark side of Johna€™s psyche.
The first is a€?Bigtime Lonesome.a€? It describes the pulling apart of a couple in which the woman, unsatisfied with her wandering partner (John, himself?), sends him packing when he proposes.
The emotional terrain was all too familiar when I first heard it and, though life has been good -- Ia€™ve been gifted with a loving, solid marriage -- the darkness still calls to me. Johna€™s dark, comedic sense shines on two other songs on the album, a€?Mystery to Mea€? and a€?Up Until Then.a€? Here we encounter his trademark sarcasm and laser-sharp perception of human foibles.
John soldiered through his Fast Folk Cafe performance and the cafe survived for another four years until the lease ran out (giving the landlord the opportunity to charge higher rent to a carpet store -- also now defunct). In it, Gluck quotes Jennie Esposito, who ran the folk group: a€?Jennie Esposito remembers her first encounter with John Gorka.
At some point, after graduating from college, he lived in the basement of Godfrey Daniels for a few months.
When his first recording came out, his voice had a deeper sound, similar to that of Stan Rogers.
I mentioned to John that he shows a great amount of empathy in his songs and asked how it developed and if the Fast Folk experience enlarged upon that.
When I asked about some memorable experiences during this time, John recalled: a€?I remember singing on a tabletop with Shawn Colvin at the first Falcon Ridge Folk Festival in 1988. Novelist and short story writer Richard Ford, a Pulitzer Prize winner, was a new name to this author. The album Jacka€™s Crows was released in 1991, and the title track caused some speculation among some of us who thought it might be about attendees of Jack Hardya€™s song swap and their sharp critiques.
His 2006 CD Writing in the Margins included themes that strike deep into the heart on both a national and personal level. The album also contains a cover of one of his favorite Stan Rogers songs, a€?The Lock Keeper,a€? an eloquent musing on the sacredness of home life. For this listener and avid audience member, it doesna€™t hurt that theya€™re both at home with a retro a€™50s appearance.
Rebecca had continued to play guitar and write all the way through college and played her first gigs every two months at a coffee shop in Providence. Rebecca just liked making music and didna€™t know what she wanted yet, so she performed in all sorts of bands, including funk bands and a Bulgarian choir. Apparently, they were sensible about getting serious, so it wasna€™t until the summer of 2012 that they got married.
When Rebecca explained Richa€™s influences to me, it became clearer why I was so besotted with the soundscapes he creates. Rebeccaa€™s education seems to have allowed her to approach her songwriting and playing in a manner less inhibited than most of her contemporaries. Likewise, shea€™ll take her guitar and put it in a strange tuning to move herself outside of her comfort zone. In 2007 she released her first full-length album, Departures & Arrivals with Nine Mile Records, and began touring seriously. Rebecca plans to get back to touring in late spring, doing local and regional shows and a U.K.
We had rolled into New Bedford, Mass., for the annual Summerfest on Saturday morning, July 2nd, spit out of a twister. By Saturday, I shoulda€™ve been caught up on sleep, but struggled to find the energy for the game of musical chairs at Summerfest. Over the weekend, each of seven stages off the cobbled streets of the Whaling Museum district grew packed to overflowing.
There was no mad dash for us for the first performance at the small canopied area at the National Park Garden Stage.
That first act was a€?Introducing Liz Longley.a€? This proved to be a priority-changing event.
I also managed to squeeze in an on-the-spot interview at a surprisingly subdued side room at the nearby, bustling Celtic Coffeehouse.
Her father was a a€?really gooda€? jazz musician who played saxophone and had his own band.
Exposure to chorus was minimal in grade school, but when she reached her early teens, she started singing with her dada€™s jazz group and continued until she was 18. Having begun writing on piano, Liz began performing with a friend, Sarah Zimmermann, who provided guitar backup. Additionally, Liz and Sarah performed at fundraisers, in particular a€?Relay for Life,a€? held every year to raise money for cancer research. They also played professionally at local Pennsylvania folk landmarks Steel City (Phoenixville) and The Tin Angel (Philadelphia).
After high school, Berklee College of Music in Boston was the only college Liz applied to because it offered songwriting as a major. She still performs on piano when the opportunity presents itself, and thata€™s illustrated by two slow ballads on this CD where she uses her keyboard skills. Her upcoming shows dona€™t include anything in the New York metro area, but wea€™re hoping this article will change that. The photograph we found online for our a€?Radara€? July ad showed a drop-dead beautiful face, and we wondered if there was matching talent to back it up.
High school proved to be the seeding ground for this musical maelstrom, this force of nature. Hea€™s the one who gets it better than everybody else, and delivers it in a voice so rich, it makes Pavarotti weep.
The voices and names poured out of the speakers: Greg Brown, Shawn Colvin, Cliff Eberhardt, Lucy Kaplansky and a€¦ John Gorka. An online description states that a€?he got his first guitar as a Christmas gift, but it was taken by his older brother soon afterward.a€? It makes his brother sound selfish, but the full story is different. As he describes it: a€?My first banjo books were Earl Scruggs and the 5-String Banjo which also had a companion record album, and was very helpful.
He says that Stan made an impact on him and that he inadvertently absorbed Stana€™s vocal style. He learned about Jacka€™s New York song swap group and the principle that you could improve as a songwriter by writing one song per week and playing it for the group, whose attendees would give feedback. He replied: a€?I know people started taking notice of my songs when I started to write about the neighborhood around Godfrey Daniels and some of the local characters. It had started to pour rain and everyone moved into the ski lodge (the festival was held at the Catamount Ski Area). In the beginning there was a€?I saw a Stranger with Your Hair.a€? Ita€™s on his first album, I Know and is listed as one of the tracks on the first Fast Folk Musical Magazine recording.
A ship is passing through the lock and the sailor exhorts the lock keeper to free himself and follow him.
However, there are elements that prevent his work from getting old: mastery of language and the ingenious way he combines phrases. Her parents arena€™t musically inclined, so shea€™s not sure where her musicality comes from. One of the ways this manifested itself was that her voice teacher, in addition to instruction and exercises, spent hours a€?hanging outa€? and listening to music, exposing Rebecca to the singing styles of people like Bonnie Raitt and Leon Russell, analyzing not only featured players, but albums of supporting players. The overall spirit of Early Hours is decidedly far jazzier than anything else Ia€™ve heard from her. She released her second full-length album, Viewfinder, and made successful tours in the U.K.


Wednesday night, finish the July issue, then get two hours of sleep; Thursday, pedal-to-the-metal from NYC to Fall River, Mass. Newly appointed chair police at the main Custom House stage prevented attendees from saving seats for hours at a time. Seats opened up after each act and the first attendees to dash to freshly vacated chairs near the front became winners. As usual, we arrived at the festival at about 9:00 am and the first show didna€™t begin until 11. Liz was scheduled to perform 10 days later on July 12 at the Living Room in New York Citya€™s East Village. From the very first notes, it was obvious that we were going to want to see and hear a lot more from this brilliant 23-year-old. I would not be jumping from tent to tent, looking for the best seats, hoping to find something near the front at the big Custom House tent. For her first eight years her family lived in West Chester, Pa., then they moved a little further west, to Downingtown.
Her mother was an aspiring singer, but lacked the time and opportunity to pursue it as a career. Through her dad, shea€™d gotten exposure to Ella Fitzgerald and Sarah Vaughan and they were her favorites, the ones she focused on.
Other events included the high schoola€™s talent show and the senior prom, with both girls performing in their prom dresses. Liz said that she entrusted major decisions in the studio to producer Glen Barrett and enlisted feedback from her parents to help her decide what, in the end, would be the right sound for her on each track.
These include a€?Little White House,a€? seemingly a farewell to her childhood, and a€?Unraveling,a€? another farewell of sorts to her grandmother, suffering from Alzheimera€™s.
Her dad told her, a€?If youa€™re going to learn to have a career as a musician, youa€™d better start now.a€? Actually, performing after college was a continuation of what shea€™d been doing since high school and during her four years at Berklee. Much of what was played was generously sprinkled with a€?graduatesa€? of the Fast Folk Musical Magazine stable of discoveries. He states: a€?I knew I wanted to be a writer before I knew that music was going to be the route Ia€™d take.
Ita€™s fun to contemplate what kind of impact the big baritone of this newcomer musta€™ve made on audiences back then.
At Jacka€™s urging, he moved to New York and became one of the Fast Folk Musical Magazinea€™s greatest co-operating musicians, and one of its more well-known a€?graduates.a€? Emusic lists John as being a contributor on 14 of the Fast Folk Musical Magazine recordings. Wea€™re witness to a perfect marriage of melody to words and, of course, that astonishing instrument, his voice.
In the songs Ia€™m talking about, there is a melancholy so pure, so true to the human experience, it brings tears to your eyes with the expression of its stinging light.
Much of what was played was generously sprinkled with a€?graduatesa€? of the Fast Folk Musical Magazine stable of discoveries.A  A lot of them had played at the Speakeasy, a Greenwich Village venue on MacDougal Street. It seemed that my songs sounded better to me than the versions of other peoplea€™s songs that I was trying to learn. At Jacka€™s urging, he moved to New York and became one of the Fast Folk Musical Magazinea€™s greatest co-operating musicians, and one of its more well-known a€?graduates.a€?A  Emusic lists John as being a contributor on 14 of the Fast Folk Musical Magazine recordings. Anna€™s in Brooklyn, was Montessori-like in allowing students to select and control their own curriculum.
A key factor in her partnership with Rich is that he will follow her and work out on guitar (or piano) what will work with her composition.
She played Celtic Connections, a winter music festival in Glasgow, Scotland, which features artists from around the globe alongside the best Scottish talent. Then, with breathtaking suddenness it darted upward, taking the hollow in my chest along with it. The chairs were empty and there were no chair police to prevent us from saving a couple of seats for the first act.
Wea€™d see her then, of course, since we never miss WFUV DJ John Platta€™s monthly a€?On Your Radara€? series.
Instead, I followed Liz from one stage to the next, seeking the best photos and videos of her that I could get (below). Her earliest memories involve driving around with her father in the family VW convertible with the top down and music blasting from the car stereo. The lone cover, a€?People Get Ready,a€? demonstrates a command that allows her to take ownership of the song.
While it did come up in our interview, her Facebook page states it more succinctly: a€?In high school, I was a marching band nerd.
At around 1996, when I realized that I didna€™t have the tools to be a performing songwriter, I figured I might be happy singing Gorka covers for the rest of my life as a music feature at poetry readings.
I had already started playing banjo and loved Scruggs style and the melodic style, as well as clawhammer and Seeger styles.
Ita€™s there in his song a€?Thata€™s How Legends are Made,a€? written about the great Canadian folk singer, the late Stan Rogers and his brother, Garnet. Among the many John learned from he cites, a€?to name a few,a€? Claudia Schmidt, Roselie Sorrels and Dave Van Ronk.
There are two instrumentals on the album, a€?Fret Onea€? and a€?Fret Not.a€? Recording in his home studio allowed John to explore the sheer joy of letting an instrument do the singing.
When that closed in 1992, Fast Folka€™s founder, Jack Hardy, looked for two years and found a space in TriBeCa to provide a listener-friendly place to play. Ita€™s there in his song a€?Thata€™s How Legends are Made,a€?A  written about the great Canadian folk singer, the late Stan Rogers and his brother, Garnet.
She said: a€?I try to write without anything in mind and then I see what comes out a€¦ songs are a bit like dreams.
While the vocals are a bit more controlled and perhaps a little purer, it seems, to these ears, to lose nothing in terms of style, so this is apparently a jump further past her a€?post-collegea€? phase.
Ia€™ve listened to all of Viewfinder and find that its bigger sound and spaciousness with guitar reverb could have added to the tendency to erroneously lump her in the country mold. In the summer, she and Rich played in the Emerging Artists Showcase at Falcon Ridge Folk Festival.
Therea€™s a cool video of her song a€?Better That Waya€? (see still above) and youa€™ll also be able to find out when and where shea€™ll be appearing next. As she states on her Facebook page: a€?I grew up listening to Joni Mitchell and Karla Bonoff. James Taylor, Karla Bonoff, Joni Mitchell and Sarah McLachlan were among the names she cited. I was surprised that she hadna€™t sought feedback from anyone at Berklee, but kept to the formula stated above. One is a version of Joni Mitchella€™s a€?Rivera€? in which Liz hits some high notes that Joni herself might not be able to handle anymore.
When I started to try songwriting I realized that through music I could express more than I could through words alone. We listened to the radio growing up and I loved the Beatles and Elvis but didna€™t really think that I would ever do music for a living. When he headed out on tour, taking his songs and big voice out on the road, some of those hea€™d opened for, opened doors for him.
The song, a€?Ignorance and Privilege,a€? was sparked by Molly Ivinsa€™ remark about George W. I wrote a€?Ia€™m From New Jerseya€? after reading his book The Sportswriter.A  I admire the poets for their ability to sing with words alone.
Bodega owners in her neighborhood of Park Slope called her a€?the whistling baby.a€? In school, she sang in choir.


She owned two books of Beatles sheet music for each of their compilation CDs (1962-1966, the Red Album and 1967-1970, the Blue Album) and put in many hours transforming the complex chord structures into simpler versions she could sing along with. She had done a lot of musical theater in high school, but found it mannered and boring by the time she moved on.
One critic said about Frisell, a€?there was this odd whiff of country music in his improvising. You make them and then you interpret them, but where they came from is a bit of a mystery and I wouldna€™t want it any other way.
The lead track in particular, a€?Hard Times,a€? reminds me of Nancy Sinatraa€™s country hit a€?These Boots Are Made for Walkina€™.a€? However, there are other tracks which show a breadth of expression.
But we didna€™t know her, so we figured it would be a good idea to get acquainted before seeing her at the Living Room.
The first two use a full studio band, complete with drums, bass, lead guitar backup, pedal steel a€” the works.
The second is Van Morrisona€™s a€?Moondance,a€? which gives Liz a chance to show off her jazz vocal skills. When I wasna€™t on the field, I was writing music (on piano & guitar) and playing shows. When I sing them, in my head to myself, they roll in, one after another in an almost endless chain, then loop around and start repeating. I got a guitar for Christmas, but my hands were too small and the strings were too far from the fretboard so my brother took it and carved his name in it. A lot of folks embraced the musical style of Chris Isaak, who turned up the reverb and recycled the a€™50s sound in 1984. Her music teacher told her parents (paraphrasing here), a€?This little girl has a big voice. She also found an online website that transcribed Jonia€™s songs, complete with the various tunings that Joni used.
In her junior year, the elite members of the school choir, including Rebecca, traveled to Austria and Hungary to perform. She also played numerous shows at many other venues, some long-disappeared, like Bar B and Kavehaz.
His most imitated stuff a€” the volume-pedaled notes swelling up from silence, his whammy-bar bent tones and his slow drowsy vibrato a€” conjured pedal steel guitar.a€? This explains why some people think Rebecca and Rich are heavily influenced by country music. Ia€™m better off just seeing what comes out of my brain when I have an instrument nearby, just singing melodies and words and seeing what happens.
This included a a€?concert night,a€? wherein the school invited students and parents to come to a performance solely by Liz and Sarah. In contrast, her third album, the latest, Hot Loose Wire, completed right after graduation, is stripped down a€” just her, solo, with either guitar or piano a€” pretty much what we see in concert. I learned quite a few chords from my brother and he was very generous in lending me songbooks and knows a lot about music. A year later, Jack headed back out on the road to get back to his career and left the cafe in the hands of volunteers.
Over the span of eight years together, the couplea€™s sound has evolved into something similar, with the added kick of Rebeccaa€™s dreamy, enigmatic songwriting. She should get training.a€? Thus began a nearly continuous stretch of vocal training that began when she was 8 years old and lasted through college and a bit beyond.
For six years, from the end of high school through college, Rebecca swung back and forth changing her guitar from standard tuning for Beatles material to alternate tunings for Joni songs. In fact, Rebecca, Brooklyn-raised, and Rich, from Staten Island, had never listened to country.
An example of Richa€™s skill in accommodation occurred at the 2013 Northeast Regional Folk Alliance Conference.
Theya€™d bring in a song and other students would dissect it, asking questions like why a word was used in a particular place. John states in an interview I found online: a€?People were sitting around the front room passing around a guitar. She also attended The National Guitar Workshop (now defunct), a summer guitar camp in New Milford, Conn., for four years. It was only after people made comparisons that they did some investigating and found it appealing.
Considering portability, Rebecca brought her tenor guitar for its small size and Rich brought an acoustic guitar, leaving his electric at home.
Rebeccaa€™s cats-eye horn-rimmed glasses would look right at home in my high school yearbook and I fought off the temptation to scan and Photoshop it into existence.
There were classes where songs by famous writers were analyzed, and Liz loved it all, soaking up every learning opportunity that came her way. She was a student for the first two summers a€” two weeks each time a€” and an employee for the second two years, taking classes as well. In their late-night Acoustic Live guerrilla set, Rich fingerpicked melody patterns in harmony with the songs Rebecca sang.
In 2008 and 2009 she and Rich solidified the band lineup and toured a€?a ton.a€? In 2010,they embarked upon their first United Kingdom and European tour. The lead track on Only Daughter, a€?Rise Up,a€? urges the listener to shake off the restrictions that hold them down: What was it you used to be living for? As they left the room after their set, I overheard WFUV DJ John Platt compliment Rich on his choice of accompaniment. The lead track on Only Daughter, a€?Rise Up,a€? urges the listener to shake off the restrictions that hold them down:A  What was it you used to be living for? Sometimes an idea is really great but ita€™s just not linking up with anything else and I need to let go of trying to control that as soon as I can.
He hesitated between songs, appearing to try out a new persona, a€?the slow guy.a€? This brilliant performer haltingly spoke his song introductions, causing Lucy to look at him quizzically.
Hea€™ll listen to the names of songs and respond, a€?I recognize those names as songs Ia€™ve writtena€¦a€? In other words, a€?there are too many to sing, and Ia€™ll do the ones I want to do.a€? Ita€™s an unusual audience member who goes away unsatisfied.
We can take a little walk, maybe get our feet wet, and then lie on a blanket and listen to the waves. I do the same thing myself, when the mood strikes.  And how about this for being an "in tune with women" kinda guy?  A few days after I had ordered myself 2 new green dresses and several in black to add to my collection from a mail order company named Newport News, he sent an email asking:  "So, what are you wearing right now?
Dramatic, but no drama.  Short black skirt, or long black dress?  Heels or boots?  Camo, or commando?
Wooooeeeee!  Could one Woman from Alaska really have that big of a dirty lowdown story involving so many???  You met me, you know your answer. Will we see it on the news?    Here and now you have the preview, look for the outcome when I    complete my book. Until then, as in the end,there is much more to come.    Once Upon a Time, a little mushroom popped through the moss covered ground of the Southeast Alaska Rainforest.
Grant, Attorney at Law, Juneau, AK From Wedding Bells to Tales to Tell: The Affidavit of Eric William Swanson, my former spouse AFFIDAVIT OF SHANNON MARIE MCCORMICK, My Former Best Friend THE AFFIDAVIT OF VALERIE BRITTINA ROSE, My daughter, aged 21 THE BEAGLE BRAYS! HELL'S BELLS: THE TELLS OF THE ELVES RING LOUD AND CLEAR IDENTITY THEFT, MISINFORMATION, AND THE GETTING THE INFAMOUS RUNAROUND Double Entendre and DoubleSpeak, Innuendos and Intimidation, Coercion v Common Sense, Komply (with a K) v Knowledge = DDIICCKK; Who's Gunna Call it a Draw?



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