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Galatasaray AS hopes to build on their victory at CFR 1907 Cluj as they go after a first European home win since 2009 against Group H winners Manchester United FC at Turk Telekon Arena in Istanbul on November 20th. And Galatasaray will seek to avenge their 1-0 matchday one loss at Old Trafford when they host Group H winners Manchester United FC.
United is assured top spot after four wins, and Galatasaray can build on their first victory, they will strengthen their hold on second place.
Ryan Giggs will never forget his first visit to Istanbul in the Champions League second knockout round, second leg against Galatasaray away in Turkey.
Manchester United’s Eric Cantona was escorted off the pitch by police to ensure his safety after he snapped and was sent off during the last clash between Galatasaray and Manchester United in Istanbul. Hundreds of Galatasaray fans were chanting at the Man United side when they arrived at the airport in Istanbul.
On the day of the match, Turkish fans arrived eight – nine hours before the game and began to build up their passion by chanting. Watch superstars Wayne Rooney and Robin van Persie play for Man United in live action this Premiership campaign! The top right corner is an effective spot to place your subscription forms, banner, or just about any action hat you desire users to take.
Man Utd HospitalityManchester United hospitality packes available through our trusted suppliers from Manchester. In a message to her London fans Anna Netrebko has said: 'As I have begun to prepare the role, I have come to the unfortunate conclusion my voice has evolved in a different direction. Kasper Holten, Director of Opera added, 'We are working hard on finding a new leading soprano to join Tony Pappano, Joseph Calleja, Sonia Ganassi and Brindley Sherratt in the rehearsal room later this summer. Antonio Pappano, Music Director added, 'I am of course saddened not to be doing this iconic opera with Anna. To celebrate the life of the Bard, the Royal Opera House will live-stream an event focused around opera and ballet adaptations of his work. Part of the BBC and British Council's Shakespeare Lives online festival, 'Ballet, opera and the Bard' will see rehearsals and performance from both The Royal Opera and The Royal Ballet. The event from the Royal Opera House is one of a number of activities from cultural organizations that make up a day-long Shakespeare Day live-stream. Find out more about the Shakespeare Lives festival, and join in using the hashtag #ShakespeareLives.
The Royal Opera will present a concert performance of Musorgsky's Boris Godunov on 16 July as part of the BBC Proms 2016. Following Richard Jones' acclaimed staging earlier this Season at the Royal Opera House, the performance at the Royal Albert Hall will star Welsh bass-baritone Bryn Terfel in the title role. Other operas performed as part of this year's programme include Glyndebourne's The Barber of Seville on 25 July and Mark Elder performing Semiramide with Orchestra of the Age of Enlightenment on 4 September.
The Season includes three other premieres away from the Royal Opera House in collaboration with a range of partners, co-producers and co-commissioners.
12 productions will be relayed live to cinemas around the world as part of the Royal Opera House Live Cinema Season - six from The Royal Opera and six from The Royal Ballet. The Royal Opera has announced the appointment of William Spaulding as Chorus Director of the Royal Opera Chorus.
William Spaulding, born in Washington DC, is one of the leading operatic chorus masters in the world today and is currently Principal Chorus Master and (since 2012) Kapellmeister at the Deutsche Oper Berlin. Wayne McGregor's Royal Ballet production of Woolf Works has been nominated for Best New Dance Production, while Alessandra Ferri has been nominated in the Outstanding Achievement in Dance category for her performances in Cheri and Woolf Works.
Carlos Acosta has been nominated in the Best Theatre Choreographer category for Guys and Dolls. Javier De Frutos receives a nomination in the Outstanding Achievement in Dance category the for his choreography of Anatomy Of A Passing Cloud. The production is given with generous philanthropic support from the Paul Ferguson Memorial Fund, Sarah and Lloyd Dorfman, Peter Lloyd and The Royal Opera House Endowment Fund.
The Royal Opera House Students performances are generously supported by the Bunting Family and Simon Robey. I have had all the emotions tonight at #ROHTrittico my face doesn't even know what to do anymore. Due to an injury sustained during yesterday's rehearsal, Natalia Osipova will be replaced by Sarah Lamb for the performance of Giselle on 26 February 2016. The creative team for the premiere of Pleasure includes director Tim Albery and designer Leslie Travers, each highly-acclaimed for their work in opera internationally – Albery’s previous credits with The Royal Opera include Tannhauser. Pleasure is the third in a series of co-commissions between Aldeburgh Music, Opera North and The Royal Opera, begun in 2013 to commemorate the legacy of Benjamin Britten through chamber operas from a new generation of opera makers.
The production is a co-commission and co-production with Aldeburgh Music and Opera North, supported by a legacy from Ms D.
Following the announcement last week that Russian soprano Anna Netrebko has withdrawn from Norma, the role will now be sung by Bulgarian soprano Sonya Yoncheva.
Director of Opera Kasper Holten expressed his gratitude to the Metropolitan Opera, New York: ‘A huge thank you to the Met for releasing the brilliant soprano Sonya Yoncheva from her scheduled performances there as Mimi in La boheme. Sonya Yoncheva made her Royal Opera debut in Placido Domingo’s Operalia Winners’ concert in July 2012. For Gerhaher, ‘The really interesting thing to me is I don’t believe that Tannhauser ever loved Elisabeth.
The production is given with generous philanthropic support from Dr and Mrs Michael West, Simon and Virginia Robertson, Maggie Copus, Peter and Fiona Espenhahn, Malcolm Herring, the Tannhauser Production Syndicate and the Wagner Circle.
Vocal coach Paul Farrington shared these secrets and more at a coaching session with Korean tenor and Jette Parker Young Artist David Junghoon Kim, as part of a recent Insights event celebrating the opening of the Wellcome Collection's This is a Voice exhibition.
Working with the aria ‘Recondita armonia’ from Act I of Puccini's Tosca, Paul explores the 'passaggio', the transition area between the vocal registers, which he refers to as ‘the gear box of the voice'.
During the session, Paul demonstrates how specific vocal techniques and movements can support a singer's passaggio. The Wellcome Collection's This is a Voice exhibition takes visitors on an acoustic journey, focusing on the meaning and emotion conveyed through rhythm, stress and intonation of the voice.
In collaboration with the ROH, the exhibition also includes an interactive sound installation created by electronic musician Matthew Herbert. Chorus asks visitors to sing a note which is automatically added to an ever evolving chorus of voices, including performers and staff from the ROH. The soprano Elsie Morison (1924–2016) was a leading soprano in the early days of the Covent Garden Opera Company, later The Royal Opera. Morison made her debut with CGOC in 1954, in the Rex Whistler-designed Fidelio singing Marzelline under conductor Clemens Krauss. Morison followed this with wonderful performances as Marenka in a new production of The Bartered Bride under Rafael Kubelik, the newly appointed Musical Director of CGOC – and Morison’s future husband.
Morison had a tremendous success as Marenka alongside a stellar cast that included Jess Walters, Peter Pears and Otakar Kraus. Morison sang Blanche in the UK premiere of Poulenc’s Dialogues des Carmelites in 1958 under Kubelik, with Joan Sutherland as Madame Lidoine. Morison married Kubelik in 1963, and decided to retire from performing at the height of her career. Emma Bell's performance in #ROHTannhauser suggests she could be on her way to becoming the next big British Wagnerian. The production is staged with generous philanthropic support from Dr and Mrs Michael West, Simon and Virginia Robertson, Maggie Copus, Peter and Fiona Espenhahn, Malcolm Herring, the Tannhauser Production Syndicate and the Wagner Circle. Oedipe’s parents’ happiness at his birth is destroyed when the prophet Tiresias announces that the child will kill his father Laios and marry his mother Jocaste. Romanian composer George Enescu’s only opera, with a libretto by Edmond Fleg, was inspired by the Greek myth of Oedipus. This production by Alex Olle and Valentina Carrasco explores the nature of time, showing that our notion of temporality is limited.
The production was originally made for La Monnaie, Brussels, and is given with generous support from the Monument Trust, Richard and Ginny Salter, the Romanian Cultural Institute and the Friends of Covent Garden.
Katie Mitchell’s Royal Opera production of Donizetti’s Lucia di Lammermoor was relayed live to cinemas around the world on 25 April 2016. During the interval audiences saw several short films featuring interviews with the cast and creative team as well as footage of the opera in rehearsal. Mitchell is joined by the cast of her latest production to introduce the story of Lucia – an aristocratic woman who is forced to marry a wealthy landowner after she falls in love with her brother’s enemy.


This new production is a feminist take on Donizetti’s opera and focuses the audience’s attention on the central female character. The glass harmonica is the unusual instrument used to create the eerie sound of the ‘mad scene’ – the moment Lucia realizes that she can never be reunited with her lover Enrico. Glass harmonica player, Philipp Marguerre, shows how the instrument makes its haunting effect. The instrument also known as a ‘bowl organ’ or a ‘hydrocrystalophone’ can play a huge range of notes from a C1 to an E Flat which allows the player to follow melodies or more polyphonic music.
The Football Ramble is one of the UK’s most-loved football podcasts and releases a new show every Tuesday. According to L’Equipe, former Hull City loanee and carrier of timber Hatem Ben Arfa is heading to Barcelona on a free transfer.
While Ben Arfa’s career in England ended ignominiously (mostly to shouts of Fatem Ben Arfa), the former Newcastle Hall of Famer has gone some way to rebuilding his reputation with Nice, scoring 17 goals in 32 appearances. But this is nothing next to the hope this story gives to other 29 year old forward thinking players stalked by weight issues and fan antipathy. George Orwell probably spent ages writing The Sporting Spirit; an essay outlining how sport and nationalism are inextricably linked.
If you weren’t able to pick up tickets for any of our live shows back in April, the good news is we can now bring you a compilation of the best bits from Newcastle and London to download!
The last time we got this excited about the events unfolding in a footballer’s kitchen, Wayne Rooney ended up getting punched in the face. Looking back, I doubt we imagined so much football related fun would ever be seen again on a polished marble surface, but after Chelsea gleefully fulfilled their remit of ruining Spurs’ lives, we were treated to footage of the Leicester City squad celebrating their incredible title win using the now traditional blurry shouty bounce.
While in no way wishing to appropriate the joy and hysteria Leicester City fans are currently revelling in and are thoroughly entitled to bleed dry, this feels like a victory for everyone. Of course Spurs are gutted and their increasingly petulant behaviour as they watched their opportunity for glory slip away in the most agonising way possible (Chelsea, 2-0 up, Hazard the troll bursting forth with an absolute screamer) was disappointing but understandable and they’ll get over it and go again next season.
It’s being reported that Harry Redknapp will be working as a consultant for A-League side Central Coast Mariners next season. Let’s hope he’s being sufficiently remunerated to cover those additional insurance costs! For a dull game with four shots on target, no goals and a Real Madrid side confined to a disciplined defensive strategy, this stage setting game wasn’t half bad when you could see it. Unfortunately, at least one camera operator took their remit of Cristiano reaction shots from the bench a little too seriously and we ended up staring at him while other, more important stuff was unfolding a few feet away. With Pepe and Sergio Ramos confined to their own half (at least in principle) attacking duties were ostensibly left to Gareth Bale and Karim Benzema. It’s nice to think that as we sit here, that ball is still travelling around our planet, possibly alongside the one sent into the stratosphere by Sergio Ramos four short years ago.
Benzema will be probably be joining them if Zinedine Zidane’s tailor ever finishes that pair of unbustable trousers and it would be no big loss. The success or failure of Real Madrid’s season essentially rests on whether Cristiano Ronaldo will be conducting proceedings from the dugout or the pitch. Extensive research has revealed that there are few things more satisfying in life than seeing a grown-up fall over. Congratulations to Paul Pogba, who selflessly took to his backside during Juve’s title celebrations to prove this very point. Looking back at it now, I’m almost grateful that they had no way of knowing another 27 years of agony faced them. I feel broken inside that they had to wait that long, my faith in the press and police burned out by continued revelations of cover ups and lies. Imagine if The Hillsborough Family Support Group and other campaigners, who are more justified than any one of us to curl up into a ball and pity party the night away, had accepted what they had been told.
Is anyone else really, really terrified that Pardew will lead Crystal Palace to the FA Cup, simultaneously completing ‘Fairy Tale’ level in football (albeit on Average difficulty) and elbowing his way back into the frame for the England job after Roy hangs up his jowls? Fifteen seconds after scoring two goals in Real Madrid’s 3-2 victory over Rayo Vallecano, Gareth Bale issued a panicked statement confirming that Cristiano is still the most important person at the club. He missed it because the man between the sticks was none other than Nick Rimando, whose nickname is apparently The Wall of the Wasatch.
I’m not sure I could kick a ball properly while simultaneously processing that level of nickname either. Diego Simeone was sent to the stands for his alleged involvement in a second ball appearing on the pitch during Atletico Madrid’s 1-0 victory over Malaga. If Jose Mourinho had been behind this act of Machiavellian interference, I’d be settling into one of my diatribes around now. You could say it’s part of the anti-Chelsea bias that reportedly stalks the corridors of Ramble HQ. On the other hand, I could be dressing my double standards up in a lovely, fancy frock in an attempt to distract from my disgusting anti-Chelsea bias. Do you remember when everyone lost their shit because the Algeria Championnat was so close, anyone of the sixteen teams could have gone ahead and won it? What’s worse than a troupe of actors in Milan shirts performing a lacklustre, uncoordinated approximation of the Haka in the penalty area in front of an mostly empty stand at the San Siro? A little light trolling from the Liverpool Echo or a neat summation of Everton’s performance last night? Unfortunately, and some might say, ironically, it feels like Martinez’ relentless optimism has proved most galling to fans.
Named in honour of the wonderful Manchester City fans, The Citizens’ Suite is a friendly and welcoming place for City supporters who deserve a special match day treat. With a traditional football atmosphere, half-way line seating and live celebrity interviews, The Citizens’ Suite is a perfect choice for all the family.
The Chairman’s Club represents the most prestigious matchday experience at Manchester City, with a sumptuous five-course meal in luxurious surroundings and the very best views in the stadium. At its heart are the Ambassador booths, each named after one of the positive values that date back to the original club badge: generosity, glory, honour, and bravery. Catering for over 220 guests, The Chairman’s Club takes hospitality to a whole new level, while remaining faithful to the spirit of community, belonging and pride. The only restaurant in the Club where guests have access to an exclusive networking area which hosts the Chairman, Club executives, celebrities and corporates alike. The benchmark for a new generation of true and distinguished Manchester City fans bringing you even closer to our Club; we look forward to welcoming you. Relax in elegant surroundings and enjoy fine French and British cuisine with discreet yet attentive personal service by our experienced waiting staff and sommeliers. The environment offers beautifully crafted wood paneling and comfortable seating to create a warm ambience and luxurious atmosphere. To replace this text, go to "Widgets" page and start adding your own widgets to the "Top Custom Widget". Man Utd tickets available for all home games at Old Trafford or away games for the 2011-2012 football season. Find all the latest information and gossip on fixtures, player transfers, injuries, tactics and commentary on all Man Utd games. This is something I could not have anticipated when Maestro Pappano and I planned this project four years ago, as we singers have to make decisions about roles and projects several years in advance. We are, of course, very frustrated that Anna has felt it necessary to cancel a major role debut with us for the second time.
We had planned this project around her ambition to take it on some time ago but we all have to accept that things sometimes change.
Peruvian tenor Juan Diego Florez will perform at the Last Night of the Proms on 10 September. Prior to booking opening, bookers will need to complete a Proms plan via the Royal Albert Hall website. Two of these are from directors new to Covent Garden (Jan Philipp Gloger and Barrie Kosky). Handel’s Oreste will be performed at Wilton’s Music Hall by members of the Jette Parker Young Artist programme.
The Company’s seven-decade association with the theatre will be celebrated with performances of The Sleeping Beauty and Symphonic Variations.


He studied trumpet and piano while at school, going on to further piano studies at the University of Maryland, and conducting studies at the Vienna Hochschule, where he worked with Claudio Abbado and Zubin Mehta. Tickets are sold out, but returns may become available and there are 44 day tickets for each performance.
In the last decade he has gone on to cement his position as one of Britain’s most exciting musical talents, as both a performer and composer. Simpson recalls how ‘one evening, as I stood pouring my heart out to a toilet attendant in one of the clubs, I suddenly started to see the world around me with a new sense of objectivity… This was a world where you could escape your own reality.
Simpson recalls the experience of watching his first opera come to life in rehearsals: ‘I’ve never seen first-hand this level of detail going into the directing process. Pleasure is a tight 75 minutes long, scored for just four singers and ten musicians – played by members of acclaimed contemporary ensemble Psappha, which gave the premiere of Simpson’s first piece when he was 14.
For instance, he introduces David to what he calls a 'minor and a major Shirley', recognisable diva-like movements associated with the singer Shirley Bassey. Rather than the traditional understanding of the voice through linguistics, this exhibition explores its psychological and physiological origins, illustrated through paintings, manuscripts, illustrations and objects. The installation can be heard in the exhibition space, on the Wellcome Collection website and via a listening post at the ROH's Stage Door on floral street.
She came to London from Australia after World War II and concentrated throughout her distinguished career on such roles as Susanna (Le nozze di Figaro), Marenka (The Bartered Bride) and Pamina (Die Zauberflote). Later that year Morison sang Antonia in Gunther Rennert’s new production of The Tales of Hoffmann under Edward Downes, and in 1955 was a thrilling Mimi in La boheme under Reginald Goodall. Her winning the role had not been easy: Morison’s original audition had not gone well, and David Webster, General Manager of Covent Garden, pushed for her to be heard again. She was a charming Pamina in Christopher West’s new production of The Magic Flute, and her beautifully sung Susanna in the 1956 performances of The Marriage of Figaro under John Pritchard was well matched by Geraint Evans’s Figaro. Morison made her final Covent Garden appearances in 1961, first singing Euridice in Frederick Ashton’s production of Orpheus under Louis de Froment.
He began to make sketches for it in 1910 after he saw a production of Oedipus Tyrannus; he completed the opera some twenty years later in 1931. He makes expressive use of folk music in Act I, and in the Shepherd’s pipe music in Act II.
Oedipe is an ‘eternal’ figure who exists outside traditional concepts of time, and who correspondingly moves through different epochs as his life progresses – from the antiquity of the first scene to the contemporary inflections of the opera’s conclusion. Mineral water doesn’t really work.’ The best tone and dynamic is produced with cold water,’ says Marguerre. One or two even suggested that Redders sole intention when he gave the interview was to get it discussed on the Football Ramble. In years to come, we will look back on this as we will the careers of Lionel Messi and Cristiano Ronaldo, marvelling at how fortunate we were to see football history unfolding before our very eyes.
Knowing that your loved one is dead and hearing authorities absolve themselves of responsibility by spreading rumours of fan unrest and misbehaviour, essentially implying that if they’d just behaved themselves, none of this unpleasantness would have happened. They’ve met every attempt to discredit them, distort their truth and smear their claims with dignity, unity and strength. Despite his recent naughtiness, his contribution to football over the last eight months - specifically his record breaking run of eleven goals in eleven games - was rewarded with what can only be described as a horrible plate. Fortunately for Stevie, the walls they make in Wasatch crumble like sand if you approach them at speed.
After Ferguson retired, Mourinho appointed himself master of the mindgames, assuming that because he had managed to mug off Arsene Wenger a couple of times (a gentle man who can’t operate an anorak) the mantle was his to take. But at some point in the last season of his Chelsea tenure, he became intoxicated by the power and thought he could get away with anything. With the shadow of technology looming ever further over us with every refereeing error, the margins for discussion, debate and bitter bitching over a beer are narrowing. At this point, it feels as though if he’d just admitted he could see the obvious problems, the Goodison faithful might be more amenable to his methods. But he should know better than to rely on unexpected FA Cup victories to turn things round. It's a suite for all those who love modern Manchester, a place where rock and roll meets give and go: this is The Mancunian, a truly memorable sporting experience. When it comes to the game, you can sit back and relax to enjoy the very best match views in the Stadium.
He began his career working in provincial German opera houses, and was appointed Associate Chorus Master of the Vienna Volksoper in 1997.
His creative relationship with poet Melanie Challenger, librettist for Pleasure, began in 2008 when he read her collection Galatea; Simpson recalls how ‘up until this point I had never experienced the written word as viscerally as I had experienced musical sound’. It’s taught me a lot about how to approach the inner world of the characters and how to reflect this in the music I write… On a daily basis, I am confronted with just how complex the staging of opera can be.
The opera had its premiere at Howard Assembly Room in Leeds on 28 April, with Alfred Hickling writing for The Guardian ‘Simpson has pulled off a genuine coup’. We are delighted and appreciative that Sonya will be able to join our excellent cast and creative team for The Royal Opera’s new production of Norma.
She returned later that year as Marzelline in the iconic Otto Klemperer production with Klemperer conducting; the famous cast also included Sena Jurinac, Hans Hotter and Jon Vickers. However, a shepherd rescues him and he is reared in ignorance of his origins by King Polybos and Queen Merope of Corinth, as their son.
Oedipe’s premiere in 1936 was a success, but World War II halted its progress as a repertory work. There are eerie orchestral effects for the riddles scene and the Sphinx’s death – including the use of a musical saw.
Throughout the production, red clay – symbolizing not only the myth of man’s creation from clay, and classical statuary, but ecological disasters that show our lack of control over our environment – plays a major role in the designs and staging. Next year, next month, maybe even next week that goodwill will be suspended and they will be the team to beat, the King Power the place to go and get a win. They knew they were right, that their husbands, wives, daughters, sons, cousins, friends and neighbours had died unjustly and would not accept anything other than full disclosure of the details, which they knew would eventually liberate them.
Whilst we regret that her withdrawal has come at such a late stage, we do respect her decision and understand how difficult this is for her as well. We have a superb creative team led by Alex Olle and a fantastic line up of world class singers and we will announce our new Norma shortly.
McGregor will also create a new work in celebration of Chance to Dance’s 25th anniversary as well as mentor young choreographers Charlotte Edmonds and Robert Binet, who will present new commissions in the Clore Studio. Following an acclaimed production there of Boris Godunov, he held the position of Principal Chorus Master at the Liceu, Barcelona, for five years. He went on write A mirror-fragment…, inspired by Galatea, and in 2015 they collaborated on the oratorio The Immortal for the Manchester International Festival. He took this kernel of an idea to Challenger, who wove from it a libretto that takes real-world grittiness and blends it with super-heightened reality and themes from Greek mythology.
Kubelik was enchanted and immediately sent a telegram to Sir David with the news that ‘We have our Marenka’. The principal sources for Acts III and IV were Sophocles’ great tragedies Oedipus Tyrannus (Oedipus the King), which was adapted by many great playwrights as well as by Stravinsky in his Oedipus Rex, and Oedipus at Colonus, a lesser known work that shows Oedipe making peace with Fate and the gods, then dying serenely. Oedipe began to be more regularly performed in Romania from the 1950s; performances in Western Europe are growing in number.
Finally, there is radiant music for the closing scene, in which Oedipe realizes that he has come to terms with Fate. The voice of the commentator drifting in and out as ambulance sirens appropriated the frequency with their own anguished wails. When the beautiful, unpredictable Nathan comes looking for answers, Val’s mystery begins to unravel.
Things happen that we can’t explain through rationalisation alone and love is never, ever objective.



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