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admin | I Want My Ex Back Now | 06.12.2013
Which makes one wonder what in God’s name a person would have to do to get a tough sentence in Germany. The Daily Mirror said Eren Toben and a friend lured his young 19-year-old girlfriend, Maria Peiner, into the woods on the outskirts of Berlin. The expectant mom, who was eight months pregnant at the time, believed Toben wanted to go shopping for baby clothes.
A court heard that once there, Toben hit Peiner over the head with a piece of wood, stabbed her with a bread knife and then poured gasoline over her and set her alight. The following day, her body was discovered by a walker and the two men were soon arrested and blamed each other for the crime.
Toben’s fingerprints were on the handle of the knife that was found near her charred remains. Judge Regina Alex said Peiner “was still conscious, it could have been 10, 20, 30 seconds — she was still moving” when she was set ablaze by the animals.
About Latest Posts Tom TillisonTom is a grassroots activist who distinguished himself as one of the top conservative bloggers in Florida before joining BizPac Review. It was a blues number, a€?Save Me for Latera€? on her album, Me a€™n Mabel, that first worked its magic for me. Suzie has become recognized as an accomplished blues singer and guitarist, but she has many ways to seduce a listener.
Suzie would gravitate toward music as a kid a€” singing along to an ever-present flow of mainstream radio tunes would make her feel good a€” but becoming a musician was not a conscious thing. Her parents had what looked like a cool record collection, but the stereo was broken throughout her childhood. The sole parental musical influence occurred when her father listened to country music in the car.
By age 11, she also was playing saxophone in her grade-school concert band and singing in the chorus. While Suzie continued to explore other instruments, the guitar, in combination with her voice, got her noticed. When she was in fourth grade, her teacher called the principal into her class and had Suzie sing a€?Country Roadsa€? for him and the class.
She remembers at age 11 or 12, taking her allowance a€” she might have done a tiny bit of baby-sitting to add to her spending money a€” and going down to the Sears in downtown Saskatoon and plunking down $14 to buy her first album, Supertrampa€™s Breakfast in America.
When she got a little older, she got her own small record player and would sing and play along with records alone down in the basement, her voice bouncing off of the faux paneling. I conjectured that playing the bass gave her a better sense of lower notes or the a€?bottoma€? in her guitar playing. In addition, she had discovered the Saturday jams at a blues bar, Buda€™s on Broadway, in Saskatoon. Over the years, Suzie has studied with a number of people and works today with a vocal coach when she can because therea€™s always something to learn. Fresh out of high school, Suzie attended the University of Saskatchewan in Saskatoon for a year. At one of Tonya€™s shows, her brothera€™s friend introduced her to the man she would marry about five years later. She made some musical connections, did some gigs, and then got a full-time job working for Marty Simon, a film composer.
Suzie also worked in other musical side projects to pay the bills, providing bass and lead and backing vocals. Betty & the Bobs is a 7-piece variety-show type band which plays quirky music that its members wouldna€™t play in other projects. Suzie did solo gigs with guitar all through the years with Rick and the other groups, and is now predominately a solo artist. 33 Stars, released in 2002, has a pop feel.while Happy Here, released in 2008, is rootsier.
Her most recent album, Live at Bluesville (2012), came about when a radio interview turned into a recording session.
Although her parentsa€™ record player didna€™t contribute to to her development, her brother had a stereo that could crank out the decibels and he allowed her to listen to records on that.
Fresh out of high school, Suzie attended the University of Saskatchewan in Saskatoon for a year.A  She was in a general arts study program, which included drama and music theory. In between gigs, she worked the counter in a gas station, baby-sat and did other part-time work, such as helping an accountant with income tax preparation and cleaning houses. In 1993, a serendipitous crossing of paths in Toronto proved very rewarding.A  Influential Canadian roots music DJ Chopper McKinnon met accomplished blues player Rick Fines for a beer.


A brief Internet perusal reveals that Aphrodite had no musical skills and actually was a bit of a tramp. Situated midway between the east and west coasts, I thought that would make her the Canadian equivalent of a a€?Midwesterner.a€? She characterized it as more of a prairie environment, so a€?Ia€™m a a€?prairie girl,a€™a€? she said. It was a large console that became more of a nice piece of furniture that they stored things in. She said that, a€?My voice was the first instrument that I got to play around with,a€? she said, a€?but I got bolder when I picked up the guitar.a€? It enabled her to accompany herself and she found a lot of cheerleaders among her teachers.
She perceived that the other guitar player in the concert band had a better understanding of jazz chords needed to play in the large band repertoire. While she didna€™t disagree, she felt, more importantly that it allowed her to a€?meter-map out how songs move chordally.a€? It was good for her ear, she added. Her husband got a job in Toronto and they moved there in 1998, but the marriage ended shortly afterward.
From her Wikipedia page, we learn Happy Here was a nominee for Roots & Traditional Album of the Year a€“ Solo at the 2009 Juno Awards.
He told Rick he shouldna€™t be sitting with him when he could go see the bass player at a different bar up the street. But if she could sing, with her seductive skills, it might produce the same effect that Suzie Vinnick does. Me a€™n Mabel (2011) shows Suziea€™s skills with just her and her Larrivee parlor guitar (christened Mabel as a result of a slip using the word a€?maplea€?). Since there was no bass in the orchestra, she asked her teacher if she could learn it and take that slot. She joined two female trios with different styles, Vinnick Sheppard Harte and The Marigolds. Kinga€™s Bluesville station, basically said a€?Herea€™s our studio, go in and have some fun!a€? The result was a typical Suzie tour de force of vocal and guitar. Chopper knew that Suzie was playing bass for Back Alley Johna€™s band, which was in Toronto for a gig. Her previous album, Happy Here (2008), is lushly orchestrated and shows Suziea€™s ability with a torch song. I just liked the idea of singing songs off the radio.a€? She continued guitar lessons for two years, but there there were other instruments on her radar. Her voice teacher, Naomi Freisen, was a classical singer but still appreciated the a€?Broadway beltera€? style and was able to help her with blues and rock a€™n roll. Tony played in a style similar to guitar greats Albert King, Freddie King and Stevie Ray Vaughn. He kept in touch and asked her to come out for a summer, saying that he had a bunch of gigs lined up. He told Suzie stories about the music business (some of them hair-raising, no doubt) and she learned a lot from him. He told Suzie stories about the music business (some of them hair-raising, no doubt)A  and she learned a lot from him. She tried the upright bass for a bit, but didna€™t care for it and settled with the electric. Suzie had no commitments in Saskatoon and enjoyed her time in Ottawa over the summer, so she decided to move there. Of the tracks I sampled, I was really impressed with the covers of a€?Big Yellow Taxi and a€?Love Hurts,a€? from My Favorite Shirt. Doesna€™t matter how many rat feces infested basements they rummage through or how many pounds of sweat they have lost digging through piles upon piles upon piles of Herb Albert albums, certain albums just seem to never show up. The Marigolds was a more delicate, folkier group with a€?killer songwriters and singers who could pour out jazzy vocals,a€? Suzie said. Suziea€™s robust vocals did a strut all over Tonya€™s snarling guitar licks while her bass provided a relentless throb below. Ghetto Records presents Eddie Lebron is that record for me.This album has all the traditional recipes of being a holy grail. It starts with the dope ass artwork by legendary cover artist, among other things, Izzy Sanabria.
Izzy was well known for his work with Fania, for whom he designed everything from their logo to a heavy amount of all their iconic album covers. The mix of photography with drawings is so ill and fits perfectly the music and the times.The photo features the band members chilling on the block in front of a storefront.
Just to the left of him is another dude with his fist raised on some Young Lords a€?Power to The Peoplea€? gesture.


While the gangs made East Harlem and other neighborhoods danger zones, the Young Lords were awakening the people to the less than human conditions in which they lived. The label, which was semi-run by Joe Bataan, has as much legendary status as the music itself.
I go do a whole article just on the stories and rumors I have heard about its very short run.Then there is the music.
Funk is contagious, funk is positive, funk is delinquent, funk is the future, and DA?M’s is the testament that the Future is happening Now.
Long live to a true G, as G stands for Gentleman, or Genius, or Gangsta, or all of the above.
Focus on the quality of the product, release with 0 hype and hope that it somehow resonates through all the clutter.
Armed with his piano, the Pittsburg native delivered a legendary trio session at the beginning of the 70’s. The label proved to be the ideal playing ground for Ahmad Jamal who fit in very well both in style and also in its social engagement of fellow Impulse artists like Coltrane, Pharoah Sanders, Charles Mingus or Archie Shepp.Deep, Modal, Romantic but above all else filled with emotions, The Awakening is one of the reference albums for many fans and producers who are into Jazz infused Hip-Hop.
Jamal truly shines in this trio session record in NYC despite only two original compositions (The Awakening and Patters). There are also 5 wonderful renditions including Dolphin Dance (Herbie Hancock), Stolen Moments (Oliver Nelson) and Wave (Carlos Jobim). In other terms, this record is a must in your collection and should be enjoyed from start to finish, and back again.The beauty of this record was not ignored by tons of great hip-hop producers who borrowed some of its greatest passages. Crafting a sonic and aural odyssey for a movie that exists only in his mind and imagination. Crafting a sonic and aural odyssey for a movie that exists only in his mind and imagination.Similar to his other projects such as his debut album Adventures as Dandy Teru or the Wonderland EP as MSQ, this new opus was roughly composed in a very short time, in about a week or so while also working on collaborations and releases with other artists.
Really strong album with great production, one of my favourite soul records of the year so far.Seven Sundays by SiRThe new Owiny Sigoma Band LP is out on Brownswood Records. While we wait for it there are two outstanding songs you can buy nowReally surprising and diverse LP from Alabama’s Byron The Aquarius out now on BBE Records. One more outstanding EP to add to the list, this one from Chaos in the CBD.Midnight In Peckham by Chaos In The CBDAnother welcome surprise! The recording was produced and arranged by Wilson using many unorthodox instruments, including French horn, accordions, and a quartet of violas and cellos heard throughout the piece in counterpoint. Scientist, who was responsible for the source material and cuts for the Soviet Tape, dug out the original records again and mixed the tracks with Fulgeance’s reworks. Additionally, DJ Scientist enjoyed remixing some of the tracks, added unheard vocals and included alternative versions of some of the songs which will make listening even more exciting.Pursuant to the music, the cover art of the Soviet Tape was based on a vintage Soviet design. The cover for the mix is based on that original art, simply transforming the names Fulgeance and DJ Scientist into cyrillic letters giving it a completely authentic look.
The fully customisable Magvel Pro crossfader, tactile performance pads and FX buttons let you tailor the mixer according to your preferences. So get ready to decimate the dance floor with personalized FX and rigorous scratch performances. So get ready to decimate the dance floor with personalized FX and rigorous scratch performances.The DJM-S9 inherits its high-quality audio circuitry from our flagship 4-channel digital mixer, the DJM-2000NXS. It seems that when you are absorbing a completely new landscape it gives songs youa€™ve heard a new meaning. It’s tragic that there are only these few songs from themA but the sheer beauty makes up for it. Other EMS products include the incredible Synthi 100 modular console system, the EMS AKS, the Poly Synthi and the EMS Vocoder.
Most of the location shots are filmed within the BBC’s Radiophonic Workshop studios as they were in 1979. Dick Mills works on sound effects for Doctor Who using a VCS3 unit, and Elizabeth Parker uses bubble sounds to create music for an academic film on particle physics.
Peter Zinovieff is featured using his computer music studio and DEC PDP8 computer to produce electronic variations on classic vintage scores.



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