How to get him back using reverse psychology nederlands,how to find out your job title,how can you tell if your ex still wants you back vine - Tips For You

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How to Get Your Ex Boyfriend Back After a Bad Breakup Using Question:Revrse Psycholgy I want to get my ex boyfriend back so bad but I don't know how. Now, I don’t usually spend the better part of a week (that is how long it typically takes me to write one of these things) writing a guide unless it is something really important or something that a lot of people ask about.
I want you to imagine for a moment that you are a teenager again (some of you still may be) and your father comes into your room. Now, in that framework your father would use reverse psychology to win an argument over when you are going to clean your room. Hmm… perhaps I should back up a little bit and tell you what the real definition of reverse psychology is.
Original Definition- Making another person do something that you want them to do by telling them not to do it.
The idea is that you would get so angry at his comments that you would clean your room just to spite him.
So, instead I have decided to modify the definition of reverse psychology to better suit our needs. Modified Definition- Making your ex boyfriend do want you want him to do by understanding what he expects you to do and then doing the opposite.
Believe it or not but there are some men that reverse psychology tactics won’t work on. Reverse psychology will work on highly emotional men or men who are in a highly emotional state.
It’s almost like this internal battle is like having a devil and an angel on your shoulder and reverse psychology is supposed to use the argument between the two to your advantage to get what you want.
This is a fun little graphic because it illustrates what is going to happen in your ex boyfriends mind.
If you understand that he is expecting you to do this then you can put reverse psychology theory into effect.
This is going to paint my entire gender in a very bad light but men love to think they are smarter than women. Anyways, your ex boyfriend probably thinks he is the most clever man on planet earth because he has this undying belief that you are going to call and beg for him back.
However, after a few days pass and the begging hasn’t come yet, doubt begins to creep into his mind. This kick starts an internal battle in his mind that could potentially land on one conclusion.
This realization is going to urge him in the direction that he may have made a mistake leaving your relationship. I could have ended my explanation of the graphic after the last section but something felt incomplete to me. What I am trying to teach you here is to use reverse psychology to get your ex boyfriend back and just making your ex regret the breakup isn’t the same thing as getting him back. In other words, you need to make your ex boyfriend go through the process outlined in the circle graphic above multiple times to make his feelings of regret so strong that he will actively pursue you to get you back. So, now that you have a good idea of what type of men reverse psychology will work on lets shift our focus to the type of men that it won’t work on. Before I get started on this section I would like to point out that I have a firm belief that the men that I am about to discuss in this section are very rare.
Well, if your ex boyfriend is very agreeable then he is probably not going to fall for a reverse psychology tactic because he will probably agree with it. Lets say that you and your father are at odds about cleaning your room (what else is new?) Well, your father gets so fed up that he decides to whip out some good ole fashioned reverse psychology. This is interesting though because if your ex boyfriend is very agreeable wouldn’t the better approach to get him to do what you want be to simply be straightforward with him? Lets say that you are trying all kinds of reverse psychology tactics on your ex boyfriend but no matter what you try nothing seems to be working.
In circumstances like these I think it is safe to assume that your ex boyfriend is going to be furious for a while.
Of course, the worst case scenario for pretty much everyone hoping to use reverse psychology on an ex is getting a guy who is super agreeable. Well, I don’t think being straightforward and with your ex boyfriend is the best move at this point. Look, I am not saying you can’t be straightforward with your ex at some point but you need to be carefully testing and measuring him for when the time is right. Lets pretend that your ex boyfriend is super agreeable and reverse psychology won’t work on him. When it comes to men who aren’t susceptible to reverse psychology, priming is going to be your best friend. For example, lets say that you and your ex boyfriend have gotten back together but aren’t married yet. Now, I want to ask you in which of these two circumstances do you think a guy will react better to?
So, your main goal if you are going to be straightforward with your ex boyfriend is to prime him and get him into the right mindset to hear the big news that you want him back.
Well, the answer to that question is quite long and frankly I don’t have the time to go into it right now. As helpful as reverse psychology can be in getting your ex boyfriend back there are a few risks that go along with it. In this section I would like to take a look at those risks and teach you how you can minimize them. I think the best way for me to start this section out is by giving you some insight into the majority of ex boyfriends out there. The fact of the matter is that you are on this site because you probably want your ex boyfriend back. So, for a lot of men the only way that he can see himself getting back with you is if it is his idea to actually get you back.
Lets say that you want your ex boyfriend back so you try the tactics that I recommend on this site.
No one likes to be manipulated and make no mistake about it reverse psychology is a little manipulative. So, the risk that is often associated with reverse psychology is the fact that if you are found out or too obvious about how you attempt your RP on your ex he could shut you down immediately. This is often why people who are way too obvious about reverse psychology on their exes fail. Essentially if you are found out not only will you push him away but you could ruin your chances of getting him back forever.
For example, an ex boyfriend is probably going to expect you to mope around and cry for days after the breakup. So, you are out on a date with your new guy and your ex happens to be at the restaurant and sees the two of you. You can rub the fact that you are on a date in by kissing, cuddling, or hugging your new guy.
You can remain cool as a cucumber about the situation, ignore your ex and focus on your date instantly having an effect on your ex.
Choice one is not very subtle and women who do this tend to fall flat on their face if they are trying to win their exes back. I have come up with a three step method that women can use to decide if reverse psychology is the best route for them on their ex boyfriend.
You see, the thing that really sets this guide apart from the others on this site is the fact that there are some major risks with reverse psychology (relating to exes) while the other guides cover relatively low risk tactics. While I always have your best interests at heart and I did my best to lower the risks with reverse psychology I would completely understand if you choose to forgo this little trick in getting your ex boyfriend back.
If you were to do a simple Google search for RP you would get all kinds of advice on how to pull it off. Below I have put together three steps that need to happen if you are going to use reverse psychology. In order to do this you have to determine if your ex boyfriend is even a good candidate to use RP on. Of course, there is one type of man that I purposefully left out above in preparation for this section. You may run into one type of man that is a hybrid of the type of man that RP will work on and won’t work on. One thing we already know is that men who are emotional or in an emotional state are prime candidates for reverse psychology.
Lets say that you have identified your ex boyfriend as a good candidate for reverse psychology since you have found him to be a little emotional. What you need to be aware of here is that you have a goal, you want him to fall in love with you again and you want him back.
The thing most visitors fail to realize about getting their ex back is that there are really no rules. So, you are going to put this knowledge to the test by comparing it to my knowledge on ex boyfriends in general. Well, I am going to list all the expectations that ex boyfriends tend to have of their ex girlfriends after a breakup.
I realize that you still may be a little confused but don’t worry it is all going to make sense when I begin talking about expectations. Sadly most of the women on this site have already begged for their exes back confirming their exes expectations of them. Well, if a guy breaks up with a girl it means he probably thinks that he is better than her and she will have this grand realization after the breakup and come crawling back. Speaking personally, I don’t think I could survive in a relationship without that belief. The fact of the matter is that ALL MEN have to believe that they are the absolute best you have ever had to survive in a relationship.
Whatever the case I want you to use your knowledge and identify the expectations you think he is a lock for. In fact, if you want to really stick to the reverse psychology method you aren’t going to talk to him until HE contacts you first. Seriously, there may be moments where you think it’s unfair and that the world has risen up against you. Unfortunately, experience has taught me that I am dealing with people who lack that discipline (no offense.) So, here is my offer to you. This one kind of goes hand in hand with the one above in that your goal here is to shift his paradigm and create that internal battle within him.
I don’t think I need to spell out that the reverse psychology of begging for him is to NOT beg for him back. No, what I really want to talk about here is what to do if you have already begged for him back.
A lot of women come to this site, realize they made a mistake in begging for their ex back and automatically think that their chances of getting him back are over. No, it just means that the past is the past and you can’t make the same mistakes in the future.
Every day I see way too many women who dwell on the past and make the same mistakes over and over again. For us mere mortals without time machines we can’t change the past so there is no use dwelling on it.
Basically what you are trying to do here is use subtle methods to tell him the opposite of what he believes, that he was the best you ever had.
My name is Chris, and I help millions of women per year improve themselves, and get back with their ex boyfriends to finally have the life they dreamed of. I am a college Sophomore and just got broken up with by my first real boyfriend of 6 months. Hi so me and my ex have been broken up for about a month now and as soon as we broke up he went to a rebound.
Vatican's chief exorcist has claimed that practicing yoga and reading 'Harry Potter' brings evil. There are many possible steps to actually undo a breakup, and most of them will work successfully if you know what you are going. Thousands of people around the world have been able to reunite with their ex-lovers, so why not you?
Your relationship was the most precious thing you ever had and now that it's broken, you refuse to accept it.
When you have been in a relationship for a long time, you get so used to having your partner with you all the time that you can't even imagine a life without him. You don't need to use any magic spell or love potion make your ex girlfriend fall back in love with you. Without getting sucked down the hole that is the Preminger Abomination, all I can say is that I wish John Cassavetes had directed The Man with the Golden Arm instead. This is a film about people I know, the night people, the jazz musicians, the drifters and dreamers, the floaters, the chicks, the smilers, the hangers-on, the phonies, too much sex, not enough love—and they live in a world of too late blues. Nelson Algren couldn’t have said it better, and as I watched this flawed, but sincere film, it reminded me so much of Algren’s book—indeed, his world view—that I almost felt as though I were watching the remake of the film that cries out most to me to get another shot at the big screen. Too Late Blues tells the story of a Los Angeles jazz combo headed by John “Ghost” Wakefield (Bobby Darin) as they knock about trying to make a living without compromising Ghost’s musical vision. The opening image is of an unsmiling African-American boy, the arms of his mother encircling his shoulders, as they stand in what looks like a home-based school full of children and watch a jazz combo perform. The band heads to the traditional man cave—a pool hall—where they playfully harass its Greek owner Nick Bobolenos (Nick Dennis), taking his food and beer and skipping out on the tab. When Ghost meets Jess, his agent Benny’s (Everett Chambers) new client and former lover, sparks fly.
The script of the film is arch, self-conscious, and striving too hard to be poetic and profound. Stella Stevens is the most talented of the film’s cast, clearly offering a version of the Cassavetes woman usually played by his wife Gena Rowlands. Venus in Furs is one of Jesus Franco’s personal favourites from amongst his colossal roster of wild and woolly films. Venus in Furs was one of Franco’s close-to-mainstream works, sporting a fairly high-profile cast that included James Darren, Klaus Kinski, Franco regular Dennis Price, and singer-actress Barbara McNair.
Darren plays Jimmy Logan, a jazz musician who awakens from what is apparently a long drug binge in a seaside bungalow in Istanbul.
Jimmy’s subsequent delirium-soaked trysts with Wanda are barely kept in check by his soul singer girlfriend Rita (McNair), as he ponders the metaphysics of the situation: “How can you run from a dead person unless you’re dead yourself?” Wanda keeps reappearing clad in furs and lingerie, drawing Jimmy into bed with her, commencing a completely corporeal affair, and yet the hysterical jazzman keeps fleeing her afterwards, utterly bemused as to what’s going on. One night, Wanda appears to Percival and seems to taunt him with her ghostly, erotic presence, filling his mirrors and finally appearing in her mangled, post-mortem state, causing Percival to expire from a heart attack. Superfluous dialogue and clumsily inserted travelogue footage aside, Franco’s filmmaking here, when his luxurious visuals have a chance to play out, is boisterous and continually dazzling, replete with disorienting edits, slow motion, reflected images, ultra close-ups, and distorting effects, to conjure a fervent, dreamlike tone. Like few films I’ve ever seen, Venus in Furs captures the heady atmosphere of two underground artistic strains—fragments of S&M comics interwoven with a feeling of hipster alienation captured in effective visual terms (as opposed to the cornball hip-isms Jimmy speaks), reminiscent in places of other fly-on-the-wall period documents like Conrad Rooks’ Chappaqua (1966).
The mostly jazz-inflected score, by Mike Hugg and Manfred Mann, is as striking as that for Vampyros Lesbos, and is more integral to the film, as musical motifs blend with and define the on-screen drama. Although the resulting film isn’t fixated upon portraying a tragic, boundary-pushing new-age romance, as was his original notion, Franco’s initial idea is still present and important, realised in the failing romance of Jimmy and Rita, with Rita attempting to sit out Jimmy’s obsession with Wanda like very much the “black angel” of another alternate title, and yet finally driven off by his obsession. Fascinating images abound, like a nearly naked Wanda descending a staircase painted in vivid white and stepping onto a floor carpeted in saturated red, leaving behind Olga in her white coffin of a bathtub, her lifeblood slowly staining the water, expiating her sins whilst begging Wanda’s forgiveness. Finally, when the police track Wanda to the hotel she’s sharing with Jimmy, the lovers flee, leading to a memorably off-kilter car chase. Pioneering jazz trumpeter Miles Davis has among his many quotable quotes this one: “You know why I quit playing ballads? Chet Baker, on the other hand, loved ballads and settled into them like a cat on a warm pile of towels.
In 1986, just two years before his death, Baker was filmed performing at Ronnie Scott’s, London’s famous jazz club. The set opens with the lovely “Ellen David,” signaling the warm cool of Baker’s California jazz that will characterize most of the set. During the opening number and the following “Just Friends,” a fast number that Baker sings and scats, the camera work is pretty bad, jumping back and forth frenetically and focusing on pretty girls wearing the fashion disasters that date this film squarely in the 80s.
The set shifts back to the trio, and hits a very fine groove with traditionally rendered “If I Should Lose You” and “My Ideal,” and a funky “Love for Sale” that really shows off the talents of bassist Del Fra. Elvis Costello joins the trio to sing “The Very Thought of You” and “You Don’t Know What Love Is.” He seems to rush the first song and bends notes in a way more characteristic of his 80s punk-ska style.
Short segments that have Costello rather clumsily interviewing Baker seek to shed light on Baker’s history.
I don’t think we’ll ever know the real story about Chet Baker, but for me, that doesn’t matter. Victor Frankl’s famous post-Holocaust book Man’s Search for Meaning poses the question of how a human being who has had everything taken away approaches the project of life anew without giving in to despair or craven indifference.
Director Ian Knox, infatuated with the personal enigma and music of Pat Martino after hearing him live for the first time at Ronnie Scott’s in London, teamed with Paul Broks, a British neuropsychologist and author who had written about Martino, to create a document not only about a music legend but also about the very nature of identity itself.
Martino Unstrung introduces us to the slim, silver-haired Martino, built as elegantly as a classic Gibson guitar, as he goes through a very ordinary routine of breakfast at a local diner in his hometown of Philadelphia. Knox, with Broks as his narrator, takes us through Martino’s life and rise in the music world. Interviews with Fred Simeone, Martino’s neurosurgeon, help us understand the nature of Martino’s malady, arteriovenous malformation (AVM), which Simeone describes vividly as a snake’s nest of blood vessels that feed off the blood of the surrounding brain tissue. I’ve been interested in the brain since I was a tween, and am a big fan of Oliver Sacks’ books.
It’s not often that a musician becomes a legend in both country and jazz genres, but Hank Garland was no ordinary musician. Unlike some biopics that span many years of a person’s life, Bieber chooses judiciously from the momentous meetings and milestones of Garland’s life. His career in Nashville as a session man and ladies man is going well, and he befriends a number of musicians, including Billy Byrd (Scott Michael Campbell). I felt sympathy for Evelyn at times, but my heart truly went out to Hank, whom she betrayed to his near death and then abandoned. The hubby and I saw the film right after the music biopic of Darby Crash and The Germs, What We Do Is Secret. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Princess Tiana could get Disney out of the race-relations doghouse, but only if they’re true to their vision. There’s reason for everyone to celebrate this move, the Magic Kingdom and the real world alike.


John Lasseter, chief creative officer at Disney and Pixar, told The Washington Post that this time, they’re doing it right. But early this year, Disney’s PR squad suddenly announced that Princess Tiana, who it originally declared would be chambermaid named Maddy, could neither be a chambermaid, nor named Maddy. Before the Maddy dust-up could even blow out of sight, Disney introduced more questionable secondary characters, including a lovelorn Cajun firefly and a voodoo priestess.
It’s becoming clear that the House of Mouse is in danger of letting itself be dictated right out of its own film. Jim Crow and King Louie are nothing compared to the battering this film has taken since its release in 1948.
Though the moppets who, in a year’s time, will be lacing up their pink Princess Tiana sneakers may not be familiar with Uncle Remus, their elders footing the bill for the sneakers (and the movie tickets before them) no doubt are.
Neither Harris nor Disney were interested in teaching kids the brand of history they could have gotten from a schoolbook.
Happily, many key players in the black community have expressed enthusiastic support for the film. Fact is, many young black women in the 1920s did work as chambermaids and cooks, simply because it was one of the few opportunities available to them. For Disney and for its fans of all ages, artistic freedom must continue, whether it means a chambermaid heroine named Maddy, or the light-skinned prince from a made-up country who falls for her. I've Got You Under My Skin: The Constancy of Cloning and of Gamer Identity in 'Hardcore Henry' by G.
Some of the definitions were way more complicated than they needed to be while others weren’t in the framework that I needed them to be in. While technically reverse psychology may be the ideal method to employ in that situation it isn’t really going to help us for our purposes of getting your ex boyfriend back.
The theory is that if you tell someone not to do something it may make them want to do it more. While your father may have ultimately gotten what he wanted with you cleaning your room you did it to spite him so technically you are still a little peeved at him aren’t you? Of course, as I pointed out above we aren’t trying to get your ex boyfriend back in the framework of an argument.
For example, he may be expecting you to call him numerous times throughout the day begging him back. So, rather than begging for him back by continuously calling him you won’t call him at all.
Now, your ex is a pretty patient guy so he understands that the begging probably won’t come for a few days. The women who have been straightforward with their exes end up begging, pleading and annoying their exes to a point where he doesn’t want anything to do with them.
Well, one day you find out that you are pregnant and this scares you a little bit because you don’t know how your boyfriend is going to react to the news. You can either find out what he thinks (without doing any priming) or you can prime him by getting him into the right mindset to hear the news.
That means that you have probably tried to get him back before you had even read a word that I have written.
For example, a lot of the women who succeeded in getting their exes back via the advice on this site made their exes think that it wasn’t their idea to get back together when in fact it was.
Well, if you do those tactics correctly you will influence your boyfriend to the point where he will think it’s his idea to get back with you when in fact it was your influence that pushed him to that point all along. Look, creating a little jealousy is not necessarily a bad thing but it can be very dangerous if you are not subtle about it.
In this section I am going to cover that three step method extensively and give you some massive insight into how to pull it off. So, before I really get going on my version of reverse psychology I do want to say that you don’t necessarily have to put any of what I talk about here into motion. Well, there is a certain type of man who is highly emotional that is not a good candidate for reverse psychology.
While I would still say a little distance can be a good thing  make sure you don’t lose sight of your goal.
This is why I recommend the 30 to 21 day no contact rule that I talk about extensively here.
There are just guidelines and make no mistake about it, reverse psychology is just a guideline. Any time they get into a relationship with a woman they have to believe that they are the best boyfriend that she has ever had.
It would absolutely drive me nuts to know that somewhere out there, there is a guy who was better than me to my significant other. What you are going to do is use all of the knowledge you have of your ex boyfriend to see which of those three expectations above he is most likely to have. If you feel the urge to break down and contact your ex first come here and leave me a comment. While I am not going to lie, your value has been lowered in his eyes a little bit it doesn’t mean that your chances of getting him back are over. Instead, the smarter thing to do is to focus on the future and focus on not making the same mistake of begging for him back again. So, when all of a sudden that feedback from you stops he may find he misses it a little and begins that internal battle we all want him to have. We were tied at the hip from the beginning, like he basically moved into my dorm and we went everywhere together. November 27, 2011 - London Vatican's chief exorcist has claimed that practicing yoga and reading 'Harry Potter' brings evil. He went to graduate school at Boston College, became a social worker, got married, raised four children, got elected to the Clinton Board of Selectmen and over the past years, has watched three wars unfold on his television screen. You don't have to be a rocket scientist or use any kind of magic potion to convince a man to love you again.
Being in denial of the fact that your broke up with your partner is not going to bring back your ex. So, when a breakup happens and the person is not around you anymore, you start feeling lonely. Stella Stevens plays Jess “Princess” Polanski, a troubled, would-be singer who captures Ghost’s heart and breaks it. At the end of their set, saxophonist Reno (James Joyce) puts his horn down, and the boy instantly grabs it. Nick is bombastic, loud, and indulgent, just I imagine Cassavetes’ father might have been, treating the musicians like wayward children, a status some of them chafe at. She has a high, thin voice that will never carry her out of her subsistence living as a chippy, but she is touched that Ghost won’t sleep with her their first night together and hires her for the band.
Cassavetes and his coscreenwriter Richard Carr, a TV writer who worked on Cassavetes’ series Johnny Staccato, don’t have much talent for writing poetic dialogue that can also create character and forward a strong, cohesive plot. The acting is a very mixed bag, from the too-intense Chambers to Joyce’s straight shooter, the perfect runner-up for Jess’ attentions. But she infuses the self-loathing, insecure Jess with smoldering sexuality that moves just over the line into vulgarity, and her close-up work matches up with the best in the business.
Too Late Blues was a necessary trial for Cassavetes that would lead to successively more polished hybrids that would reach their apex with Opening Night (1977).
In spite of its widely known English title, it only shares that title and the name of the anti-heroine Wanda with Leopold von Sacher-Masoch’s infamous founding tome of masochistic literature, Venus in Furs. But it can’t be mistaken for anything other than a work by the era’s most wayward trash auteur. He flees to the beach and digs in the sand, pulling out his buried trumpet case and blowing a few rusty licks before he spots a body rolling in the surf and pulls it onto the shore.
Wanda’s casual presence at Hermann’s parties seems to reassure him that she’s very much alive and that he must have been mistaken about the body he found on the beach. Later, at one of Hermann’s parties, Jimmy is startled by both Olga’s and Wanda’s presence and positively alarmed when they start making out. In the bookend sequences that see Jimmy running along the beach to retrieve floating bodies, Franco utilises slow motion to offer a numbing study of the dreamland sensation of travelling without moving, as he closes the narrative’s looping structure. That Darren’s Jimmy Logan is based on Baker is patently obvious, and the film seems to well directly from within Logan’s addled perceptions.
Jimmy’s intimate, somehow solipsistic performance style—he’s often hunched over, lost deep in his solos—evoke his drifting out of touch with reality.
The intimacy between Jimmy and Rita is warmly, tenderly convincing, and stands in contrast with the rather less healthy intimacy Wanda engages in. This scene’s mix of conveyed physical pain, powerfully transgressive emotion, and expressionist use of decor clearly predict some of David Lynch’s pet effects, and confirm for me the impression I had in other Franco viewings of his influence on Kubrick’s Eyes Wide Shut. Wanda soon slips away and enters a cemetery, leaving her fur coat lying upon her own gravestone. Cause I love playing ballads.” Davis proved that rejecting his comfort zone was the way to forge the future of a musical form that has been given up for dead more than once. You couldn’t call Baker an innovator exactly, but he brought something very unique to jazz. Very ably backed by pianist Michel Grailler and bassist Riccardo del Fra, with guest performances by Van Morrison and Elvis Costello (in full 80s persona), Baker sang and played with aching beauty and perhaps not a little struggle. Baker, in a faux-Hawaiian print pullover and black jeans tucked into knee-high cowboy boots, sits like a rickety folding chair on an amp, pointing his horn down into a mike or pressing his craggy, Okie face against another mike to sing. I can’t say for sure, but I suspect that Rob Lemkin, who directed Nina Simone Live at Ronnie Scott’s two years before, must have wrested control of the production after that. The camera syncopates to the musical beat and later shoots straight up the neck of Del Fra’s double bass, showing his playing in minute detail and teaching me a lot about how such magnificent sounds are made.
His tone and delivery are perfect, however, for the moving “You Don’t Know What Love Is,” blending effortlessly with Baker’s horn to tear at the heartstrings. We learn he lived with his aunt in Oklahoma City from the age of one (a fact I haven’t been able to confirm with admittedly cursory research), a happenstance that seems to have bothered Baker. I’ve been a fan of his for many years, and all I need to know about him can be found in his music. This philosophical dilemma is one that virtually all people will face at one time or another. He moved back with his parents to recuperate after surgeons in Los Angeles removed a massive tumor in his cerebral cortex that had been growing for at least two decades. His Italian father told him never to touch the guitar underneath the bed, using reverse psychology to get Pat interested. I’m not a big fan of British documentaries, which seem static and seek to dramatize the basic talking-head format in ineffective ways, like placing Dr. Beginning with Garland’s first appearance at the Grand Ole Opry, Garland (Waylon Payne) gets some advice from Hank Williams, Sr.
However, his inability to get credit—and pay—as a player and a songwriter frustrates him and begins a long enmity with record executive Ryan Bradford (David Conrad). For example, during Hank’s first appearance on stage, he notices that his pick guard reflects light into the audience. The story does rather play like a standard country biopic, with a crazy and troubled woman at its core. This officially includes Snow White, Cinderella, Aurora, Ariel, Jasmine, and Belle—characters who, together, make up a $4 billion dollar entertainment empire adept at hooking little girls as young as 2.
Animation buffs are cheering the studio’s choice of directors John Musker and Ron Clements (of The Little Mermaid and Aladdin), whom it was assumed would steer the project toward more traditional, time-tested territory, allowing Disney to wash its hands of recent 2-D flops like Home on the Range.
Why do the media not believe that a black male can hold down a leading role, even in a cartoon?
This piece of wisdom from Uncle Remus later helps Johnny outwit two neighbor boys trying to steal back a puppy given to him as gift. Some critics simply will never accept that Disney had any right to attempt black dialect, or to show an African-American living happily on a plantation where he’d been a slave. What they created was a gentle-handed portrayal of a long-ago place, in what happened to be an unimaginably difficult time for America. This is a company that, from the day it put a pants-wearing mouse at the helm of a steamboat, has always been in the business of magic; of the impossible. She has an MFA in fiction writing from Sarah Lawrence College, and is working on her first novel. Your father is not too fond of this fact so he will try to get you to clean your room.Want to Know EXACTLY How Likely You Are to Get Your ExBoyfriend Back, in Only 2 Minutes? What you basically have to do is convince another human being that their life is better with you in it. He was yelling at the top of his lungs at you and you were yelling at the top of your lungs at him.
However, at first RP tactics probably won’t work because he may be blinded by rage and nothing you do will have worked. So, instead of moping around and crying you decide to be proactive and put yourself out there by going on a date with a guy who has been asking you out for quite some time. However, the situation you are in (with your ex boyfriend) requires some shifts in the traditional methods that everyone else out there teaches. Yes, you still want him to earn the right to contact you but don’t halt your progress completely just because you want to see the reverse psychology through. So after about two weeks of feeling like crap I went and hung out with this guy and we kissed. Father Gabriel Amorth, who has carried out more than 70,000 exorcisms in the past 25 years after being appointed by the late Pope John Paul II, surprised delegates at a conference by revealing his dislike for yoga and 'Harry Potter'. Dziokonski, who was a Navy corpsman assigned to a Marine Corps rifle company in Vietnam and a recipient of two Purple Hearts and a Bronze Star with a Combat "V," considers himself a strong man, a self-described curmudgeon. Do you need to understand rocket science to mend a broken relationship and make it work again? With time, some things begin to change, sometimes in a positive way and unfortunately sometimes in a negative way also.
Even if there was little chance for you to get back together, wouldn't you want to give it a last try? You are miles ahead of couples who have broken up and lost contact with each other completely. There are a few capillary plotlines, for example, a record deal Ghost blows when Jess gives him the brush-off, but this film isn’t really about anything.
Reno calls him a dirty name and chases him as the other children laugh and impede his progress. They quickly fall in love, but when Ghost suffers a humiliating beatdown at Nick’s at the hands of an Irish-American bigot (Vince Edwards) who doesn’t like jazz musicians who mix with African Americans, Ghost rejects Jess’ ministrations. Clark is quite good as the jewel-bedecked “Countess,” with a harder edge of sexuality that clearly defines her desperation regarding her fading beauty.
Unbelievably beautiful, she is able to show some of Jess’ ugliness, for example, when she balances two johns trying to pick her up at a bar in a series of two-shot close-ups that contrast the leering men with her smothered insolence. In fact, Franco’s film was inspired by a conversation Franco had with jazz trumpeter Chet Baker about counterculture mores, and was, in its early drafts, an interracial romantic drama. Structurally, Venus in Furs resembles many horror films exemplified by Dead of Night (1945), in its cyclical storytelling and bookending gimmick of an irrational, closed circuit-like entrapment in the zone between life and death. But when Wanda later turns up at Olga’s photographic studio, she again transforms in her brutalised corpse, driving Olga to cut her own wrists in guilty sorrow. Franco’s intriguing fondness for dispelling standard gothic tropes, in favour of bright sunlight and lush colourings, is in full flower. Particularly the early scenes, as Jimmy claws at a window or digs into the beach to retrieve his instrument and conjure the drowned Wanda from the waves, possess a flavour that communicates a genuinely strung-out mind. Sequences of him and his band’s performing punctuate the story’s deaths, with the ghostly Wanda continuously returning to confront Jimmy on stage after her vengeful visitations, signing him to a kind of artistic contract to witness, evoking a shaman or bard, or the legend of Orpheus and Eurydice, as he plays out Wanda’s death chant. Delicately yet feverishly erotic, Wanda’s killings are fascinating because rather than visiting her tormentors with violent wrath, she approaches them like a lover, giving them exactly what they want before reflecting the truth of their twisted psyches (Franco’s love of mirrors gets a workout), particularly in her tryst with Olga, which plays out as a tragic romance.
This sequence’s visual motifs are predicted by a most bizarre and gorgeous moment: Olga first encounters Wanda at one of Hermann’s parties sprawled on a red couch, caressing a female statuette’s thigh, and encouraging Wanda to kiss her. Jimmy returns to the beach in the same frazzled state and discover another body in the surf: his own. If you can imagine Billie Holiday’s voice coming out of the bell of a trumpet, you’re in Chet Baker country.
I’ve always noted Baker’s breathy style, but in this performance, he seems to be gasping for air at the top of his sung and blown phrases. Clutching a rumpled lyrics sheet, eyes clamped tightly shut, arm twitching a la Joe Cocker, Morrison delivers a version of “Send in the Clowns” that makes me wonder if he even knew how the song went. Indeed, Lemkin uses extreme close-ups to great effect, particularly in illustrating Baker’s reservoir of breath and sure valving.
He says he visits his mother in Oklahoma once a year, but stays mainly in Europe, where jazz is appreciated. Chet Baker Live at Ronnie Scott’s, formerly available only in VHS, was remastered for DVD and reissued in 2002 with a few DVD extras and the dubious box claim that this was “The Legendary Jazz Trumpeter’s Last Performance!” I’m happy to say that this accomplished film provides fans with a worthy record of an imperfect, yet impassioned performance by an unabashed jazz balladeer. For renowned jazz guitarist Pat Martino, the dilemma came after emergency brain surgery that saved his life but wiped out all memory of his previous life, including his knowledge of how to play the guitar.
Martino, seemingly gentlemanly and unassuming, is a well-liked patron whose notoriety in the jazz world was unknown to the diner regulars. He saw photos of himself with friends and relatives, and it was like looking at his doppelganger. His observation that Martino lost a part of the brain that regulates emotion raises profound questions about whether he “feels” the music anymore. He became a valued session man who played with Elvis Presley, Roy Orbison, Patsy Cline, and others. One very touching scene has Billy Byrd, now a troubled alcoholic whom nobody will hire, drive to Hank’s home and sit outside in his car, forbidden by Evelyn from coming around anymore. Nonetheless, no matter how the script was embellished for dramatic purposes, the film largely reflects an emotional reality that felt true. The parents of African-American girls are an untapped market for the Disney Princess franchise. Now the newly-christened Tiana is a waitress and aspiring cook who dreams of opening her own restaurant. But, then again, this is a company who, for 50-odd years now, has worn a serious albatross around its neck, and its name ain’t Scuttle. On-screen, Uncle Remus is portrayed by the utterly beguiling James Baskett, who replicates the authentic dialect. Tiana, cook or chambermaid, princess or peasant, will be subject to the same near-impossible obstacles. Blasted for slapping a happy grin on slavery and portraying blacks as happy-go-lucky minstrels with poor grammar, the film has never been released for home viewing in the US.


But it was also a place with small conflicts and simple joys—in other words, the messy spectrum of human experience. Experiencing all of Tiana’s obstacles will make her ultimate triumphs that much more magical. Walt Disney made billions because he fed the public’s appetite for seeing things as they could be, rather than as they are, or were. Her nonfiction writing, focusing on music, books, and pop culture, currently appears in Beyond Race Magazine and PopMatters, and her fiction writing currently appears nowhere.
Well, because throughout your relationship you were never one to hold back your feelings and he knows that the break up wasn’t amicable.
Things were thrown, broken and maybe even the neighbors had to call the cops since you two were getting so loud. Basically, he has severe depression (which he is highly medicated for) because his dad killed himself when he was young and he grew up in poverty in Norway and both his parents had bipolar disorder. He also says he does not feel he can do this right now and that he needs to be on his own and do his own thing. Do u think if I stop chasing after him so much and try not to show that I care as much that he will come back to me? So when he found himself at the top of a mountain crying over a dead butterfly, he knew he needed help. In true Cassavetes style, the film concentrates on the booze-fueled rituals of men as they work, play, and pursue sexual and romantic fulfillment. Finally, he catches the boy and asks, “Can I have my horn?” The young audience and the impotence of the band in dealing with them signal the low-rung, vulnerable men the film will portray.
Ghost, however, would prefer to play in a park to birds and trees than do covers or write more popular music.
Hurt, she runs straight for the gutter as fast as she can; Ghost, for his part, quits the band right before they are to cut a record and sells out like a male version of Jess, playing lounge music at a night club and allowing himself to be kept by a rich woman (Marilyn Clark). For example, the record producer (Val Avery) hates the song the band wants to record, but does a complete about-face when the band starts to play it again.
Darin exudes musician cool and ardent love, a charismatic natural who is wisely allowed to be himself. With her Polish last name, I became convinced that Jess was directly modeled on Molly “O” Novatny from Algren’s novel, and became excited by the idea that despite its flaws, Too Late Blues provides some vindication for Algren’s vision on the big screen. That aspect is still present in the narrative, and yet unenthusiasm by the producers caused Franco to rewrite the story along the lines of the theme he returned to obsessively in this phase of his career: the sepulchral femme fatale consuming her tormentors and lovers. Whilst relatively restrained in terms of the sexuality that infests Franco’s later works like Vampyros Lesbos, there’s still plenty of sex and sadism here, albeit contoured more into the film’s oneiric, lapping, inherently fetishistic textures. Addled by drug flashbacks and unable to properly discern hallucination from memory, Jimmy still seems to recall Wanda from some of the parties he played at, including one thrown by a kinky, wealthy art dealer Ahmed Kortobawi (Kinski), and his sensualist friends Olga (Margaret Lee) and Percival Kapp (Price). When Rita walks out on Jimmy, he and Wanda flee back to Istanbul, where Wanda soon enough appears to Ahmad. His work benefits from a seemingly higher budget than he often gained, sporting fine photography and careful lighting that results in a truly sensual visual experience, a sprawl of bold reds and blues, hallucinatory daylight shots and inky darks.
Franco himself was a jazz musician, and his impressionistic scenes from the milieu of Jimmy’s playing are evocative (Franco even appears briefly as one of Logan’s pianists), whilst the totality of the film has an intricately musical structure. Wanda’s killings are punctuated by a memorable soul theme that recurs like a dark mantra, with the promise that “Venus in furs will be smiling”, before McNair sings the full song as a triumphant hymn in the conclusion. Ahmad greets Wanda like he’s been waiting for her, and gets her to enact a part he thinks she has been conjured to play for him, the slave girl who turns the tables on her sultan, which leads to him dying in a perfect masochistic paroxysm, dangling from the ceiling. Several party guests gather to watch, and one bends down to paint their cheeks, and another showers them with white pillow feathers as if sprinkling confetti on the newly-weds or spreading petals on his priestesses. Baker, like Holiday, achieved a sad, melancholic tone in his playing; his trumpet phrasing even seems to owe a bit to her vocalization style. It is only when his lungs fully engage that he works into the right notes and carries them long after most of us would be taking a breath. Baker’s vocals for “My Ideal” were so pain-filled; you could sense the tragedy of missed opportunities and wasted pursuits that certainly must have been a big part of Baker’s drug-scarred life. I thought he was a little hard on America, saying he had recently played Chicago for the first time in five years and lamenting the lack of jazz clubs across the country. One of the owners talks about how he nervously discussed a Japanese woman he had met on a trip and his plans to ask her to marry him on his next trip.
Lloyd Price, whom Knox interviews, said he heard Martino once and signed him to his big band. He experienced explosive rages, behaved erratically, and drank excessively, alienating those who loved him and leading Taber to consent to shock treatments for him, something she says is the biggest regret of her life. Neuropsychological tests Broks and his colleague run on Martino don’t answer the question, but they do find that other parts of Martino’s brain had been compensating for many of his early deficits when his AVM was in its formative stages. The film often felt flat, as Knox seemed almost deliberately to portray the ascetic-looking Martino as a Martian, for example, shooting his face through a window reflecting the gaudy humanity of Times Square. When he uses the trick on Evelyn and goes up to her after his set, she asks him if that always works on the girls back home.
Hank climbs in the car, and Billy pleads with him to take his guitar—the guitar they both invented—and hold it.
Appropriate for our post-feminist era, she has career goals beyond being carried off on Prince Charming’s white horse. The stories he tells to Johnny, his young white visitor, segue into animated musical sequences.
He said “We live in a world today where sex, drugs, and violence are now the norm on the silver screen.
Whether Lasseter and his team want to take 1920s New Orleans and make it grittier, unflinching in the face of discrimination and hardship, is their choice. In Song of the South, it’s that the clever trickster always gets the best of his slow-witted adversaries, and a storytelling ex-slave could be treated with dignity and respect. They may both seem innocuous but they both deal with magic and that leads to evil," the Daily Mail quoted him as saying.
And he found relief and release in a yoga program designed specifically for war veterans called Yoga Warriors International. His sophomore outing as director after his breakout debut Shadows (1959), Too Late Blues suffers from being a Paramount production; the necessity of a set script and a less controversial romance than the interracial couple in Shadows make what could have been a spontaneous flowering of volcanic emotion more like the forced bloom of a greenhouse plant. The film’s denouement isn’t exactly hopeful, but it does see Jess, Ghost, and the band together again performing the song they were set to record, a tenuous link to their better dreams and selves.
Seeing the band playing to no one in a park is the worst in arthouse conceit; when they fold up shop and join the kids who have been playing baseball in the background, the film suddenly fills with vitality and warmth.
One waits for the seasoned Edwards to emerge from the background to play a significant role, and he delivers a scary, violent racist from a sketchily defined motivation.
Venus also contends with some familiar problems of low-budget European cinema of this era, particularly in the dubiously employed location footage of Rio de Janeiro and Carnivale, with Darren’s drippy voiceover droning on to give the dancing girls relevance, with such lines as, “Man it was a wild scene. Jimmy had a crush on the beautiful, flighty Wanda, but one night, he happened to glimpse a terrible scene in which Wanda was cornered and brutalised by the sadistic trio, with Olga and Percival whipping and raping her and Ahmad cutting her with a dagger to drink her blood. The Olga-Wanda sequences in the centre of the film are almost a short film in themselves, a classic of sapphic-surrealist erotica. By this point, the narrative form completely shatters, saturated colour effects infect the frame, and fragmented shots of Olga, Ahmad, and Percival locked in a red room (another Lynchian image) with Wanda’s savaged corpse, perhaps invoking their damnation. And sadly, like Holiday, he had the jazz musician’s disease—a heroin addiction that he never kicked—and died tragically—falling (or jumping?) out of an Amsterdam hotel window. This is the paradox of Baker’s style, a tightrope act that generally settles into a mellow walk on the wire with more than a tinge of anxious emotion. I seem to remember at least half a dozen clubs I used to visit in the 80s to listen to jazz; while certainly not what it was in its heyday, jazz wasn’t exactly dead in my city. After that, a move to New York put Martino together with some of the greats of jazz, including Sonny Stitt, Gene Ammons, Bobby Hutcherson, and Woody Herman. It would be easy to suppose his emotional centers could make a similar shift, but it may not be as simple as all that. I wanted more music, which, thankfully came faster and more dense as the film progressed and saved what had been a bit of a snore for me. His successful tours of big northern cities netted him his beautiful wife Evelyn and a reputation as a jazz guitarist. Evelyn comes to visit Hank in Nashville a couple of months later, and they are soon married. Nonetheless, she chooses him because of the light he projects from within to warm her empty life. But Disney has repeatedly been forced to insist that he’s not white, and interracial relationships have value, too.
All of the stories center on Br’er Rabbit, a classic trickster character in the tradition of African folktales. Besides cute, clever Br’er Rabbit, Uncle Remus is the only character portrayed with respect and dignity. Instead what it does is it re-focuses his atention on you after the breakup, even if he's moved on, so that you have a fighting chance toget him back. So this was either a terrible match or a perfect one, because we are quite opposite in our mental stability but it almost balanced each other out. My ex was asking to get back together after that and I was so excited I stopped talking to that other guy and immediately got back with my ex.
I can imagine that Cassavetes thought the impromptu baseball game would show how these men are still boys, but in fact, it shows that they have the life and spontaneity to be successful musicians and men if given proper motivation and opportunity. Months later, Jimmy, now in the employ of Hermann (Paul Muller), a rich man who keeps him and a band on permanent party hire, is in Rio, back on an even keel and playing well. Franco zooms away from Jimmy’s discovery of his own body and quotes the same John Donne passage as an epigraph as was used in the Val Lewton-produced The Seventh Victim, leaving us to ponder a weird and ragged gem of subterranean cinema.
Listening to Baker is both relaxing and a bit harrowing; he is never someone I can half-listen to as background music. It’s more likely that Baker was not getting gigs because of his out-of-control heroin habit. Other friends and admirers interviewed include Carlos Santana, Pete Townshend, and Joe Pesci.
His motor skills and musicality had not been injured during surgery, but he had to relearn the guitar. However, Hank’s growing success—a regular on The Eddie Arnold Show, on-call musician for Elvis, jazz stints in New York—makes Evelyn feel increasingly isolated. In fact, it seems like Disney has spent more time trying to put out the fires of racial controversy than actually making the film. This is why every Disney Princess in the franchise, from Ariel the mermaid to Mulan the Chinese warrior, has thrived, and Tiana deserves no less. Even though your relationship with your boyfriend has ende that doesn't mean he's stopped loving or caring about you. We are renting a flat with my brother and just recently booked a holiday to Vegas which is on my credit card. Cimini, the founding director of Central Mass Yoga and Wellness in West Boylston, designed to alleviate the symptoms of combat stress or post-traumatic stress disorder.
He’s soon startled not only to find Percival and Olga in town, but also to see Wanda walk into a gig of his one night. He also reveals that he lost his front teeth in a beating in San Francisco and had to learn how to play the horn while wearing dentures—a truly amazing feat. Eventually, he taught himself to play again and came back to play briefly near the end of his life.
She has sex with Bradford, Hank receives the pictures, and he violently confronts Bradford.
Other standout performances include Lane Garrison as Hank’s brother Bill and John Fleck as Lloyd “Cowboy” Copas, the leader of Hank’s studio band. It has been convincingly argued, however, that he actually lost his teeth due to his heroin use.
On top of that, I found out my brother is taking meth (he crashed my car while high and ran from the cops, yaaaay), THEN I heard my uncle who is a priest is being charged again for child molestation, and a bit before this one of my friends told me that him and I made out when I was blacked out and it scared the living shit out of me. Only today he texted me asking what we are going to do about the rent and should he talk to the estate agency. The other day I had enough of it and ignored him all night ( he blew my phone up with texts and calls) and he told me that he loves me and loves being with me but I just annoy him and piss him off.
Speaking on the subject of People And Religion at a fringe event at the Umbria Film Festival in Terni, Father Amorth spoke of his distaste for JK Rowling's young wizard.
His final comment, about trying to write his autobiography, but giving it up because “nobody would believe it anyway,” actually sounds about right.
On the road, another car—presumably sent by Bradford—rams Hank’s car repeatedly and sends him down a ravine, crippling and nearly killing him. I would never ever do that and I was scared he would find out and count it as cheating and leave me.
His slow recovery in Florida leads to the denouement on the stage of the Grand Ole Opry legends tribute, where he plays his signature song “Sugarfoot Rag”. He made me feel like i can be myself and up until a week ago we were having a great time and he was texting such wonderful thing on how much he loved me. But the just yesterday he was saying how we r never getting back together and that he only loves me like family.
In Harry Potter the Devil is at work in a cunning and crafty way, he is using his extraordinary powers of magic and evil," he said.
As you* read through tis article you'l learn: * * The most common mistakes people make during a breakup How to get inside his head uring the breakup Com Wmohy acn Br ce epaktiu npg tMhie bst rakeakes u t po w Avoroi kds in your favor The time period right after the break up isthe most crucial one because the actions you take or don't ake wil most likely determine the dif culty of geting back together. I would cling to him like no other, scared that I would lose him when my world felt like it was crumbling. Making the wrong moves her can bring you big problems because they do things for the sake of looking interested in geting back together. Then one night I got super fucking drunk and blacked out and called him 10 times, then his roommate a few, then his other roommate.
He studies each and everyone of us and our tendencies towards good and evil and then he tempts us.
With PTSD, your emotions are ruled by what happened 20 or 30 years ago." Dziokonski originally took yoga to gain more flexibility.
I just want to know how I can get him crawling back and get him to respect me like he used to? As he practiced yoga, the wars in Afghanistan and Iraq were unfolding a world away, but were hitting close to home for Dziokonski. Finally he came over and got me to bed and I started bawling and screaming, saying I was unhappy and I wanted to hurt or kill myself (REMEMBER HIS DAD KILLED HIMSELF) so that was the last straw for him. This is not the first time that the 85-year-old has raised eyebrows with his forthright views, as last year he had said that the ongoing child sex scandals rocking the Catholic Church were evidence that "the Devil was at work in the Vatican". He asked me to go to couples counseling the next day, only to sit me there and break up with me. The war was in our living room," Dziokonski said, recalling the firefights that were being broadcast on the nightly news. He said he still loves me and cares but he can’t be around someone who acts like that. In fact, Dziokonski had asked her to teach a class at the Worcester Veterans Center, which fellow veterans later decided to continue. After that, he blocked me on everything and wanted no contact except for through the counselor if needed. In addition, she is the co-author of a study that will appear in the American Journal of Occupational Therapy, "The Effects of Sensory Enhanced Hatha Yoga on Symptoms of Combat Stress in Deployed Military Personnel." The study was done by Maj. But the problem is is that he is going home to Norway for the summer so I won’t see him or have contact unless I go through a friend. Jon Greuel, an Air Force instructor pilot, in Kirkuk, Iraq, from November 2008 to November 2009 in collaboration with Cimini. She is also working with Worcester State University to study the effect of the Yoga Warrior program on military students at the university. Zest Yoga and Fitness in Auburn is one of the local studios offering the Yoga Warriors class with a certified instructor.
Mind you, he told me he loved me at 3 weeks (I said it back but didn’t mean it until 3 months), he told me he has never felt so strongly, never been so happy, felt we were soulmates and asked me to move in with him in September (I said yes, so now I have nowhere to live this fall). Zest Yoga and Fitness in Auburn began offering a Yoga Warriors class in September, and is open to all veterans and active-duty military personnel. I know it sounds weird but when you let him out of the relationship without any fighting or harsh felings you gain his respect and that puts you in the driver's seat. Dziokonski, who regularly attends a Thursday morning Yoga Warriors session, said yoga has returned to him a sense of calm, and has improved his sleep.
What's even better is that as your ex and you part ways, he'l wonder why you're not chasing him. Many Vietnam veterans are enrolled in Yoga Warriors, and also some World War II veterans, and now Iraq War veterans. He expected that you'd chase him and beg him to take you back, but you trned the tables on him by not doing anything and as a result you've set him of his game. Dziokonski and Cimini said the emotional impact the war has on returning veterans may not become evident until months or years later. He is still seeing the counselor to talk about me and sometimes she relays little messages like “he might want to talk in a few weeks”, but I am so anxious and what if he is just saying that to get everyone off his back? Now despite the fact that he initiated the separtion, he rlied on the fact that you still loved him and he was certain that you'd try and talk him out of it.Also he anticpated that you'd chase him and try and keep the relationship going in some way. But instead of the reaction he expected from you, you've sudenly walked away without a care in the world and he's left wondering how much you value the rlationship. He might also think that you're seeing someone else and for alAl he kcce npti own sg t , yheou B agre ra ee tk u o p -t he bWh ry eak It up Wo ar sk ms uch as he does.
You might have read a lot about this theory already and that's because acepting your fate and the situation instead of fighting it puts you in a positon of strength. In order to end up back together again, any action you take must be done from a positon of power and control.
Your ex boyfriend had an expectaion about how you would be affected by the breakup and every time you do something unanticpated you get more power and control over what happens next.
By How to Get Your Ex Boyfriend Back After a Bad Breakup Using Revrse Psycholgy going against the grain in a breakup you take charge and steer your breakup back to reconciliation.
He can't argue with you when you go along with e breakup because you throw him off when you're on the same page.



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