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Derek Guthrie is a British artist, art critic, and co-founder of the influential art magazine New Art Examiner. Neoteric Art: Tell us more on the soon to be released book a€?The Essential New Art Examinera€? and also some history on the magazine. Derek Guthrie: After an absence for many years I returned to Chicago and gave a lecture at the Cultural Center on the New Art Examiner covering its birth which was a resistance to the then Chicago art elite that was determined that we should not publish. The life of the NAE was turbulent and difficult as we were shunned by the MCA and also branded as ignorant art writers.
My comments and other stories caught the imagination of Kathryn Born of Chicago Art Magazine who with the help of Terri Griffith and Janet Koplos and past editors chose articles to be republished therefore making an anthology: a€?The Essential New Art Examinera€?.
I am delighted not to have any part in the choosing of content as it proves the NAE was ahead of its time as many issues we introduced have meaning for a later generation.
The School of the Art Institute of Chicago is having a reception and one day seminar on Art Criticism organized by the head of Art Journalism Jim Yood a previous Chicago editor of the NAE. I have the belief that culture is suffering in the US as the Independent spirit that used to be present in Intellectual life is disappearing. In October 1973, Guthrie and his late wife, Jane Addams Allen, founded the New Art Examiner in Chicago.
Art News was pressured to lift an article written by Jane Adams Allen and myself from the printing press a few days before publication. I also in the lecture commented on the death of the NAE brought on by the incompetence of the last editor the late Kathryn Hixson and a lack luster board that was even bolstered by a massive grant from Lou Manilow.
True one does not invite Derek to talk and expect that he will perform in a manner that will insure you accolades for hosting such a swell friendly guy a€” for Derek for sure will rustle some feathers. All of those institutions, their faculty and students, reaped enormous benefits from the NAE which put the national art spotlight on Chicago a€” and the Midwest.
I remember the art scene here in the 1980s feeling very vibrant, very Chicago, and still feeling very national and even international. For the most part, not much goes on there in the art groups a€“ you know that now as you have known it for a long time.a€?I take that back a€“ there is usually some (or more-than-some) fighting that goes on. As I got to know him I was impressed by how dedicated he and Jane were to creating a serious publication that centered its attention on the art being made outside of New York and providing plenty of material to instigate discussions on the state of the arts during the magazinea€™s existence.
It is very unfortunate that Chicago a€?art communitya€? politics has prevented this from happening. Tom Nakashima October 12th, 2011 at 12:04 am It is interesting to me that few of the so called top art schools and universities are interested in bringing Derek Guthrie to this country after he and Jane contributed so much to criticism and art through The New Art Examiner and other publications.
Annie Markovich October 12th, 2011 at 6:57 am The New Art Examiner was a very independent publication and its content reflected that issues affecting the making and exhibiting of the visual arts have a wider significance than aesthetics.
William Conger October 13th, 2011 at 8:24 am I cana€™t improve on the perceptive comments by Tom, Annie, and Sidney but I do want to express my chagrin that Chicago art schools and university programs havena€™t come together to bring in Derek to speak on the occasion of the publication of the Essential New Examiner. Derek Guthrie October 13th, 2011 at 9:10 pm Is it impolite to request clarification on the shenanigans of the Chicago Art Scene during the last couple of decades. Norbert Marszalek October 14th, 2011 at 8:29 am Derek,I believe ita€™s things that we are somewhat aware of.

John Link October 17th, 2011 at 12:28 am Oh dear Derek a€“ why fret about not being invited to certain universities.
Kevin Dean October 22nd, 2011 at 8:56 am As one of the many arts writers to have been given the chance begin their careers by writing for the New Art Examiner in the 1970s I naturally appreciated of Derek Guthriea€™s invitation to cover central Illinois for the paper. Richard Dana October 25th, 2011 at 12:38 pm It strikes me as ridiculous that an anthology of NAE writings is to be published without including material from the Washington, DC, years. Known for decades in Chicago for his work in art criticism, Guthrie is credited with having helped introduce a new set of writers that would become prominent in their field. I hoped and expected with this event of recognition in the form of a book would lay to rest the idea that we were political incorrect. This has caused some frustration as I was looking forward to the occasion to make known that the New Art Examiner was in part determined by the values Jane Addams put into place by her niece, my late wife and co-founder of the NAE, Jane Addams Allen. The individual who does not fit in to the orthodoxies of celebrity culture and or academia is left aside. But seriously, is that not what being a cutting edge thinker, critic or artist is all about? Most important, the NAE fostered gritty independence and enabled many new writers and artists to contribute to the art discourse.
Then in the mid 1990s it seems like the scene gave up and the academics with their youth parade took over. Jane Addams Allen was a locala€?girl from Chicago it seemed not to matter.It seems to me that Chicago hasa€?its own particular brand of zenophia.
The book now serves as a valuable time capsule for scholars and through it the New Art Examiner will once again be as controversial as it was 30 years ago. As a Washington-based artist I was an avid reader of the NAE and greatly appreciative of Derek and Janea€™s all-embracing national approach to coverage of the visual arts; all-embracing, that is, other than helping to perpetuate the myth that New York was the colossus of American art and all other art was merely regional and of secondary interest. Though the art world speaks to people that have an interest in the visual arts, it cannot help but be part of the wider society and therefore in its practice and nature reflects the normal mores of political, social and cultural practice that define all institutions. For the most part, not much goes on there in the art groups a€“ you know that now as you have known it for a long time.I take that back a€“ there is usually some (or more-than-some) fighting that goes on.
I have some hope that another University in the Midwest will give me in the new year the opportunity to make clear these unknown facts that Jane Addams Allen was afraid to acknowledge her heritage publicly as she feared a backlash accusing her of grandstanding on her family name. It is my hope that in the reissuing of opinion on art written without fear or favor will point to possibilities of originality that now find difficulty to surface in a very controlled and sanitized art world. Funny that a little university in conservative Augusta Georgia has had him speak on numerous occasions over the years, while the bastions of the educational avant-garde seem reluctant to stick their necks out. The NAE was a contentious and fresh publication that helped to put authority for art back into the hands of artists, often earning the annoyance of entrenched commercial and clique-oriented curators and collectors. But then getting people to talk about and debate what was on its pages was the magazinea€™s reason for being. This was a wide mandate and the publisher, Derek Guthrie believes an enlightened philosophy that did not endear the NAE to the mandarins of the art world.
Jane Addams Allen was a localgirl from Chicago it seemed not to matter.It seems to me that Chicago hasits own particular brand of zenophia.

In November of 2011 with the help of editors: Kathryn Born, Terri Griffith and Janet Koplos, a book titled The Essential New Art Examiner containing past essays and articles will be published. She was correct as the NAE received a letter to the editor from a well known public personality that was printed as all letters to the editor were saying that she was not fit to carry the family name. I think ita€™s a sign of weakness and embarrassing new timidity for our institutions to pass on bringing Derek to Chicago. It also felt like the galleries and institutions here were not showing Chicago artists often enough. The editors, fought all acts of censorship that were put upon artists and examined the processes of patronage by the Nationall Endowment of the Arts and some state arts councils. They all have big a€?visiting artista€™ budgets and instead of bringing in some new hot gallerya€™s wunderkind to put dollar signs in the eyes of art students why not expose them to one who knows that art is about changing entrenched and stultifying cultural values. That was the virtue of the NAE, it hosted art fighters without prejudice, letting the fighters stick it to whomever and whatever. Under the guidance of Jane Addams Allen, the great grandniece of Jane Addams the social worker in Chicago, the very independent and liberal humanistic values set in place at Hull House were continued. Chaucer would have been proud to write for you.a€?You were grubby, Jane was elegant, but the uniting thing was everyone was so surprisingly sweet. The NAE may have been the first national art magazine to devote an entire issue to Black Art in America.
He can help re-spark the a€?grass-rootsa€™ criticality that underlies the vitality of any art scene, especially in Chicago. The shop ran on pure sugar and finesse and hope and yes the love of a good fight.a€?But now its time to forgive the bastards. The NAEa€™S final years weould also tell their own story and would provide interesting research.
And no city art scene should be xenophobic but it is important to have a cultivated identity.
Chaucer would have been proud to write for you.You were grubby, Jane was elegant, but the uniting thing was everyone was so surprisingly sweet.
The outstanding fact of the NAE was that it launched or helped the careers of many art writers. The shop ran on pure sugar and finesse and hope and yes the love of a good fight.But now its time to forgive the bastards.
This is remarkable that a struggling regional art magazine could have done this, it was due to the fact that its editors and publishers were not hierarchical. Jane Addams Allen was always interested in what individuals had to say, believed in free speech and rejected political correctness.

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