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admin | How To Get My Girl Back | 05.12.2014
Ferdinand Griffon (Jean-Paul Belmondo) is unhappily married and has been recently fired from his job at a TV broadcasting company.
After attending a mindless party full of shallow discussions in Paris, he feels a need to escape and decides to run away with his baby-sitter, an ex-girlfriend, Marianne Renoir (Anna Karina), leaving his wife and children and bourgeois lifestyle. Following Marianne into her apartment and finding a corpse, Ferdinand soon discovers that Marianne is being chased by Algerian gangsters, two of whom they barely escape. Ferdinand (whom Marianne decides to call Pierrot, much to his annoyance) and Marianne go on a traveling crime spree from Paris to the Mediterranean Sea in the dead man's car.
Settling down in the French Riviera after having burnt the dead man's car (full of money) and sunk a second car into the Mediterranean Sea, their relationship becomes strained. Marianne becomes bored of the Robert Louis Stevenson-ness of their living situation and insists they return to town, where in a night-club they meet one of their pursuers. In the confusion, Marianne and Ferdinand are separated, with Marianne traveling in search of Ferdinand and Ferdinand settling in Toulon.


After their eventual reunion, Marianne uses Ferdinand to get a suitcase full of money before running away with her real boyfriend, to whom she had previously referred as her brother. Pierrot shoots Marianne and her boyfriend, and, in the climactic scene, paints his face blue and decides to blow himself up by tying sticks of red and yellow dynamite to his head.
Ferdinand (whom Marianne decides to call Pierrot, much to his annoyance) and Marianne go on a traveling crime spree from Paris to the Mediterranean Sea in the dead man's car.
Settling down in the French Riviera after having burnt the dead man's car (full of money) and sunk a second car into the Mediterranean Sea, their relationship becomes strained. It was Jean-Luc Godard's tenth feature movie, released between Alphaville and Masculine Feminine. The title translates as Pete the madman, but the film is usually released under its French title internationally. The film was the 15th highest grossing film of the year with a total of 1,310,580 admissions in France.


The film's postmodern elements include its parodic but affectionate attitude towards American pop culture, its deliberate mixing of high and low art, its frequent dissection of popular movie conventions, and its use of a decentered, collage-like (or paratactic) narrative structure.
The central character of Ferdinand also embodies Jameson's notion of the postmodern citizen as a victim of "compensatory decorative exhilaration" or a mass media-addled mindset in which individuals lose the ability to distinguish truth from fiction or important issues from trivial ones.
The shooting took place over two months, starting in the French riviera and finishing in Paris (in reverse order from the edited movie). In the Doctor Who episode Voyage of the Damned the Tenth Doctor quotes an oft repeated phrase from the film, "Allons-y, Alonso".
The twentieth episode of Cowboy Bebop is entitled "Pierrot le Fou." The villain featured is referred to as "the Mad Pierrot".



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