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admin | How To Get My Girl Back | 15.12.2014
In My Scene Goes Hollywood: The Movie, Lindsay stars in a movie named Spy Society with a fictional actor, Ryan Ridley. La Chinoise is a loose adaptation, if not parody, of DostoA?evski Fiodor's 1872 novel, The Possessed. Madison gets a role in the film as the antagonist after she and her friends, Barbie, Chelsea, Nolee and Delancey get to be extras in the film. In the novel, a group of five disaffected citizens, each representing a different ideological persuasion and personality type, conspire to overthrow the Russian imperial regime through a campaign of sustained revolutionary violence. As an advocate of terrorism as a means of bringing about the revolution, Veronique roughly corresponds to the character of Pyotr Stepanovich Verkhovensky in The Possessed. Yvonne is a girl from the country who occasionally works as a prostitute for extra money to purchase consumer goods (much like Juliette Janson, the principal character in Godard's previous film, Two or Three Things I Know About Her).


Yvonne does most of the housecleaning in the apartment and, together with Guillaume, she acts out satirical political skits protesting American imperialism in general, and U.S. In this sense, he loosely corresponds to the character of Ivan Shatov in The Possessed, a student who is marked for assassination because he has abandoned the tenets of leftist radicalism. True to his literary namesake, Godard's Kirilov also descends into madness and ultimately commits suicide. This led to his highly publicized arrest and trial by the French government in September 1960.) In the scene on the train, Jeanson argues against the use of violence as a means to shut down the French universities.
The film, set in contemporary Paris and taking place in a small apartment, is structured as a series of personal and ideological dialogues dramatizing the interactions of five French university students a€” three young men and two young women a€” belonging to a radical Maoist group called the "Aden Arabie Cell" (named for the novel, Aden, Arabie, by Paul-Yves Nizan). True to his literary namesake, Godard's Kirilov also descends into madness and ultimately commits suicide.


This led to his highly publicized arrest and trial by the French government in September 1960.) In the scene on the train, Jeanson argues against the use of violence as a means to shut down the French universities. These objects and organizations appear to become ironically fetishized as entertainment products and fashion statements within a modern consumer-capitalist society a€” the very society which the student radicals hope to transform through their revolutionary project. However, a number of critics such as Pauline Kael, Andrew Sarris and Renata Adler have hailed it as among his best. Given that the film was made in March 1967 a€” one year before violent student protest became a manifest social reality in France a€” La Chinoise is now regarded as an uncannily prescient and insightful examination of the New Left activism during those years.



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