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We did our own research into the lexical world of VAGINA, and this produced some interesting results. The fact that Republicans are trying to legislate something they are unwilling to even say adds extra layers of hilarity to VAGINAgate.
In a world conspicuously devoid of adverts for wiener cleaner, it’s a bit disconcerting to see ‘Woo hoo for my froo froo!’ posted on the side of telephone boxes throughout the country. Such terms are perhaps just about acceptable when you have a little girl with a tricycle injury and don’t want her uttering the C-bomb.
The problem with euphemising the term ‘VAGINA’ is that it takes serious discussion of them off to the menu. Of course, the implication that you can’t really love your VAGINA unless you use a certain product is deeply impertinent.
Until they finally realised that it annihilated everything good inside your flange, douching that made you smell detergent-like was an incredibly popular activity, promoted mostly by VAGINA-haters in the US. In light of this, it’s of utmost importance that you learn to call your VAGINA what it is, and furthermore, accept it in its natural state. Rhiannon Lucy Cosslett and Holly Baxter are co-founders and editors of online magazine, The Vagenda. At my birthday dinner in a glitzy restaurant, my family take their time over a menu of sophisticated stuff such as pollock with romesco sauce and roast rhubarb creme brulee.
When my parents divorced in the mid-1950s, I was sent to a small private boarding school on the Isle of Wight. As a junior, I was often on serving duty, and so ahead of the crowd in the dining room when the wooden food trolley with its grey linoleum top trundled in. Watching her spoon bite through the golden-brown potato crust to deposit an undersized wedge on each plate, I knew I could have eaten all 44 portions by myself.
In the ghastly shipboard diet that Forester described – rancid salt pork and biscuits catacombed by weevils – the only delicacy was pea soup, made from split peas that could be preserved for years at sea. I hadn’t yet read the Damon Runyon stories on which it was based, so I couldn’t appreciate how perfectly Frank Loesser’s songs caught their atmosphere. I couldn’t begin to guess what “strudel” might be but “cheesecake” was two familiar words in a seeming oxymoron: surely, something was either cheese or it was cake. I later read how much Sinatra hated having to eat cheesecake in the scene, especially as Brando the Method actor (whom he derisively nicknamed “Mumbles”) demanded retake after retake.
As the oxymoron melted in my mouth, I thought back to those shivering, famished, hopeless days at a British boarding school and realised just how much better life was capable of getting. Everyone, in every culture, and in every heart has the innate understanding when something should be done or should not be done.
And those who belong to Christ Jesus have crucified the flesh with its passions and desires.
This conflict between a€?good and evila€? is so ingrained in the human psyche that it seems the gripping story line in almost every book, movie, or form of entertainment has a captivating plot of this innate brazen tension and cosmic battle between a€?right and wronga€?. Why are those who hate God, or care nothing about God, usually portrayed as prosperous, strong, with seldom a need for anything?
It seems there are generally three basic choices a person can make about his or her belief system regarding God. It seems like 1 and 2 are pretty close in their basic thought patterna€¦except the person says in 1, that a€?they believe in goda€?. For those who have made a choice to seek after God, they find considerable Scriptural support. 6A And without faith it is impossible to please Him, for whoever would draw near to God must believe that He exists and that He rewards those who seek him.
After we have made our decision for God and then start noticing how others live around us and prosper without God, do we begin second guessing ourselves?
We look around us and see the rise of those who, without conscience, disregard God, or even despise belief in God, but who are obviously successful in this life. Or we might get irritated with our lack of benefit, when everyone else is prospering through their self-centered ways. Thousands of years have gone by and those seeking God are still in gross conflict with the inconsistencies they are finding in the struggle of life! Who or what else in the whole world can fulfill such a place as God has, when we hope in Him? God tells us that we should not get exercised and frustrated, or angry about those who evidence success and feign dominance because they believe in themselves and not in God.
Those who are far from God will perisha€¦they are in slippery places and will fall to ruin.
Perhaps because our VAGINAS, especially those of our American sisters are, much like Stalingrad, increasingly under siege (Stalingrad is another euphemism for VAGINA).
The feminist backlash to the suggestion of transvaginal probes involved women inundating Senator Ryan McDoogle’s Facebook page with detailed information about their lady bits. From the Inga Muscio classic Cunt: A Declaration of Independence to Dr Catherine Blackledge’s The Story of V, to Caitlin Moran’s How to Be a Woman, women have been trying to wrestle their vaginas out of male hands and away from male terms which don’t belong to us for ages now. Half the population carry them around in their pants without freaking out, yet if VAGINAS were supposed to complement the saccharine, flower-gathering view of everyday women by smelling like a lavender patch, they would. VAGINAS are a wonderful arrangement of flaps capable of the most magnificent things, just as God, in Her infinite wisdom, intended.
Like many such places in that era, it believed that keeping little boys hungry, cold and terrified was character-building.
If you couldn’t stomach your food, you handed it over to somebody else; at breakfast, a famously flatulent boy named G A Fisher routinely consumed four or five plates of a grey porridge that was like wallpaper paste.
My favourite Hornblower book was The Commodore, about our chronically self-doubting hero’s command of a squadron in the Baltic. In the early 1950s, my maternal grandfather, Frank Augustus Bassill, retired after 40 years as a Pathe newsreel cameraman. What most impressed me was the scene in which Frank Sinatra, as the Broadway hustler Nathan Detroit, needs to raise $1,000 to organise his “floating crap game”. Ia€™m not sure there is a God, so Ia€™m going to enjoy life with or without Him, and do my a€?own thinga€?. State representative Lisa Brown hilariously offended some Republicans last week when she had the temerity to utter the word during a ridiculously euphemistic debate about female contraception and abortion. The fact that ‘VAGINA’ is back with a vengeance can only be good in the face of patronising advertising such as the below, from a well-known feminine hygiene brand that we don’t care to publicise here.
Celebrating because you got the right product to make your natural VAGINA less disgusting: not exactly the passive aggressive message we relish. The potential for hilarity (pastrami curtains, anyone?) has been eschewed in favour of prudishness.
How on earth are we supposed to retain possession of them if we can’t even call them what they are?
Lisa Brown being banned from saying "vagina", it's no wonder America were at the forefront (pun intended) of fanny denial.
Once you do that, you’ll realise that anyone who says otherwise is most likely a DOUCHEBAG.
The food was dreadful: overcooked cabbage, grey and gristly meat with bits of white windpipe in it, shrivelled prunes, “frogspawn” tapioca.
It was plated up by a tiny woman named Mrs Eadie, whose husband was a steward on the liners sailing from Southampton nearby. The savage conditions in the Royal Navy of the Napoleonic era seemed not so far removed from those ­under which I lived. When the tsar of Russia came to lunch incognito on his ship, Hornblower served pea soup in a “battered pewter tureen”, which somehow made it sound even more delicious. He had been a star with Pathe and the company was good to him in return: on top of his pension, he received a hamper of groceries every Christmas and two pairs of free tickets per week to any ABC cinema. He tries to bet the gambler Sky Masterson, who is well known for betting on anything, that Mindy’s restaurant serves more daily portions of strudel than cheesecake, having already checked with the kitchen that he is right. It was in 1967, the Summer of Love, at a restaurant called the Aware Inn on Sunset Boulevard in LA, to which I had been driven in an open-top Ford Mustang by a beautiful, blonde TV weather forecaster named (truly) Dawn O’Day. This year’s theme: “Cotton Sacks and Freedom Quilt Narratives” substantiates the viability of the sweat equity investment made through labor and cultural contributions by Cotton Pickers and other Plantation Workers. We encountered two Italian exchange students who told us that the standard slang term for down there in Italy is ‘potato’ - a visual we’re finding it slightly difficult to get our heads around. They suggest a variety of terms, ranging from ‘mini’ to ‘twinkle’ to ‘hoo ha’, before uttering the immortal tagline ‘whatever you call it, make sure you love it.’ VOM. The whole ‘froo froo’ shebang has led to an internet-wide speculation on how you should refer to your lady parts - with equally cutesy results.
Fundamentalist Christians are no better, as the online post ’51 Christian Friendly Terms For VAGINA’, which jokingly suggests such legends as ‘sin bucket’, ‘devil sponge’ and ‘neighbour of anus’, goes to show.
Which is why it is of utmost importance that, if you can bring yourself to do it, you stop referring to your ‘la-la’ and start using the proper anatomical terminology.
Pussy polishers that claim to say woo woo to your frou frou are just the natural extension of douching, which should have died a death before we even knew they did more harm than good. On the rare occasions when there were seconds, the prefects always called the big boys up first. But at least I didn’t ­suffer floggings with a cat-o’-nine-tails (we only got beaten with a gym shoe) or have to turn out at midnight in a howling gale to reef tops’ls.


Soon after retiring, however, Grandad had to have both legs amputated and remained housebound for the rest of his life, so the free cinema tickets would often be used by my little cockney grandma and me.
The following evening, Friday November 13, the “Cotton Pickers Ball” shall be held at 7:00pm, in da’ House of Khafre, located at 300 Main Street, Indianola. A schoolgirl, meanwhile, insisted that her mother referred to it as her ‘fairy’, which is just begging for years of psychoanalysis later in life when she realises that at the same age, she believed that a fairy took her teeth in exchange for money. The same happened to Texas Governor Rick Perry, who since deleting the posts became the lucky recipient of oodles of hand-knitted and crocheted VAGINAS. We wouldn’t go so far as to suggest that you inundate the Facebook page of that ‘feminine hygiene product’ (read: vagina perfume) with ‘VULVA’ posts, but here’s the link and a labelled diagram of the general area. All are encouraged to attend both events in costume attire worn in the cotton fields, such as “overalls and straw hats, etc.”The 1st Annual Historical Narrative Competition enhances this year’s Symposium.
Shout it from your office cubicle, your freelancer’s Starbucks table, your library cubby hole (also a euphemism for VAGINA).
Finally - the mystery of where those milk teeth disappear to is solved (and with it, the origins of the possibly mythological disease ‘VAGINA dentata'). Then there was the viral video, ‘Republicans, Get in my VAGINA.’ VAGINAS are back, and they mean business. Mississippi Delta high school seniors and MVSU students will compete for a trophy and gift card provided by Khafre, Inc and Lost Pizza, Company. All projects must be delivered to the MVSU Social Sciences office “T” by 5:00pm November 5th, (or call organizers to arrange for pick up). Professor, Public Policy, MVSU; Dr Alpha Diarra, National Cotton Spokesman of Mali, West Africa. Local storyteller Helen Sims will pay tribute to “the Spirit of Mama Lula.” Hollandale folk artist Dorothy Hoskins will showcase recent multi-media work on Cotton Pickin’ and Sharecropping in the American South.
The University is driven by its commitment to excellence in teaching, learning, service, and research--a commitment resulting in a learner-centered environment that prepares critical thinkers, exceptional communicators, and service-oriented, engaged, and productive citizens. MVSU is fundamentally committed to positively affecting the quality of life and creating extraordinary educational opportunities for the Mississippi Delta and beyond. KHAFRE, Inc. Honoring the legacy of  “grandmamma-nem” in a university setting gives artistic and academic license to the pursuit of gaining more scholarship and international acceptance, of the contributions and sweat equity made by the people who picked cotton throughout the American South,” said Professor C.Sade Turnipseed, Executive Director of Khafre, Inc.
As part of Khafre, Inc’s historic preservation efforts, a permanent marker will be placed on the MVSU campus in honor of cotton pickers from the Mississippi Delta, and those who worked the repurposed cotton plantation for higher learning, MVSU.The Symposium is free admission. Khafre, Inc is all about building monumental programs that allow reflection, reconnection, and renewal.
This year’s theme: “Cotton Sacks and Freedom Quilt Narratives” will stimulate a day of discussion about historic preservation, leading-edge research, innovative practices, and foundational values. The agency and resistance of these narratives will also reflect on the subtle and continuing impact of cotton on life in the Delta and throughout the South. The one-day event concludes with a good old fashion “black-tie” (or period-piece costume) “Cotton-Pickers’ Ball and Ancestral Celebration” at da’ House of Khafre located at 300 Main St. Julianne Malveaux; and, introduction by award-winning poet Chinaka Hodge the volume offers a balanced view of what our children face day-to-day, on the streets of America. Over two hundred years ago, the Akan Nation (West Africa) established the Adinkra Symbols to visually communicate a system of living for African people to observe and learn.
Amazingly, just as with other inspired and spiritual writings, drawings, etc., the symbols are beautiful design concepts with meanings still relevant today. They bring clarity and resolve to the question, “What do we (the village) have to do to show support and love for each other and ultimately save ourselves and one another?” The experiences of today’s youth culture demonstrate a fundamental disconnect, to most people of previous generations. The young writers selected for this publication masterfully describe the challenge in dealing with today’s world. Because, it offers tribute to the “original” mother and her instinctual knowing of the spiritual paths that her children (all children) must take to find their way out of harm's way. Revealed, in this collection of writings are a wonderful array of short stories, poems and proverbs that present a familial insight born by the great liberator of liberators, Harriet Tubman! By Writers of the 21st Century is an affiliate of Young Publishers Network (YPN) and Khafre, Inc a 501(c)(3) organization working in the Mississippi Delta to improve the welfare and healthy living environments of children in America and around the world.### Thank You Mr. Born in a cabin on a cotton plantation outside Berclair, Mississippi in 1925, his entire life, much like the lives of so many others from the Mississippi Delta, was spent in service to others. Unfortunately, for most of his contemporaries (colleagues, family of friends) they never received the accolades, appreciation, or respect for their life-long work as cotton-pickers in the American South.
David Matthews, MS Congressman Bennie Thompson, MS Senator Thad Cochran, National Parks Director Dr Jon Jarvis, Mr. Theodore Turnipseed, Sr., and millions of others understand the importance of sharing, and erecting a statue and National Park dedicated to the countless field workers of the American South. Though unrecognized and unappreciated, these people worked from sun up to sun down tilling, planting, chopping, picking and spinning cotton, in the blazing hot sun … This and many other horrifying conditions of the historic Mississippi Delta evoked the music we call “the Blues.”On May 21, 2014, during the last year of his life Mr.
King accepted our call to become the “Honorary Chair” of Khafre, Inc, a Mississippi-based 501(3) not-for-profit organization. Maya Angelou as the Honorary Chair of the Cotton Pickers of America and the Sharecroppers Interpretive Center project.
The plan is to build a thirty-foot high monument on twenty acres of cotton land along Highway 61, just outside the historic Black town Mound Bayou, MS. This is a historically rare opportunity to transform many lives in the Delta and engage conversations about race and social inequities in America.
Sade Turnipseed is the Executive Director of Khafre, Inc and teaches American History at Mississippi Valley State University, in Itta Bena, the birthplace of Mr. This year’s theme: “Cotton Sacks and Freedom Quilts Narratives” will stimulate a day of discussion about historic preservation, leading-edge research, innovative practices, and foundational values. No one has ever “officially” said “thank you” to the people in the American South, who literally tilled the way to the economic greatness for many countries and regions around the world.
Somewhere along the way the respect and honor for their hard-earned sweat-equity investment in the wealth of others was lost and buried in the bloodstained, tear-soaked soils of the American South. Something “monumental,” needs to happen…like a National Park named the “Cotton Pickers of America Monument and Sharecroppers Interpretive Center” along the Blues Highway 61. Once the Monument is installed, the organizers’ plan is to turn it over to the federal government for the protection and honor that only this country can provide. It shall serve as a permanent reminder and ever-present sign of respect for those whose hope for a brighter day wore thin, while working from kin to kain’t (can’t see in the morning to can’t see at night).The world must be reminded of the work ethic held by the people in the South…in most instances it was an honorable legacy … the tragedy is they were never properly compensated, nor thanked.
King, (aka: The King of the Blues) will join the effort to build a National Monument in the Mississippi Delta. King understands, as do all members of the Khafre, Inc family, that a healing will come through recognition and a true recounting of the history of cotton and its impact in the South.In September, 2009, Khafre, Inc, based in Indianola, Mississippi, embarked upon a journey designed to thank the sons and daughters of the South who helped, albeit it without accolades, fanfare, or even recognition, build the cotton empire that fueled the American economy for nearly two centuries. The impetus for the project: Cotton Pickers of America and Sharecroppers Interpretative Center (hereafter referred to as the Cotton Pickers Monument Complex) is the need to thank those who toiled in the Delta soil for generations without the pay, appreciation, or the dignity they deserved. The Cotton Pickers Monument Complex would not only help heal wounds that have festered for decades, but would also help to empower the generations of family members who have been negatively impacted by this unfortunate era in American history. This is truly a historic endeavor that has the rare opportunity of actually transforming lives, communities, and the conversations about race in America and throughout the world.           These deeply held convictions of education and empowerment are keys to improving the quality of life for all within the Delta. They have helped to catapult Khafre into numerous projects, which are all connected to the vision and mission of this value-driven and movement-oriented organization that is designed to provide historical, health related, and cultural education and outreach to the communities of the Mississippi Delta. Khafre has already helped young people successfully publish literature, prepare for careers in the television and radio broadcast industry, produce staged events and engage in healthy behaviors through diet and exercise, all with the assistance of grant dollars and strategic partnerships.The crowning work of Khafre remains the Cotton Pickers Monument Complex, a dream, which is coming closer to fruition, day by day, because of the unprecedented support of Mr. We have also received Congressional acknowledgment and endorsement from United States Congressmen, Bennie Thompson and Danny Davis, official endorsements from United States Senators, Thad Cochran and Roger Wicker, and expressed support from Dr John Jarvis, National Parks Director.
Carroll Van West and Rebecca Conard from Middle Tennessee State University’s History Department, along with the ongoing partnership with Mississippi Valley State University, has proven a significant benefit to our overall project.
We are now ready to raise the $26 million dollars to make the Cotton Pickers Monument complex a reality.
We look forward to hearing from you and to welcoming your partnership in the building of this long overdue and much needed monument.It is time!Most sincerely,C. The goal is to obtain as much first-hand information as possible relating to the development of America’s Cotton Kingdom (aka the Delta).In the aftermaths of completing the academic study for a Doctorate in Public History at Middle Tennessee State University (MTSU), Professor C. Turnipseed’s theory that perceptions of sharecropping, tenant farming, etc, will be altered in ways that are beneficial to the legacy of the American South when the memory of elders are shared. The monument site is envisioned to become a National Park; and thereby “the place” for memory and community sharing in the Mississippi Delta, for educational, economic development, and international tourism purposes. King and former honorary chair Dr Maya Angelou who are determined to improve the legacy and social-economic status of Mississippi Delta residents. The purpose of the organization is to provide educational, lifestyle and cultural programs, build monuments and memorials to honor, celebrate, and recognize the rich and complex history of the Mississippi Delta and to positively impact the quality of life of those living in the Delta, especially the disproportionately poor African American community.
There is no documented official acknowledgment of the people who tilled the path to America’s greatness. Somewhere along the way buried in the tear-soaked soils of the American South, the respect and honor for their hard-earned investment was lost.
The Cotton Pickers of America Monument, Sharecroppers Interpretive Center, and Cotton Kingdom Trail make the case for building a National Park that offers a small token of appreciation for their tireless uncompensated work.
Sade Turnipseed is the founder of Khafre, Inc., which has developed the Cotton Pickers of America Monument, the Sharecroppers Interpretive Center, and the Cotton Kingdom Historical Trail, among many other projects. King Museum and Delta Interpretive Center in Indianola and the former cultural arts director for the Mississippi Action for Community Education--MACE (producers of the MS Delta Blues and Heritage Festival) in Greenville. Turnipseed is the recipient of several community service and arts advocacy awards, and she was an independent candidate for mayor of the city of Indianola in 2013.


For the past eight years Turnipseed was the host of “Delta Renaissance,” a cultural arts talk show focusing on the arts, education, and political issues in the Mississippi Delta. Winter Building Wednesday, June 18: Former Secretary of State Dick Molpus talks about his experience during the Philadelphia civil rights murders of 1964. Wednesday, July 2: Filmmaker Wilma Mosley-Clopton will show and discuss her new film, "Did Johnny Come Marching Home?" about people of African descent who fought to free themselves in the Civil War. Wednesday, September 25: Author Robert Blade will talk about his book, "Tupelo Man," a biography of George McLean.
I whole-heartedly agree with the editor that the African American community has proven to the world an uncanny, though unreciprocated, ability to be forgiving of past deeds of injustice, brutality and cruelty at the voting polls, and socially in their community service groups, churches and everyday lives.
This point should not be lost on the fact that many of those injustices happened here, in Indianola, Mississippi, to some amazingly strong and resilient individuals like Fannie Lou Hamer and all those who came before her. But, I can’t help but wonder why the White community isn’t reciprocating and showing the same confidence and trust in racial relations?As Smith indicates, the incumbent received “between 32 and 37% of the votes in the three wards with large Black majorities, despite going up against two black opponents, with strong followings.
That’s impressive for a white candidate in a city and region with a history of racially divided politics.” I agree.
When we examine the voter polls in the wards that are predominately African American, reflected is a general evenness for all candidates, be they Black or White.
The same, however, cannot be said about the two wards that reflect the primarily White community.
I submit to you the following:In wards I, and II, which are the two wards with the largest white population of voters, we see results that reflect an uncompromising resistance to acceptance and change.
With an overall total of 952 votes cast: 732 went to the White candidate and 220 for the two Blacks, combined)…check that! Surely, it cannot be left up to one segment of the community, and not the other.I truly wish Smith had stressed this very critical point, instead of throwing shade on the outcome of a campaign I have yet to wage. And for the record, as a citizen, it is my right to be afforded the opportunity to run a fair and unbiased race for mayor, without subtle suggestions that it is a waste of my time, as inferred in his editorial.
But, then again maybe he knows more than I about how citizens of wards I and II will ultimately vote. And to also trust that the leaders of this community will look out for their best interest, politically, economically and socially. After all we live in a community that is 84% African American with a poverty rate that is fast approaching 40% and a public school system that is in deplorable condition, both physically and academically, even under the watchful eye of the government, yet there is no outrage…from either the White side, or the Black side of town. And, I have never believed it was necessary to wait until political season to demonstrate my commitment to the people in my community.
If, by chance I am truly embraced by all members of all wards of this city, I believe people will witness an amazing transformation in a relatively short period of time.
It’s “almost” like magic…I predict things will begin to unfold in a substantive way like the neighborhoods will brighten, crime decreases and the impoverished mindset disappears. And I am passionate enough to find the tools to help remedy the concerns that create stagnation and distrust. Please remember, we are a people who come from a very long tradition of women who made a way out of no way.My overall ambition and hope for this city is to develop a strategic plan that enables a steady stream of culturally enriched projects that insures economic development for the future growth and safety in this city. So programs that not only engage everyone, but present real opportunities for career enhancements and social activities are critical. King Museum that I visualized and administered) Thanks Carver Randle, Sr for that wonderful quote. I just wish he read my bio, or googled me, before publishing doubts about my abilities for success. For the past three years, I have been sitting relatively quietly completing the doctorate in history. Now, I am ready to shake up this town with some bold ideas and ever increasing standards for excellence. I look forward to being a significant force in this community, by helping the White community too recognize the benefits of building relationships that they can trust in leadership positions. We MUST work together to improve our community—by encouraging EVERYONE to clean on our streets, bayou, parks, etc. We have some huge unmet challenges here in Indianola, and how YOU decide to vote On December 10, 2013, is vital to our success.
Also, please be sure to come to this year's event in your overalls, or cotton pickin' clothes. The event is the impetus that gave rise to the “Remigration Home from Chicago to Mississippi” cultural movement organized by music promoters Gus Redmond and Robert Terrell. Legendary blues and gospel performers Otis Clay, Syl Johnson and Marshal Thompson (founder and lead singer of the ChiLites); along with promoter Gus Redmond will lead the way back home to Mississippi in an effort to support the Cotton Pickers of America Monument and Sharecroppers Interpretive Center project in the historical Cotton Kingdom AKA the Mississippi Delta. Though the Ball is a “Black Tie Affair” Overalls or other “cotton pickin” attire are encouraged and expected.“I am so pleased that we have partnered with Khafre to host an event of this magnitude,” said Dr. The discussions and historical presentations will reflect cutting-edge research, innovative practices and foundational values. Additionally, two noted scholars from Mali’s Cotton Manufacturing and Distribution will present via Skype.MVSU participants in the program include Dr. John Jones, interim provost.As part of the celebration, Khafre plans to erect a permanent marker on the site in honor of cotton pickers from the Mississippi Delta and in commemoration of the significance of this historical event. This will be a day of stimulating discussion about historic preservation, leading-edge research, innovative practices, and foundational values.
The two-day event concludes with a good-old-fashion “black-tie” (or period-piece costume) “Cotton-Pickers’ Ball,” on October 18, 2013. This year Khafre, Inc in conjunction with Mississippi Valley State University shall organize the USA’s premier interdisciplinary professional meeting on cotton, sharecropping, and its cultural significance.
The deadline is September 6, 2013.Plan to join us in Itta Bena, Mississippi!This is your chance to catch up with old friends and colleagues at The Valley, make important new contacts, discuss the latest in cultural management, stay current with research findings in the historic preservation field, and connect with people who share your core values.
We invite all community-based experts in any field to become a part of the challenge to address issues of: unemployment, entrepreneurship, illiteracy, poor self-esteem, teen pregnancy, obesity, hopelessness, communication skills, journalism and creative writing, etc. Situated on the bayou waterfront at 103 and 105 Main Street, in historic downtown Indianola, da' House is the place where folks come together in the spirit of unity and love for Mississippi Delta culture, particularly its blues, spirituals and teacakes! On the historical Wall of Fame are signatures by musicians from Ghana, Senegal, Nigeria, Norway, Belguim, China, Japan, France, Cameroon, Cote d'Ivoire and Mississippi, of course.
Beginning Friday, June 1, 2012, at 7 pm, the folks at da' House will be carrying on in grand teacake style, until Sunday June 3rd, around midnight. Celebrating da love that is shared all around the world for da Delta music, art and culture. The 2nd Anniversary Celebration is dedicated to Deltas own David Honeyboy Edward, David Lee Durham, David Thompson and Mississippi Slim.
These legendary bluesmen have recently joined the ancestors and will be honored by several local artists and civic leaders: Mickey Rogers, Dr. These artists and many others will perform on da historical Front Porch stage where the legendary bluesman Sam Chatmons music room door is gracefully hinged. The door, the traditional quilts, the African art, the sweet smell of Soul Food and the Delta cotton provide a rural sophistication and ambiance that is reminicient of the culture and folk art once owned and coveted by grandmamma-nem.
Indeed, it is "The home for artful giving, music and songs," as Chicago-based Blues promoter Lynn Orman Weiss described da' House on her most recent visit to the Delta. And, since da' House is located at the epicenter of the Cotton Kingdom, visitors can expect that authentic soothing, and often times healing, Mississippi Delta experience to be dosed up in abundantly royal fashion, every time they come to da' House! Co-owners Robert Terrell and C.Sade Turnipseed extend a personal and heartfelt invitation for everyone to come on out to da House and help celebrate two-years of Delta art, music and culture.
She is also the first African-American female president to lead a Mississippi public university. Since assuming her position on January 1, 2009, she has launched The Valley Renaissance, the institutions five-year strategic plan, which is pictorially depicted by the African Adinkra symbol of a Sankofa a bird that flies with his head facingbackwards as he advances forward without getting off track.
Grammy-winning blues musician David "Honeyboy" Edwards, believed to be the oldest surviving Delta bluesman and whose roots stretched back to blues legend Robert Johnson, died early Monday, Aug. Maya Angelou agreed to graciously lend her name to the Cotton Pickers of America Monument and Sharecroppers Interpretive Center project that is in development, in the Mississippi Delta. C.Sade Turnipseed, Founder of the Monument project and Executive Director of Khafre, Inc, recently made the announcement in a community meeting held at da House of Khafre, in Indianola. Our teams collective effort honors the sacrifices made by millions of Americans and purposefully gives dignity back to the legacy of those who spent their entire lives working, tirelessly to build this country.Dr. Smith Reynolds Professor of American Studies at Wake Forest University, joins a long and growing list of American citizens, who have also expressed the desire to support this project and demonstrate their respect and gratitude to every man, woman and child that picked cotton and were never thanked, nor properly compensated as enslaved workers or as sharecroppers, throughout the American south.The Khafre, Inc team is composed of a governing Board of Directors, a Steering Committee, a Board of Advisors and several political and community leaders that include faculty members from the History Department at Middle Tennessee State University (MTSU). The governing Board selected world-renowned monument designer, Ed Dwight, to develop the thirty-foot statue and sculptural park.
It offers educational workshops, seminars and conferences for the entire community that celebrate Mississippis culture and its contributions to world history, including music, cuisine, writing, andotherartistic expressions. Turnipseed is also the host of Delta Renaissance, the number one cultural arts television talk show in the Delta, which airs weekly on WABG-TV, WABG-Radio and Delta Fox-10 television networks.Plans are also underway to incorporate the completed work into the National Parks Services, to insure prosperity and proper maintenance of the Monument. To help the Cotton Pickers of America Monument and Sharecroppers Interpretive Center be included as part of the National Parks System, please sign the online petition. To have name(s) of family members included in the Monument, download a Legacy Brick application; both petition and application are available on the Khafre, Inc.
Sato returns to the Front Porch Stage solo, on Sunday March 6th, at 6pm, to kick off the Cultural Competency workshop series.
These are on-going cultural appreciation classes presented for the first time in the Delta, by Khafre, Inc (a Mississippi-based non-profit organization).Sato, who was born and raised in Japan, will introduce to American audiences his interpretation of Mississippi Delta Blues and perform on one of his traditional instruments called a Samisen.



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