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Ita€™s late summer in Sarajveo and the blackberries alongside the mountain road are deep, glistening purple and ready to pick.
The war has effectively been over for five years, ever since the Dayton Peace Agreement was signed in 1995, and, predictably, world attention has wandered on to other crisesa€”Kosovo, East Timor, the Middle East.
Now that the festivala€™s raison da€™etre is no longer pure psychic survival, Purivatra is trying to turn it into a regional meeting ground for filmmakers and industry players from the former Yugoslavia. Another program of quite a different order also brings Serbs, Bosnians, and Croatians together for the sake of film,, and thata€™s the massively popular Childrena€™s Program.
Later in the week, we chat outside a childrena€™s workshop being conducted by his wife, choreographer and filmmaker Jo Andres.
Buscemi says, a€?Ita€™s extra meaningful for us to be here because theya€™re such good friends of ours and wea€™re really trying to support what theya€™re trying to do. In addition to his regular festival duties (film introductions, a televised discussion with Panorama curator Howard Feinstein, a party in his honor at the U.S.
By now, the festival has figured out that international guests who make their way to Bosnia and Herzegovina want to see more than just films and Absolute concoctions. As we gawk at the splendor and devastation of BiH, Sarajevans in turn get to stare at the celebrities in towna€”Buscemi, Defoe, Mike Leigh, and Bono, among others.
Admittedly, a number of these productions lose something in the translation, like Selimir Sokolovica€™s The Secret of the Mobile Phone. Many others, BiH works needed no translation, however, like the three shorts on opening night, all of which dealt with the recent war. When I ask him what he imagines his own future to be, Bakrac states, a€?Ia€™m here, even though ita€™s hard to freelance and there are no foundations to help.a€? Unlike many of his peers, he intends to stay in Sarajevo and develop projects and international coproductions through INK, a five-person film and video production group he cofounded.
I later pose the question to Purivatra, who must have constant conversations with local artists about staying versus going.
Others are glad he stayed, too, given the role that the Sarajevo Film Festival has played in the citya€™s recovery. The adventures, stories, jokes, and opinions of CouchSurfingOri as he travels the country taking photos, having fun, and crashing on couches. So last night was Mike's 4th time celebrating his 21st b-day :) I've seen him at a few clubs this week, and we've had a blast each time. Ori will show you how to quickly and easily manipulate your existing photos into eye-catching masterpieces! Everyone always asks award winning photographer, Ori Bengal how he creates such vibrant and often surreal images. How to work with models- create action poses and facial expressions that jump off the page!
How to work with available lighting, studio lights, or just a flash to create mood, depth, or just a more professional looking image!
How (and why) to work with RAW Files to save a lot of time, have more control, and get your images looking exactly the way you'd like!
This workshop is for all skill levels- beginners, intermediate, and advanced professionals are all welcome. He is a great story teller, and has a wonderful sense of humor, but, more importantly, he has an easy way of explaining where his ideas come from. If you decide to take one of Ori's workshops, or buy one of his training DVDs, I can't promise you that you will think like Ori does, but I  do know that will find new ways to do your own thinking -- you will develop a sense of looking at things more creatively.
When we got "home", Krista's neighbor Jen, was naked, Krista had just given her a bath, because this guy she was seeing, Zed, had decided he didn't want to stay in the relationship.
Wednesday- Ori had gone jogging, I didn't know what's so different about this day's jog, but he called me up and said to make sure I'm there by 6. Ori had gone to a Passover dinner with his parents and girlfriend at some of his parents' friends' place. Before showing up at his place, I stopped by OneModelPlace's world headquarters, and borrowed a 100-400mm Canon lens for my shoot. It was then off to my place to make a comp card for Jillian Brooke , which I actually made into a tutorial video on how to make comp cards. But no one dares go near them, not with the small red signs every few hundred yards warning of land mines. But while Bosnia and Herzegovina (BiH) has been bumped from the front pages, it is still a wounded nation, struggling to overcome lingering effects of war. With the Sarajevo Film Festival acting as a conduit, the Goteborg Film Festival contributed a precious 16mm camera and editing table, and this year announced a much-needed production fund for BiH filmmakers, which will award $10,000 to the winner. Ita€™s a tall order, for this kind of regional cooperation runs counter to a competing impulse towards fractionalization thata€™s splintering the regiona€™s people and resources.
Seven Disney films, from Toy Store to Lady and the Tramp to Air Bud, were seen free of charge of 3,000 ecstatically screaming children and their parents. Steve Buscemi plays a kidnapper who is going completely ballistic when the wrong man shows up with the ransom money, then he gets shot in the jaw. The couple have a long relationship with the festival organizers, whom Andres first met at a theater festival in Spain in 1989, then stayed in touch with throughout the war. Ambassadora€™s home), Buscemi agreed to do a PSA about land mines, along with Willen Defoe, star of Buscemia€™s latest directional outing, the prison drama Animal Factory. Begun when Ademir Kenovica€™s The Perfect Circle was the first feature to emerge from the wreckage, this sidebar has since showcased mainly shorts and student work, reflecting the tough reality of production in BiH. A simple scenario that was edited using two VHS decks, this video shows a young slacker with his cell phone on a street corner trying with all his might to persuade a female friend to come outside. The Abyss, for instance, was virtually a silent movie, showing the meticulous unearthing of massacred bodies in a mass grave and their identification by wailing relatives, who often have nothing more to go on then the pattern of a plaid jacket. As Buscemi observes, a€?One of the tragedies of the conflict is that a lot of good people lefta€”smart young people, who havena€™t come back.
Ori has gone on a 2 year road trip to take more pictures, meet more people, and teach his wisdom. You need to bring yourself, a notebook, a pen, your camera (although this is more of a class than your traditional workshop) and memory cards, and a Flash if you have one. This year’s theme: “Cotton Sacks and Freedom Quilt Narratives” substantiates the viability of the sweat equity investment made through labor and cultural contributions by Cotton Pickers and other Plantation Workers. Four UN peacekeepers were killed earlier in the week defusing some of these deadly calling dards left behind after the four-year siege of Sarajevoa€”the longest in modern history. A Swiss arthouse provided projectors for the festival, and more recently the Rotterdam Film Festival with the Hivos Foundation gave mobile projection equipment to take films into schools around the country. That has affected such things as the television industry; after the Dayton Accord gave Serbs control of 49% of BiHa€™s territory and a Muslim-Croat Federation 51%, the national television has split into two stations. All seemed unfazed by the subtitles, with the younger ones content to watch Disney-style mischief and mayhem erupt on the screen.
Several years ago, Andres created an emotionally powerful short film about domestic life under the siege, Black Kites, based on the diaries of one of these theater friends.
As with many foreign guests, the countrya€™s nightmare period has registered deeply with Buscemi.
Therea€™s a visit to the former front lines on the mountains overlooking the city, lead by a no-nonsense retired General, Jovan Divjak, who served as Deputy of the High Commander of the BiH Army during the siege.
Once boasting 142 theaters, BiH now has just 17 and virtually no international distributors doing business there.
So, too, does the Insert Program, a new section this year that shows short works from BiH shot on video. She blows him offa€”a€?her hair is wet,a€? but he persists, trying the same lines again and againa€”or so the subtitles would make it seem. The 26-year-old filmmaker, Adis Bakrac, got his start at age 16 as a cameraman during the war for a local TV station.
Now he is in Atlanta offering a one day workshop where he will teach the secrets to his creative workflow! Once I designed Jillian's cards, and my business cards, I drove to One Model Place to use the print shop that I used to run. The following evening, Friday November 13, the “Cotton Pickers Ball” shall be held at 7:00pm, in da’ House of Khafre, located at 300 Main Street, Indianola. And ita€™s in cultural events like the Sarajevo International Film Festival, which is trying to rebuild the countrya€™s filmmaking infrastructure at the same time as ita€™s offering local residents a pleasant night out on the town. It was sold out all the time.a€? The videos were a mix of arthouse and commercial films, and produced a number of local hits, such as Basic Instinct, which packed the theater for 20 days straight.
Now the British Council is in discussions with Purivatra about holding one of the their a€?Know Howa€? training seminars in Sarajevo, which brings in film professionals to educate local filmmakers on ways to produce and pitch work for the international market.
Network journalists now barely make a living wage, and BiHa€™s TV production has dwindled to a trickle.
In addition to tapes of dramatic series and programs, the two-day event brought in reps from TV stations in Bosnia, Croatia, Serbia, Montenegro, Romania, and Bulgaria.
But more significantly, this was the first year that the festival bused in kids from all over the BiH, including the Serbian territory Srpska, and no disturbance was created by the fact that all were squeezed together on the bleacher seats. She was surprised to learn that the arts center wea€™re now in was in fact the very building whose basement her friend hid in during those dark, dangerous years. Therea€™s lunch at a trout farm that was once a favorite haunt of Communist capos before the breakup of Yugoslavia.
So this is probably residentsa€™ one-and-only chance to see recent releases like American Beauty, Jesusa€™ Son, Topsy Turvy, and La Ciudad, as well as films now on the festival circuit, like Wong Kar Waia€™s In the Mood for Love, Lars von Triera€™s Dancer in the Dark, and Darren Aronofskya€™s Requiem for a Dream. However, the Bosnia audience was in stitches listening to his ineffectual monologue, and local jury awarded it the Kodak Prize, so it seems this charactera€™s rap just didna€™t translate.
I know that in America ita€™s not easy for Americans to get a chance to shoot a film, so imagine the difficulties of a Bosnian. However, the Bosnia audience was in stitches listening to his ineffectual monologue, andA  local jury awarded it the Kodak Prize, so it seems this charactera€™s rap just didna€™t translate.
She is talented and highly highly reliable (Rory has shown up at 6am with less than 24 hours notice- on numerous occasions!


All are encouraged to attend both events in costume attire worn in the cotton fields, such as “overalls and straw hats, etc.”The 1st Annual Historical Narrative Competition enhances this year’s Symposium.
Ethnic divisions have hardeneda€”a mindshift thata€™s evident in countless details, like the fact that no one there refers to the a€?Serbo-Croatiana€? language anymore.
Side by side, former rivals sat during a morning roundtable discussion, sharing laments of plummeting production. And therea€™s a daylong excursion to Mostar, once a€?the pearl of Bosniaa€? and now a divided and scarred city, and the nearby Blagaj, where a meditation temple for dervishes is nestled under a towering cliff from which springs an icy-col crystalline stream. No less important, the festival offers a Regional Program with features from Poland, Finland, the Czech Republic, Hungary, Russia, and Croatia. Mississippi Delta high school seniors and MVSU students will compete for a trophy and gift card provided by Khafre, Inc and Lost Pizza, Company.
One BiH editor made a plea for regional cooperation to help protect local culture from being pushed off the airwaves by inexpensive American series. He knew them from early 2004-- he couch surfed with them then when he came to Chicago to interview with Ad Agencies. All projects must be delivered to the MVSU Social Sciences office “T” by 5:00pm November 5th, (or call organizers to arrange for pick up). No one knows yet what might come out of this sidebar event, but Purivatra is hoping it might grow into something along the lines of Rotterdama€™s CineMarta€”where commissioning editors and development people meet with regional filmmakers in order to initiate cofinancing and coproduction deals.
If this year there are one hundred to two hundred children bused in from Banjaluka, I think next year theya€™ll come by themselves. Just getting these folks together in one room was the first incremental step in that direction. But inviting other people to come in, hopefully it gives them a sense of pride that people are interested.a€? With its attendance climbing every year, ita€™s clear that people are interested. And with Purivatraa€™s plans for a regional meeting ground, ita€™s possible the Sarajevo Film Festival just might turn into the pearl of southern Europe. Professor, Public Policy, MVSU; Dr Alpha Diarra, National Cotton Spokesman of Mali, West Africa.
We were at this place called G'Bani, and they had not a party as I was told, but rather a Grand Opening with some champagne and a DJ. Local storyteller Helen Sims will pay tribute to “the Spirit of Mama Lula.” Hollandale folk artist Dorothy Hoskins will showcase recent multi-media work on Cotton Pickin’ and Sharecropping in the American South.
The University is driven by its commitment to excellence in teaching, learning, service, and research--a commitment resulting in a learner-centered environment that prepares critical thinkers, exceptional communicators, and service-oriented, engaged, and productive citizens.
MVSU is fundamentally committed to positively affecting the quality of life and creating extraordinary educational opportunities for the Mississippi Delta and beyond. KHAFRE, Inc.
Ori called his mom to tell her about the Kangaroo, and when he said "Ma Nishma", I said "Me too!" And Ori cracked up, and had to remind his parents of a funny Passover story.
If someone comes out and asks what we're doing, we say 'Adventuring, of course'" , and walked into random houses with the magic key.
Honoring the legacy of  “grandmamma-nem” in a university setting gives artistic and academic license to the pursuit of gaining more scholarship and international acceptance, of the contributions and sweat equity made by the people who picked cotton throughout the American South,” said Professor C.Sade Turnipseed, Executive Director of Khafre, Inc. As part of Khafre, Inc’s historic preservation efforts, a permanent marker will be placed on the MVSU campus in honor of cotton pickers from the Mississippi Delta, and those who worked the repurposed cotton plantation for higher learning, MVSU.The Symposium is free admission. Khafre, Inc is all about building monumental programs that allow reflection, reconnection, and renewal. This year’s theme: “Cotton Sacks and Freedom Quilt Narratives” will stimulate a day of discussion about historic preservation, leading-edge research, innovative practices, and foundational values.
He turned to me with a big Ori grin, and said "Have you ever heard of this band called The Decemberists? The agency and resistance of these narratives will also reflect on the subtle and continuing impact of cotton on life in the Delta and throughout the South.
The one-day event concludes with a good old fashion “black-tie” (or period-piece costume) “Cotton-Pickers’ Ball and Ancestral Celebration” at da’ House of Khafre located at 300 Main St. Ori also brought fruit salad, and he also brought an 8-pack of Gatorade, which he had spiked with Bacardi Raz.
Julianne Malveaux; and, introduction by award-winning poet Chinaka Hodge the volume offers a balanced view of what our children face day-to-day, on the streets of America. Over two hundred years ago, the Akan Nation (West Africa) established the Adinkra Symbols to visually communicate a system of living for African people to observe and learn. Amazingly, just as with other inspired and spiritual writings, drawings, etc., the symbols are beautiful design concepts with meanings still relevant today. They bring clarity and resolve to the question, “What do we (the village) have to do to show support and love for each other and ultimately save ourselves and one another?” The experiences of today’s youth culture demonstrate a fundamental disconnect, to most people of previous generations.
The young writers selected for this publication masterfully describe the challenge in dealing with today’s world.
Because, it offers tribute to the “original” mother and her instinctual knowing of the spiritual paths that her children (all children) must take to find their way out of harm's way. Revealed, in this collection of writings are a wonderful array of short stories, poems and proverbs that present a familial insight born by the great liberator of liberators, Harriet Tubman! By Writers of the 21st Century is an affiliate of Young Publishers Network (YPN) and Khafre, Inc a 501(c)(3) organization working in the Mississippi Delta to improve the welfare and healthy living environments of children in America and around the world.### Thank You Mr.
Born in a cabin on a cotton plantation outside Berclair, Mississippi in 1925, his entire life, much like the lives of so many others from the Mississippi Delta, was spent in service to others. Unfortunately, for most of his contemporaries (colleagues, family of friends) they never received the accolades, appreciation, or respect for their life-long work as cotton-pickers in the American South.
David Matthews, MS Congressman Bennie Thompson, MS Senator Thad Cochran, National Parks Director Dr Jon Jarvis, Mr. Theodore Turnipseed, Sr., and millions of others understand the importance of sharing, and erecting a statue and National Park dedicated to the countless field workers of the American South.
Though unrecognized and unappreciated, these people worked from sun up to sun down tilling, planting, chopping, picking and spinning cotton, in the blazing hot sun … This and many other horrifying conditions of the historic Mississippi Delta evoked the music we call “the Blues.”On May 21, 2014, during the last year of his life Mr. King accepted our call to become the “Honorary Chair” of Khafre, Inc, a Mississippi-based 501(3) not-for-profit organization.
Maya Angelou as the Honorary Chair of the Cotton Pickers of America and the Sharecroppers Interpretive Center project.
The plan is to build a thirty-foot high monument on twenty acres of cotton land along Highway 61, just outside the historic Black town Mound Bayou, MS. This is a historically rare opportunity to transform many lives in the Delta and engage conversations about race and social inequities in America.
Sade Turnipseed is the Executive Director of Khafre, Inc and teaches American History at Mississippi Valley State University, in Itta Bena, the birthplace of Mr.
This year’s theme: “Cotton Sacks and Freedom Quilts Narratives” will stimulate a day of discussion about historic preservation, leading-edge research, innovative practices, and foundational values. No one has ever “officially” said “thank you” to the people in the American South, who literally tilled the way to the economic greatness for many countries and regions around the world.
Somewhere along the way the respect and honor for their hard-earned sweat-equity investment in the wealth of others was lost and buried in the bloodstained, tear-soaked soils of the American South. Something “monumental,” needs to happen…like a National Park named the “Cotton Pickers of America Monument and Sharecroppers Interpretive Center” along the Blues Highway 61. Once the Monument is installed, the organizers’ plan is to turn it over to the federal government for the protection and honor that only this country can provide. It shall serve as a permanent reminder and ever-present sign of respect for those whose hope for a brighter day wore thin, while working from kin to kain’t (can’t see in the morning to can’t see at night).The world must be reminded of the work ethic held by the people in the South…in most instances it was an honorable legacy … the tragedy is they were never properly compensated, nor thanked.
King, (aka: The King of the Blues) will join the effort to build a National Monument in the Mississippi Delta.
King understands, as do all members of the Khafre, Inc family, that a healing will come through recognition and a true recounting of the history of cotton and its impact in the South.In September, 2009, Khafre, Inc, based in Indianola, Mississippi, embarked upon a journey designed to thank the sons and daughters of the South who helped, albeit it without accolades, fanfare, or even recognition, build the cotton empire that fueled the American economy for nearly two centuries. The impetus for the project: Cotton Pickers of America and Sharecroppers Interpretative Center (hereafter referred to as the Cotton Pickers Monument Complex) is the need to thank those who toiled in the Delta soil for generations without the pay, appreciation, or the dignity they deserved. The Cotton Pickers Monument Complex would not only help heal wounds that have festered for decades, but would also help to empower the generations of family members who have been negatively impacted by this unfortunate era in American history.
This is truly a historic endeavor that has the rare opportunity of actually transforming lives, communities, and the conversations about race in America and throughout the world.           These deeply held convictions of education and empowerment are keys to improving the quality of life for all within the Delta. They have helped to catapult Khafre into numerous projects, which are all connected to the vision and mission of this value-driven and movement-oriented organization that is designed to provide historical, health related, and cultural education and outreach to the communities of the Mississippi Delta. Khafre has already helped young people successfully publish literature, prepare for careers in the television and radio broadcast industry, produce staged events and engage in healthy behaviors through diet and exercise, all with the assistance of grant dollars and strategic partnerships.The crowning work of Khafre remains the Cotton Pickers Monument Complex, a dream, which is coming closer to fruition, day by day, because of the unprecedented support of Mr. We have also received Congressional acknowledgment and endorsement from United States Congressmen, Bennie Thompson and Danny Davis, official endorsements from United States Senators, Thad Cochran and Roger Wicker, and expressed support from Dr John Jarvis, National Parks Director. Carroll Van West and Rebecca Conard from Middle Tennessee State University’s History Department, along with the ongoing partnership with Mississippi Valley State University, has proven a significant benefit to our overall project. We are now ready to raise the $26 million dollars to make the Cotton Pickers Monument complex a reality.
We look forward to hearing from you and to welcoming your partnership in the building of this long overdue and much needed monument.It is time!Most sincerely,C.
The goal is to obtain as much first-hand information as possible relating to the development of America’s Cotton Kingdom (aka the Delta).In the aftermaths of completing the academic study for a Doctorate in Public History at Middle Tennessee State University (MTSU), Professor C.
Turnipseed’s theory that perceptions of sharecropping, tenant farming, etc, will be altered in ways that are beneficial to the legacy of the American South when the memory of elders are shared. The monument site is envisioned to become a National Park; and thereby “the place” for memory and community sharing in the Mississippi Delta, for educational, economic development, and international tourism purposes. King and former honorary chair Dr Maya Angelou who are determined to improve the legacy and social-economic status of Mississippi Delta residents. The purpose of the organization is to provide educational, lifestyle and cultural programs, build monuments and memorials to honor, celebrate, and recognize the rich and complex history of the Mississippi Delta and to positively impact the quality of life of those living in the Delta, especially the disproportionately poor African American community. There is no documented official acknowledgment of the people who tilled the path to America’s greatness. Somewhere along the way buried in the tear-soaked soils of the American South, the respect and honor for their hard-earned investment was lost.


The Cotton Pickers of America Monument, Sharecroppers Interpretive Center, and Cotton Kingdom Trail make the case for building a National Park that offers a small token of appreciation for their tireless uncompensated work. Sade Turnipseed is the founder of Khafre, Inc., which has developed the Cotton Pickers of America Monument, the Sharecroppers Interpretive Center, and the Cotton Kingdom Historical Trail, among many other projects. King Museum and Delta Interpretive Center in Indianola and the former cultural arts director for the Mississippi Action for Community Education--MACE (producers of the MS Delta Blues and Heritage Festival) in Greenville.
Turnipseed is the recipient of several community service and arts advocacy awards, and she was an independent candidate for mayor of the city of Indianola in 2013.
For the past eight years Turnipseed was the host of “Delta Renaissance,” a cultural arts talk show focusing on the arts, education, and political issues in the Mississippi Delta. Winter Building Wednesday, June 18: Former Secretary of State Dick Molpus talks about his experience during the Philadelphia civil rights murders of 1964.
Wednesday, July 2: Filmmaker Wilma Mosley-Clopton will show and discuss her new film, "Did Johnny Come Marching Home?" about people of African descent who fought to free themselves in the Civil War.
Wednesday, September 25: Author Robert Blade will talk about his book, "Tupelo Man," a biography of George McLean. I whole-heartedly agree with the editor that the African American community has proven to the world an uncanny, though unreciprocated, ability to be forgiving of past deeds of injustice, brutality and cruelty at the voting polls, and socially in their community service groups, churches and everyday lives.
This point should not be lost on the fact that many of those injustices happened here, in Indianola, Mississippi, to some amazingly strong and resilient individuals like Fannie Lou Hamer and all those who came before her. But, I can’t help but wonder why the White community isn’t reciprocating and showing the same confidence and trust in racial relations?As Smith indicates, the incumbent received “between 32 and 37% of the votes in the three wards with large Black majorities, despite going up against two black opponents, with strong followings. That’s impressive for a white candidate in a city and region with a history of racially divided politics.” I agree. When we examine the voter polls in the wards that are predominately African American, reflected is a general evenness for all candidates, be they Black or White.
The same, however, cannot be said about the two wards that reflect the primarily White community. I submit to you the following:In wards I, and II, which are the two wards with the largest white population of voters, we see results that reflect an uncompromising resistance to acceptance and change. With an overall total of 952 votes cast: 732 went to the White candidate and 220 for the two Blacks, combined)…check that! Surely, it cannot be left up to one segment of the community, and not the other.I truly wish Smith had stressed this very critical point, instead of throwing shade on the outcome of a campaign I have yet to wage.
And for the record, as a citizen, it is my right to be afforded the opportunity to run a fair and unbiased race for mayor, without subtle suggestions that it is a waste of my time, as inferred in his editorial.
But, then again maybe he knows more than I about how citizens of wards I and II will ultimately vote.
And to also trust that the leaders of this community will look out for their best interest, politically, economically and socially. After all we live in a community that is 84% African American with a poverty rate that is fast approaching 40% and a public school system that is in deplorable condition, both physically and academically, even under the watchful eye of the government, yet there is no outrage…from either the White side, or the Black side of town. And, I have never believed it was necessary to wait until political season to demonstrate my commitment to the people in my community.
If, by chance I am truly embraced by all members of all wards of this city, I believe people will witness an amazing transformation in a relatively short period of time.
It’s “almost” like magic…I predict things will begin to unfold in a substantive way like the neighborhoods will brighten, crime decreases and the impoverished mindset disappears.
And I am passionate enough to find the tools to help remedy the concerns that create stagnation and distrust. Please remember, we are a people who come from a very long tradition of women who made a way out of no way.My overall ambition and hope for this city is to develop a strategic plan that enables a steady stream of culturally enriched projects that insures economic development for the future growth and safety in this city. So programs that not only engage everyone, but present real opportunities for career enhancements and social activities are critical. King Museum that I visualized and administered) Thanks Carver Randle, Sr for that wonderful quote. I just wish he read my bio, or googled me, before publishing doubts about my abilities for success. For the past three years, I have been sitting relatively quietly completing the doctorate in history. Now, I am ready to shake up this town with some bold ideas and ever increasing standards for excellence. I look forward to being a significant force in this community, by helping the White community too recognize the benefits of building relationships that they can trust in leadership positions.
We MUST work together to improve our community—by encouraging EVERYONE to clean on our streets, bayou, parks, etc. We have some huge unmet challenges here in Indianola, and how YOU decide to vote On December 10, 2013, is vital to our success. Also, please be sure to come to this year's event in your overalls, or cotton pickin' clothes. The event is the impetus that gave rise to the “Remigration Home from Chicago to Mississippi” cultural movement organized by music promoters Gus Redmond and Robert Terrell. Legendary blues and gospel performers Otis Clay, Syl Johnson and Marshal Thompson (founder and lead singer of the ChiLites); along with promoter Gus Redmond will lead the way back home to Mississippi in an effort to support the Cotton Pickers of America Monument and Sharecroppers Interpretive Center project in the historical Cotton Kingdom AKA the Mississippi Delta.
Though the Ball is a “Black Tie Affair” Overalls or other “cotton pickin” attire are encouraged and expected.“I am so pleased that we have partnered with Khafre to host an event of this magnitude,” said Dr. The discussions and historical presentations will reflect cutting-edge research, innovative practices and foundational values. Additionally, two noted scholars from Mali’s Cotton Manufacturing and Distribution will present via Skype.MVSU participants in the program include Dr. John Jones, interim provost.As part of the celebration, Khafre plans to erect a permanent marker on the site in honor of cotton pickers from the Mississippi Delta and in commemoration of the significance of this historical event. This will be a day of stimulating discussion about historic preservation, leading-edge research, innovative practices, and foundational values. The two-day event concludes with a good-old-fashion “black-tie” (or period-piece costume) “Cotton-Pickers’ Ball,” on October 18, 2013. This year Khafre, Inc in conjunction with Mississippi Valley State University shall organize the USA’s premier interdisciplinary professional meeting on cotton, sharecropping, and its cultural significance. The deadline is September 6, 2013.Plan to join us in Itta Bena, Mississippi!This is your chance to catch up with old friends and colleagues at The Valley, make important new contacts, discuss the latest in cultural management, stay current with research findings in the historic preservation field, and connect with people who share your core values.
We invite all community-based experts in any field to become a part of the challenge to address issues of: unemployment, entrepreneurship, illiteracy, poor self-esteem, teen pregnancy, obesity, hopelessness, communication skills, journalism and creative writing, etc. Situated on the bayou waterfront at 103 and 105 Main Street, in historic downtown Indianola, da' House is the place where folks come together in the spirit of unity and love for Mississippi Delta culture, particularly its blues, spirituals and teacakes! On the historical Wall of Fame are signatures by musicians from Ghana, Senegal, Nigeria, Norway, Belguim, China, Japan, France, Cameroon, Cote d'Ivoire and Mississippi, of course.
Beginning Friday, June 1, 2012, at 7 pm, the folks at da' House will be carrying on in grand teacake style, until Sunday June 3rd, around midnight. Celebrating da love that is shared all around the world for da Delta music, art and culture. The 2nd Anniversary Celebration is dedicated to Deltas own David Honeyboy Edward, David Lee Durham, David Thompson and Mississippi Slim.
These legendary bluesmen have recently joined the ancestors and will be honored by several local artists and civic leaders: Mickey Rogers, Dr.
These artists and many others will perform on da historical Front Porch stage where the legendary bluesman Sam Chatmons music room door is gracefully hinged.
The door, the traditional quilts, the African art, the sweet smell of Soul Food and the Delta cotton provide a rural sophistication and ambiance that is reminicient of the culture and folk art once owned and coveted by grandmamma-nem. Indeed, it is "The home for artful giving, music and songs," as Chicago-based Blues promoter Lynn Orman Weiss described da' House on her most recent visit to the Delta. And, since da' House is located at the epicenter of the Cotton Kingdom, visitors can expect that authentic soothing, and often times healing, Mississippi Delta experience to be dosed up in abundantly royal fashion, every time they come to da' House! Co-owners Robert Terrell and C.Sade Turnipseed extend a personal and heartfelt invitation for everyone to come on out to da House and help celebrate two-years of Delta art, music and culture.
She is also the first African-American female president to lead a Mississippi public university. Since assuming her position on January 1, 2009, she has launched The Valley Renaissance, the institutions five-year strategic plan, which is pictorially depicted by the African Adinkra symbol of a Sankofa a bird that flies with his head facingbackwards as he advances forward without getting off track. Grammy-winning blues musician David "Honeyboy" Edwards, believed to be the oldest surviving Delta bluesman and whose roots stretched back to blues legend Robert Johnson, died early Monday, Aug. Maya Angelou agreed to graciously lend her name to the Cotton Pickers of America Monument and Sharecroppers Interpretive Center project that is in development, in the Mississippi Delta.
C.Sade Turnipseed, Founder of the Monument project and Executive Director of Khafre, Inc, recently made the announcement in a community meeting held at da House of Khafre, in Indianola.
Our teams collective effort honors the sacrifices made by millions of Americans and purposefully gives dignity back to the legacy of those who spent their entire lives working, tirelessly to build this country.Dr.
Smith Reynolds Professor of American Studies at Wake Forest University, joins a long and growing list of American citizens, who have also expressed the desire to support this project and demonstrate their respect and gratitude to every man, woman and child that picked cotton and were never thanked, nor properly compensated as enslaved workers or as sharecroppers, throughout the American south.The Khafre, Inc team is composed of a governing Board of Directors, a Steering Committee, a Board of Advisors and several political and community leaders that include faculty members from the History Department at Middle Tennessee State University (MTSU). The governing Board selected world-renowned monument designer, Ed Dwight, to develop the thirty-foot statue and sculptural park.
It offers educational workshops, seminars and conferences for the entire community that celebrate Mississippis culture and its contributions to world history, including music, cuisine, writing, andotherartistic expressions. Turnipseed is also the host of Delta Renaissance, the number one cultural arts television talk show in the Delta, which airs weekly on WABG-TV, WABG-Radio and Delta Fox-10 television networks.Plans are also underway to incorporate the completed work into the National Parks Services, to insure prosperity and proper maintenance of the Monument. To help the Cotton Pickers of America Monument and Sharecroppers Interpretive Center be included as part of the National Parks System, please sign the online petition.
To have name(s) of family members included in the Monument, download a Legacy Brick application; both petition and application are available on the Khafre, Inc. Sato returns to the Front Porch Stage solo, on Sunday March 6th, at 6pm, to kick off the Cultural Competency workshop series. These are on-going cultural appreciation classes presented for the first time in the Delta, by Khafre, Inc (a Mississippi-based non-profit organization).Sato, who was born and raised in Japan, will introduce to American audiences his interpretation of Mississippi Delta Blues and perform on one of his traditional instruments called a Samisen.




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