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The answer is they all produced scenes of office work or teaching being played out in the open air. Built to protect the country from enemies that never came, these concrete structures are a truly ubiquitous presence in the country's landscape, which Dobrucka was compelled to document. Now, with a recent bill passed by the Albanian government which allows for the bunkers' full destruction, the country is actively erasing its past, and Dobrucka's survey might be the last record of many of these bunkers. Two 45A° symmetrical slopes establish a triangular quadrant, relieving the whole block from the building's compactness. His designs engage a legacy of form and technology, and ask to be used rather than observed. These examples are from the research benchmarks collected for a project entitled The Outdoor Office by American studio Jonathan Olivares Design Research, being exhibited at The Art Institute of Chicago until 15 July 2012.
As a result, a central void appears, where the dwellers can share a continually illuminated unique space.
In the back a€” its most sculptural side a€”, it allows the existing road to remain where it always was. She lived in the Land of the Rising Sun until her teenage years, absorbing its minimalist, linear and simple forms. As the light hits one side in the morning, the opposite side will benefit from it in the afternoon.
In the front, it organizes a parapet for the bus stop, sheltering from the rain, while silently offering its main faA§ade to shops and services.
Olivaresa€™ work has been published internationally, granted several design awardsa€”including Italya€™s Compasso d'Oroa€”and supported by the Graham Foundation for Advanced Studies in the Fine Arts through two grants. Nada then crossed the world to study interior architecture at the Rhode Island School of Design in Providence, the United States, a crucial experience for her understanding and reinterpretation of the concept of form and function, she says. The designer was fascinated by the American pragmatism, which she embraced and transferred to her first designs a€” with such excellent results that she was able to escape a degree in economics imposed on her by her family.
In the intervals where the building does not fit, it consciously manipulates and presents the demands and desires of the future Liestal urbanite: as a self-fulfilling prophecy. Nada packed her bags again, arrived in the United Kingdom, became a mother, and in 2000 founded both the East and East company and the brand that bears her name, before deciding to return to Beirut where she now lives and works after 40 years of absence.
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