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In this series on Tim Killen’s ebook, Google SketchUp Guide for Woodworkers, I am going through each chapter in an effort to discover tips to greater happiness with this complex and really amazing program (amazing because it is free).
In previous posts I have covered the basic steps of getting started (chapters one through five, click here) as well as building a model (chapters six and seven, click here). While there are many different methods of joinery available to the woodworker, Tim Killen focuses on just two: the mortise and tenon joint and the dovetail joint. For me, the best tip from this chapter is how you can copy and move just part of a component. After creating layout lines with the tape measure tool, I extrude one of two tenons needed for the apron (click the image to enlarge). Next, choose the move tool; hold down the control key (which makes a copy) and move a copy of the tenon to the right of the apron. Using the Flip Along command, I rotate the tenon and move it to the opposite end of the apron.
In this chapter Tim takes us through the process of making what he calls a "Chamfered Post Table" which is basically a small side table. I have always wanted to be a master at the dovetail joint; maybe someday I'll master it with real wood. There are 63 steps needed to complete this model which took me about six hours spread over several evenings.
At the conclusion of chapter nine, Tim lists accomplishments gained from completing this model: pinned mortise and tenon joints, dovetails, chamfers, bevels, breadboard details, drawer design and construction.
I used the Follow Me Tool extensively while drawing a concept for an architectural bookcase. As with the rest of Tim Killen's e-book on SketchUp, I learned a great deal as I progressed through these three chapters.
Google SketchUp Guide for Woodworkers by Tim Killen is available for download in e-book format at Fine Woodworking by clicking here. Unlike the guilds of medieval times that jealously guarded the secrets of their craft, the St.
In this era of instant gratification driven by touch-screen apps that define today’s IT age, the simple joys of getting into the feel of wood in unhurried projects are explained by guild president Bob Busfield: “There is a real sense of self gratification and accomplishment when you complete a project and you know what went into it. When the 1868-era Lighthouse Keeper’s Cottage was moved onto the grounds of the Lake Pontchartrain Basin Maritime Museum, members of the guild rallied for needed repairs to restore this historic structure.
Fulfilling their purpose, “Education and inspiration in the art of woodworking,” the guild has for several years offered projects for the Boys and Girls Club in Covington. This marks the guild’s 24th year at the Madisonville Wooden Boat Festival, its most significant activity. Preparation for the festival starts in early April when guild members cut a pallet load of lumber into blanks for boat hulls and cut and sand them. Seeing the big smiles and pride of accomplishment as each child leaves with his or her creation is a particular joy for both guild members and for proud parents. This past year, the guild completed the Artisan Series dealing with the use and techniques of basic hand tools to make all sorts of projects.
Membership in the guild is open to all who are interested in learning and sharing woodworking skills.
For months, 100 woodworkers from all over Arizona immersed themselves in building custom hand-crafted decorative boxes for entry into our woodworking contest.
You’re sure to be overwhelmed by the variety of interpretations, attention to the finest details, choices of designs, and skillful uses of woods that each participant put effort into. Description: Our demonstrator Joe will give you some straight forward tips and advice on making your bandsaw perform the way you want it to when it comes to resawing and curve cutting.
Description: Come see how simple and magnificent it is to create beautiful carvings using a drawing, a photograph, or a snapshot from your camera phone. WOODWORKER'S JOURNAL is designed for all woodworkers (from hobbyists to professionals) looking for new project ideas, woodworking techniques and shop jigs and tips that will enhance their time in the shop. After your subscription order is placed we will process the order immediately and send it to the publisher for scheduling.
In this post I’ll cover chapters eight through ten, and hopefully wrap it up in my next post. Tim does not directly say this, but it is implied that learning the steps for drawing these joints will give you the knowledge necessary to form a variety of other joints. For example, form a tenon on one end of an apron, select the tenon, copy it and place it on the other end of the apron. After very careful layout, you can copy the first tail of a dovetail joint and simply move the copy down to the next location. This model is a reproduction of an 18th century piece found in the pages of Furniture Treasury by Wallace Nutting. Tim had a unique way of drawing the chamfer in place and then rotating a copy of the chamfer for each subsequent edge. This also means extra work creating the matching mortise; then adding the pegs brings further challenges.
The process is taught in chapter eight, and then comes into play in a big way with this model. I took it upon myself to add the photo realistic textures which were not part of the assignment - I guess showing off a little bit. This was a good exercise; I did many things with this assignment which I have never done before.
For me, many of these tools are already familiar, but I could certainly stand more instruction. The exercises have challenged me in a number of ways giving me a deeper understanding of this program. Tim discusses using scanned images to create models and begins teaching advanced techniques using a Windsor chair as a teaching tool.
Tammany Woodworker’s Guild is all about sharing—among fellow members, through community initiatives and by engaging youngsters with their love of artistry in shaping wood.
As soon as gates open at the festival, lines of eager youngsters begin forming around the guild’s Kid’s Boat Shop. Members also “manufacture” numerous parts (cabins, seats, cannons, rudders, and many more) from other wood supplies. Amazingly, for the past several years, second-generation “boat builders” are being brought by parents who were kid “boat builders” and are now eager for their young children to experience the thrill of making their own boats!
Tammany Woodworker’s Guild are devoted to demonstrations of woodworking skills and methods by members. Plans for the coming year will focus more on the use of power tools and machinery in projects.
Tammany Woodworker’s Guild develop their unique style, progressing at their own levels of skill and knowledge, focusing their talents on specific techniques for individual artisan pieces or for working together on community projects.
The only constraints to the project were that it must have a lid, and it must be no larger than 16″. The Oliver Intellicarve does it all very simply, allowing you to add carvings to box lids, cabinet doors, and furniture parts. Estimated delivery times vary depending on the magazine publisher and the frequency of the subscription. Note also the beveled edge drawer bottom and the drawer knob - both part of the assignment. Immediately "Mastering the Follow Me Tool" got my attention since this tool has been the source of some yelling and screaming on my part. I later learned how to turn the various segments along a run of molding into individual components. This tool can be used in a number of ways and for me at least, the Scale Tool takes the most concentration to fully understand. Tammany Woodworker’s Guild generously working many volunteer hours, the kitchen floor and the cypress wall in the living room were repaired and the bathroom floor was replaced.
Many of these young boys and girls have never held a hammer, so nailing pieces together for the first time is a real learning experience.
Inside their tent, guild members are ready, with pieces and parts organized for selection and assembly by budding nautical designers to create their treasures of wood-crafted boats. From such varied projects as the making of one-of-a-kind wooden toys designed for several generations to treasure, or finessing the intricacies of crafting furniture in artisan designs from reclaimed or sustainable materials, members learn from one another, sharing expertise while discussing nuances of the techniques, the challenges and the rewards of working with wood.
Always at their fingertips for their creations are Louisiana’s exquisite native woods—pine, cypress, oak, magnolia, persimmon and more—for turning, for shaping, for polishing to a luster as treasures to be enjoyed by generations ahead. This is a free demonstration with a factory trained representative to answer all your questions. Tim includes in this assignment many mortise and tenon joints as well as dovetails at every corner of the drawer. Past projects have included blue-bird boxes, flower planters and step stools, and each child takes his or her assembled item home as a useful keepsake to enjoy.
While this is a small table, it is big on joinery making this model challenging to execute.
Understanding the Follow Me Tool is invaluable for anyone who includes moldings in their models. According to retired attorney Walter Babst, a guild charter member, “It’s always fun to be together, which goes beyond the pleasure of meeting with people of a similar interest. You do have to build your knowledge base and skill level, and that can be done through instructional books, videos and the experience of other woodworkers. Busfield says, “We have built as many as 1,400 boats for children in the two days of the festival. As you become more experienced, build your tools and equipment as needed.” He adds, “We would love to get some younger folks involved.
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