Number 4 vedic numerology books

The AUMega Music Revolution uses the number harmonics of the Sierpinski triangle sum row values (like 8Hz and 256Hz), and the Sierpinski pentahedron numbers (also the golden ratio numbers evident in the DNA) a€” on all levels of musical mastering.
Thereby, self-embedded self similarity that is binomially recursive, in harmonic series, is the underlying unifying operator, enabling a new effect in music, and a greater density of instruments concurrently, and in harmony with each other. We also use these harmonic numbers in every component of mastering, whilst 8Hz is set in most of the instruments and drums in numerous ways.
The Sierpinski Triangle is considered to be one of the best examples of self-embedded reciprocal order and fractal form. Random number generator studies were surprised to find the Sierpinski triangle appearing from random numbers. Numerous forms of the Manugala Yantra are clear examples of archaic Sierpinski and Pascal triangles.
The Father of all Yantraa€™s is the Sri Yantra, which itself is composed as a hyper-Sierpinski of 9 interlocked Sierpinski triangles. In its 3-dimensional form it is called the Meru Prastara, and which is a Sierpinski octahedron, or Sierpinski Pyramid, time measuring geometries found in the 11,000 years old archeology of the Sarasvati River valley culture (Pakistan, and Rajastan).

Both Meru Prastara and the Sri Yantra are nominated as the AUMkara, or universal Heart-Mind Computer, described in the Sri-Mad Bhagavataum Visnu Purana (one of the literature bodies of the 5th Veda, one of 36 books that accompany the 4 prime Vedas, to comprise the complete body of 40 Veda books). First 8 spheres, forming into an 8 Petal Lotus, itself surrounded by a 16 petal lotus (following Sierpinski manifold: 2-4-8-16-), and then the 27 lines of the 9 Sierpinski interlocking triangles completing the 44 micro-triangular array. As the ancients ascribed to the Sri Yantra the AUMkara, described to be the universal ordering machine, or universal computer of a€?Silent Sounda€™ AUMNADA, modern science has rediscovered the sonic wave form shape of AUM in sonic media.
Thus, the Buddhaa€™s are sphere harmonics, or compositions of coherent sounds, reciprocal to the DNAa€™s helical 36A° coiling, and the coherent fractal nature of the universe.
In the above analysis, the grid constructing the Buddha-Kaya is formed upon the golden triangle (72A°), and the pentagon (whose cascade is 36A°). Thereby, the DNAa€™s 72A° of double helical twist per base pair of 4 coding nucleotides, is encoded. Our seminars present in-depth keynote multimedia animations of these principles in an utterly unique and novel manner. The underlying fundamental particle hypergeometry in light of the novel new science called hadronic mechanics and its hyperelativity are explored in our web book The All-One Hadron Materia (AOHM).

Forms of the Manugala Yantra, a sub Yantra a€?devicea€? of the AUM Meru Yantra, archaic Pascal & Sierpinski triangles. In the proto-Vedic super culture of the Sarasvati Valley (some 11,000 years in antiquity, according to the New Delhi museum), one finds the geometry of Sierpinski both in Yantra form and in pyramidal fire alter chronomonitors (Agnihotr). The Buddha-Kaya, or a€?Buddha Bodya€? is clearly defined as one of harmonic sound, based on both the golden section AND the 9 Sierpinski triangles interlocking overlay.A  Holds secrets of AUMega-OMega 432Hz Music Tuning. Seven 72A° golden triangles chart the golden spiral whose transience is so coherent as to have infinite recursion: forever. The Sri Yantra AUMkara sonic signature produced by the trinal sounding of a€?A-U-Ma€?, as recorded by Dr Lawrence Blair, is composed of 9 interlocking Sierpinski Triangles. The Sierpinski triangle and Sierpinski pentahedron are the foundation of AUMega Music, and are the organisational geometry of the universe.

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