Psychic tv forum

About us Acerca de Nosotros Not registered yet? Recorded on 6th November 1983, this is the complete, mostly unheard document of Psychic TV’s first ever show as a full live band, after their appearance at The Final Academy, with William S. Dark Entries Editions is venturing into new waters with a remix EP of Psychic TV’s classic Acid House song “Alien Be-In”.
Formed in 1981 by multimedia provocateurs Genesis P-Orridge and Peter “Sleazy” Christopherson, the founding members of the influential British industrial performance group Throbbing Gristle created a platform for expression unlike any other before or since. Our editorial team strives to reveal Richmond's true identity through unflinching journalism, incisive writing, thoughtful criticism, arresting photography and sophisticated presentation.
Psychic TV was formed by Genesis P-Orridge and Peter Christopherson after the breakup of Throbbing Gristle in 1981. The 12” is housed in a mind-alerting, metallic silver die-cut sleeve and a neon green label that pops through, featuring the psychic skull transformed into an alien cone head label all designed by Eloise Leigh.

First and foremost, Psychic TV isn’t a band — it’s a constantly evolving cultural endeavor. Originally issued on vinyl only in 1989 (in an edition of 5000 copies), rare tapes have been found to expand to a full double CD set, with updated sleeve notes and never before seen photos. That first edition sold out immediately and has not been available in any form for 12 years. After various line up changes, the band shifted direction to dance oriented songs influenced by the Acid House scene in America. Each copy includes a 2-sided 11×11 square insert with black and white photo of the band from 1988 and liner notes by Fred Giannelli.
Throughout the collective’s combative history, P-Orridge and his revolving cast of co-conspirators have pushed the boundaries of perception in music, philosophy and sexual identity.
The classic PTV line-up: Genesis P-Orridge, Alex Fergusson, John Gosling, Peter Christopherson, and Geff Rushton.

By 1988 experimental electronic musician Fred Giannelli, of Turning Shrines, joined the band and over the next 2 years started to record songs for “Toward The Infinite Beat”.
The 2011 biography “The Ballad of Genesis and Lady Jaye” chronicles P-Orridge and late lover Lady Jaye’s desire to merge their identities through plastic surgery. The album was a mix of deep, multilayered tracks full of bright and hypnotic dance numbers, providing the soundtrack to the rave culture that sprung up in the UK in the 90s. Live, it creates a tribal tapestry of premeditated and improvisational sensory subversions built on bringing intensity to the moment.

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