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The Harry Potter series is full of excellent cinematography, but which shots stand out the most? In a film series packed to the brim with content, it’s the simpler scenes in the Harry Potter series that have always interested me the most.
The third installment in the Harry Potter series is the first in which we really got a sense of just how big the Hogwarts grounds really were. When the first-half of the last installment in the Harry Potter series came out, people couldn’t stop talking about the surprisingly haunting but absolutely beautiful animated sequence.
Led by director Ben Hibon, London-based visual effects studio Framestore provided the animated sequence for the film.
In this infamous scene from the Half-Blood Prince, Gryffindor Katie Bell is cursed when her hand accidentally grazes a tampered-with necklace sent to kill Dumbledore.
This image of Katie sprawled out in the sky while the other characters watch in horror is a terrifying one, but it’s really her red sweater contrasted against the white snow that makes this shot so incredible. Like I said earlier, I’m a sucker for landscapes, so naturally, I chose this shot from the very beginning of the Order of the Phoenix. Even before I began my research for this feature, I knew I wanted to include this shot from the fourth installment in the Harry Potter series.
In this shot, the camera pushes in through the tall grass to land on a seemingly insignificant object -– an old boot, recreating the chapter image by Mary GrandPre from the book. Say what you will about the sixth installment in the Harry Potter series, but it’s a damn good-looking movie, and this shot is a perfect example of that. The most impressive decision within this shot is one that was made for the entire film, and one that makes this installment the most easily recognizable at first glance.
These are my seven most magical shots in the Harry Potter series, but I want to hear yours. The trailer does a lot to up the excitement factor, playing on our existing knowledge of the classic story, and teasing the arrival of Emma Watson’s Belle (damn you Disney, you know what we want!). It opens with the castle (very Hogwarts-looking, no?), as we see iconic imagery from the Disney movie. Adventures of Supergirl #9 gives us our first look at Facet but inspires more questions than gives answers. Adventures of Supergirl #9 keeps its creative team and picks up where the previous issue left off, with Kara and Alex underground and facing off against bots from Fort Rozz.
A good portion of this issue is action, as Kara and Alex fight the Fort Rozz robots and Kara faces off against Facet. As with the previous issue, we see a fair amount of Kryptonian as the Fort Rozz robots and Facet speak.
Reading Adventures of Supergirl every other week is like catching up with a good friend you only see every now and then — especially now that Supergirl is on break for the summer.
SNL kicked off its season finale with a bang using Kate McKinnon and Larry David as Hillary Clinton and Bernie Sanders.
Fred Armisen’s opening monologue was also one of the best opening monologues of the season. The first sketch of the night featured a couple of breaks of character as Cecily Strong, Fred Armisen and Kyle Mooney played Native American explorers who take things a little bit too far.

To the delight of the audience, SNL brought back a Digital Sketch with none other than Andy Samberg himself. Maya Rudolph, who has an upcoming variety show with Martin Short, stopped by Weekend Update to play the recent ousted President of Brazil.
With a total of four directors and six cinematographers, each film presents its own unique cinematic style. It’s a very dark scene, with the sun obscured by clouds in the overcast sky, but what makes this shot so interesting are the vibrant shocks of red found in the vegetation in the foreground. In this shot, we see the brothers as they magically summon a bridge, which grows beneath them like vines, connecting on the other side.
One of the more haunting scenes in the book, director David Yates and cinematographer Bruno Delbonnel very effectively recreated this scene for the screen. As well, the decision to show Katie and the other character in full frame, rather than only cutting back and forth between them, makes for a much more interesting shot.
Much of what makes this shot so interesting is the location, which looks as though it belongs somewhere in the American mid-west rather than in Little Whinging, Surrey. It is the ability to show us something we haven’t seen before, or something we have seen, but in a new way. In this shot, we find Keeper, Oliver Wood, sprawled out on the Quidditch pitch after being hit by a bludger.
The shock of Gryffindor crimson against the pale sand, coupled with a one-point perspective that would make Stanley Kubrick proud. The composition is fantastic, to the garden fork poking out of the dirt on the left, to the arrangement of characters on the right, and, of course, to the shot’s focal point, the giant, dead Acromantula, smack-dab in the center of the frame, the composition really serves to elevate this strange, sad scene. The decision to color the film using mostly tans and browns, while allowing certain colors, such as red and green, to really pop. We hear the voices of Ian McKellen and Ewan McGregor (Cogsworth and Lumiere), see the portrait of the prince, and finally, the rose — and Belle, barely visible, watching it in nervous anticipation.
They reach the surface, mostly still in tact, and Kara says they should go speak to Alura, so I assume she’s going to speak to the Alura AI at the DEO. However, Facet also speaks a language that Kara didn’t recognize that was represented by squiggly lines. This new villain tying into the life of Alura makes a lot of sense considering the television series spent quite a lot of time exploring the consequences of Alura’s actions on Krypton.
I look forward to seeing where the story goes from here and finding out just who Facet is and why she’s taken such an interest in Kara.
In what was maybe the best cold open of the season, Hillary and Bernie bickered back and forth about Hillary’s insurmountable delegate lead in the Democratic primary race. Fred performed a part of his fictional one-man show, and exaggerated just about every single thing you could imagine.
Maya can do no wrong, and this sketch was yet another example of her many hilarious accents. Regine and her boyfriend played by SNL alum Jason Sudeikis are outlandish, rude and inconsiderate: the perfect recipe for tons of character breaks.
Famous for films such as Children of Men and Gravity, Cuaron brought a cinematic style to the film series that hadn’t been explored in the previous films.

Without this detail, the shot would still serve its purpose, but with it, is elevated to a whole other level. The use of layers in this shot, as well as selective focus is really what makes it so breathtaking, not to mention the silhouetted aesthetic that can be found within the entire sequence.
No longer were we starting our journey at 4 Privet Drive, but on the way to the Quidditch World Cup. With the sun coming up over the horizon, the characters, ground, and grass are all silhouetted against it, creating a striking image that would look right at home in a film playing at your local independent theater. If it looks to you like any of this was an accident, director David Yates and cinematographer Bruno Delbonnel have done their jobs. This, mixed with the soft-focus used throughout Half-Blood Prince gives this shot, and the film, a very paint-like quality. It looks like it still has all its petals, so we’d guess that this might be the first time she sees it. The mystery that Kara hates has come around to not only encompass Facet but also her mother, which frustrates Kara to no end. While we know there won’t be anything too serious happening to our main characters since the comic ties into the television series, the action sequences were still quite engaging, particularly in terms of the art. As her daughter, Kara has had to face many who held grudges against Alura for sentencing them to Fort Rozz so thematically, this issue of Adventures of Supergirl ties in nicely with the series in that way. The sketch was particularly enjoyable as the two of them danced through the halls of Studio 8H before throwing to the credits with the entire cast. The monologue was not only hilarious but one of the most unique monologues ever given on SNL. Details around casting usually happens throughout the summer months as the show gears up for its fall premiere. In fact, I had about 14 possible shots from this film that could all rightfully be included on this list. Framestore set out to make something that truly fit inside the world of Harry Potter, and I think they succeeded wonderfully. The blue clashes incredibly with the yellow grass, and the red swing-set vibrantly cuts through the frame. It looks effortless, but in reality, a lot of consideration went into blocking out this shot. The long-awaited first trailer for Disney’s live-action Beauty and the Beast starring Dan Stevens and Emma Watson is available to watch now! While Kara and Alex are fighting, Alex is grabbed to serve as bait, bringing Kara face to face with Facet. Facet tells Kara to ask her mother about her, but the conversation is interrupted when Alex sets off an explosion.

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