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Before we get to that, though, let’s talk about the films themselves: all eight are included, of course, in both DVD and Blu-ray editions.
The results mute the magic considerably… but at the same time do a great deal of the heavy lifting that helped later movies thrive. More importantly, it does so in a manner that feels inclusive and friendly to newcomers instead of just pandering to the fans. The third entry in the saga brought a new director – and not just any director, but the renowned Alfonso Cuaron – along with a fair amount of controversy among longtime Potter fans. With the series firing on all cylinders, new director Mike Newell steps in to up the ante considerably.
After years of battling extraordinary supernatural threats, Harry and Dumbledore (played since Harris’s death with great distinction by Michael Gambon) now face a chillingly ordinary one. It also delivers a trump card with a new villain: the delightfully horrible Professor Delores Umbridge (Imelda Staunton). The last film, conversely, is pretty much solid payoff all the way through, as Voldemort launches an all-out attack on Hogwart’s, and Harry and his friends brace for the final conflict. That last bit is extremely important, because it makes The Deathly Hallows part of a whole rather than a stand-alone apex. The discs themselves adhere to high standards of quality, though Warners is a little disingenuous with the count.
Hard-core fans will likely gravitate towards the content in Deathly Hallows I and 2, which didn’t receive Ultimate Blu-ray editions and contain extras that haven’t been seen before. On top of all that, the set contains an additional disc with another four hours of material, including a look at the emotional last days of production, a featurette on the film’s stunt doubles (one of whom suffered a horrific injury on set), a piece on production designer Stuart Craig and a very illuminating explanation of how they made Robbie Coltrane’s Hagrid look like a giant. The box constitutes a selling point in and of itself: solid and sturdy, with runes and symbols of all varieties emblazoned on its sides.
It can all get quite overwhelming… and it also highlights one of the real sales problems Warners has with this set.
Announced in February, the new covers by the acclaimed creator of Copper, Daisy Kutter and Amulet were commissioned to commemorate the 15th anniversary of the U.S. However, that’s not the end of the reveals, as new back covers will debut at the rate of one a day from Aug 1. 11 watchingHarry Potter set of 8 books - 5 x 1st editions 4 x hardbacks 4 x paperbacks - All are Bloomsbury - all are in good condition with some wear and page discolouration especially The Prisoner of Azkaban. Even with the unfortunate delay of The Avengers Phase 1, we’ve still got giant collections for Titanic, James Bond, Indiana Jones and Alfred Hitchcock.
The massive box set weighs 19 pounds, heavy enough to crush fingers, toes and small pets if dropped. It’s certainly not bad, but you can sense the filmmakers working in “don’t screw this up” mode rather than “let’s make this awesome” mode. The Sorcerer’s Stone unloads huge tracts of the universe to newcomers – quidditch, Diagon Alley, the school houses, key players like Dumbledore (Richard Harris) and Snape (Alan Rickman), and the dark history between Harry and Lord Voldemort – that need to be in place for the saga to work. Columbus, often derided as a by-the-numbers studio hack, proves to be a sterling steward of Rowling’s work: getting the ball rolling with respect and reverence instead of glomming his own “vision” onto hers. Chamber of Secrets soars when the first film merely crept, enthralling where the first film just explained. Many of them felt that Cuaron took too many liberties with Rowling’s text, particularly with the enigmatic Sirius Black (Gary Oldman) whom they felt received short shrift on screen. The Goblet of Fire finally gives us a long-awaited look at Lord Voldemort (Ralph Fiennes) and… yup, he sacres the righteous crap out of us.
But The Goblet of Fire delivers all that without forgetting Harry’s more personal struggles as well. Face and mistrust grip the wizarding community, and those in power would rather pretend Voldemort doesn’t exist instead of facing the danger head-on. Rowling took a risk in delivering a late-inning bad guy with so many of them already crowding the scene, but Umbridge’s iron-fisted bureaucrat makes a refreshing counter-point to the black-as-night supervillainy we’ve grown used to.
We need a refresher on what’s at stake (everything), an outlining of Harry’s ultimate task (get those Horcruxes) and a shuffling of supporting characters to their assigned places (Snape to Voldemort’s side, Harry to nascent exile and Dumbledore to… well that would be telling.) Yates goes about his task with workmanlike resolution, using bleak sets and desiccated cinematography to convey a universe slowly falling apart.


The Half-Blood Prince holds startling revelations, but like The Sorcerer’s Stone, it needs to prepare for future movies rather than deliver on its own potential. The decision to break The Deathly Hallows in half makes all kinds of sense (not the least of which to Warners accountants who relished the opportunity to keep milking the franchise), but during the theatrical release, it demanded a certain amount of patience from the audience. It thus feels more energized and exciting than any of the previous seven films… though it couldn’t do so without all of their tireless prep work. I imagine it will see more replay among Potter fans than any of the others, but that doesn’t make it a separate or distinct thing.
Expectations couldn’t be higher when it arrived, and had any of its stewards dropped the ball, the fans would have pounced without mercy.
There’s 31 of them… but 8 are DVD versions of the movie (duplicating the 8 Blu-ray versions in the same set) and two merely deliver 3-D editions of The Deathly Hallows Parts 1 and 2. Each movie contains the bonus discs from the Ultimate Edition Blu-ray sets: one Blu-ray disc and one DVD disc for the first four movies, and one Blu-ray disc alone for the last four. Specifically, that means Parts 7 and 8 of the “Building the World of Harry Potter” documentaries. Not all of its compartments are easy to find, but the search for them proves far more Easter egg hunt than chore.
However once a month I have to go away and during this time it may take a little longer to post out to you . Rowling's Harry Potter novels are now available in these spectacular new editions, with beautifully designed jackets by renowned woodcut artist Andrew Davidson.
All first editions I believe (some with different print runs) Photos of publishers page for first 4 books as shown. Rowling's first novel - the first of seven extraordinary novels published over the following ten years. The good people at Warner Bros – prepping the Harry Potter Wizard’s Collection to kick off the fun – likely realized early on that they needed to bring their A-game to compete, especially with the series so recently ending and a glut of other Potter DVDs and Blu-rays readily available.
As Daniel Radcliffe’s abused Harry learns of his wondrous heritage and travels to Hogwarts School for the first time, we get the sense of going through the motions. It allows us to share the wonder and excitement of the books, to invest us in the outcome, and to see why the great and wondrous Harry Potter is so great and wondrous.
On the other hand, Cuaron brought an elegance to the camera work and a spookier look at Hogwarts that lent Prisoner of Azkaban a distinctive identity. That he arrives in the midst of a comparatively trivial concern – Harry’s participation in the Tri-Wizard Tournament – further cements Rowling’s canny understanding of her hero’s place in the larger world. We thus get copious scenes involving a mid-winter ball, an awkward first kiss, and the fact that a fair number of people at Hogwarts think Harry is a self-important douche, all of which feel important in their own way without lessening the much larger danger looming on the horizon.
Harry’s response to it – establishing a secret society and preparing his fellow students for the war to come – gives Order of the Phoenix a momentum that powers it through the doldrums. Staunton is a revelation – one part Mary Poppins, two parts Joseph Stalin – and marks the series’ most memorable antagonist besides Voldemort himself. That hampers it a bit as a stand-alone movie, but as a part of the big picture, it becomes absolutely essential. Part I handles all manner of plot threads, with Harry and his friends on the run while Voldemort completes his domination of the wizarding world. Rowling’s vision required an epic of this breadth to truly flourish, and while both parts of The Deathly Hallows deliver a terrific climax, they also shine a brilliant light on the six films that preceded them.
They contain every documentary, behind-the-scenes special, trailer, teaser, lost scene and concept gallery to ever appear on a Potter DVD or Blu-ray. Seven pieces of memorabilia are included in the set: a fabric map of Hogwart’s, a blueprint of the school’s interior, a set of concept art prints, a set of sketch prints, a replica of Voldemort’s Horcrux locket, and two books containing images of key props and labels from the production. Long-time Potter fans have a right to feel slighted after spending years paying for multiple versions of their existing sets. Harry Potter has never even heard of Hogwarts when the letters start dropping on the doormat at number four, Privet Drive. Last 3 books all state 'first edition' COMPLETE SET OF 7 BLOOMSBURY SIGNATURE EDITION HARRY POTTER BOOKS J.K.


The very act of opening it constitutes a special joy, as does finding the various hidden latches and compartments where numerous goodies lay in wait. Harry’s stated “specialness” allows him to overcome obstacles seemingly without effort, robbing the story of its early drama.
It’s not because of some magical destiny, but because he’s clever and brave and can figure out solutions to things that other people wouldn’t consider. It often feels like a pause in the action, focusing on Harry’s growth as a character rather than his ultimate destiny, but with strong work from the increasingly confident Radcliffe, we don’t mind it one bit.
Hogwarts had served as a sanctuary for him, and his concerns remained largely those of a young pre-teen. Previous entries do their jobs well, but Goblet of Fire shifts to a higher gear, letting us know (as the tagline promised) that nothing will ever be the same. With her stalwart aid, Order of the Phoenix goes from a place-holding also-ran to one of the better chapters in the saga.
It essentially acts as an extended rise to the top of the roller coaster: punctuated by dramatic moments (including the death of a major character) but keeping its powder in reserve for Part 2. Part 7 involves a lengthy conversation between Rowling and screenwriter Steve Kloves about their collaboration, while Part 8 covers the transition of the young cast members from childhood to adulthood (including how the producers got them a proper education and otherwise prevented them from turning into entitled little monsters).
A certificate of authenticity and a scroll containing information on digital downloads complete the set. 27, along with a new boxed set featuring Kibuishi’s renditions of Hogwarts and Hogsmeade. It’s more like “exercising the nuclear option.” Good luck making a splash with this 600-pound gorilla in the room. The three young leads – including Emma Watson’s Hermione Granger and Rupert Grint’s Ron Weasley – take time to settle into their roles, while director Chris Columbus tackles the unenviable task of laying the foundation for J.K. Add to that a scarier threat, gorgeous effects and the sterling work by the supporting cast (including Harris, who died before shooting on the third film began), and it sets a solid bar for the remainder of the series to match.
With The Goblet of Fire, he comes face to face with the frightening forces arrayed against him, as well as the fact that they were playing for keeps. Oh right, we’re going to wait for three more movies before finally getting around to their big face-off.
The Lord of the Rings did well, but it only had to maintain the streak over three movies (we’ll see how The Hobbit does this fall). Watching the stars grow up before our eyes constitutes one of the series quieter joys, which the doc places in proper context.
Those willing to shell out the $500 sticker price ($345 on Amazon at the moment) won’t need to buy a single Potter disc again, regardless of whether they have a Blu-ray or are still using DVDs.
Things are never as they appear in this entry, and as the exquisitely rendered Dementors reminded us, there are terrifying consequences for those who assume too much too quickly.
That perceived slowdown might have derailed the entire saga had director David Yates (who served as director for the remainder of the series) handled with less grace or tact. James Bond and Star Trek ran longer, but both had their share of staggering boners, and we won’t even talk about the likes of Friday the 13th.
In order to top it, Warners needs to send Radcliffe to deliver a new set to your home in person… then wash your car, do your taxes and take your daughter to the prom.
It’s definitely an investment – and the films themselves don’t change from any previously owned Blu-rays or DVDs – but you can’t accuse the studio of half-assing it. It honors Rowling’s work, it respects the fan base, and it focuses on character and humanity without skimping on the spectacle.
The Harry Potter Wizard’s Collection isn’t just the most impressive Blu-ray release of the year: it may be the coolest set you’ll ever see. That these films got made so well and so true to Rowling’s spirit constitutes a minor miracle.



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Comments

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