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We therefore pray that You bless Ed with Your loving care, renew his strength, and heal what ails him in Your loving name. An ethereal blend of two voices, guided by fate to find each other, travels the wire from iTunes to earbuds and into my ear canal a€” so exquisite, ita€™s almost unbearable.
Hannah and Maggiea€™s almost unearthly harmonies evoke descriptions like a€?Simon and Garfunkel crossed with the Indigo Girls.a€? Indeed, they have been included in a number of Simon and Garfunkel tributes. When Hannah was around 10, there was an electric guitar sitting in the living room, a leftover from one of her fathera€™s stage roles.
The drama club would host coffeehouses every first Friday and that was where Hannah first performed solo, singing her songs and accompanying herself on guitar. Maggie was in chorus, but switched her energies to forming rock bands when she was still in middle school. Although Hannah earned a degree in American Studies with a focus on Race and Ethnicity and Maggie in Comparative Literature with a focus on English and Spanish Literature, it would be music that defined their path going forward. The house to which Hannah was assigned was an old, Victorian-style residence (the oldest on campus) that, at 50 coeds, was smaller than most. At some point they harmonized on one anothera€™s songs and some friends suggested that they sing together. Hannah graduated in 2011 and moved to New York City, with Maggie still having one year left. In January of 2012, they recorded their second album, the aforementioned Muscle & Bone, and released it in May. Hea€™d come backstage to change costumes and she would witness the transformation of her father to an actor with a€?elaborate costumes and crazy makeup.a€? She absorbed the idea that investing onea€™s time into performance and the arts was a valuable thing. Maggiea€™s dad was happy that she was playing acoustic, and wasna€™t thrilled that her goal was to play rock. There was a broad range of types of performance, ranging from poetry and music (Hannah would sing and play guitar) to displays of visual art or even hair styling. In 2010, Hannaha€™s junior year, they sat down to play music together working on covers and originals. Hannah graduatedA  in 2011 and moved to New York City, with Maggie still having one year left. In January of 2012, they recorded their second album, the aforementioned Muscle & Bone, andA  released it in May.
We beg for deliverance, and submit that no healing is too hard for the Lord, if it be His will. Hannah Hickok and Maggie Kraus, a lesbian folk-pop duo, look at all the facets of living a€” loving, losing, friendship a€” as if peering through a microscope, taking the facets apart and reassembling them with delicate, faerie fingers. In a perfect world, I think their articulate expression of lives so sharply felt and lived could change a listenera€™s DNA.
Her parents were actors but her mother quit the theater when Hannah was born in favor of another career path. In addition to the exposure to Broadway musical theater tunes, folk revival classics like James Taylor and Joni Mitchell were played often.
She was a member of the all-female and coed a capella groups and the chorus all four years of high school.


After learning the basics, she and a small group of other campers performed for everyone in camp. Shea€™d coax boys into being members of her bands, selecting roles for them (a€?OK, Brian, youa€™re gonna play drumsa€¦a€?), regardless of their lack of experience. She hated the results and invested in an MBox, a portable computer recording interface (with mic and instrument ports) for computers. Hannah ran the coffeehouse events each month with few exceptions, and with even more regularity when she was house president in her junior and senior years. So Maggie visited Hannah regularly at Hannaha€™s campus residence and found the vibe relaxed and inviting, more so than her own residence. At the end of the summer they completed a two-week Northeast tour, their first extended travel on the road.
After Maggie graduated they embarked on their first national tour, jumping from Portland, Maine to Nashville to Salt Lake City. We were thrilled to include them in our late-night guerrilla showcase at the 2013 Northeast Regional Folk Alliance Conference and wea€™re eager to help them promote their new album.
Because Hannah and Maggie plunge a rapier of emotional honesty into the psyche, the listener might become a better person, more empathetic. She performed in musical plays a€” her first was when she was 5 a€” and was in chorus all through grade school and high school. He taught her how to play The Beatlesa€™ a€?Blackbird,a€? the first song she ever learned on guitar.
She always liked music and, like Hannah, she was exposed to folk revivalists James Taylor and Joni Mitchell. There was supposed to be an a€?officiala€? staged performance at the end of the camp session, but it never happened.
In 2001, Maggie was 11 going on 12 when, with her own allowance, she bought the Fender Stratocaster that she still occasionally plays. In high school, tired of wrangling other students into supporting her, she returned to acoustic guitar and performed with two friends as an acoustic trio.
Using her acoustic guitar, she began making her own digital recordings of songs using Pro Tools software.
There was a large living room where everyone would gather together at teatime once a week on Fridays. Shea€™d roam the halls, listening for good voices singing, perhaps idly, that she might recruit for the a capella group. Toward the end of Maggiea€™s freshman year, there was an event where graduating seniors were given a send-off banquet. Later, in December, they opened for Dar Williams, an inspirational figure and thus, for them, their most notable performance to date. A case in point is the stark beauty of a€?Curfewa€? from their second album, Muscle & Bone. Initially, shea€™d crank the sound up on a little amp, playing a€?awful musica€? in her bedroom. At some point in high school, the computer crashed, taking hundreds of hours of recordings with it.


When Hannah had settled in, she wanted to replicate the coffeehouses shea€™d experienced in high school, so she offered to organize a coffeehouse event at teatime one Friday per month.
We recommend a visit to their website, where their blog will provide more insight into their gentle, quirky humor as well as photographic glimpses of their adventures on tour. Hannah wrote the song and sings the lead vocal with a call-and-response from Maggie in a passage near the end.
Her first performance was in sixth grade in a school function called a€?The Extreme Concert,a€? a faculty showcase she was allowed to enter. Nevertheless, she continued writing and performing at a lot of fundraisers, open mics, showcases and other school events. Hannah, visibly moved, thought, a€?Wow, this girl knows what shea€™s doing.a€? The song is on their first album and Hannah stated that it has been a fan favorite and has won two songwriting awards. They were upset but not discouraged and committed wholeheartedly to continue playing together. Hannah wrote the song andA  sings the lead vocal with a call-and-response from Maggie in a passage near the end. It might simply be an unrequited love song, but it could easily describe a heartbreaking failed connection between two people, one who is gay and one who is straight or who is latently gay but not ready to accept a same-sex relationship.
She took lessons in her first year of high school and then learned more on her own by figuring out how to play covers. Maggie quickly seized the opportunity to organize her own a€?unpluggeda€? coffeehouse events. This past summer, I attended the 2013 CT Folk Festival and saw them perform and introduce new contestants for the songwriting competition. Hours were spent learning chords for songs she wanted to sing by researching guitar tabs on the Internet, figuring out how to play them. This past year also saw them begin recording their third album, In the Company of Strangers, their first with Purebred. This past year also saw them begin recording their third album,A  In the Company of Strangers, their first with Purebred.
Having gotten acquainted with Hannah in the Smiffenpoofs, Maggie had watched YouTube videos of her playing acoustic guitar and singing, so she invited Hannah to perform at her coffeehouse.
Having gotten acquainted with Hannah in the Smiffenpoofs, Maggie had watched YouTube videos of her playing acoustic guitar and singing, so she invited HannahA  to perform at her coffeehouse.
Hannaha€™s performance at Maggiea€™s residence would be the first time either witnessed the other playing live. Like a smack addict, I play the track again and again, nodding off over and over in rushes of aching, sweet melancholy.



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