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William Scrots, King's Painter to Henry VIII and his son Edward VI, was paid a salary twice as large as that of his predecessor, Hans Holbein? Thomas Stanley was an officer of the Royal Mint at the Tower of London under four monarchs—Henry VIII, Edward VI, Mary I and Elizabeth I? Samuel Hieronymus Grimm, a Swiss painter, toured England for twenty years leaving 2,662 sketches in the British Library -- including the only known image of the coronation of Edward VI?
Sir John Luttrell, an English soldier and diplomat under Henry VIII and Edward VI, was the subject of an allegorical portrait (pictured) by Hans Eworth celebrating peace with France and Scotland? Edward VI of England's 1547 Injunctions mandated that a copy of the English translation of the Paraphrases of Erasmus was to be kept in every parish church? Despite valiant attempts by the marketing departments of Microsoft and Sun, CGI is still the most commonly used architecture for creating dynamic content on the World Wide Web.
CGI is the “Common Gateway Interface” a very grand sounding name for something that is really very simple.
We’ll look at this in more detail soon, but first let’s ensure that we’ve got everything set up so that we can run CGI programs. In the interests of keeping this tutorial down to a manageable size, I’m going to have to assume that you already know something about programming in Perl. This script works on exactly the same principle as the last one, but we get the system time using the Perl function “localtime” and print that value. This program looks a little more complex, but really it’s doing exactly the same thing as the previous example. The previous section told you just about all that you need to know about displaying output from CGI programs. HTML defines a number of input widgets which you can use to pass user data to a CGI program. This form contains a text input (for the name), a drop-down list (for the age), a pair of radio buttons (for the gender) and a set of checkboxes (for the list of hobbies. Once again we’ve used CGI.pm to produce the HTML, but we’ve also used the same module to get our input.
It’s nothing more than a protocol that defines how a web server can interact with an executable program to produce dynamic web pages. Just about every Linux distribution comes with a version of Apache which is by far the most common web server on the Internet. You can use just about any language to write CGI programs, but the majority of people seem to use Perl. There are only a couple of things that distinguish it from a standard Perl program that you’d run from the command line.
The web server will have arranged to capture any data written to STDOUT and to pass it back to the browser. The added complexity comes purely from the fact that we have to display a complete HTML page.
In the standard Perl library there is a module called CGI.pm which allows you to “hide” all the HTML generation behind function calls. This is much the same set of widgets that you’ll be familiar with from any GUI application – text fields, radio buttons, checkboxes, pop-down menus and many others. CGI.pm has a function called “param” which returns information about the data that has been passed to the script. For example the “name” parameter returns the text that was typed into the text box called “name” and the “age” parameter returns whichever of the options in the “age” drop down menu was selected.
This first tutorial looks at the basics of CGI programming.This article was originally published by Linux Format in April 2001. It defines how the web server sends information to the program and how the program can send information back to the web server which the web server will, in turn, send back to the browser. In this series of tutorials we’ll assume that you’re using Apache, but the examples should work just as well on any other web server.
If not, read the boxout section on debugging CGI programs to get help tracking down the problem. All CGI programs should output a set of headers which the web server will pass back to the user’s browser.


Also note that we have changed the content type to reflect the fact that we are now returning HTML.
This loads the CGI.pm module and asks Perl to import a standard set of functions from that module into our program.
Called without any parameters, “param” will return a list of all of the parameter names and when given the name of a parameter it will return the value associated with that name.
See the box “Getting, Installing and Configuring Apache” for more details on how to set Apache up on your system.
Perl also comes as a standard part of every Linux distribution, so you’ll already have it installed. In this mode Perl will automatically distrust any data that comes from the user and won’t let you pass that data to the operating system until you have untainted it. We’ll see why taint mode is a good idea and how to untaint data in next month’s article, but in the meantime it’s just a good habit to get into. Notice that it takes an optional argument which defines the contents of the <title> tag. This is achieved by printing two newline characters after the final (or, in this case, only) header.
Maxwell will be deciding upon and after this illness passed we will take a look at producing these scripts into feature films or television productions. Maxwell is spending this time taking care of his wife, and not in production, he has plenty of time to read scripts. Thus, this is a wonderful time to have him take a look at your script.i»?A This page is set aside to give us an opportunity to keep our visitor abreast of what is going on with Maxima Vision Films and our film school.
At the same time we encourage our visitor to write us anything they feel may be of interest in film and television to our community. Many of these articles are written by our own CEO who is serious about keeping our whole community up to date with any breaking news and events we may be involved with.
In the event you write to us a story we find the community may want to know about we will post here on this page. These stories may be of any kind pertaining to the film and television industry, from casting calls our community may want to know about, to events in the area, to a new story ideas you come up with you think might make for a good film or television production. Randall Maxwell of Maxima Vision Films takes some of the backdrop of that particular White House, fictionalizes the story, orchestrates some look-a-likes and dramatizes a womana€™s lust for power who is willing to do whatever it takes to become the first lady president of the United States, including assassination, sex, love or war. When three unlikely but well-intentioned groups of mighty people join forces to battle the demon, they face challenges within and without. Their variegated backgrounds, including slavery, military, and commoners, must be overlooked if they are to stop Man Burnera€™s evil quest. The powerful and precious Atma stones must be kept secret if the world is to be saved.Will Man Burner be able to succeed on his quest to find the Atma stones? This delay is expected to last a couple of months, postponing production of every film by a couple of months.The reason for this suspension is due largely to the fact of us not yet having our film school, which is attached to our production company at the point where our investment group had wanted it by summer of 2013.
Another large factor is not finding a large enough pool of talent here locally who have enough professional film experience or training to allow us to completely cast four feature films per year, let alone finding enough professionally experienced crew.Thus, one of the things we are now awaiting is hiring a casting director in Hollywood to cast any remaining major speaking roles for each film we have been unable to cast thus far. This is an all out effort to raise the bar in this region of professionally trained actors as well as crew. At this summer feature filmA  consortium; Whether you are an aspiring producer, director, script writer, editor, animator, actor, cinematographer, or just want to learn the ins and outs of the film making industry, you may begin as early as the summer of 2013 building your working resume by participation in our Summer Feature Film Consortium! Well, we have serious investors who share our same passions who are willing to put their money where their mouths are. Let us commit ourselves then together to perfecting our craft of film making and television production by committing to professional training and stop spending money with so-called agencies who are simply in business to sell schools and photos, but have no real connections to even consider making even a feature film. It is a very sad thing that so many have been lured into such scams and have been taken advantage of, but now it is time for change and a part of this change is a must, raising the bar of excellence.
It is now time for us to show our investors that we are willing to invest in our future so that very soon they will allow us the opportunity that all of us can make a very good living doing what each of us love doing and that we are extremely passionate about.A This film school has always been and will continue to be always a very specialA  part of our production company and our plans for the future as a means of keeping well trained professionals continuing to come on board with our production offices, from professionally trained actors to crew.
This keeps fresh ideas coming through the doors, but more importantly it allows us to always know we have the most highly skilled actors and crew that money can buy. Our investment group has always made the film school a stipulation on their investing in our feature films and will continue to do so.


A One of the biggest concerns of our investment group is to keep from happening here what happened in Louisiana, where their film makers were at least diligent in getting their law makers to raise the incentives to entice major film production companies like Maxima to come into their state to produce films in their state. They were able to do this by quoting statistics which prove, when major film production companies come into your state and begin producing motion pictures, they bring with them literally millions of dollars into the local economy. In Louisiana, they experienced tremendous success in enticing these companies into their state.A Unfortunately, these companies came by the droves, however, once there they found there was not enough professionally trained talent already there to produce the number of films they wanted to produce, causing them to have to hire the bulk of their needed talent out of state. Because these incentives are based on hiring local talent, these companies when they were forced to hire outside of state talent, they lost their incentives.
Louisiana has since worked diligently trying to get professional instructors in their public schools and universities to train up a workforce of professionally trained film and television professionals to salvage what they can of the professional production companies who have remained and tried working with them.A At Maxima Vision Films, we have experienced the same thing in this region as far as finding sufficient professionally trained talent to do here what we had planned to do in this region. When I speak of this region, I am speaking of the region of Tennessee, Arkansas, Oklahoma and Louisiana.
We have two investment groups, one of which has already committed to funding four feature films or television productions per year over the next five years here in this region with Maxima. We want to shoot films that matter, films which can help to shape our culture positively as opposed to negatively. These films will be marketed directly to the Christian community, which when one considers 70% of the USA population are professed Christian, this is an enormous market.
We are certain if we can keep our production cost down under a million dollars the odds are in our favor of at least breaking even if not making a few dollars, especially considering telling stories that matter. If we can keep our films under $500,000 the odds go up even further, and we know one film in 6-7 will make a substantial return. Our main goal though is telling stories that matter, that might help shape our culture positively, and we can all make a decent living while doing what we are all passionate about doing. A To accomplish all of this though, we are going to have to raise the bar here in this Texas region as far as talent goes. We are diligently seeking those individuals who have a real passion for film making and television productions, who are driven by this passion to do whatever it takes to one day be able to make a living in a industry that chances are very bleak in anyone getting to a point of making a living.
However, one thing is for certain, to have any chance at all, the more one is willing to do in the industry, whether it be sweeping the floors, taking coffee to the director, or being the lead role, or simply investment of time, energy, and money to keep perfecting their craft, all tends to lead to work, which gives us more exposure, that in turn leads to more work, etc, etc, etca€¦ A The point is this; we have investors, which is something, if not the one and only thing which keeps most from doing what they truly want to do in this industry!
These investors are seeking individuals like yourself who are like minded, those who have a real passion for film making and television productions, but who are also just as passionate about telling stores that matter. However, the real key is finding these like minded individuals who take this business very serious, as serious as our investors take it, those who are willing to invest into their own future, so as to help them to perfect their individual craft so that they are the very best they can become, so that as a collaborative art form we are able as a group of individuals creating a quality product. After he began his own recovery, he helped set up centers to help other addicts."I abandoned my old life to serve the Lord Jesus Christ," he said. One twin struggles with an addition to prescription drugs, while the other battles doctors whose prescription anti-psychotics are driving her sister to madness and death.a€?One is what I call a€?preachya€™ and more for the church community and affirming faith,a€? Maxwell said. With the first type of film we will focus on films which are considered preachy and on the nose which will be marketed directly to the Christian community.
The second types of films we will focus on are those designed to reach the un-churched with a message of hope for a hurting world, a film with at least a redemptive message. This investment group is especially interested in getting involved with projects where the project owner has some sort of invested interest in the project themselves or have some avenue to put together a split funded project somehow, thus splitting the risk as well.A A Thus, this investment group funded many trips around the country for Dr. Maxwell to travel and meet with other investment individuals, companies and groups who had expressed interest in partnerships with the films we were already in pre-production stage which were our films a€?Rachela€™s Gracea€? and a€?Sister Surrendereda€?, both of which had an estimated production budget of around $300,000. We had felt with partnering with others who could double the production budget we could add at least some actors with much experience as well as other talents. Unfortunately, at this point, though we met many such investment groups who had expressed interest in split funding our film projects, most simply had projects themselves who they wanted our investment group to invest in their film projects and did not show us even any interest what so ever in split funding our film projects after our investment group paid travel and lodging expenses for Dr Maxwell to meet with these people.
A With this being said, this has been a very expensive summer for our investment group in trying to put together split funded film projects.



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