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Look over the cover, page through the illustrations, then read the introduction on page iii at the beginning of the book. Make three predictions about what will happen to Britta in this story and share them with a partner.
Britta is traveling in an area of Finland that was once Sweden, so many of the people speak Swedish. What did Britta do to make sure the cab driver would drive them back to the hotel after bringing Elsa to the hospital? If a person does something wrong, does it make everything all right to say a€?Ia€™m sorrya€??
When Mama came home after Elsaa€™s death, how did she try to console herself and her children?
Although Britta didna€™t understand everything the doctor said, she was able to communicate fairly well.
The doctor obviously recognizes Britta, and even though he cana€™t come down to steerage, what does he do for her?
Why was Britta upset when she realized that Johan didna€™t have to go through the slow line she did? These elements seem fused together as we listen to a woman breathe in and breathe out of a blues harp, its reedy voice alternately sobbing, wailing and crying out in ecstasy. Audience members taking first notice of Trinaa€™s big voice will be struck by her prodigious lung capacity and her talent for blowing blues harp better than any guy theya€™ve ever heard.
Continuing an august tradition, Trina came east from the Minnesota north, echoing Bob Dylan. In junior high, she was part of a select group of students chosen to participate in an improvisational theater group, started by a speech teacher, Ert Jones-Hermerding. A series of formative experiences occurred when Trinaa€™s Improv group teacher encouraged her to audition for the Minnesota State Fair.
After high school, she attended the prestigious Berklee School in Boston and received a degree in Professional Music. Around 1997, events swirled around her and the insecure and changing nature of the music business turned life into a winding hairpin-turn-laden path. Through her association with the managers of Sine, Trina became friends with Jody Klein, the son of Allen Klein (ABKCO, the Rolling Stones, the Beatles). Then, Von Freeman, who did marketing and promotions for a top 40 station in Cinncinnati, Ohio, saw her play at Sidewalk and was impressed. In 2008 Trina collaborated on one track on Vicki Gelfana€™s album Uncovered, a€?Long Train Running,a€? that old Doobie Brothers chestnut. Brixton Boogie, an album made in Germany, released in 2009, came about in a typical a€?Trina Hamlina€? manner. Ever the independent, Trina prides herself on not having a a€?Berklee stampa€? on her music. To try to define Trinaa€™s style, just for fun, a friend who was in advertising did a marketing study on Trina, using fans whoa€™d known her since she was a child and those whoa€™d come to know her as an adult artist. At around 1:00 on Sunday afternoon, clouds in the sky above the 2008 Falcon Ridge Folk Festival cast an ominous pall and the wind gathered strength. Wea€™ve never forgotten Phila€™s (and Jeffa€™s) buoyant spirit that day, coming hand-in-hand with his amazing voice and inspiring songs. With the advent of his new album Robots and Romance (folkier than the title might suggest), ita€™s time to give the man his props. Phil was born in 1975 in Saranack Lake, New York, a part of the Adirondack mountain region.
Phil sang in school choir from 3rd grade on and additionally, picked up trumpet study in the 6th grade. He describes himself at that time as a a€?closet writer.a€? Phil decided that, if he couldna€™t play songs on the radio, hea€™d write his own. After high school, Phil attended college at SUNY in Potsdam, New York, up near the Canadian border.
After graduation, he taught chorus and a a€?general music classa€? at a middle school in Ticonderoga, New York. Back in New York someone had given him a tape by Martin Sexton, and later, in Burlington Vermont, he caught one of Martina€™s live shows. The lyrics to a€?Open Range,a€? one of the favorites for this author, contain the album title.
No mere navel-gazer, Phil shows on this CD that he can generate stories a€?from the ground up,a€? using outside stimuli. While Phil continues to follow a career as a performer, he is also very proud of the job he does as a teacher in the Vermont school system, instilling the love of music in his students.
Wea€™re guessing that Phila€™s innovative approach continues to pay dividends in helping him to build on his already-considerable performance talents. She changes the subject from the kitten to how long the train will take to get to Liverpool. He doesna€™t understand Swedish, and probably because shea€™s a girl, he doesna€™t try to understand her.
She asked everyone a€?What is this?a€?, and she wrote down the words she remembered on some papers she got at the hotel desk.
She sold her the spoiled fruit and vegetables for a penny each day, and she also helped her learn English words.
She got food and made meals, she made tea for Mama, she listened to her, and she encouraged her that things would turn out well. It was a long, whitewashed room with triple bunks along the sides, and portholes by the top bunks.
It had nice wooden deck chairs and beautifully scrolled railings compared to the plain railings in Steerage.
She didna€™t tattle because she had gone up there, too, and she wanted to be able to go back again.
She announced that Johan would have to take care of Mama and Arvid while she went up on the deck. She was just thinking about him and she figured he probably didna€™t have to stand in line with his own cup and bowl. He told the boy to give the papers back, then he tried to get her to come in out of the storm. She watched how the ship was pitching and reached for the rope when it was tipped the right way. She finally agreed to accept his apology, but she said she would never forget what a cruel thing he had done to her. Britta was a little stronger and a little more assertive, and Johan was a little more thoughtful and kind. She was afraid that America would be a place where people with money would get all the best treatment, and poor people would struggle.
She saw her mother as stronger and positive, she saw Johan as a young man, and she saw them as a family unit rather than as separate people. In between harp passages, her massive vocal instrument surges, the melody and beat strong and steady, accompanied only by her hand beating against a tambourine.
While shea€™s too young to be the prototype for the a€?Girl from the North Country,a€? she could serve as its archetype.
On her live album, One NightStand, Seattle, WA, for the first time, I heard her play some terrific boogie-woogie licks, some soaring ballad accompaniment, and as a jokey aside, a few bars of classical piano passage. So, shortly after winning the talent show, Trina started taking piano lessons, from a woman from Sri Lanka, who taught out of her house and used the Montessori method.
A contest was held each year and the winner would play the following year with a 36-piece orchestra.
The extent of her professional musicianship can get lost on the casual listener who might get immersed in her ability to belt out acoustic versions of southern rock and blues. She sang classical as well as pop and learned sound engineering, which she enjoyed, and even did some classical conducting.


She moved to New York and sang with bands, providing mainly harmonica, accordion and tambourine accompaniment, still noodling around at home.
Island Records brought her aboard and she made demos that found their way to producers of the TV show a€?Dawsona€™s Creeka€?. She began working with ABKCO as a a€?development deal,a€? making demos and recording with people like Jimi Zhivago (Ollabelle) and Fernando Saunders (Jeff Beck, Lou Reed).
He gave her his business card and later had Trina flown out to Ohio and featured her on a€?One Earth Partya€? radio-sponsored live shows where she performed with pop icons like Paula Cole, Duncan Sheik and the Goo Goo Dolls. Shea€™d met drummer Bill Dobrow and bassist Jeff Hill at the club the Living Room (both of them later played with Rufus Wainwright). In our August feature article on Susan Werner, we mentioned how much Trinaa€™s back-up harp work can raise the level of excitement in a song. That said, however, she admits, a€?I probably dona€™t realize how much I draw from my experience at college when Ia€™m in a musical situation. The overall opinion went beyond folk, blues, pop or acoustic rock (she certainly encompasses all of those).
The overall opinion went beyond folk, blues, pop or acoustic rock (she certainlyA  encompasses all of those).
The last few performers to play their showcases at the Acoustic Live booth gathered inside as rain fell. As hail, carried on a 70 mile-per-hour wind, buffeted our shelter, Phila€™s sideman, Jeff Kimball, sang a song about the Titanic.
When the wind subsided, it was still raining, and Phil and Jeff announced that theya€™d play their set. Since 2005, hea€™s been a valued performer in every Falcon Ridge and NERFA showcase wea€™ve held. He played trumpet through high school in both the jazz and marching bands, thereby achieving full band geekdom (as opposed to the author, who achieved geek status while throwing spitballs in study hall). Crane School of Music, a part of SUNY at that location, is certified for Music Education, and that became Phila€™s major. While there, hea€™d drive one-and-one-half hours each way once a week to play the open mics at Caffe Lena, in Saratoga. In 2005, he was selected as one of the 25 a€?Emerging Artistsa€? at Falcon Ridge, picked to play two songs at the Friday afternoon showcase.
Around the campfires, into the wee hours of the morning, he soaked up the songs of players, many with hundreds more miles on their tire treads. While the themes deal with contemporary issues, theya€™re expressed with the traditional tools of acoustic guitar, banjo and mandolin.
The opening track, a€?Drive-ina€?(and cover art) is a call to remember the pleasures of a now-disappeared form of recreation. After a robbery occurred a few blocks from where he lives, he wrote a€?Hold Upa€? from the viewpoint of a desperate man needing to care for a sick wife.
Another fascinating song-profile is a€?Annie Hold On,a€? an ode to photographer Annie Liebovitz. She doesna€™t think her mother knows what to do, and she thinks her father would take charge. Shea€™s afraid they might talk about the kitten and realize that the girls are telling a lie.
He took charge and went to find out what was going on, while Mama waited for people to tell her what to do. She gave the cab driver a note that said, a€?Wait here, please,a€? she had Johan wait in the cab with the driver, and they didna€™t pay him until they got back to the hotel. There were tables and benches lined up down the middle, with little wood stoves between them. She was probably sad to be leaving Europe, sad about losing Elsa, and happy to be finally on their way. If she told, Mama might not let any of them go up there, and Britta hated to be disobedient.
Yes, because he makes fun of her friend who helped her, even though he doesna€™t know ita€™s a boy. Johan dances wildly and freely, while Britta stands aside clapping and tapping to the beat.
They stayed together as they watched the Statue of Liberty, they raced down to get the trunks together, and they worked together to get the trunks up to the deck and onto the ferry. She was very glad that they were all together again, although she was sad that Elsa wasna€™t with them. In the clatter of the train wheels, the chanting in the churches and the classrooms, the cadence of our footfalls as we run, the bellows of our breathing, the hammering of our heartbeats, we live our song.
Her words describe personal passion and doubt, but the undercurrent of musical expression seems primitive, reaching back to a time when drumbeats carried our messages on the wind. Tallish, maybe 5 feet-9 or 10, shea€™s beautiful and has that magnificent instrument for a voice. Money was scarce and the family had no piano, but she saved her money, drew a piano keyboard to practice with, and took lessons anyway.
Trina would listen to what her brother was trying to play from a book, and walk over and play it by ear. The first thing they did was to sit on the floor and play games with flash cards and sticks to learn rhythm. She was the lead singer for the band Blue Leaves until around 1994, when the band broke up and she started to go solo. She got some additional people on guitars and recorded the album at the home of producer Marilyn Da€™Amato who operated an a€?in-housea€? recording studio.
Although she broke a guitar string during her first song, she played harp until her friends backstage replaced the string and got the guitar back to her. She describes the song, like many others, as one that came upon her by itself one morning and was finished by evening.
Her house concert in Seattle was changed to a beautiful old theater with a recording studio at the back of the hall. She asked when it was happening, and he said, a€?August.a€? This was not far off, and she needed to check her schedule to see if she could do it. The consensus centered on the phenomenon of Trinaa€™s musical ability to funnel emotions for her listeners. The relationship with Island ended.A  Trina had been performing as a solo act since the fall of 1994, and wanted to tour and develop. In my t-shirt, I was chilled to the bone, but I wasna€™t about to run out to the car for a sweatshirt. At each showcase he played for us, in addition to his stellar voice, wea€™d invariably hear a melody that seemed ready for radio airplay, a cut above our average showcase performer.
There was instrument training, enabling students to teach different instruments and weekly vocal lessons. In Martin, he saw a€?folk music with a rock attitude.a€? After this, he began writing in earnest. Or a crash in a rented DeVille.a€? The central figure tells the listener to look for his demise in an old cowboy film on TV during a couch-potato Saturday afternoon. Phil had noticed that the photo in the newspaper looked a lot like him (his co-workers did also, generating a lot of teasing). Almost a doo-wop number, ita€™s done a capella in harmony with hand claps as the only accompaniment. As he states: a€?One big thing that I offer my students that many schools dona€™t is that we put on a coffeehouse concert twice a year with my Middle School and High School chorus students.
Or a crash in a rented DeVille.a€?A  The central figure tells the listener to look for his demise in an old cowboy film on TV during a couch-potato Saturday afternoon. It shows that Hilda is more imaginative and adventurous, while Britta is practical and sensible. It really meant that the first class passengers would get off first, then the second-class passengers, and steerage (third class) would get off last.


It would make him furious, when Trina would effortlessly mimic what he was struggling to learn. While she never felt that she wanted to be in theater, she a€?enjoyed the whole process of it.a€? a€?I guess I was on the path at an early age, of being some kind of an entertainer,a€? she states.
The first time, still in junior high, she played piano and sang one of her own songs a€¦and wasna€™t chosen. The words and music came together, and she played chords on that song that she didna€™t know she had in her.
Everyone in her audience makes contact with the particular emotions they need to feel when they listen to her.
While she never felt that she wanted to be in theater, she a€?enjoyed the whole process of it.a€?A  a€?I guess I was on the path at an early age, of being some kind of an entertainer,a€? she states. Shea€™d bounced between three clubs in the East Village: Sine, The Sidewalk Cafe (where we first saw her) and CBGBa€™s Gallery (next to the original CBGBa€™s and catering to acoustic acts). The performers played their songs under one canopy while the sparse audience spread out under that one and a second canopy tethered to the first.
Renown jazz pianist Dave Brubeck visited and played a new piece of music he had written, with the choir accompanying him.
He spent time alone, a€?woodshedding.a€? Phil recorded each song he wrote into a tape recorder. He finishes with, a€?I thought Ia€™d follow in the gunslingera€™s path, but theya€™re all in some Hollywood grave. They get experience choosing a song, rehearsing it with guitar or piano players, using microphones, talking to an audience a€¦ These are skills I didna€™t learn until I was out of college, and ones that I use all the time. English was really important to her, and maybe she reacted that way because everything had been so hard for the whole trip. She finally bought a piano and tried taking lessons as an adult, but as it turned out, her love of music was not accompanied with a matching talent. As it became apparent that her brother wasna€™t cut out for music, it was finally Trinaa€™s turn. A couple of years later, at the age of 16, she played and sang a combination of two covers, one fast and one slow. There was one available in the house that she shared, but it took 2 years for her to pick it up and learn it. Trina describes her management experiences as a€?very free form,a€? people guiding her, but in an undirected sort of way. It was a blast.a€? Because the album was not completed at the time her songs first appeared on Dawsona€™s Creek, she was unable to garner much publicity from the TV exposure. If you remember that song all too well and think you were burned out on its excessive presence on FM airwaves in the a€?70s, think again. And ita€™s this underlying understanding of whata€™s happening that I dona€™t always give myself credit for.
Most were pass-the-bucket a€?tip houses,a€?A  where performers were not paid, and made their money from the collection at the end of each performance. We sang along to the Titanic song, laughing as the situation (we hoped) seemed like a miniature version of a sinking ship.
More often than not, his smiling face would be the first to greet us on day one, when we pulled into the parking lot at the festival, as he directed cars into the proper lane. Hea€™d practice on an acoustic guitar at home but would play an electric when he jammed with his friends. Never a huge fan of classical music, Phil said he felt a€?out of place.a€? Nevertheless, Phil graduated with a degree in Music Education in 1997. Phil came to my attention that year, as someone to watch, after he asked to play a showcase slot at the Acoustic Live booth at Falcon Ridge.
She began with a fast song, a€?Ia€™ve Got the Music in Me,a€? segued into the slow one (a Kim Carnes song) and then finished up with the fast one, and she won.
Additionally, she did a few gigs there, and was noticed by a man named Krisz Kreuzer who asked her to write words to some songs he was recording for an urban blues album. Part of that is because I always felt a little bit off-kilter as a kid because I could hear, but I didna€™t always know what I heard. Suddenly the rain turned to hail and the wind ferociously pushed and pulled at our shelter, threatening to yank it out of the ground. For his closer, in a clear, high tenor, Phil sang his song "WQRZ,a€? about a radio station in Hancock, Mississippi, devastated by Hurricane Katrina, manned by a DJ who stayed behind to give out needed information, while others fled.
She dedicated it to her Uncle Murray, who used to coax her to sing that song impromptu in some of the tonier restaurants in New York City. This is where she picked up the harmonica, purely by accident.A  Two college friends were in a blues band, a€?The One Eyed Jacks,a€? that shea€™d go to see after she got out of school. It carried some resonance given our own (much less dire) situation and very typical of Phila€™s propensity to see larger societal issues and craft songs about them to sing in his clarion voice.
Phil has played at every one of the Acoustic Live Falcon Ridge and NERFA guerilla showcases ever since. She was asked to pick some songs, which were then arranged for her and she sang without playing piano (a€?weird for me,a€? she said). Using overdubs, Trina provided back-up harp throughout the entire song, as well as the harp solos that are in the forefront along with her lead vocal.
Working with Susan [Werner] has been amazing because she talks in those terms a lot and I know that I understand it.a€? All that Trina has experienced prepared her well for her supporting role with Susan.
She was asked to pick some songs, which were then arranged for her and she sang without playing piano (a€?weird for me,a€? she said).A  She performed with the orchestra for 11 straight days in front of an audience of a€?about five thousand peoplea€? each time. She thinks that perhaps watching the leader play harp gave her some insight into playing it.
Dionne Warwick was supposed to play at the final a€?Grandstanda€? show, but couldna€™t make it, so Trina filled in, along with Michael Johnson, a pop singer, the showa€™s opening act.
When another singer songwriter friend, for whom Trina sang backup vocals, asked Trina to play harp on a song, she demurred at first, but gave in. At 1:55, a blurry picture I took shows audience members gripping the struts of the canopy to keep our structure from blowing away.
Although the Montessori method eventually leads its students to sight reading, Trina refused. A couple of months later, the consultant got back and said that Susan needed a band during her Gospel Truth tour.
The stage was bigger than anything shea€™d ever seen, and when the lights were turned on, she couldna€™t see the audience - just a a€?black wall.a€? These days, the audiences are a lot smaller in the clubs, and when she plays festivals, large audiences dona€™t faze her. Her friend taught her how to a€?benda€? a note, it gave it more of a a€?voice.a€?A  Trina did it and liked it, then started a€?fooling arounda€? with harmonica. Another photo, also marked 1:55, focussed outside shows other vendor booths totally closed, their sidewalls violently billowing and rippling in the wind.
Another photo, also marked 1:55,A  focussed outside shows other vendor booths totally closed, their sidewalls violently billowing and rippling in the wind.
Finally, her teacher forced her to leave, saying she had to study with someone who would force her to read music.
She listened to albums by harp players, but that didna€™t help, so she just kept experimenting on her own.
She was fascinated by the rhythms she was getting - different than the ones she was singing.
No matter what I throw at you, you land on your feet.a€? Given that Susan constantly needs to change things up to keep it interesting for herself, Trina is the perfect band mate for her.



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