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This Helen Reddy lyrics are copyright by their rightful owner(s) and uuLyrics in no way takes copyright or claims the lyrics belong to us.
The iconic 1972 #1 song for Australian Helen Reddy, who also was the first Australian to win the Grammy award, and whose song became the unofficial anthem of the Women’s Lib movement. Note – the song has been uploaded (completely coincidentally) on the US Equal Pay Day (for women…), just reinforcing the message the song conveyed 40+ years earlier. This song has been locked and is considered "done." You need 600 IQ to add annotations to locked songs. Brad had gotten in touch with me through another performer about picking up a slot in our guerrilla showcase at the 2012 Northeast Regional Folk Alliance Conference. The performance that propelled the push for a feature article in these pages was at WFUV-FM DJ John Platta€™s May 2013 a€?On Your Radara€? session at NYCa€™s Rockwood Music Hall.
During the On Your Radar set we became more fully aware of why Brad can get this kind of support. In a suburb called Graymoor, on the south side of Chicago, Brad Cole spent what he calls a boring but safe childhood.
He got a drum kit for his bar mitzvah but, since they lived in a small house, the drums did not last long. In short order, they were headlining major venues in Chicago, talking to labels and setting up a tour. At this point Brad started to really listen to Bob Dylan, Woody Guthrie, Paul Simon and many other lyricists. He described the next step this way: a€?So I moved to East Nashville late in 2011, wrote a bunch of songs, found some great teachers and recorded a very simple album.
He has generated a loyal fan base that turns out for his shows and a€?that makes such a difference,a€? he said. At first listen, there appeared to me to be more similarities than differences between Exile and Down the Line.
The much-lauded lead track on Exile, a€?Come Home,a€? is an inspired song channeling a military man who wishes nothing more than to return home and leave the madness of war behind. The lead track, a€?Cry, Cry, Cry,a€? is crafted like a Rubika€™s cube, the lyrics and melody nimbly exploring the agony of love lost. We recorded Brad performing one of his new songs, a€?Union of Souls,a€? at the On Your Radar show.
One of the most effective examples of Brada€™s philosophy regarding his desire to mix styles is his collaboration with rapper Staff Johnson on the video a€?Killing Your Brother,a€? found on his website and on YouTube. Wherever he finds his inspiration, we know we can always count on a live performance from Brad Cole to inspire the rest of us. Brad a€?madea€? his mother take him to see the movie Woodstock before he was 10 years old.A  His earliest memory of playing was bongos along with his older brother and his friends while they played Kingston Trio and Beatles covers.
It wasna€™t until he was a sophomore at the University of Illinois that Brad picked up his first guitar. Brad has been touring nonstop now for three years.A  He does 120-plus shows a year, mostly east of the Mississippi.


I had no idea going in that Brad possesses the kind of talent that attracts top-flight backing musicians. He delivers mature, highly developed, radio-friendly songwriting and an assured stage presence. His roommate played blues harp through a little distorted amp and Brad decided it was cool so he kept playing. Therea€™s a stripped-down quality to Down the Line that allows a more intimate feel and a sense that Brad is drawing us much closer to him.
It offers hope in a new relationship: Between you and me I feel a spark, I feel your current radiate inside of me. It became clear to him that with the time he had left in his life, he needed to focus on his own artful expression of the truth and he needed to express that truth publicly.
He had just been divorced so the writing and recording of this album were full of anger and heartache. This is a heartfelt cry for a cease-fire in the gang warfare in his hometown of Chicago.A  The combination of music and grieving images is wrenching. We probably missed the years it took to develop that command, but the performera€™s execution gives the appearance of it always having been there. The group that gathered around him at Rockwood included genre-jumping bassist Craig Akin (Red Molly, among others), crackerjack drummer Joel Arnow (crisp and restrained, absolutely perfect) and Philip Sterk on pedal steel. After we got our communication strategy out of the way, Brad filled us in on how all this came to be. Count Basie, Benny Goodman, Ella Fitzgerald, Louie Prima and Frank Sinatra took their turns on the stereo. In a sort of limbo, describing that time, Brad says he a€?floated for a while.a€? Having married a few years before, he told me, a€?My daughter Rachel was born, which was a gift from God.
He began hanging around the Old Town School of Folk Music in Chicago and became part of its monthly songwriters group, Songwriters Forum, which was similar to the late Jack Hardya€™s weekly Songwritera€™s Exchange in New York. The album, Down The Line, has done exceptionally well in terms of airplay and sales, but the songs lend themselves to whoever I am playing with, and on stage, these songs take on a life of their own.
If Exile was Brad doing a somersault on solid ground, on Down the Line, hea€™s doing cartwheels on a tightrope in mid-air. However, that said, ita€™s all done so deftly that ita€™s obvious Brad could have gone on indefinitely, making good money fronting rock bands in clubs.
He asked himself, a€?How am I going to make this work?a€?A  He had saved a little money for his daughter Rachela€™s schooling, so he felt safe in taking the next step. If a tear doesna€™t slide down your cheek as you watch this, better get your pulse checked.
We managed to catch him live at another showcase and he stuck out like a GQ cover model strolling the Bowery. When Brada€™s older brother and sister came home from college, they brought home a deluge of rock a€™na€™ roll. Brada€™s new impetus was writing songs that were universal, that described the human condition, both othersa€™ stories and his own.


It took a strong urge to create a more sublime version of lifea€™s truths to pry him away from repeating that pattern. Brad told her he had quit his job and was going to hit the road to try to break away from the rock a€™na€™ roll patterns hea€™d developed in Chicago. It took a strong urge to create a more sublime version of lifea€™s truths to pry him away from repeating thatA  pattern.
His voice has a sharp, unerring, laserlike quality, homing in on those uneasy truths most of us evade. I asked Brad how he found Philip, and he replied, a€?Philip was on tour when I heard him playing at The 5 Spot in East Nashville and I started stalking him.a€? Ita€™s obvious why. He didna€™t break out of the rock realm immediately, but performed with a series of other bands in Chicago. I guess this was my problem with my old records and where I was as a performer five -10 years ago. While Brad was not entirely satisfied with Exile, he had set the bar pretty high for improvement.
When I said that the set sounded very Nashville-like, Brad responded, a€?Ita€™s not really what we are going for. Pepper, Frank Zappa, Blood, Sweat and Tears, The Beach Boysa€™ Pet Sounds, The Whoa€™s Tommy, James Taylora€™s Sweet Baby James, Elton Johna€™s Tumbleweed Connection, Blind Faith, and Santanaa€™s Abraxas. I get that comment quite a bit and I guess ita€™s because Philip is so present on pedal and dobro, but he isA hugelyA versatile a€” classic country licks in his sleep and Hendrix kind of stuff before breakfast.a€? The wildest part of it is that Philip lives in New York. However, Brad described it as a€?still the same sort of club-rock music.a€? He had fun and grew as a player, but outside of the banda€™s friends and family, no one noticed. A  I learned something from every man I met or exchanged emails with, and Lou taught me a few words in Spanish.A  Ole! We can take a little walk, maybe get our feet wet, and then lie on a blanket and listen to the waves. I do the same thing myself, when the mood strikes.A  And how about this for being an "in tune with women" kinda guy?A  A few days after I had ordered myself 2 new green dresses and several in black to add to my collection from a mail order company named Newport News, he sent an email asking:A  "So, what are you wearing right now? A  For Christ Sake!!A  How about saving the Taxpayers a buck?A  In addition to that $6 million you've already blown by hovering and covering me, and scheduling a proper Face to Base meeting in your office; at my convenience? Dramatic, but no drama.A  Short black skirt, or long black dress?A  Heels or boots?A  Camo, or commando? Until then, as in the end,there is much more to come.A A A  Once Upon a Time, a little mushroom popped through the moss covered ground of the Southeast Alaska Rainforest. Grant, Attorney at Law, Juneau, AK From Wedding Bells to Tales to Tell: The Affidavit of Eric William Swanson, my former spouse AFFIDAVIT OF SHANNON MARIE MCCORMICK, My Former Best Friend THE AFFIDAVIT OF VALERIE BRITTINA ROSE, My daughter, aged 21 THE BEAGLE BRAYS!
HELL'S BELLS: THE TELLS OF THE ELVES RING LOUD AND CLEAR IDENTITY THEFT, MISINFORMATION, AND THE GETTING THE INFAMOUS RUNAROUND Double Entendre and DoubleSpeak, Innuendos and Intimidation, Coercion v Common Sense, Komply (with a K) v Knowledge = DDIICCKK; Who's Gunna Call it a Draw?



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