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The folk instruments used to accompany Punjabi folk music reflect a cultural contiguity extending right across the length and breadth of Asia, material proof of influences from as far away as Greece and China. This instrument consists of skin stretched over a circular, wooden frame about 15 cm in diameter and about 10 cm wide. Popular among bhands and naqqals, its notes punctuate the recitation of tales such as Raja Bharatahari and Rani Pyungl and accompany singers at jalsas and akharas.
The influence of the sitar is only as far as the tying the parda to the tana of the dand is concerned. Similar to the nagara, this war-drum with tassels all around the rim was mounted on horses, camels or elephants. Modern sarangies contain thirty five to forty sympathetic strings running under the main strings. The tabla pair of tuned drums played with both hands, is the principal percussion instrument used in North Indian classical music. The pair of drums consist of a high-pitched, precisely tuned right hand drum, the dahina (also called dayan or tabla), and a low-pitched, less precisely tuned left hand drum, the bayan. The taus is painted in all of the bright shades of the beautiful bird, the peacock, in its sound structure. The field of Arochology that is very similar to Reflexology is a technique named Reflex Stimulation. A reflex action, also known as a reflex, is an involuntary and nearly instantaneous movement in response to a stimulus. In Baby and Infant Massage we concentrate on the reflexes usually only observed in human infants. The field of Arochology which links with Acupressure is the study of Reflex Stimulation and the use of pressure on specific parts of the body e.g.
This technique is very helpful to treat substance abuse and drug addiction such as drugs, alcohol and smoking.
Referring back to substance abuse and drug addiction, a combination of techniques are used in any one treatment, such as lymphatic drainage, detoxification, psycho analysis, etc. Arochology is a multi-disciplined profession in which  a variety of skin and body conditions are treated in a holistic and health-related manner. The stretch reflexes (often called deep tendon reflexes, though not to be confused with Golgi tendon reflexes) provide information on the integrity of the central and peripheral nervous system. While the reflexes above are stimulated mechanically, the term H-reflex refers to the analogous reflex stimulated electrically, and Tonic vibration reflex for those stimulated by vibration.
Automatic behavior, or self-acting, is the spontaneous production of often purposeless verbal or motor behavior without conscious self-control or self-censorship. Automatic behavior can also be exhibited whilst in the REM state ─subjects can hold conversations, sit up and even open their eyes. Research, indicates that out of 87 instruments used by Punjab's folk musicians during the past century, 55 are still intact, 13 can be described as vanishing and 19 are long since gone.
It is held in one hand or in the crook of an arm and tapped with the fingers or struck with a stick.
It is played in a seated position, the tabli sound box held in the lap of the performer and the eight- inch long dand, neck resting against the left shoulder.

Out of the four main strings which are touched by the gaz, the first one is known as the baz.
A cord fixed to the head jerks the galad up, producing a sharp click and at the same time bells tied to the galad's tail jingle. It used thick mule-skin for the head to produce a loud note and was beaten to warn of impending attack.
Its beat heralded the arrival of kings and princes and meant that the army was marching into battle. A tapering, wooden, hollow cylinder about 60 cm in length and 90 cm in diameter at the centre, the diameter of the right head is 16 cm and that of the left head is 25 cm.
Two groups of wires called taraps are stretched on the frame; a group of four above and seven below.
This accompanys the artists and is an ideal instrument for producing all types of Gamks and Meends.In Punjab, this instrument has been adopted by folk performers, naqqals, legendary performers, dhadies and devotional musicians. Its long tail serves the purpose of the finger board of the instrument, upon which nineteen metal frets, elliptical in shape, are tied with cotton or silken cord. Newborn babies have a number of reflexes which are not seen in adults, referred to as primitive reflexes. The candidate who wishes to be free from drug addiction is taught a method of thinking similar to subliminal thinking. Such as in Somatology, a holistic approach is the cornerstone of all treatments, where all aspects of the individual are taken into consideration, i.e.
Generally, decreased reflexes indicate a peripheral problem, and lively or exaggerated reflexes a central one. Others of these involve just a couple of synapses to function (eg., the withdrawal reflex).
This condition can be observed in a variety of contexts, including schizophrenia, psychogenic fugue, epilepsy (in complex partial seizures and Jacksonian seizures), narcolepsy or in response to a traumatic event.
Those acts are considered sub-conscious as most of the time the events cannot be recalled by the subject. Some of these instruments survive in the folk orchestras, others have been adapted to the needs of the times. Mardana, the disciple of Guru Nanak, was a rababi and the instrument is mentioned in several verses of the Guru Granth Sahib.
The bayan provides the bass and is recognizable for its swooping bass sounds which provide colorful embellishment.
It has a sound hole at the ‘tail' portion of the instrument and stands on bird-feet carved in wood. A simple definition; Aromachology is the study of aromas while Arochology is the study of ultimate health.
Processes such as breathing, digestion, and the maintenance of the heartbeat can also be regarded as reflex actions, according to some definitions of the term. Some instruments like the taus are very beautiful but, with few players, are relegated to museums. No auspicious occasion is complete without songs sung to the accompaniment of this instrument.

The major difference between the two is that the sitar is plucked with the mizrab, whereas the dilruba is bowed.
The drum is metal-bodied, with one head, the membrane of skin stretched taut across the head and held with leather strips. In some parts a paste of sooji, flour, and water or boiled rice, water and ashes is applied.
The combination of the two drums lends itself to a vast repertoire of bol combinations and permutations. However, it doesn't just stop there because the study tries to find out the benefits of the different therapies to man.
It's common to see one woman beating the dholaki and another striking the body of the drum with a spoon to add to the music.
Since dilruba is bowed its ghori is styled like that of a sarangi but the dand is designed like the sitar. The dilruba was evolved in the 17th century as an alternative to the sarangi which had become associated with courtesans.
The head of the nagara may be a full 120 cm in diameter, the very smallest will not be less than 38 cm. On the right head siyaahi, a paste of iron filings, glue, carbon, etc., is applied in the centre.
The old rababs were inlaid with ivory and the wires were wound on pegs of deer or sambar antler. This instrument usually has three major strings of varying thickness and the fourth string is made of brass, used for drone. The parts of the bow include a wooden round stick, bow hair of horse tail, a wooden bridge, and a screw. Early instruments were decorated with giltwork and the gaz bore two or three tassles, usually red or green, on one or both ends.
It is beaten with a stick called a dagga or danka whose tip is wound with a long leather strip. Membranes can be tightened or loosened by adjusting the leather strips attached to their circmference.
The dagga may range from ordinary pieces of wood picked up along the wayside, to ornate wooden sticks, whittled and smoothened with pom-poms suspended from the ends.
However, the taus has a bigger sound box and therefore produces a much more resonant and mellow sound.
The nagara itself may have a fringe of small tassels along its rim or it may have pendulous woollen pompoms suspended by string or wool at two to three points on the instrument.

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